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Search Results: death-metal

  • Quebec Deathcore Force DISCOVERY THROUGH TORMENT's EP "Telesynthetic Rebirth"

     

    Saint-Jean-sur-Richelieu, QC, Canada deathcore force Discovery Through Torment is set to unleash their new EP, "Telesynthetic Rebirth," with an exclusive advance stream premiering on Decibel Magazine a full day ahead of its official release on December 5th. Fans can experience the band’s most ambitious and brutal work yet before it drops worldwide.

    Listen to the EP's full stream premiere on Decibel Magazine HERE.

    Formed out of a desire to push heaviness to its limits, Discovery Through Torment has carved a reputation in the Quebec underground for its uncompromising blend of slam, brutal death metal, and blackened atmospheres. Since their debut, "Divine in Blood" (2020), and the acclaimed follow-up, "The Mangled God" (2022), the band has evolved into a sharpened five-piece lineup, now fronted by vocalist Alex Desroches. With "Telesynthetic Rebirth," they deliver a bold new chapter defined by narrative-driven lyrics, cinematic scope, and relentless aggression.

    “On this EP, we took the time to experiment a lot and find the right balance between sounding fresh and staying true to our sound. It’s very dark and heavy, with sci-fi atmospheres and plenty of surprises. We are very proud of this one, it hits HARD,” adds the band.

    The EP plays out like a video game-inspired descent into collapse and conquest, pulling listeners through five chapters of divine downfall, human abduction, and engineered genocide. Musically, it balances towering, cinematic compositions with suffocating heaviness, fusing slam brutality and blackened deathcore atmospheres into a relentless narrative arc. It begins with "Dethronement," a grand opener announcing the fall of the Mangled God with epic scale, before plunging into "Arcane Inception," where crushing riffs expose the apocalyptic intentions of a new force rising from the ashes. The tone grows colder and more clinical in "Veil Unfurling," transforming captives into telepathic servants through a chilling blend of atmosphere and brutality. The intensity reaches its peak in "Lesions," a punishingly direct assault that warns of inevitable demise with twisted vocal lines and relentless weight. Finally, "First Encounter Assault Regiment" closes the record with a genocidal march, its towering chorus and cliffhanger ending leaving the storyline suspended in anticipation of the destructive chapter still to come.



    The EP’s artwork mirrors this ominous narrative, drenched in red hues and desolate landscapes that hint at alien origins and looming menace. Adding to its depth are several fun details: hidden nods to the first F.E.A.R. game woven into track titles and lyrics, the clinical edge of "Veil Unfurling" born from a binge of House M.D., and synth layers crafted in DIY fashion by guitarist Sam experimenting at home.

    For fans of Aversions Crown, Rings of Saturn, and Mental Cruelty, "Telesynthetic Rebirth" drops December 5th, 2025, on all major platforms.

    "Telesynthetic Rebirth" arrives December 5, 2025 is available for EP pre-order at https://discoverythroughtorment.bandcamp.com/

    Add to your Spotify playlist - https://open.spotify.com/artist/3cttRrJzJ5CxdMlaJPkNtq?si=WK9PdT1SQ-yZOes9PP50IA​​

    Track Listing:
    1. Dethronement - (4:36)
    2. Arcane Inception - (3:40)
    3. Veil Unferling - (4:29)
    4. Lesions - (3:35)
    5. First Encounter Assault Regiment - (4:19)
    Album Length - (20:39)

    Album Band Line Up:
    Charles-Étienne Lafrance - Drums
    Samuel Fortin - Guitar
    Frédéric Ricard - Guitar
    Alexandre Desroche - Vocals
    Alexis Lafrance - Bass

    Live Band Line Up:
    Charles-Étienne Lafrance - Drum
    Samuel Fortin - Guitar
    Frédéric Ricard - Guitar
    Alexandre Desroche - Vocals

    More info: Facebook.com/DiscoveryThroughTorment | Instagram.com/discovery.through.torment

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  • GRAVEWITCH Unleashes New Music Video "Mistress of Hate" from Self-Titled Album Out Now!

     

    Extreme metal duo Gravewitch have released their brand-new music video "Mistress Hate," a blistering visual companion to their self-titled album, which dropped this past June via Rock Sun Records. The release marks a defining moment for the band, showcasing their evolution from raw beginnings to a fully realised professional sound.

    Formed in 2013 by childhood friends Chris Fleming (guitar/vocals) and Andrew Ingraham (drums), Gravewitch was born out of a shared passion for heavy music and a desire to carve their own path in the underground scene.

    “We’ve been best friends since childhood and decided to create Gravewitch when we were sophomores in high school. This band has always been about pushing ourselves creatively and staying true to our vision,” says Fleming.

    Fusing elements of Black Metal, Thrash, Death Metal, Melodic Death Metal, and Cascadian Black Metal into a sound that is both punishing and atmospheric, Gravewitch is relentless, melodic, heavy, intriguing, and old-school.

    Gravewitch’s self-titled album takes listeners on a dark and diverse journey through ten tracks, each with its own distinct theme and musical identity. From the haunting portrayal of early 1900s insane asylums in Damnable Evil to the personal nightmare of sleep paralysis in Phantasm, the band blends thrash, black, and melodic elements with precision. Mistress of Hate revisits the brutality of witch trials, while Ritual Reanimation summons undead armies through thrash-driven intensity. Nature and atmosphere dominate Atmospheric Alterations, contrasting with the chilling true-crime narrative of White City Devil about serial killer H.H. Holmes. Woodland Trance evokes haunted forests with cascadian black metal textures, and Systematic Fallout delivers pure thrash chaos alongside the band’s first-ever guitar solo. War themes emerge in Operation Overlord, immersing listeners in the chaos of D-Day, while The Once Sacred Gift of Life closes the album with grief, mortality, and the origins of Gravewitch’s sound. Together, the record showcases the duo’s ability to fuse extreme metal subgenres into a cohesive yet varied listening experience.

    "Written during the chaos of 2020, our self-titled album reflects the uncertainty of the times. We had no idea if these songs were ever going to see the light of day. The chaotic energy of the world matched the diversity of the music, so we embraced different lyrical topics that had nothing to do with each other,” adds Fleming.

    The new video "Mistress Hate" captures the raw energy and occult-inspired aesthetic that defines Gravewitch. Filmed in South Wales, United Kingdom by Ritual Video, the clip features the same actress who played “The Witch” in the band’s debut video Circle of Power from their first album "The Summoning."

    Recommended for fans of Gravewitch's self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

    Bandcamp (CD) - https://gravewitchofficial.bandcamp.com/album/gravewitch

    Add to your Spotify playlist - https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM

    Track Listing:
    1. Damnable Evil (4:24)
    2. Phantasm (4:21)
    3. Mistress of Hate (4:13)
    4. Ritual Reanimation (4:35)
    5. Atmospheric Alterations (4:31)
    6. White City Devil (4:00)
    7. Woodland Trance (5:09)
    8. Systematic Fallout (4:21)
    9. Operation Overlord (5:27)
    10. The Once Sacred Gift of Life (3:32)
    Album Length: 44:38

    Band Lineup:
    Chris Fleming: Guitar/Vocals/Bass
    Andrew Ingraham: Drums

    More info: Facebook.com/gravewitch | Instagram.com/gravewitchofficial

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  • DEADWOOD Unleashes “Tales of Massacre”, A Brutal Glimpse Into Upcoming EP "Rituals of a Dying Light" (Innerstrength Records)

     

     

    Canadian deathcore juggernaut Deadwood has dropped their latest single, “Tales of Massacre”, a blistering and terrifying track inspired by the Salem witch trials. The song is the second single from their upcoming concept EP, "Rituals of a Dying Light," set to release on January 6, 2026, via Innerstrength Records.

    Formed in 2020 with the mission to “Make Deathcore Angry Again,” Deadwood has carved a reputation for delivering music that’s angry, aggressive, dark, heavy, and intense. Their latest offering is no exception; “Tales of Massacre” blends brutal technicality with eerie atmosphere, pushing the boundaries of modern deathcore while staying true to the genre’s roots.

    Deadwood’s forthcoming EP, "Rituals of a Dying Light," plunges listeners into a concept-driven nightmare, where each track draws from real-life horrors and urban legends. From tales of demonic possession to infamous historical crimes, the band channels the macabre through punishing riffs and eerie lyricism. The EP features chilling narratives like “Heretic,” a brooding account of a nun overtaken by darkness, layered with piercing solos that cut through the gloom. “Thirst for Blood” delivers a vampiric frenzy, blending punk-tinged rhythms with a dangerously infectious chorus. “Whisper of Death” slows the tempo for a sinister dive into the psyche of Jack the Ripper, while “Echoes of the Fallen” closes the record with a haunting instrumental drenched in lead guitar and ominous atmosphere. Marking a new chapter in Deadwood’s evolution, the EP introduces solos and melodic leads for the first time—adding depth without sacrificing the band’s trademark aggression.

    “We wanted this release to be scarier, heavier, and more extreme,” says founding member Fred Element

    Deadwood’s lineup includes veterans of the Quebec metal scene, Fred Element (ex-Plasma Riffle, ex-Ion Dissonance), Stephane Filion (ex-Nova Spei), and Charles-Etienne Lafrance (Discovery Through Torment, ex-Dismayed).

    Their writing process is collaborative, with each member adding their own flavor to Fred’s initial compositions. Lyrics are crafted to match the music’s atmosphere, drawing inspiration from horror, real-life tragedies, and the darker aspects of existence.

    Deadwood’s live performances are known for their chaotic, horror-infused energy. Their stage presence is designed to evoke terror — not just a band playing music, but a visual and sonic assault.

    “We don’t do small talk or funny vibes. We want to scare you. We want you to feel uneasy,” the band explains.

    Having toured Japan and the U.S., including a standout performance at Inkarceration Festival, Deadwood is now preparing to conquer Europe in 2026. Their relentless drive and commitment to intensity have earned them spots alongside acts like Humanity’s Last Breath, Born of Osiris, and Traitors.

    With “Tales of Massacre” setting the tone, Deadwood promises more music is already on the way.

    “We chose five tracks that share the same dark atmosphere. But we’re not done yet, fans can expect a lot from us, sooner than you think,” adds the band.

    For fans of Meshuggah, Whitechapel, Despised Icon, All Shall Perish, and Behemoth, Deadwood is a must-listen. Their sound is a terrifying blend of death metal and hardcore, crafted for those who crave pure brutality.

    "Rituals of a Dying Light" drops January 6, 2026, via Innerstrength Records.

    Add to your Spotify playlist - https://hypeddit.com/deadwood/talesofmassacre-1

    More info: https://linktr.ee/Deadwood.band | https://innerstrengthrecords.com/

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  • ANCIENT THRONES' New Concept Album "Melancholia" Plunges Listeners Into A Surreal Narrative

     

    Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, "Melancholia," on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.

    Described by the band as “the sound of existential exhaustion,” "Melancholia" is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.

    “This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.



    Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.

    “We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.



    "Melancholia" is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.

    Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.


    With "Melancholia" out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.​

    ​Album pre-order (Vinyl, Digital) - https://ancientthrones.bandcamp.com

    Track Listing:
    1. A Moon Fused Key (5:12)
    2. Achromatopsia (1:19)
    3. Melancholia (6:17)
    4. A Turning Point (5:46)
    5. A Pellucid Prism (4:26)
    6. Sacred Swollen Glass (6:16)
    7. Blight (2:18)
    8. A Pale Palace (4:55)
    9. Vacant (5:31)
    Album Length: 42:00

    Band Lineup:
    Dylan Wallace - Guitar
    Nick Leslie - Guitar
    Matt LeBlanc - Bass
    Sean Hickey - Drums & Vocals

    More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

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  • Ex-Nile Frontman Dallas Toler-Wade Revives "Annihilation of the Wicked" on NARCOTIC WASTELAND’s Fall Tour "Annihilation of The Wasteland"

     

    Narcotic Wasteland, fronted by ex-Nile guitarist/vocalist Dallas Toler-Wade along with drummer Joseph Howard (Fields of Elysium, Neuromorphic) and bassist Kenji Tsunami (Ontogeny), will be hitting the road for the "Annihilation of Wasteland Tour" (dates listed below). On this tour, they will be celebrating the 20-year release of "Annihilation of the Wicked", in which Dallas will perform two of the songs he wrote for the album: "Lashed to the Slave Stick" and "The Burning Pits of the Duat", giving Nile fans the unique opportunity to hear these tracks played live by the original voice and composer. Narcotic Wasteland will also be performing fan favorites and new material, including such tracks as "Barbarian", "Sex, Lies and DNA", "Introspective Nightmares", "Coastal Killings", "The Best Times Have Passed", and more!

    To mark the launch of their tour, the band is unveiling the official music video for "Introspective Nightmares" today, exclusively on Bravewords HERE.

    Narcotic Wasteland is a relentless force in the metal scene, delivering a crushing blend of technical precision, unyielding aggression, and raw energy. Fronted by Dallas Toler-Wade—renowned vocalist and guitarist best known for his work with Nile—he brings his signature technical prowess and intense energy to the band.

    On drums, Joseph Howard unleashes a torrent of precision and power, driving the band’s pummeling rhythms with thunderous intensity. His dynamic performance creates the perfect foundation for the band’s heavy and often dark sonic atmosphere.

    Kenji Tsunami commands the low end with inventive, hard-hitting bass lines that add both depth and texture, solidifying the band’s signature wall of sound. His stage presence and musicianship bring an extra dimension to Narcotic Wasteland’s live assault.

    Together, Dallas, Joseph, and Kenji forge an unstoppable musical unit—one that captivates audiences with high-octane performances and uncompromising compositions. With unmatched technical skill and a shared vision for pushing metal’s boundaries, Narcotic Wasteland stands as a true powerhouse in today’s extreme music landscape.

    Merch Stores:
    Narcotic Wasteland – https://shopusa.season-of-mist.com/band/narcotic-wasteland
    Dallas Toler-Wade – https://shopusa.season-of-mist.com/band/dallas-toler-wade

    Tickets & Tour Info:
    https://tr.ee/rZ3dOvB3TC

    Headlining Shows:
    9/03 – Madison, WI – The Annex
    9/04 – West Chicago, IL – WC Social Club
    9/05 – Flint, MI – Flint Local 432
    9/06 – New Haven, IN – Carl’s Tavern
    9/07 – Cleveland, OH – The Foundry
    9/08 – Rochester, NY – Photo City Music Hall
    9/09 – New Bedford, MA – The Vault
    9/10 – Raleigh, NC – Chapel of Bones
    9/11 – Spartanburg, SC – GroundZero (Special Guest to Crypta)
    9/12 – Chattanooga, TN – JJ’s Bohemia
    9/13 – Wallingford, CT – Cherry St. Station
    9/14 – Dunbar, WV – Live at the Shop
    9/15 – Charleston, SC – Tin Roof
    9/17 – Orlando, FL – Conduit
    9/18 – Fort Pierce, FL – Tipsy Tiki
    9/19 – Tampa, FL – Brass Mug
    9/20 – Long Beach, MS – Trax Bar & Grill

    Special Guest to Filth:
    9/21 – Atlanta, GA – Boggs Social & Supply
    9/22 – Pensacola, FL – Handlebar
    9/23 – Shreveport, LA – Strange Brew
    9/24 – Amarillo, TX – The Atomic Yellow
    9/25 – Denver, CO – Black Buzzard at Oskar Blues
    9/26 – Greeley, CO – Moxi Theater
    9/27 – Casper, WY – Wyoming Hardcore Festival
    9/28 – Colorado Springs, CO – Vultures
    9/29 – Lincoln, NE – Witches’ Brew
    9/30 – Nashville, TN – The End

    More info: https://linktr.ee/narcoticwasteland

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