Saskatoon, Canada's Pythonic return in 2026 with "Laws of Karma," their heaviest and most personal release to date. Arriving July 10th, the EP marks the band’s third chapter following 2025’s "Decomposition" and 2024’s "EP01", pushing their signature death‑groove sound into darker, more aggressive territory. The first single, “Sentience,” is streaming now.
​
Rising from the ashes of their previous lineup, Pythonic have rebuilt themselves into a tighter, more ferocious unit, aggressive, groovy, raw, thick, and dirty. The new EP captures that evolution with revamped tracks, sharpened performances, and a renewed focus on emotional intensity and extreme heaviness.
​
​“These songs mark the true step forward for Pythonic. Even the ‘worst’ track on the EP is still a killer. We’re driving the death‑groove harder than ever,” says the band.
​
​"Laws of Karma" delivers five tracks forged from hardship, recovery, and personal transformation, written during periods of physical limitation, disability, and emotional turmoil. The EP captures Pythonic’s resilience and their determination to create music that moved others, even when they themselves could not. Musically, the record pushes deeper into death‑metal and slam territory while holding tight to the groove‑driven backbone that defines the band, resulting in tighter rhythms, heavier riffs, ripping solos, and vocals that swing between grit, terror, and raw catharsis.
​
At its core, "Laws of Karma" is the final evolution of older, unrecorded material, now rewritten, re‑lyricized, and reborn through the current lineup. Tracks like "Venom," "Set You Free," "Feed the Flames," and the title track channel deeply personal experiences, religious critique, abusive relationships, supernatural horror, and the consequences of one’s actions. The EP’s artwork, created by @apocalyptic.nuke, depicts a figure impaled on a liberty scale in a hellscape, a stark visual metaphor for karmic justice that ties directly into the record’s themes.
​​
“This is the first set of music that is fully me. We made music to make you move when we ourselves at times could not,” says vocalist Morgan.
​
The lead single “Sentience” is Pythonic at their most emotionally charged. Written after guitarist Vincent returned from a nearly two‑year hiatus caused by injury, the track channels existential dread, rebirth, and the struggle to reclaim one’s identity. Lyrically, the song explores the chaos of awakening, questioning reality, confronting internal contradictions, and wrestling with the burden of awareness.
​
​“It’s as though sentience itself is calling out to you, telling you that you can’t escape it,” adds the band.
​
The track’s head‑banging verse riff, crushing chorus breakdown, and standout vocal performance from Morgan make it one of the band’s strongest singles to date.

Listen to "Sentience" at the following links:

Add to your Spotify playlist - https://open.spotify.com/track/0sgsoKfdkUTIGRKggTPNf3?si=7fb02f34759645b8​

​

In additional news, Pythonic will join Calgary’s Exit Wound for select Western Canada dates, bringing their destructive live energy to new cities. Known for their tight performances and explosive crowd response, Pythonic continue to build a reputation as one of Saskatchewan's most intense rising acts.

Tour Dates (with Exit Wound):
​May 28 – Regina, SK – The Exchange (Club Side)
May 29 – The Pas, MB – Venue TBA
May 30 – Brandon, MB – The Hall
May 31 – Winnipeg, MB – Sidestage
June 5 – Calgary, AB – The Rock Shop
June 6 – Edmonton, AB – Starlite Room (Temple Stage)

Track Listing:​
1. Laws of Karma (3:17)
2. Feed The Flames (3:52)
3. Set You Free (4:07)
4. Sentience (4:36)
5. Venom (2:59)
EP Length: 18:51

EP and Live Lineup:​
Morgan Warriner - Lead Vocals
Ryan Hunter - Lead Guitar
Vincent Kohut - Rhythm Guitar and Backing Vocals
Max Hiske - Bass
Jayden Warriner - Drums

More info:

​https://www.facebook.com/pythonicband

​https://instagram.com/pythonicband​

Edmonton, Canada’s heavy rock force, Famous Strangers, unveils the explosive single “Ghosts of Men” from their long‑awaited self‑titled debut album, co‑produced with Phil Anderson, mixed by Joel Wanasek, and mastered by Maor Appelbaum, set for release on August 21, 2026.

“Ghosts of Men” was originally somewhat written back when Braden, Beej, and Jeff first got together, but put on the back burner. It was then rewritten, including vocals, just three days before entering the studio. The track evolved rapidly into one of the album’s most personal and hard‑hitting tracks.

“Famous Strangers tear down the double standard with ‘Ghosts of Men,’ a track that hits as hard as the conversation it starts. Bold, unapologetic, and impossible to ignore,” adds Kiernan

The music video takes a wild, tongue‑in‑cheek look at the emotional chaos of being ghosted, an over‑the‑top visual interpretation of the song’s raw vulnerability.

Add to your Spotify playlist - https://distrokid.com/hyperfollow/famousstrangers/ghosts-of-men​

The self-titled album marks the band’s first full‑length statement after a run of well‑received singles and videos throughout 2024–2025, including "Deep Star," "George," "I’ll See You in the Stars," and "LSC". Built on decades of collective experience in the Alberta music scene, Famous Strangers deliver a sound that is unpredictable, moody, haunting, old‑school, and intriguing, a fusion of classic heavy rock energy with modern emotional depth.

Famous Strangers formed organically after years of crossing paths in the Edmonton scene. Guitarist Jeff Kittlitz and drummer Beej had accumulated several original songs over a decade of part-time jamming. Bassist Braden Sustrik and Beej had a history in other past projects, and he was integrated into the jams around 2018. When vocalist Amanda Kiernan joined in 2023, everything clicked instantly.

“The connection was undeniable, the energy and vibe were pure magic. The lyrics poured out of me as if they’d been waiting for this exact moment,” says Kiernan.

The self‑titled debut is built around a central theme: knowing your worth. Drawing from deeply personal experiences, the album explores self‑love, growth, resilience, and the journey of breaking free from what holds you back. Musically, it’s a dynamic ride through heavy grunge‑soaked riffs, explosive high‑energy moments, atmospheric breakdowns, and softer introspective passages. The band pushes genre boundaries, embracing creative freedom and emotional honesty. Tracks range from the empowering opener “Fire Inside”, to the punk‑driven alien‑abduction romp “Far Away from Home”, to the blues‑infused vulnerability of “Rain.”

Recommended for fans of Halestorm, Nothing More, Sevendust, Godsmack, Evanescence, Butcher Babies, and Bad Omens, the self-titled album is available for pre-order / pre-save (Vinyl/Digital) (Out August 21, 2026) - https://distrokid.com/hyperfollow/famousstrangers/famous-strangers​

Album artwork and track listing will be revealed in the coming weeks.

Upcoming Show Dates:​
June 27 - Decimate MetalFest - Millet, AB
July 3 - The Slice - Lethbridge, AB
July 4 - The Blox - Calgary, AB
Aug 6 through 20 - Western Canadian Tour
Aug 21 - Album Release Show 1 - Rec Room - Edmonton, AB
Aug 22 - Album Release Show 2 - Temple Starlite - Edmonton, AB

More info:

​https://www.famousstrangersband.com/​

​https://www.facebook.com/FamousStrangersBand/​

​https://www.instagram.com/famousstrangersband​

​
​

About: Famous Strangers is a heavy metal band from Sherwood Park, Alberta. Rooted in the classics and built for today, the band brings together four veterans of the Alberta music scene with over 20 years of collective experience. With four singles, a music video for every release, and a debut album on vinyl dropping in August 2026, Famous Strangers is all raw power, emotional depth, and a sound that refuses to sit still.

Progressive rock collective LUFEH will release their highly anticipated sophomore album "Overwhelmed" on May 29th, marking a major new chapter for the band as they continue to evolve their sophisticated fusion of prog rock, metal, jazz, and Brazilian musical influences. Fans will get their first chance to hear the full record a day early with an exclusive album stream premiere on TheProgSpace at https://theprogspace.com/lufeh-overwhelmed-album-premiere/​
​
The release follows a powerful run of singles that have steadily revealed the album’s musical depth and emotional range. “He Commands the Sun and the Stars”, the first single, is a rhythmically complex yet instantly memorable track that sets the tone for the album’s direction.
“Overwhelmed”, the cinematic title track featuring a standout violin performance from new featured vocalist Ginny Luke. “Double Dip”, a time‑shifting prog fusion piece highlighted by the exotic Bulbul Tarang. “War of Emotions”, the band’s heaviest single to date, explores the internal battles of the self.

​
Recorded at the legendary Sunset Sound in Los Angeles and produced by keyboardist Gera Penna, "Overwhelmed" represents LUFEH’s most refined and expressive work to date. While the band’s debut "Luggage Falling Down" leaned heavily into technicality, the new album strikes a deliberate balance: intricate musicianship paired with catchy, memorable vocal melodies designed to stay with listeners long after the songs end.
​​
“We still have that elaborate, complicated playing, but this time every song has vocal parts and choruses that are easy to remember and sing along to. It’s complicated music that’s also catchy,” says band founder and drummer Lufeh Batera.

​
The album also marks the arrival of Ginny Luke as LUFEH’s new featured vocalist and electric violinist. Known for her work with Foo Fighters, Britney Spears, Snoop Dogg, and more, she brings a dynamic voice and violin performances that add a new dimension to the band’s sound.
​
Though Lufeh Batera resides in Los Angeles and the rest of the band is based in São Paulo, Brazil, the group crafted nearly 70% of the album online, exchanging ideas daily and refining arrangements collaboratively. Longtime musical partners Deio Tambasco (guitar) and Duca Tambasco (bass) bring decades of chemistry, having played with Lufeh since the early ’90s.

​
The band’s creative process remains deeply collective, something Batera says defines their identity:
​
​“Our creative process is like a drawing that passes from hand to hand. Everyone adds their own stroke until it has the right colors and depth.”​
​
Across its eight tracks, "Overwhelmed" explores themes of pressure, renewal, duality, longing, and self‑reflection. From the rock‑opera drama of “Feels Like I’m a Ghost” to the uplifting message of “Breathe” and the spiritual catharsis of “End of the Tunnel,” the album blends technical mastery with emotional storytelling.

​
With influences ranging from Dream Theater and Rush to Vola, Tool, and Haken, LUFEH’s new album stands as their most cohesive and expressive work yet. It’s a record built for both musicians and melody‑seekers, complex, modern, refined, and deeply human.

Album pre-order (Out May 29th, 2026) - Bandcamp - https://lufehband.bandcamp.com/

Add to your Spotify playlist - https://open.spotify.com/artist/0an1zJbJGzCFkoXapSmjaB​​

Track Listing:​
1. He Commands The Sun and The Stars – 4:22
2. Breathe – 4:03
3. Double Dip – 4:39
4. Overwhelmed – 4:30
5. Feels Like I’m A Ghost – 5:43
6. Live The New Today – 4:50
7. War of Emotions – 3:50
8. End of the Tunnel – 4:18

Album and Live Band Line Up:​
Duca Tambasco – bass and backing vocals
Deio Tambasco – guitar and backing vocals
Gera Penna – keyboard and backing vocals
Lufeh Batera – Drums
Ginny Luke – vocals (featuring)

More Info:

​https://www.lufehband.com​

​https://www.facebook.com/lufehband​

​https://www.instagram.com/lufehband/​

About:

LUFEH is a progressive rock/metal band blending technical precision with emotional depth and genre‑bending influences. Formed by drummer Lufeh after a long hiatus from music, the band now features guitarist Deio Tambasco, bassist Duca Tambasco, keyboardist/producer Gera Penna, and vocalist/violinist Ginny Luke. Their sound draws inspiration from Dream Theater, Rush, Vola, Tool, Haken, and Brazilian musical traditions.

Australian gothic/modern metal act Victoria K unveil “Oh So Weary”, the first single taken from the upcoming album “The Pleasure Of Sorrow”.

With “The Pleasure Of Sorrow”, Victoria K moves toward a darker and more intimate sound, combining gothic atmospheres, modern heaviness, haunting melodies, and emotionally driven songwriting. The album expands the band’s sonic identity while exploring themes of grief, mortality, vulnerability, and rebirth.

“Oh So Weary” offers the first glimpse of this new direction through a composition that balances fragility, tension, and crushing dynamics. Layered arrangements, haunting melodies, and a sharp modern production approach - helmed by producer Lee Bradshaw and elevated through Lance Prenc’s mixing and mastering - shape a track that feels both massive and deeply personal. Additional electronic textures and sound design elements further reinforce the song’s contemporary edge and immersive atmosphere.

The single reflects on mortality and on the human body as a temporary shell inhabited by the soul. Recurring references to “home” and “house” symbolise physical existence itself, questioning what may remain once that form disappears.

Rather than relying on traditional genre formulas, Victoria K continues refining a sound built around atmosphere, emotional weight, and contemporary influences. Over the years, the Australian act has developed a distinctive identity within the modern gothic and alternative metal landscape through dynamic songwriting and cinematic storytelling.

Further details regarding “The Pleasure Of Sorrow”, including the album release date, will be revealed in the coming months. Stay tuned!

Listen to “Oh So Weary” here: https://lnk.to/b2R91u

​For fans of: Spiritbox, Evanescence, Lacuna Coil

VICTORIA K lineup:​
​
​Victoria Knight: Vocals
​Charlie Curnow: Extreme Vocals
​James Davies: Drums
​Ethan Collusi: Bass

BIOGRAPHY:

Emerging from the sepulchral mists and haunted landscapes of ancient myth, Victoria K cast a lengthening shadow over Australia and beyond. Leading the Australian Gothic Metal charge with soaring vocals, expansive melodies, and bombastic songwriting that draws on the resonance of the oldest tales and fresh emotion.

Victoria K first came to the notice of listeners with their single "Lacuna," which was distributed in Australia and New Zealand by Warner Music Group (Australia) and was an early taste of things to come with their debut album, "Essentia".

Soon after the release of the 2019 single "Lacuna" ahead of the band’s first album, Victoria K were invited to support Swiss Folk Metal legends Eluveitie at Melbourne’s Croxton Bandroom. Though this was Victoria K’s first live outing, they took the crowd by storm and left them chanting for more. This entry into the live scene set the stage for the release of "Essentia" perfectly.

The diversity of music across the "Essentia" album is showcased across the four single/video releases - "Essentia", "Forsaken", "The Haunting", and "Matrix". While "Forsaken" reaches into the darker corners of Victoria K’s musical palette, "Matrix," by contrast, is a fast and uplifting song guaranteed to get the blood pumping.

Just as Victoria K was about to play their first headline show, however, the world was plunged into the throes of lockdowns and the now-infamous pandemic. Even in the face of such a challenging time for the music industry, the band remained undeterred and performed a live show streamed directly from the studio, which was later released as the DVD "Essentia - Live Isolation Concert".

By the time the world opened up again, Victoria K were ravenous for touring and embarked upon an extensive trek across the Great Southern Land that took in capital cities and regional towns alike, from their hometown of Melbourne to Whyalla.

Even as they toured, Victoria K showed no sign of slowing down in their songwriting, and 2023 saw the release of their sophomore album "Kore". For this release, Knight drew on her own Greek heritage to weave an enchanting interpretation of the story of Persephone, including lyrics and chants sung in Ancient Greek to truly capture the epic tale.

The lineage from such luminaries of Gothic Metal as Within Temptation, Lacuna Coil, and Evanescence, as well as Prog/Power acts like Evergrey and Melbourne’s own Teramaze, to Victoria K is clear; however, with their latest release, Victoria K pays tribute to a more surprising inspiration, Madonna. In April 2024, Victoria K released their heavy rendition of the iconic 1998 ballad "Frozen", running the gamut from heavy riffs to more dulcet moments, giving homage to the soulful and introspective nature of the song.

In addition to Knight’s majestic lead vocals, Victoria K’s current touring line-up includes Charlie Curnow tearing up the stage on harsh vocals, Ethan Colussi holding down the bottom end on bass, and the indomitable percussive machine of James Davies on drums.

Victoria K has amassed over 475,000 streams on Spotify and accumulated over 717,000 views on YouTube, averaging over 90 hours a month of watch time, with Matrix achieving over 150,000 views. They also boast over 6300 Facebook, 4000 Instagram, and 2700 TikTok followers, as well as over 6600 YouTube subscribers and 1000 monthly Spotify listeners primarily in Australia and the US.

With Victoria K leaning into epic and fantastical tales, it’s only fitting that they supported Blind Guardian at the Northcote Theatre on Friday, February 9, 2024, and Katatonia at The Croxton on Saturday, February 10, 2024.

Victoria K’s have recorded their 3rd studio album, "The Pleasure of Sorrow." The details will be revealed in the coming weeks.

More info:
​https://rockshots.eu/​

​https://www.instagram.com/victoria_k_official/​

​https://www.facebook.com/victoriakofficial/

China’s most unhinged fusion of anime culture and extreme metal, Dehumanizing Itatrain Worship, return with their newest single “Yomi”, taken from their upcoming full‑length album "二次元コンプレックス 2D Complex" out this July 2026 through Stillbirth Records, the subsidiary label from Gore House Productions. ​
​
Known globally as “the best anime death metal from China,” the band continues to push their bizarre, hyper‑violent, kawaii‑infected sound to new extremes. With brain‑melting anime‑style melodies, high‑speed blast beats, and a chaotic blend of J‑pop, brutal death metal, blackgaze, and Japanese folk, DIW have carved out one of the most unique identities in modern extreme music.
​
Having toured extensively across China, Japan, and Europe, and appearing at major festivals including Deathfeast Open Air, Eastsea Metal Fest, Monster Kill EU Tour, and Shockwave Fest, along with sharing the stage with such bands as Suicide Silence, Stillbirth, Born of Osiris, Origin, Belphegor, Vulvectomy, and more, the band now prepares to unleash their most ambitious and personal work yet.
​
Today, the band unveils their new single "Yomi" featuring Alan Grnja (Distant). The song stands as one of the album’s most striking and emotionally charged tracks, blending DIW’s signature slam brutality with Japanese folk elements and a solemn, atmospheric tone.
​
​“‘Yomi’ features Alan Grnja from the Dutch deathcore heavyweights Distant. We blended in Japanese folk elements here. It’s solemn yet fierce, I think you guys are going to love it,” adds vocalist Kiryu.
​
The track follows the atmospheric piano interlude “Utsushiyo”, setting the stage for a descent into a mythic, folkloric underworld inspired by the character Acheron from Honkai: Star Rail.​

Add to your Spotify playlist - https://open.spotify.com/track/1fyoWtozo3cyRSOTiUrGuc

"二次元コンプレックス 2D Complex" marks a major evolution for Dehumanizing Itatrain Worship, both musically and lyrically. While the band first gained notoriety for their meme‑driven anime‑slam chaos, this album digs deeper into Otaku psychology, isolation, and emotional collapse.
​
​“We moved away from pure gore this time to focus more on anime culture, the hikikomori life, and my own mental state. These Otaku memes are just a shell. What’s actually inside is pain, hatred, and a genuine urge for self‑destruction. Imagine a car crash in Akihabara, that’s our music in a nutshell. We threw in everything from J‑pop and Blackgaze to Japanese folk. Every track is meant to stick with you. This album refuses to be boring,” adds Kiryu.​
​​
Dehumanizing Itatrain Worship was formed from the collision of Japanese animation and extreme metal. DIW has become one of the most recognizable names in the global slam scene. Their sound is fast, brutal, kawaii, weird, and funny, a chaotic blend that has earned them a cult following across Asia and Europe.
​
For fans of: Ingested, Vulvodynia, Within Destruction, and Maximum The Hormone.

Due out on July 10, 2026, from Stillbirth Records / Gore House Productions, "二次元コンプレックス 2D Complex" is available for pre-order / pre-save at: https://orcd.co/2d-complex​
​

Track Listing:​
1. Lucky☆Slam - 1:32
2. Slamonogatari (feat. Andrew Lee from Ripped to Shreds) - 3:57
3. Brutal Panzer - 3:14
4. Twisted Light (feat. Akihiro Muto from Agent 0) - 3:11
5. 苦痛昇天 (feat. Yui from Earthists.) - 3:03
6. Song of the Neet (feat. Yanchi from 5PM Promise and Matt Yakesh from No Face No Case) - 3:35
7. Utsushiyo - 1:38
8. Yomi (feat. Alan Grnja from Distant) - 4:01
9. 約束 (feat. Niik from Pale) - 5:51
Album Length: 30:03

Album and Live Band Line Up:​
Kiryu Zhang - Vocals
Xenochrist - Guitar
Zen - Bass
Shiru - Drums
Khezk - Composer

More info: ​Gorehouseproductions.com​ | Facebook.com/DehumanizingItatrainWorship | Instagram.com/dehumanizing_itatrain_worship​

Montréal technical death metal force Volubilis officially announce their highly anticipated debut album "Theasterion," set for release on July 10, 2026. The announcement arrives alongside the band’s first single, “Ashes & Embers,” now streaming on all major platforms.
​
Founded in 2020 by Afro‑Canadian multi‑instrumentalist and world‑builder Miguel Marcheterre‑Pina, Volubilis first emerged as a pandemic‑era solo project before expanding into a full lineup featuring some of Canada’s most promising extreme‑metal musicians: André Dubien (vocals), Jacob Collins (drums), Alexis Rioux (guitar), and Shawn Hillman (fretless bass). What began in a bedroom has since evolved into a multidisciplinary, lore‑driven creative universe, one that fuses technical death metal, visual storytelling, and ambitious conceptual worldbuilding.

Volubilis shape their identity through an intricate, hyper‑speed, melodic, modern, and fully immersive approach to extreme metal. Drawing from progressive and technical death metal, neoclassical and black metal, metalcore, and even classical and hip‑hop influences, the band pushes the genre into bold new conceptual territory. Powered by colossal blast beats, monstrous vocals, and soaring harmonies, "Theasterion" positions Volubilis as one of the most compelling new forces in the progressive and technical metal landscape. Their meticulous songwriting and expansive self‑built sci‑fi universe reveal a level of ambition rarely seen in a debut release.
​
​“This album represents a significant milestone, not just for us, but for the visibility of Afro‑Canadian and BIPOC artists in extreme metal. Theasterion is a legacy project. It’s meant to inspire others to pursue their creative visions, even with limited resources,” says Miguel.

"Theasterion" is a fully conceptual record that follows a sweeping science‑fiction narrative. Humanity, no longer able to survive on Earth, colonizes a satellite orbiting the planet Theasterion. When a mysterious monument, the Prism, appears, its glyphs reveal a prophecy foretelling the supernova of the nearest star, Unukhalai. The revelation fractures the colony, igniting political upheaval, a coup d’état, and a desperate expedition to the hostile planet below. There, the explorers encounter the Homo Cumulus, a non‑linear anthropoid species evolved beyond human comprehension. As tensions rise and resources collapse, humanity faces extinction long before the cataclysm arrives.
​
The album’s first single, “Ashes & Embers,” showcases the band’s signature blend of technical precision and cinematic intensity. Opening with a triplet‑driven riff inspired by Beyond Creation and Ne Obliviscaris, the track erupts into high‑velocity phrygian runs, a Necrophagist‑esque solo, and a dramatic tapping section that highlights the band’s world‑class musicianship.
​
Streaming now, “Ashes & Embers” offers listeners their first step into the vast universe of "Theasterion."

Spotify - https://open.spotify.com/track/2jL5Lvva0VYWoKfyvdcIec

Bandcamp - ​https://volubilisband.bandcamp.com/track/ashes-embers​
​
Recommended for fans of Beyond Creation, Vale of Pnath, Obscura, First Fragment and Ne Obliviscaris.

Album pre-order / pre-save available at the following links

Digital pre-save - https://distrokid.com/hyperfollow/volubilis1/theasterion​

Bandcamp - https://volubilisband.bandcamp.com/album/theasterion​

More info:

​https://bio.site/volubilis​

​https://www.facebook.com/profile.php?id=100093419962099​

​https://www.instagram.com/volubilisband/​

Montreal’s rising Blackened Thrash force SHROUD will release their long‑awaited debut album, "Pax Nocturna," on June 4th, 2026, delivering a ferocious first statement forged in chaos, philosophy, and pure extreme‑metal intensity. The band has already begun their ascent with two singles, “All Creation” and “The Eternal Void”, both now streaming and showcasing the band’s blistering blend of Black, Thrash, Death, and Melodic metal.
​
Formed during the isolation of the COVID‑19 pandemic, SHROUD began when guitarist/vocalist Matteo Conti approached drummer Zack Osiris with the idea of starting a new project while the world was locked down. Despite restrictions and the stigma of even leaving the house, the pair began writing in Montreal, crafting songs week by week and discovering a shared foundation of influences and vision. By 2022, as the world reopened, the lineup solidified with Justin Cournoyer on bass and Jordan Barillaro on guitar, a chemistry that immediately felt inevitable.
​
​“Once Jordan joined after our first show, it was clear this was the real beginning of Shroud. Everything since has been a train of reckoning, writing, performing, and bonding. The four of us feel truly united in what Shroud has become,” adds Conti.

​
​SHROUD describes their sound in five words: Blackened Thrash Metal, but "Pax Nocturna" expands that foundation with elements of Death Metal, Melodic Metal, and atmospheric extremity. Fans of Watain, Dissection, Hellripper, Skeletonwitch, and Necrophobic will find themselves right at home.
​
The band expects the album to resonate strongly with extreme‑metal listeners:

“Black and Thrash are the driving forces, but we pull from Death and Melodic Metal too. It’s meant to be a ride, fast, punishing, sometimes slowing down, but always taking you somewhere while staying true to the sound of Shroud,” says Conti.
​
Lyrically, "Pax Nocturna" explores Satanic Gnosticism, existential dread, anti‑religious critique, and the darker corners of human nature. Each track dives into a different facet of the void.
​
​“It’s the rejection of imposed order and the corruption of organized religion. It’s embracing the chaos we come from, acknowledging we are our own gods and masters. It is peace within the night. It is Pax Nocturna,” adds Conti.

​
The album was primarily written by Conti and Osiris, with Cournoyer and Barillaro shaping and refining the final structures. Newer material has become fully collaborative as the band continues to evolve.
​
The album artwork reflects SHROUD’s fascination with the occult and surrealism, drawing inspiration from Yoshitaka Amano, Zdzisław Beksiński, and dark fantasy imagery. Depicting the four band members in ritualistic worship of the demonic Archduke Murmur, the piece symbolizes philosophy, music, and the band’s unified creative force.
​
​SHROUD has already carved a reputation in the Quebec metal scene for their tightness, intensity, and unrelenting stage presence, sharing stages with Exciter, Midnight, Wraith, Goatwhore, Vitriol, Necrofier, Wormwitch, Spiter, Tomarumvoid, Angelus Apatrida, and Sorguinazia.
​
​“We play with vigour and hate, but also love and determination. Our presence and delivery stand out. It’s all or nothing.”

The band is set to support Atlanta's Tómarúm and LA's Gudsforladt alongside locals Black Market Fossil on May 28th at Piranha Bar in Montreal. Info at https://www.facebook.com/events/2763370517331518/​
​
Recommended for fans of Watain, Dissection, Hellripper, Skeletonwitch, and Necrophobic.

Listen to singles "All Creation" and "The Eternal Void" at the following links:

Add to your Spotify playlist - https://open.spotify.com/artist/60dzfqRWshGC9cqd0TbFIE​

"Pax Nocturna" is due out June 4th, 2026.

CD / Vinyl - https://shroudmtl.bandcamp.com/​

Track Listing:​
1. Pax Nocturna (0:43)
2. The Eternal Void (5:09)
3. The Zealot (5:15)
4. Merciless Tyrants (5:59)
5. Darkest Night (4:45)
6. Diablivion (5:28)
7. Death Blows Over (4:18)
8. All Creation (5:29)
9. Abaddon (7:55)
Album Length: 45:05

Album and Live Band lineup:​
Matteo Conti - Guitar and Vocals
Jordan Barillaro - Guitar
Zack Osiris - Drums
Justin Cournoyer - Bass

More info:

​https://www.facebook.com/profile.php?id=100086688022343​

​https://www.instagram.com/shroud.mtl​

Australian hard rockers Greystone Canyon unleash their explosive take on the legendary Led Zeppelin classic “Immigrant Song”, delivering the iconic anthem with raw power, grit, and unapologetic attitude.

The track is taken from the band’s third full-length album “Something Borrowed…Something New”, a record that perfectly captures the authentic spirit of Greystone Canyon: loud, direct, and fiercely organic. Recorded live in a single room without click tracks, heavy editing, or digital manipulation, the album embraces the timeless energy of classic rock records where feel and performance mattered more than sterile perfection.

Rather than reinventing the song, Greystone Canyon chose to honor its primal energy while injecting its own hard-hitting approach into the performance. The result is a version that feels immediate, visceral, and alive, staying true to the essence of the original while carrying the band’s unmistakable personality.

Accompanying the release is a completely handcrafted official video built around a striking claymation concept. Staying true to the album’s old-school philosophy, the animation features plasticine characters and construction-paper backgrounds, with every frame individually photographed to recreate an epic, Viking-inspired journey that perfectly matches the relentless drive of the track.

Claymation characters & animation: Dumindu
​Mixed & mastered by: Joel Taylor

“Something Borrowed…Something New” combines reimagined classics with brand new original material, creating a record that balances nostalgia, personality, and pure rock energy. It’s an album built on honesty, instinct, and the kind of human performance that modern productions often forget.

For fans of Led Zeppelin, Ozzy Osbourne, and Thin Lizzy.

"Something Borrowed… Something New" was released on December 5th, 2025, from Rockshots Records and is available on all major streaming platforms and physical formats.

CD - https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd​

Add to your Spotify playlist - https://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj

[embed]https://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj[/embed]

​

Track Listing:
​1. Doctor, Doctor (UFO cover) - 04:16
2. Just Got Paid (ZZ Top cover) - 03:35
3. Drives Us - 05:06
4. Immigrant Song (Led Zeppelin cover) - 02:21
5. Friend of the Fox - 03:57
6. Suicide (Thin Lizzy cover) - 05:14
7. Hey, Hey, My, My (Into the Black) (Neil Young cover) - 03:22
8. AAF - 1:47
9. Stealing Our Freedom - 04:26
Album Length: 33:54

More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official​

Embrace Of Souls proudly unveil "The Battle Of The Dead", the band’s new full-length album and most ambitious work to date, together with the release of the new focus track “Eversun,” further supported by a brand new Official Visualizer. Following the momentum generated by the previously released singles “Desolate Lands” and the album’s title track “The Battle Of The Dead”, the Italian power metal force pushes its artistic vision even further, delivering a record where epic storytelling, symphonic grandeur, and classic European power metal converge into a cohesive and emotionally charged listening experience.

Conceived as an 11-track fantasy concept, "The Battle Of The Dead" unfolds across a medieval world fractured into rival kingdoms where a mysterious plague begins corrupting human souls and slowly drags the continent toward an inevitable war between the living and the dead. Rather than unveiling every detail of the storyline, the band deliberately preserves the narrative’s mystery, inviting listeners to discover its deeper meaning through the interplay between music and lyrics. Themes of power, betrayal, sacrifice, and hope permeate the album, shaping a journey designed to be experienced in its entirety.

Musically, "The Battle Of The Dead" marks a decisive step forward for Embrace Of Souls. Firmly rooted in the legacy of ‘80s and ‘90s heavy and power metal while embracing the epic and symphonic scope of early-2000s European metal, the album delivers a sound that is both commanding and emotionally resonant. Driving guitar work, relentless double-kick rhythms, layered keyboards, and expansive choral arrangements form the backbone of the record, while the dynamic interplay between Giacomo Rossi’s powerful lead vocals and Martina Mazzeo’s operatic performances elevates the material with additional depth, contrast, and theatrical intensity.

Among the album’s standout moments is “Eversun”, the new focus track released alongside the album. Perfectly encapsulating the duality that permeates the entire record, the song balances darkness and melody through a powerful blend of energetic power metal, symphonic textures, and emotionally driven vocal arrangements. Defined by its dynamic pacing, triumphant melodic direction, and dramatic atmosphere, “Eversun” highlights the band’s increasingly mature songwriting approach while preserving the epic spirit that has characterized Embrace Of Souls since its inception.

Founded by drummer and composer Michele Olmi, Embrace Of Souls originally emerged as a studio project created to unite talented Italian musicians under a shared passion for classic heavy and power metal. Over time, the project evolved into a fully established live band, steadily refining its artistic identity while sharing the stage with renowned acts such as Stratovarius, Sonata Arctica, and Rhapsody of Fire.

The album also features a special guest appearance by Morby (Domine), further strengthening the connection with the most authentic tradition of Italian power metal.

The record showcases a particularly refined production, enhanced by the mix and mastering handled by Alessio Garavello at Rogue Studios in London, bringing out both the album’s powerful rhythmic impact and its rich melodic and symphonic atmosphere.

With "The Battle Of The Dead", Embrace Of Souls deliver their strongest and most complete statement to date: a record conceived not merely as a collection of songs but as a fully interconnected musical and narrative experience where epic power metal, symphonic atmospheres, and emotionally charged storytelling merge into a world waiting to be discovered.

​​

"The Battle Of The Dead" releases today, on May 22nd, 2026, in digital format and digipak CD edition, and will be available to be ordered at the following links:
​
CD DIGIPAK: https://rockshots.eu/products/embrace-of-souls-the-battle-of-the-dead-cd​
​DIGITAL: https://lnk.to/kwCVof​
​
​OFFICIAL MERCH: https://embraceofsoulsband.bigcartel.com/

For fans of: Rhapsody Of Fire, Stratovarius, Sonata Arctica, Nightwish.
​
​RELEASE PARTY: MAY 30th, 2026​
Embrace Of Souls will present The Battle Of The Dead live at La Cripta Club (Cusano Milanino, Italy), alongside Derdian, Drakkar and Axe Blade.

Track Listing:​
1. The Battle Of The Dead
2. Eversun
3. The Plague
4. The Gathering
5. Spine
6. Who Can Save Us
7. Betrayal
8. The Dark Lord
9. The War (feat. Morby)
10. Sacrifice
11. Desolate Lands
​
​Line-up:​
Giacomo Rossi – Vocals
Martina Mazzeo – Vocals
Edward De Rosa – Guitars
Xavier Rota – Bass
Davide Baldelli – Keyboards
Michele Olmi – Drums

More info: ​
​​https://www.rockshots.eu​

​https://www.instagram.com/embraceofsouls/​

​https://www.facebook.com/embraceofsoulsofficial/​

AITTALA (pronounced EYE‑tah‑la) has released the official performance video for “Blacklisted,” the third track from their second EP of 2025, "Ill‑Gotten Gains," out now on Exitus Stratagem Records.
​
The clip marks a milestone for the long‑running metal project; it is the first video to feature new bassist Dane Taylor, joining Eric Aittala (guitars/vocals) and Gary “Zeus” Smith (drums). The trio’s chemistry is on full display, delivering a tight, groove‑driven performance that captures the grit and weight of the track.
​
A groove‑ and sludge‑inspired standout, “Blacklisted” serves as the thematic counterpoint to the EP’s opening tracks “Isolation” and “Ill‑Gotten Gains.” Where those songs explore the chaos created by self‑serving actions, “Blacklisted” flips the perspective, calling out the people who manipulate, exploit, and leave destruction in their wake.
​
Musically, the song leans into thick riffs, a grinding mid‑tempo pulse, and the band’s signature blend of heaviness and melody. It’s a concise, punishing statement that reinforces why AITTALA’s sound remains difficult to categorize, and impossible to ignore.
​
Watch the video via its premiere on Metal Addicts HERE.

​
Released this past November, "Ill‑Gotten Gains" continues AITTALA’s tradition of blurring metal subgenres, pulling from traditional metal, doom, groove, progressive elements, and more to create a cohesive, emotionally charged experience.
​
The EP’s lyrics trace a path from chaos to consequence to the search for redemption, examining how people create disorder for personal gain, face the fallout of those choices, and grapple with whether forgiveness is still possible. Each track sharpens that arc: “Isolation” delivers doomy heaviness and shifting time signatures as it confronts consequences; “Ill‑Gotten Gains” rides a bouncing 8‑string riff into the mindset of exploiting chaos; “Blacklisted” uses groove‑sludge grit to call out manipulative behavior; “Ever After” offers a modern metal ballad of internal struggle and uncertain redemption; and “Ashes” leans into traditional heavy metal as it follows someone spiraling downward and pulling others with them.
​
The EP cover features an updated version of Frank, AITTALA’s long‑running mascot, a cartoon pig head inside a pentagram, created in 2014 for the album "Effigy." Frank represents the shady figure who helps acquire “ill‑gotten gains”…for the right price. His return on the cover ties directly into the EP’s themes of corruption, consequence, and moral decay.
​
​AITTALA’s sound resists simple labels, blending classic heavy metal, doom, groove, progressive and power metal, thrash, and hard rock into a style that’s distinctly their own. Lyrically, Eric Aittala pulls from the darker edges of human experience, crafting songs that balance heaviness with introspection.
​
Founded in 1991 in the Netherlands, AITTALA quickly became a staple of the Dutch metal scene, even opening for The Gathering and Sadist after releasing their 1993 EP "Selling Heaven."
​
After disbanding and later resurrecting the project in 2008, AITTALA released six full‑length albums between 2009 and 2022, followed by the "Machines" EP (2025). Each release showcases the band’s evolution while preserving their unmistakable core sound.

Recommended for fans of Mastodon, Eyehate God, Baroness, Crowbar, Katatonia, live music enthusiasts can catch AITTALA at the following show dates below.

Aittala Tour Dates (WV, VA, TN, NC)​
May 21 - Tilty McFlipperz - Martinsburg, WV
May 22 - The Spot on Kirk - Roanoke, VA
May 23 - Capones - Johnson City, TN
Jun 19 - Cannonball Music Hall - Raleigh, NC
Jul 31 - The Den | Winston - Salem, NC
Aug 7- White Rabbit Pub - Fayetteville, NC
Aug 29 - Scandals Live - Virginia Beach, VA

"Ill-Gotten Gains" (released Nov 21, 2025) is available from Exitus Stratagem Records - https://hypeddit.com/aittala/illgottengains

​

​

Track Listing:​
1. Isolation - 4:22
2. Ill Gotten Gains - 4:20
3. Black Listed - 3:35
4. Ever After - 4:29
5. Ashes - 3:50
EP Length: 20:37

Live lineup:
Eric Aittala - Guitars/Vocals
Gary “Zeus” Smith - Drums
Dane Taylor - Bass

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic

HELLMETALL unveil “Gemona Btg. Doesn’t Exist Anymore”, the second single taken from their forthcoming album "Mgla", set for release on September 4th, 2026, via Rockshots Records.

Emerging from the isolated mountain valley of Resia, on the border between Italy, Austria, and Slovenia, HELLMETALL continue to forge a deeply personal vision of Thrash/Death Metal rooted in memory, identity, and cultural heritage. What sets the band apart is not only the violent fusion of razor-sharp Thrash riffs, Death Metal aggression, and dark melodic undertones but also their uncompromising decision to perform entirely in Resian - the ancient Slavic language still spoken in Val Resia.

Far beyond a stylistic choice, the use of Resian represents the very core of HELLMETALL’s artistic identity. Through this endangered and highly distinctive language, the band forges local history into something visceral and immediate, preserving the voice, memory, and spirit of their homeland through extreme music. As vocalist and founder Daniele Micelli explains, "the project was born from the desire to merge aggressive metal with the folk traditions and cultural heritage of the valley where I grew up".

Musically, “Gemona Btg. Doesn’t Exist Anymore” perfectly embodies the band’s evolution toward a darker, heavier, and more mature sound. While early HELLMETALL material incorporated stronger folk elements and violin arrangements, "Mgla" pushes the band deeper into Death and Black Metal territories while retaining the melodic sensibility inherited from the musical traditions of Val Resia. The result is a sound defined by crushing riff work, relentless rhythmic intensity, and haunting melodic passages, balancing violence and memorability with remarkable authenticity.

Lyrically, the single continues HELLMETALL’s exploration of the traumatic events that scarred the mountains and borderlands surrounding their homeland during the First and Second World Wars. “Gemona Btg. Doesn’t Exist Anymore” is dedicated to the Alpini soldiers of the 8th Regiment Julia Battalion Gemona. After surviving the Albanian campaign against Greek forces, the battalion was struck by tragedy when the steamship Galilea, carrying the soldiers back toward Italy, was sunk by a British submarine. Most drowned at sea, while many of the survivors were later sent to die on the Russian front.

This historical and emotional depth lies at the heart of "Mgla" - a record whose title, meaning “Fog,” reflects the oppressive atmosphere surrounding the stories narrated throughout the album. Across its tracks, HELLMETALL channel the brutality of war, the oral memories passed down through generations, and the harsh reality of mountain life into an uncompromising sonic assault sung entirely in the language of their ancestors.

Following the release of the album’s title track "Mgla" earlier this year, “Gemona Btg. Doesn’t Exist Anymore” further confirms HELLMETALL as one of the most distinctive and culturally unique acts emerging from the contemporary extreme metal underground.

With an intense live activity already extending beyond Italy into Eastern Europe, including appearances at Austria’s Kaltenbach Open Air and a dedicated Polish mini-tour later in 2026, HELLMETALL are steadily expanding their presence while remaining fiercely connected to the identity and traditions of Val Resia.

"Mgla" will be released on September 4th, 2026.

Spotify - https://lnk.to/AxZae1​

​

PRE ORDER "MGLA": https://rockshots.eu/products/hellmetall-mgla-cd​

HELLMETALL lineup ("Mgla" era / until October 2025):

• Daniele Micelli: Vocals
• Damiano Biasutto: Guitar
• Matteo Cameran: Guitar
• Luca Fumagalli: Bass
• Gabriele Barbarino: Drums

Current lineup:

• Daniele Micelli: Vocals
• Damiano Biasutto: Guitar
• Matteo Cameran: Guitar
• Luca Fumagalli: Bass
• Federico Zuin: Drums

​

More info:

​https://www.rockshots.eu

​https://www.instagram.com/hellmetall_official/​

​https://www.facebook.com/HellMetAll.Resia​

After years of dormancy, reinvention, and sheer force of will, The Conflux Collective erupts back into the extreme‑metal landscape with the announcement of their long‑awaited debut LP, "In the Wake of Saturn," arriving June 19th, 2026. Alongside the album announcement, the band has released the first single and lyric video, “Reincarnation,” a ferocious statement of rebirth that sets the tone for the album’s uncompromising vision.

Born from a chance reunion between guitarist Chase Fraser (Continuum, ex‑Decrepit Birth, ex‑Animosity) and drummer Tommy McKinnon (Derelict, Akurion, ex‑Neuraxis, ex‑Augury), The Conflux Collective began as a spontaneous spark, one that quickly ignited into a creative explosion. Within their first hour of jamming, a full song had formed; within six weeks, their debut EP, "The Inception," was complete. But the band’s evolution was far from linear.

After life circumstances forced the project into years of silence, McKinnon resurrected The Conflux Collective with a renewed sense of purpose. Armed with unreleased material from Fraser and a determination to finish what they started, he rebuilt the album from the ground up, writing new songs, reconstructing arrangements, recording all bass tracks by ear, and crafting lyrics drawn from deeply personal turmoil, transformation, and catharsis.

To bring the record fully to life, McKinnon assembled a powerhouse roster of extreme‑metal vocalists whose performances became the album’s emotional core: Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator, ex‑Abnormality), Jeffrey Mott (The Monster Factory, Growlers Choir, Hollow), Eric Burnet (Derelict, Samskaras), and Max Lusier (Derelict), who also contributes a blistering guitar solo.

The result is "In the Wake of Saturn," a progressive, brutal, melodic, and deeply human exploration of loss, survival, and rebirth. Across eight tracks, the album bridges the raw ferocity of ’90s death metal with the precision and ambition of modern tech‑death, unfolding like a narrative guided by shifting voices and emotional intensity.

“In the Wake of Saturn is a journey through pain, fear, defeat, survival, and finally rebirth. It’s a transformative experience that was created out of the necessity for change… a true underground monster made for those who seek the unusual,” says Tommy McKinnon.

The album’s first single, “Reincarnation,” was originally written by Fraser during the project’s early years. The track embodies the album’s themes of resilience and renewal.

“The Conflux Collective lives again, and this song tells the story of rebirth and resilience… It gives an impression of how the album sounds as a whole, with all the elements explored in depth in the other songs,” adds McKinnon

Featuring a commanding vocal performance by Jeffrey Mott, “Reincarnation” delivers intricate drum work, uncompromising guitar lines, and the unmistakable intensity that defines The Conflux Collective's sound.

​

Though the project has no plans for live performances, The Conflux Collective stands as a testament to collaboration without boundaries, a convergence of some of extreme music’s most creative voices.

Recommended for fans of Cryptopsy, Necrophagist, Decrepit Birth, Augury, and Beyond Creation, "In the Wake of Saturn" will be available on all digital platforms as of June 19th, 2026.

Album pre-save - http://confluxcollective.bandcamp.com/​

Vinyl and CD pre-order - https://elasticstage.com/confluxcollective​

Track Listing:​
1. The Antidote - 3:02
2. Devoid of True Form - 2:39
3. Ethereal Executioner - 4:45
4. Devouring Light - 4:59
5. Blood from a Rock 4:18
6. Reincarnation - 3:20
7. In the Wake of Saturn - 2:29
8. Desperate Post-Humanist - 5:18
Album Length: 30:53

Album Band Line Up:​
Guitar: Chase Fraser (Continuum)
Vocals: Eric Burnet (Derelict), Max Lussier (Derelict), Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator), Jeff Mott (Hollow, Monster Factory)
Additional guitar, bass, and drums: Tommy McKinnon
Track 1,2, 3, 6. Music: Chase Fraser. Lyrics: Tommy McKinnon
Track 4. Music: Chase Fraser. Lyrics: Jesse Brint
Track 5, 7. Music & Lyrics: Tommy McKinnon
Track 8. Music: Tommy McKinnon. Lyrics: Eric Burnet

Album Band Line Up:
Guitar: Chase Fraser (Continuum)
Vocals; Eric Burnet (Derelict), Max Lussier (Derelict), Jesse Brint (Gross Misconduct), Mallika Sundaramurthy (Emasculator), Jeff Mott (Hollow, Monster Factory)
Additional guitar, bass and drums: Tommy McKinnon
Track 1,2, 3, 6. Music: Chase Fraser. Lyrics: Tommy McKinnon
Track 4. Music: Chase Fraser. Lyrics: Jesse Brint
Track 5, 7. Music & Lyrics: Tommy McKinnon
Track 8. Music: Tommy McKinnon. Lyrics: Eric Burnet

More info:

​https://www.facebook.com/confluxcollective​

​https://www.instagram.com/confluxco/​

Eternal Drak, the long‑running extreme metal force originally from Latin America and now based in Quebec City, Canada, known for its evolving blend of black, thrash, and death metal, announces the arrival of its sixth full‑length album, "The Violence of Time," a work that reframes time itself as the enemy of human meaning and will be released on out July 17th, 2026, on Canadian label FirstWave. Alongside the announcement, the band unveils the album’s first single, “We Force It To Speak.”​
​
Born, as the band puts it, “in the middle of a drunk among friends,” Eternal Drak has spent years forging a sound defined by varied rhythm and catchy aggression, shaped by decades within the metal underground. With this new album, the band reaches its most cohesive and intense expression to date.
​
​"The Violence of Time" is not a concept album in the traditional sense; it is a philosophical assault. Lyrically and musically, the record presents time as a hostile, eroding force that distorts memory, identity, and causality. The songs function as “violent theses,” each dismantling a human assumption about how time works.
​
The band explains:
​
​“Time does not accompany human beings; it subdues them. It does not flow; it imposes. It does not advance; it erodes.”​
​
Every track reflects fragments of a larger narrative inspired by a short story written for the album, an exploration of how attempts to understand time only warp it further.
​
Serving as the album’s opening strike, “We Force It To Speak” captures the essence of Eternal Drak’s new era. Rooted in black metal yet enriched with acoustic textures and dense atmospheric layering, the track establishes the album’s emotional and conceptual tone. Lyrically, it confronts the human obsession with explanation, how the act of observing or defining reality alters it beyond recognition. The band describes it as a reflection on “how the more we search for answers, the more certainty slips away.”

Eternal Drak’s evolution has been shaped by decades of experimentation, from analog distortion and classic pedals to modern digital textures. With "The Violence of Time," the band believes it has finally crystallized its definitive sound: aggressive, cohesive, and uncompromising.
​
Influences such as Dimmu Borgir, Watain, Kreator, Motörhead, and Desaster echo throughout the record, yet the album stands firmly in its own identity, extreme metal sharpened by introspection and conceptual depth.

Listen to “We Force It To Speak” at the following links:

Spotify - https://hypeddit.com/eternaldrak/weforceittospeak

​
​
Album pre-order (out July 17th, 2026) - https://eternaldrak.bandcamp.com/​

Track Listing:​
1. We Force It To Speak - 5:15
2. The Unborn Paths Rot - 3:51
3. Me Hice Simultaneo - 3:30
4. The Blasphemy of Time - 3:35
5. Chaos Is the Law - 3:34
6. Where Cause Is Buried - 3:55
7. Across the Watching Veils - 3:53
8. Breathing Once Again - 3:45
9. The Cosmos Rejects You - 4:09
10. No Direction Total War - 2:57
Album Length: 38:24

Album Band Line Up:​
Andres Martinez Torres (Drakar) – Voices, Lead Guitar, Bass
Michel Amyot – Rhythm Guitar

More info: http://www.eternaldrak.com | https://www.facebook.com/EternalDrak | https://www.instagram.com/eternaldrak​

​
Los Angeles symphonic‑metal hybrid Levinia has announced the release of their second single and music video of 2026, “Silver Tongues,” the next chapter in a four‑single rollout that marks the band’s most ambitious era yet. The track follows the success of their first 2026 release, “The Thorn.” It continues their collaboration with acclaimed producer Brandon Friesen, known for his work with Halestorm, Nickelback, The Hu, and Papa Roach.​
​
​“Silver Tongues” showcases a new facet of Levinia’s evolving identity, groovier, more rhythm‑driven, and deceptively restrained on the surface, while lyrically cutting deep. The band describes the track as a warning against the seductive pull of modern celebrity culture, where public figures are elevated to near‑religious status.

"We think fans are going to have a strong reaction to these upcoming releases because each song reveals a very different side of Levinia. “Silver Tongues” will likely catch listeners by surprise with its groovier, more rhythm-driven feel. It is a bit more restrained melodically on the surface, but the lyrical message is sharp and unsettling, which we think fans will connect with once they sit with the song. It’s about the danger of surrendering your identity to someone else’s narrative. It’s a rebellion against polished voices that promise certainty while quietly demanding conformity. Overall, we believe fans will appreciate not only the heaviness but the versatility. This is Levinia pushing into new territory while still maintaining the cinematic drama and emotional weight that listeners know us for," says vocalist Kourt Henson.
​
The single’s artwork reflects this theme with a commanding, mysterious figure pressing a finger to her lips, an homage to a striking behind‑the‑scenes photograph of Henson that inspired the visual direction.
​
​Levenia was formed in 2017 by drummer Dylan Suierveld and guitarist John Pinon Martinez, and has steadily transformed from a symphonic‑leaning project into a dark, modern, hybrid metal force. With the addition of lead guitarist Alon Mei‑Tal in 2020 and new bassist Liam Buckley in 2026, the band has sharpened its sound into something heavier, more deliberate, and more emotionally immersive.
​
Their 2026 singles represent the most refined version of Levinia that is aggressive, thought‑provoking, cinematic, melodic, and emotionally charged. Teaming up with producer Brandon Friesen has played a pivotal role in shaping the band's new chapter, helping them refine a pool of developing tracks into the four‑song arc planned for release throughout the year.
​
​“Silver Tongues” is only the second step in a four‑part journey. Each planned single to be released will reveal a different side of Levinia’s identity, pushing them into new creative territory while preserving the cinematic drama and emotional weight fans have come to expect.
​
​Levinia’s writing process has grown increasingly collaborative, with Alon and Kourt shaping the melodic and lyrical core before the rest of the band builds the dynamic foundation around it. This approach has led to music that feels more cohesive, more vocal‑driven, and more emotionally impactful.
​
Kourt’s lyrics draw heavily from personal experience, classical literature, and folklore, blending confession with gothic storytelling. The new singles embrace darker romanticism, haunting imagery, and a more mature narrative voice, marking a significant evolution from their earlier work.

Recommended for fans of Within Temptation, Amaranthe, Nightwish, Lacuna Coil, and Delain, listen to “Silver Tongues” at the following links:

Spotify - https://hypeddit.com/levinia/silvertongues

First Single - Music Video - The Thorn

​

Levinia:​
Vocals - Kourt Henson
Guitar - Alon Mei-Tal
Bass - Liam Buckley
Drums- Dylan Suierveld

More info:

​https://www.leviniaofficial.com/​

​https://instagram.com/leviniaofficial​

​https://www.facebook.com/LeviniaOfficial/​

Photo Credit - Ryan Rumpel - @rumpelstillcam ​

Let’s get ready to rumble! Canada has spoken. After months of fierce battles from coast to coast, WACKEN METAL BATTLE CANADA has revealed the 2026 national finalist, showcasing the strongest underground metal emerging from the scene today.
​
Following intense regional clashes, four bands rose above the rest to earn their place at the national final on May 9th in Montreal, QC, taking over Piranha Bar (680 Ste‑Catherine Ouest). There, they unleashed their might before a crowd of die‑hard metal fans and a judging panel of industry veterans, including Luc Laine (CFLX 95.5 FM – Alerte Metallique), Pierre Beaubien (CIBL 101.5 FM – Décibel Métal), Andrew Wieler (CJLO 1690 AM – Metal Director), Kaje Annihilatrix (Promoter, Freelance Metal Writer, Asher Media), Dany Soucy (Nova Spei, Bam&Co‑Heavy Label, Trois‑Rivières Metalfest), and Patrick Loisel (Augury).
​
Only one band could claim the crown, and BornBroken emerged victorious as Canada’s 2026 national champion, earning the honour of representing the nation at the 35th anniversary of Wacken Open Air and competing in the international Wacken Metal Battle, where bands from over 30 countries collide in a global showdown.

WMBC organizer JJ Tartaglia comments:

"Congrats to BornBroken, they are sure to tear it up at Wacken this summer and do Canada proud!"

BornBroken's guitarist and vocalist, Mike Decker, comments on their crowning:

"Winning the Canadian Wacken Metal Battle still hasn’t fully sunk in. We’ve spent years grinding through clubs, hauling gear through snowstorms, playing to half-empty rooms, and fighting for every inch as a band, so this means more to us than we can really put into words. To now represent Canada at Wacken Open Air is something we will never take for granted.

This win belongs to everyone who’s supported BornBroken over the years. Our families, our friends, the promoters who gave us chances, the people who bought merch when we were struggling to keep moving, and every single person who ever stood in front of the stage and gave us their energy. You carried us here as much as we carried ourselves.

We also want to give respect to every band that was part of this year’s battle. The level of talent, passion, and heart we saw was incredible. We may be the band getting on the plane, but we honestly feel like we’re carrying a piece of every one of those bands with us onto that stage in Germany. In our eyes, everyone who stepped into this battle and gave it everything they had is a winner.

We’re proud, we’re grateful, and we’re ready to give Wacken everything we’ve got..."

The final four who clashed at this year’s national final were:

BORNBROKEN (Montreal, QC) - 2026 National Winner

​https://linktr.ee/bornbroken​
​
​ASHES OF YGGDRASIL (Lloydminster, AB/SK)

​https://ashesofyggdrasilba.wixsite.com/ashesofyggdrasil​

EMPALEMENT (Victoria, BC)

​https://www.facebook.com/Empalement​

GRAVEARTH (Oshawa, ON)

​https://linktr.ee/Gravearth​

======

WMBC 2026 National Final Playlist: https://open.spotify.com/playlist/1Yizi851LwbShAduRaqHf3​

About Metal Battle:

The Wacken Metal Battle is an international metal music contest that culminates at the famous Wacken Open Air festival. It features the top bands from each nation, showcasing fresh and young metal music directly from the underground. The contest is open to unsigned metal bands and has become a significant platform for breaking through the local circuit. The 2026 edition of Wacken Metal Battle Canada is currently underway. The winner will have the opportunity to perform at Wacken Open Air, one of the world's largest metal festivals, attracting tens of thousands of metal fans from around the globe. For more information and updates, you can visit the official Wacken Metal Battle website - https://www.metal-battle.com/​

About Wacken Open Air:​
Wacken Open Air is the largest heavy metal festival in the world. Starting with 800 visitors in 1990, nowadays 85,000 fans from all over the world travel to Wacken every year, turning the small village in Schleswig-Holstein into the center of the festival scene for several days. The organizing WOA Festival GmbH is connected to a broad network, including band management, the Wacken Foundation, tour booking, music publishing, Travel & Stay, merchandising distribution, and ticketing. In cooperation with partners, these results in creative solutions and ideas that revolutionize the festival experience, enable technical innovations, and produce extraordinary event concepts. Wacken Open Air 2026 will take place from July 29 to August 1, 2026.

More info:

​https://www.facebook.com/WMBCanada.official​

​https://www.instagram.com/wmbcanada.official/​

Reunion Island thrash metal trio LOMOR is heading to Europe, launching a run of France and Belgium tour dates in support of their new album "Sabouk Rouge," with the trek kicking off at Hellfest. This band will be bringing their raw, creole‑infused thrash to some of the region’s most respected stages (dates listed below).

​
The tour supports their latest album "Sabouk Rouge," released this past February 2026 via Rockshots Records. Produced by the band, recorded and mixed by Sébastien Camhi at Art Music Studio in France, and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany, "Sabouk Rouge" expands LOMOR’s sonic palette while staying true to their primal thrash roots. With more Creole lyrics woven in at fans’ request, the album strengthens its cultural identity as it shifts through a wide range of moods.

“The tracks are all different, each bringing its own atmosphere. It’s still trash, but with a variety of flavors,” says Eric.
​
That diversity fuels a record that moves from the title track’s sharp satire of Réunion’s slavery legacy to the grotesque obsession of “Meet Your Meat,” the ritualistic mysticism of “Sanctuary,” and the blistering critique of religion in “La Haine.” The tone lightens with the street‑racing humor of “La Pouss’,” then darkens again with “Panzram,” exploring the roots of a killer’s hatred. The album revisits Eric’s past with a reimagined “Kit Ta Mère” before closing on “Nevroz,” a reversed, tongue‑in‑cheek remake born from a studio joke.

LOMOR has carved its identity as one of the most distinctive metal acts emerging from the Indian Ocean. Their sound, described by guitarist/vocalist Eric Castelnau (Babouk) as “creole thrash old‑school stuff”, fuses classic 80s thrash aggression with the cultural grit and linguistic identity of Réunion Island.

LOMOR began as a deeply personal project for Eric, who formed the band in 2018 after the passing of his cousin and brother, both former bandmates in his earlier project Black Babouk. The name Lomor, meaning “The Deads” in Réunion Creole, stands as a tribute to the people and memories that shaped his musical path.
​
Joined by drummer Gurvan Cambrai (Typhvs) (also of grind outfit Brvtal trve d'baal) and bassist Micha (member of a local Rage Against the Machine tribute band), the trio has forged a sound rooted in old‑school thrash but sharpened by modern production and raw island energy.

New album “Sabouk Rouge” is now available from Rockshots Records at the following links:

DIGITAL - https://lnk.to/th31Lt

CD ORDER - https://rockshots.eu/SaboukRougeCD​​

Lomor - Sabouk Tour​
17/06 — Hellfest - Clisson (FR)​
19/06 — B52 Music Club, Icheteghem (BE)
20/06 — Le Brewpeppes, Lille (FR)
21/06 — Carolo Culture, Charleroi (BE)
25/06 — Axis Musique, Toulouse (FR)
26/06 — Bulle de Son, Lyon (FR)
27/06 — TBA
18/07 — Studiotic, Sainte‑Clotilde (RE)​

Track Listing:​
1. Sabouk Rouge – 5:13
2. Tantine Lo Clou – 3:40
3. Meet Your Meat – 3:16
4. Sanctuary – 5:17
5. A Shiny Day For A Vampire – 5:14
6. La Haine – 5:06
7. La Pouss’ – 3:07
8. Panzram – 4:29
9. The Ugly, The Bad & The Bastard – 3:02
10. Kit’ Ta Mère – 4:24
11. Nevroz (feat. S. Camhi) – 2:34
Album Length: 45:22
​
​Lomor Line Up:
- Eric Castelnau (aka Babouk) – Vocals & Guitars
- Gurvan Cambrai (aka Typhvs) – Drums
- Mathieu Michalina (aka Micha) – Bass Guitar

More info:

​https://rockshots.eu/​

​https://www.instagram.com/lomor.music​

​https://www.facebook.com/lomormusic​

Melodic death metal outfit Accursed has released their powerful new single “Sever the Horizon,” a track that not only expands the band’s sonic identity but also serves as the creative catalyst for their forthcoming debut full‑length album. The LP is currently in pre‑production and scheduled to begin recording this summer, with a release date to be announced.

“Sever the Horizon” marks a pivotal moment for Accursed, musically, lyrically, and creatively. Built on intricate guitar work, shifting dynamics, and a heightened sense of compositional precision, the single represents the band’s most ambitious material to date.

“This single is a step forward for us. It’s more technical, more layered, and more deliberate in its composition. It pushes our sound into new territory while staying true to what defines us, and it really sets the tone for where we’re headed with the album,” says guitarist and primary songwriter Dave Lee.

Though written over a year ago, “Sever the Horizon” became the creative spark that shaped the rest of the album. Lyrically, the track explores the story of Richard “Sky King” Russell and the Horizon Air Incident of August 10, 2018, approached through an interpretive and human‑focused lens.

Rather than recounting events or glorifying actions, the band chose to explore the emotional and psychological space Russell may have occupied in his final moments, capturing the surreal beauty, fear, and uncertainty of a widely discussed tragedy.

“We intentionally avoided direct callouts or any attempt to explain or glorify his actions. The focus is on perspective and human experience. It’s a story that resonated with a lot of people when it happened, and we hope that the song connects similarly, maybe offering listeners something to reflect on and relate to in their own struggles,” adds Dave.

Accursed’s upcoming debut album sits at the intersection of melodic death metal, technical death metal, and deathcore, though the band emphasizes that the record is far more cohesive than a list of influences suggests.

Lyrically, the record will span mythology, historical practices, real‑world trauma, horror‑inspired concepts, and politically charged themes. The planned result is a body of work that is intense, unflinching, and intentional, with each track contributing to a larger sense of narrative tension and thematic purpose.

“Once we finalized ‘Sever the Horizon,’ everything else clicked. The songs that made the cut all share a certain weight and atmosphere; they feel like they belong in the same world,” says Dave.

Recommended for fans of The Black Dahlia Murder, At The Gates, Revocation, Wretched, and Angelmaker, “Sever the Horizon” can be heard at the following links:

Spotify - https://open.spotify.com/track/3AP0Geu8hDy6qq4dmIt7Fk​

Bandcamp - https://accursedct.bandcamp.com/track/sever-the-horizon

​

In additional news, Accursed will be taking the stage next month on June 6th for the Buffalo Gore Fest. Full details at https://www.facebook.com/events/2486073285145550/​

More info: https://linktr.ee/accursedct​

Finnish extreme metal force Torchia officially unleashes their fourth studio album “They Are Born Under Rules of the Darkness” today via Rockshots Records, marking the culmination of a campaign that has steadily elevated the band among the most compelling emerging names within the modern European extreme metal landscape.

Following the strong international response to the singles “Stygian Waters”, “Nekromanteion” and “Hellmouth”, the full-length now reveals the complete scope of Torchia’s most ambitious and conceptually cohesive work to date - an album where blackened melodic death metal, gothic horror aesthetics and orchestral grandeur converge into a singular artistic vision.

Hailing from Tampere, Finland, Torchia has spent the last few years refining a distinctive identity rooted in thrash-infused melodic death metal while progressively embracing darker atmospheres, narrative-driven songwriting, and orchestral arrangements. With “They Are Born Under Rules of the Darkness”, the band fully expands the cursed universe introduced across previous releases, transporting listeners into a grim 19th-century vision populated by occult rituals, infernal imagery, supernatural entities, and gothic horror-inspired storytelling.

Produced and mixed by Janne Saksa and mastered by legendary producer Dan Swanö, the album pushes Torchia toward a broader and more atmospheric sonic dimension without sacrificing the aggressive guitar-driven foundation that has defined the band since its inception. The result is a record that balances memorable hooks, crushing riffs, blackened atmospherics, and technical intensity with remarkable precision.

Tracks such as “Hellmouth”, “The Tiamat Machine” and “Sanguine Masquerade” showcase the band’s evolving songwriting approach, where triumphant lead melodies, dark orchestral passages and relentless extreme metal aggression coexist naturally. Meanwhile, songs like “Black Cat” and “Stygian Waters” reconnect with the rawer spirit of Torchia’s earlier material, creating a dynamic and absorbing listening experience that continuously shifts between violence, atmosphere, and melodic grandeur.

Speaking about the album, the band states:

“On ‘They Are Born Under Rules of the Darkness’, the cursed realm of Torchia is more realized than ever before. The strange tales of gothic horror come alive in a shadowed vision of the 19th century.”

And further adds:

“With ‘They Are Born Under Rules of the Darkness, ’ we tried to strike a balance between memorable songwriting and technical aggression. On this album, we are introducing a darker and more expansive soundscape to support the vivid storytelling of the lyrics, yet the musical foundation of Torchia remains in the guitar-driven extreme metal our fans know and love.”

Over the course of the campaign, Torchia has demonstrated a clear artistic evolution from the more traditional thrash-oriented roots of their early years toward a darker and more expansive sound, drawing comparisons to acts such as Behemoth, Cradle of Filth, and Children of Bodom.

With “They Are Born Under Rules of the Darkness”, Torchia does not simply continue the path opened by “Arcane Magicae” - they consolidate it with greater confidence, stronger songwriting, and a far more cohesive conceptual framework, delivering what stands as the band’s definitive statement to date and one of the most distinctive extreme metal releases to emerge from Finland in recent years.

“They Are Born Under Rules of the Darkness” is available now on all digital platforms and physical formats via Rockshots Records.

For fans of Behemoth, Cradle of Filth, and Children of Bodom.
​
​DIGITAL: https://lnk.to/TaBuRotd​

ORDER "They Are Born Under Rules of the Darkness" as CD HERE: https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-cd​
​
​ORDER "They Are Born Under Rules of the Darkness" as LP HERE: https://rockshots.eu/products/torchia-they-are-born-under-rules-of-the-darkness-lp​​

Torchia is proud to announce their "They Are Born Under Rules Of The Darkness" European Tour 2026​
With the addition of Berlin

Torchia is proud to announce their "They Are Born Under Rules Of The Darkness" European Tour 2026

With the addition of Berlin and Yverdon, the tour schedule is now complete! The cursed voyage begins with the album release weekend in Helsinki and Turku with Bloody Falls as the supporting act! The journey continues through the Baltics with As the Sun Falls
​
The band is honored to join the ’True Finnish Samurai Metal’ warriors Whispered in support of their ’Return of the Shogunate European Tour’ together with Scar Of The Sun and Ceremony!

8.5. FI Helsinki, Semifinal #
9.5. FI Turku, Nirvana #
13.5. FI Lahti, Ravintola Torvi *
15.5. LV Liepāja, Fontaine Palace &
16.5. LT Kaunas, Klubas Lemmy &
17.5. LT Vilnius, Paviljonas &
19.5. PL Warsaw, Metal Cave %
22.5. DE Berlin, Die Spirale %
23.5. DE Hamburg, Stellwerk %
24.5. DK Copenhagen, Stengade %
25.5. DE Oberhausen, Helvete %
26.5. CH Aarburg, Musigburg %
27.5. CH Yverdon, Les Citron Masque %
28.5. BE Kortrijk, Club DVG %
29.5. DE Leipzig, Hellraiser %
30.5. CZ Prague, Subzero %
31.5. PL Kraków, Club Gwarek %
13.6. FI Tampere, Kotelo %
# Co-headline with Bloody Fall #
* Lahti Metal BBQ Club with King Satan
& Baltics with As The Sun Falls
% Supporting Whispered with Scar of the Sun and Ceremony

Track Listing:​
1. Nekromanteion – 4:23
2. Hellmouth – 4:08
3. Into Hell – 3:38
4. Hellstorm – 3:55
5. Die Amour – 4:12
6. The Tiamat Machine – 5:39
7. Black Cat – 3:19
8. Stygian Waters – 4:05
9. Sanguine Masquerade – 4:46
Album Length: 38:05
​
​Torchia Line-Up:​
Nox: Vocals
Villemorte: Lead guitar, Vocals
Henri von Hardy: Guitar
Vulkan: Bass Guitar, Backing Vocals
Vincent Oscar Mill: Drums

More info:

​https://www.rockshots.eu/​

​https://www.instagram.com/curseoftorchia/​

​https://www.facebook.com/TorchiaOfficial/

Canadian extreme metal band Without Mercy will unleash their new EP, "Infinite Loss," on May 8th, delivering one of the most intentional, intense, and creatively defining statements of their nearly two‑decade career. To mark the release, the band has partnered with Metal Insider for the exclusive premiere of the full EP stream, alongside the debut of the lyric video for the title track, “Infinite Loss.”

The EP arrives following the rollout of previously released singles “Glass” and “The Saint,” each offering a distinct glimpse into the record’s emotional weight, sonic restraint, and thematic depth.

Guitarist DJ Temple describes "Infinite Loss" as the result of a transformative and deliberately uncomfortable creative process:
​
​“This was the first time we left home to make a record. We crossed borders, uprooted our routines, and committed fully to the process by living inside it for ten days. There was no comfort, no distance, and no way to step away.”​
​
The band built the EP around three songs that genuinely excited them, not as singles, but as statements. Every decision had to earn its place.
​
​“The result is something we are proud of, not because it represents a direction we chased, but because it reflects who we were in that moment and what we were willing to commit to,” adds Temple.
​
For the first time, Without Mercy worked with a producer at a deep structural level, embracing tension, disagreement, and collaboration as essential parts of the process.
​
​“This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right,” says Temple.
​
Lyrically, "Infinite Loss" is about being hunted, not once, but repeatedly. The threats shift, but they never disappear. Economic pressure, identity, time, survival, and expectation all close in at once. The record speaks to the modern experience across the Americas: not victimhood, but endurance under relentless pursuit.
​
Musically, the EP mirrors that pressure through repetition, density, and restraint. Riffs sit heavy and suffocating. Rhythms feel physical and deliberate. The aggression is controlled rather than chaotic, creating a sense of inevitability rather than release.
​
Opening title track, "Infinite Loss," with its repetition, density, and deliberate pacing, creates a suffocating sense of inevitability. Middle song, "The Saint", is the EP’s biggest stylistic departure, leaning into space, tension, and unfamiliar structure. EP closer, "Glass", interconnects riffs inspired by Meshuggah and Alluvial, tightening inward until the outro opens with scale and finality.

Without Mercy was formed in 2007, blending groove, extreme metal, and technical precision into a sound described as “heavy and insightful at the same time.” The band has shared stages with Cattle Decapitation, Aborted, and Death Angel, and has appeared as downloadable content in Rock Band 3, bridging gaming culture and heavy music.

Their discography includes "All Else Fails" (2007), "Without Mercy" (2009), "Reborn" (2014), rereleased as "Mouichido" (2016), and "Seismic" (2020). "Infinite Loss" marks their most focused and intentional work to date, a release built from collapse, rebuilt through discipline, and finished with absolute conviction.

Listen to the full EP "Infinite Loss" and the lyric video for the title track via its premiere on Metal Insider HERE.

EP "Infinite Loss" is available for pre-save at https://ffm.to/infiniteloss​

Track Listing:​
1. Infinite Loss - (4:15)
2. The Saint - (3:39)
3. Glass - (3:16)
EP Length: 11:11

EP and Live Band Line Up:​
Alex Friis - Vocals
DJ Temple - Guitars
Ryan Loewen - Bass
Matt Helie - Drums

More info:

​https://www.withoutmercyband.com/

​https://www.facebook.com/withoutmercyband​

​https://www.instagram.com/withoutmercyband​

Athens-based folk melodic death metal force Kosmogonia have released the official guitar playthrough video for “Oblivion”, a powerful, emotionally charged track from their sophomore album “Aella”.

Listen to single “Oblivion”: https://lnk.to/qJcMfa4z​

Driven by aggressive riffing, melodic lead work, and dark pagan atmospheres, “Oblivion” captures the band’s distinctive fusion of melodic death metal ferocity, symphonic arrangements, and evocative folk elements. The playthrough video offers an up-close look at the intricate guitar interplay and dynamic songwriting that shape Kosmogonia’s sound - balancing mythological grandeur with modern extreme metal intensity.

Formed in Athens in 2015, Kosmogonia have steadily established themselves within the European folk and melodic death metal scene through a sound deeply rooted in ancient mythology, pagan traditions, and epic storytelling. Their second full-length album, “Aella,” received strong praise across Europe and Latin America, earning recognition from Metal Hammer Portugal and expanding the band’s international visibility. Through Rockshots Records, the album now reaches a broader international audience while the band simultaneously works on new material for its next studio chapter.

Set in 350 B.C., “Aella” tells a tragic story of war, destiny, and forbidden emotion following the encounter between the Scythian princess Aella and the Greek mercenary Lykon during a brutal conflict between civilizations. Across the album, Kosmogonia combine dual vocal dynamics, atmospheric flute passages, layered orchestrations, and modern melodic death metal aggression into a powerful and immersive listening experience.

For fans of Eluveitie, Ensiferum, Epica, and Nightwish.

Listen to “Aella”: https://lnk.to/w3NtMoYV​

​

Kosmogonia Line Up:

Dimitra LeFay: Vocals
Kostas Magalios: Vocals & Guitar
George Kanellopoulos: Guitars
Odysseus Poulos: Keyboards
Kyriakos Konstantinou: Bass Guitars
Alex Papavangelis: Drums
Ismini Vasileiou: Flute

More info: https://rockshots.eu/​
​Instagram: https://www.instagram.com/kosmogonia_official/​
​Facebook: https://www.facebook.com/Kosmogoniafolk​