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News

  • CRIPPLED BLACK PHOENIX Premier New Cover Album

    In light of the band's 20th anniversary, Crippled Black Phoenix are continuing their tradition of haunting homages. Horrific Honorifics Number Two (2) includes dark new covers that range from a faithfully fierce rendition of Fugazi's "Blueprint" to NoMeansNo, Deep Purple and Laura Branigan's Top 10 hit "Self Control".  

    Horrific Honorifics Number Two (2) comes out this Friday, November 29 on Season of Mist, but you can hear all eight haunting covers today by listening to the full album stream on the Season of Mist YouTube channel.  

    Listen 

    https://youtu.be/NFpAMIOCptw?si=-3jygRRR6ord3kb1


    Pre-order & Pre-save 
     

    Horrific Honorifics Number Two (2) is the second side of a new two-part compilation. The first revisits many of Crippled Black Phoenix's beloved endtime ballads. The Wolf Changes Its Fur But Not Its Nature  proves that this band stand the test of time. From the extended odyssey "Song For The Unloved" to lost classic "Whissendine", Justin Greaves (ex Iron Monkey and Electric Wizard), long-time vocalist Belinda Kordic and their trusted collaborators re-imagine their earliest introductions to the world.

    "It's unfortunate that many bands put out comps as stop-gap releases between albums", wrote Blabbermouth in their 8/10 review. "This is far from the case with this double-album compilationThe covers are enjoyable and marked by Crippled Black Phoenix's singular stamp. But there is no doubt that the revitalized re-recordings on The Wolf Changes Its Fur But Not Its Nature are the comp's focal point, expressions that are so distinct from the originals that it's almost like new music altogether".
     
    Follow Crippled Black Phoenix:

    Official Website: https://www.crippledblackphoenix.net/
    Bandcamp: https://crippledblackphoenixsom.bandcamp.com
    Facebook: https://www.facebook.com/CBP444/
    Instagram: https://www.instagram.com/cbp_444/
    Twitter (X): https://x.com/cbp_official/
    Spotify: https://open.spotify.com/artist/6WEyPcf9ezhNLm1xOBjbwH
    Apple Music: https://music.apple.com/artist/crippled-black-phoenix/251718934
    Deezer: https://www.deezer.com/artist/391823
    TIDAL: https://tidal.com/browse/artist/3607159

    Read more
  • DYNAZTY - Announce New Album 'Game of Faces'!

    Exciting news from Sweden!
    Power metal pioneers DYNAZTY announce their new album Game of Faces! Two years after their last long-player Final Advent, the Swedes enter a new chapter in their career, already introduced with pre-cursor release and single "Devilry of Ecstasy" in August.

    Today, DYNAZTY present their upcoming album Game of Faces which will be released on February 14th, 2025 via Nuclear Blast Records. For this special occasion, the band is not only releasing their second single, the title track 'Game of Faces', but they are also unveiling the music video for the song, which you can witness here: https://www.youtube.com/watch?v=f1UnL4OOsNY

    Singer Nils Molin comments: 
    "We are extremely excited about finally starting the campaign that will lead to the release of Game of Faces. We’ve worked on this one for quite some time and I’m sure the results will show and speak for themselves. Nonetheless, Game of Faces is one hell of a ride and one we’re damn proud of. Get on it now with the release of the title track as a single, one of the very first songs written for the album back in late 2022."

    Stream the new single here: https://bfan.link/game-of-faces
    Pre-order/pre-save Game of Faces here: https://bfan.link/game-of-faces-album

    Read more
  • Municipal Waste Adds Pre-Party to 25th Anniversary 'Spring Kickback' Weekend

    If there's one band who knows how to throw a rager, it's Richmond thrash kings, MUNICIPAL WASTE! The band is now inviting fans to kickoff their previously announced 25th anniversary 'Spring Kickback' weekend with a raucous pre-party! The 'Waste Kickoff' show will take place on April 10, 2025 @ Cobra Cabana in Richmond, VA and features performances by Asshole Parade, Morbikon, Stepmother, Suppression, and Shooting Pain.

     

    Municipal Waste frontman Tony Foresta comments, "Stoked to announce the pre-party at our pal Herbie's bar, Cobra Cabana, on Thursday night. Asshole Parade was one of the first bands we ever toured with and it's great to see them still ripping it up. This line up is surely going to be a memorable one. More crazy shit to be announced soon. Plan to stay in Richmond all weekend. Plan for a brutal hangover as well. Cheers!"

     

    The full festival schedule is now as follows:

     

    Waste Kickoff - Pre-Party [TICKETS]

    April 10, 2024 @ Cobra Cabana:

    Asshole Parade

    Morbikon

    Stepmother

    Suppression

    Shooting Pain

     

    'Weekend Kickback - Day 1 [TICKETS]

    April 11, 2024 @ The Broadberry

    Annihilation Time

    The Spits

    Bat

    Public Acid

    Special Guest TBA

     

    'Weekend Kickback - Day 2 [TICKETS]

    April 12, 2024 @ The National

    Municipal Waste

    Toxic Holocaust

    Midnight

    Excel

    Enforced

    Read more
  • SUBWAY TO SALLY Joins Forces with WARKINGS for Ultimate Anthem "Stahl auf Stahl" + Official Music Video!

    With their new single “Stahl auf Stahl”SUBWAY TO SALLY combine their signature sound with the driving power metal of WARKINGS, forging a true masterpiece together. The track seamlessly blends SUBWAY TO SALLY’s heavy riffs with a captivating chorus and vocals that reach new heights, offering a taste of their upcoming studio album, 'Post Mortem', set to release on December 20, 2024 via Napalm Records.

     

    “Stahl auf Stahl” is an anthem of resistance and strength. With lines like “Hämmern wir, so laut wie es nur geht, die Welt soll von uns hören” (“We hammer as loud as we can, so the world will hear us”), the song ignites a fire of courage that pushes the limits of what’s possible. It’s not only a hymn of bravery but also one of rebirth—like a phoenix rising from the ashes, escaping the darkness, and heralding a new day for us all.

     

    This impressive collaboration between SUBWAY TO SALLY and WARKINGS is reflected in the dual vocals, emphasizing themes of invincibility and an unbreakable sense of unity. But this won’t be the last time the bands join forces—both acts will take the stage together this December on the Eisheilige Nacht-tour.

     

    SUBWAY TO SALLY about the new single:

     

    WARKINGS are our co-headliner for this year’s Eisheilige Nacht! Their intense touring activities caught our attention some time ago, and we’re confident they will ignite a true metal firestorm and make the Eisheilige Nacht an unforgettable experience with their show. This collaboration quickly led to the idea of a joint song, which we wrote and, of course, performed together. 'Stahl auf Stahl' is a powerful medieval metal banger and an exciting experiment for both WARKINGS and SUBWAY TO SALLY – one that can truly be called a success!”

     

    WARKINGS add:

     

    “Joining the legendary Eisheilige Nacht-tour with Subway to Sally is like marching into battle with the mightiest warriors by our side!

     

    "And to make it even more epic, we forged 'Stahl auf Stahl', an anthem of steel and fire that will echo through the halls of Valhalla—and every stage we conquer together. Bring your helmets, folks—this is gonna be wild!“

     

     

    Watch the Official Music Video for "Stahl auf Stahl" HERE

    German Folk Metal Legends SUBWAY TO SALLY Celebrate Their Rebirth with Their 15th Studio Album!

     

    Not even two years have passed since the release of their previous record 'Himmelfahrt' in 2023, and initially, the band had secretly planned for it to be their last album. With a symbolic title, the genre-defining force from Potsdam, Germany intended to close their over 30-year career with dignity. But things took a different turn. SUBWAY TO SALLY undeniably struck a chord with the times, and the response to 'Himmelfahrt' was overwhelmingly positive from both fans and critics alike. After a tour with many sold-out shows, it became abundantly clear that their 14th album was not the final chapter. The album’s release unleashed an unstoppable sense of lightness and energy that sparked their creativity to such an extent that SUBWAY TO SALLY is now ready with their brand-new masterpiece, 'Post Mortem', following the fastest creative process in the band’s history.

     

    The new masterpiece begins with the explosive track "Phönix", which celebrates the creative rebirth of the folk metal institution. On 'Post Mortem'SUBWAY TO SALLY neither look back nor into the future, but rather delivers a sharp analysis of the present. Songs like "Wunder","Nero""Lumpensammler", and "Die Erde bebt" offer the band’s signature soundscape while exploring socially critical themes without moralizing. This serious side is contrasted by captivating tracks that celebrate life and the simple joy of music. The anthemic title track "Post Mortem", the rousing "Unter dem Banner", and the poetic ballad "Herz in der Rinde"unleash an uncanny joy of playing. All songs unite the band’s familiar trademarks of great melodies and profound lyrics but never feel redundant. The haunting "Atlas" melancholically draws on Greek mythology, while the folk metallers showcase a heavier yet melodic side on "Stahl auf Stahl". For this piece, they enlisted their labelmates Warkings as guest performers, whose power metal adds a unique flavor to the track. With English lyrics in the chorus, SUBWAY TO SALLY return to their roots. With "Kummerkind", the septet tackles mental struggles that many people cannot escape, once again proving their precise grasp of the zeitgeist.

     

    SUBWAY TO SALLY comment:

     

    "In this world of contradictions and changes, finding a voice seems difficult. But upon closer inspection, one finds parallels in history and art. What do Putin and Nero, Oppenheimer and Prometheus have in common? What rises from the ashes of Rome? Does history truly repeat itself – once as tragedy, the other time as farce?"

     

    SUBWAY TO SALLY skillfully explore this tension between past, future, and present, art and political reality with their music, making it clear with 'Post Mortem' that they are more alive than ever before.

    Get your copy of 'Post Mortem' HERE
    Read more
  • Retromorphosis Announce New Album 'Psalmus Mortis'

    True legends never die, especially in death metal.

    Having already reached unholy nirvana by their third album, in 2017, Spawn of Possession was put to rest. But like an especially pungent spore, the seeds of those most accursed influencers have been festering in their hallowed crypt, waiting to come alive and haunt the earth once again. 

    Such is the sordid backstory behind Retromorphosis. Jonas Bryssling and his Spawn of Possession bandmates have once again joined forces with ex-Obscura and Necrophagist guitarist Christian Muenzner. Only now, their proven chemistry explodes with even more deadly proficiency. They've added former Decrepit Birth drummer KC Howard to the equation, along with a few new, old-school bells and whistles.    

    With their first album, Retromorphosis emerge with the missing link in tech-death's evolutionary chain. Psalmus Mortis is almost a decade in the making, but its lead single "Vanished" shows that this band of fearsome players loom over metalheads' imaginations larger than ever. 

    Watch the haunting visualizer for "Vanished".


    https://youtu.be/m67EwWFp0GE

    Psalmus Mortis comes out February 21 on Season of Mist.

    Pre-order & Pre-save


    https://orcd.co/retromorphosispsalmusmortis 

    Spawn of Possession had the final nail hammered into its coffin nearly a decade ago, but time has only accelerated the mutation of Retromorphosis. The first offering from Psalmus Mortis comes screaming out of the shadows before quickly settling in to a bone-crunching riff that reeks of the old school. "I prefer my death metal to sound ugly and mean", Bryssling says with a satisfied grin. "Vanished" was one of the first songs that Bryssling wrote after he hopped back on the death metal songwriting minotaur, but the band continued to tinker with album's lead single after the other eight tracks were smashed into shape. 

    "There was no hesitation", Bryssling says about respawning with his old bandmates as Retromorphosis. With "Vanished", it's not hard to see why. Muenzner's freakishly fast solos are not for the squeamish. At one point, Casperon's bass line breaks into a ghoulish bounce, whisking the songs cosmic body horror into the light. "Fading flesh, his skin turning translucent", Röndum roars with laughter. All of the tales on Psalmus Mortis will test your sanity, though this song officially opens the album with a tale that reads like a twisted mirror image of Dorian Gray.  

    "I don't have to tell them much", Bryssling continues. "They know how it's done".

    So does their new drummer. "Everyone knows KC Howard is an insane talent", Bryssling says. Howard first etched his mark on the underground as the blistering heartbeat of Decrepit Birth. His non-stop pounding is the radioactive ooze that feeds Retromorphosis' frenzied nucleus. Even when "Vanished" slows to a crawl, his cymbal crashes and thunderous fills spell doom.

    But Howard isn't the only new blood injected into Retromorphosis. Psalmus Mortis was produced by Magnus Sedenberg, who's been their Swedish engineer du jour dating back to SoP's first two demos. But while the band opted for more raw production, they fleshed out their technical arsenal with some unusual instruments of torture. Amidst all its unflinching punishment, "Vanished" is backlit by a ghostly choir and synths that glow like a portal into hell.   

    "We had rules in Spawn of Possession", Bryssling explains when asked what separates Retromorphosis from their first mutation. "Everything had to always be so intense. Retromorphosis is more free. Psalmus Mortis can be eerie, doomy, or even quite simple".

    With "Vanished", one of the great legends of modern death metal reveal their gloriously grotesque new form. 

    The visualizer for "Vanished" was created by Riivata Visuals.
    Recording Studio:

    Pama Records AB, Kristianopel, Sweden
    Sharkbite Studios, Oakland, CA, United States

    Production Credits:
    Produced, Mixed & Mastered by Magnus Sedenberg at Pama Records AB, Kristianopel, Sweden

    Cover Art:
    Arif Septian (Poisondust)


    Booking information
    retromorphosis.contact@gmail.com

    Pre-save & Pre-order
    https://orcd.co/retromorphosispsalmusmortis 

     

    Available Formats

    Digital Download
    CD Digipack
    12" Vinyl (Black)
    12" Vinyl (Red and Black Marble)


    Follow Retromorphosis
    Spotify: https://open.spotify.com/artist/0fBVXSuBO4MlVPMmugfW7L?si=pzjuRGxDRCWvlSZtAETA-Q
    Apple Music: https://music.apple.com/ua/artist/retromorphosis/1503268871
    Bandcamp: https://retromorphosisofficial.bandcamp.com
    Facebook: https://www.facebook.com/retromorphosis.swe
    Instagram: https://www.instagram.com/retromorphosis_official/
    YouTube: https://www.youtube.com/@Retromorphosis_Official

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