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  • Ottawa's CAPITAL PUNISHMENT Opens Band Submissions For 2026 Festival Dates!

     

    Capital Punishment Festival is now officially opening band submissions for the 2026 edition, taking place November 27–29 across Ottawa’s ByWard Market. Presented by Chord Productions, the third edition expands once again with more venues, more artists, and even more chaos throughout downtown Ottawa.

    Supported by Ottawa Tourism, Capital Punishment Fest continues its mission to amplify Canada’s underground heavy‑music community, uniting national acts and rising local talent for three nights of relentless, high‑energy performances. Previous editions have featured Blackguard, First Fragment, Lutharo, Spectral Wound, Martyr, Dopethrone, and many more.

    Canadian bands interested in performing at this year’s festival are invited to submit materials for consideration. Capital Punishment Fest is seeking opening‑slot applicants from across the country, from emerging acts to seasoned underground performers ready to level Ottawa. All genres will be considered, including Metal, Punk, Hip Hop, EDM/Goth, Hardcore and Rock.

    Band submissions are now open. Artists can apply HERE.

    Festival Details:
    Capital Punishment Festival
    November 27–28–29, 2026
    Ottawa, ON - ByWard Market
    Multiple Venues
    Presented by Chord Productions
    Supported by Ottawa Tourism

    More info: https://www.chordproductions.com/capital-punishment.html

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  • SOCIAL SCREAM Release New Concept Album Setup To Transformation

    Greek heavy metal band Social Scream have released their new studio album, Setup To Transformation, now available worldwide through the major digital platforms.

    Presented as the band’s most ambitious work to date, Setup To Transformation is a ten-track concept album centered on transformation, self-awareness and the continuous pursuit of personal evolution. The record combines traditional heavy metal foundations with progressive elements, atmospheric arrangements and cinematic passages, creating a complete narrative rather than a simple collection of individual songs. 

    Divided into two parts, the album develops through crushing guitar riffs, dynamic compositions and reflective lyrical themes. Social Scream retain the energy of classic heavy metal while expanding their sound through intricate musicianship and a more immersive approach to songwriting.

    The album was preceded by “The Unified Field,” the first single and an introduction to the musical and conceptual direction explored throughout the record.

     



    Setup To Transformation Tracklist

    Part I

    Catalesis

    Catharsis

    Ensthynesthesis

    Paraclesis

    Regenesis (Instrumental)

    Part II

    Parallel Vision

    Now Command

    Soul Catcher

    The Unified Field

    A Timeless Framework of Existence (Terrence McKenna)

     

    The album was recorded, produced, mixed and mastered by Dimitris Sakkas at Dimons Creative Studio in Athens. Vocal recordings were completed with Louis Vlahakis at Think Recording Studio in Sparta.

    The band also worked with Giannis Pappas of Pappas Handmade Custom Guitars, whose instruments helped shape the sound of the album, while the artwork was created by Giannis Stergiou of DtopArt.

    Setup To Transformation is available now on Spotify, Bandcamp and other major streaming services.

    Listen on Spotify:

    https://open.spotify.com/album/2fabrwM8A8d8oK6vTECYCT 

     

    Social Scream:

    Website: https://social-scream.com/ 

    Instagram: https://www.instagram.com/social_scream/ 

    YouTube: https://www.youtube.com/@socialscreamgroup 

    Bandcamp: https://social-scream.bandcamp.com/ 

    TikTok: https://www.tiktok.com/@social_scream 

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  • MALEFIC Unleashes New Music Video for “Blood of the Throne” from Latest Album "Impermanence"

     

    Atlanta blackened death/thrash unit Malefic has dropped the official music video for “Blood of the Throne”, the explosive opening track from their latest album "Impermanence", released this past February via Terminus Hate City. The video marks a bold visual departure for the band, one that drummer/vocalist Aaron Baumoel calls “another form of artistic expression; another layer of depth to add to the media.”

    “Blood of the Throne” has long been one of Malefic’s most popular tracks, a blistering blackened thrash assault built on high‑speed precision picking, ornate drumming, and a soaring melodic break. The new video juxtaposes the band’s extreme‑metal identity with Atlanta’s dominant hip‑hop cultural influence, an intentional contrast that reflects the city they call home.

    Baumoel acknowledges that some viewers may misinterpret the imagery. Despite anticipating criticism, the band stands firmly behind the concept and the talented women who helped bring it to life. The track itself explores the crushing realities of capitalism and modern power structures.

    “People will always judge based on their preconceived notion of things without ever digging in below the surface. This is part of the sickness in our society. We all know who the real demons of our society are; we just don’t agree on what the solution is,” adds Baumoel.

    Following the video’s release, Malefic continues to push their latest album "Impermanence", a 40‑minute whirlwind of thrash‑driven drumming, melodic black‑metal atmospheres, technical death‑metal precision, progressive rhythmic shifts, and lyrics rooted in personal struggle, societal pain, and existential reflection. Mixed by Alex Parra, the record rejects the sterile, overly‑compressed production dominating modern metal, instead embracing nuance, dynamics, and human imperfection.

    “We wanted something that still showcased the nuances in the guitar work, the dynamics in the drumming, and allowed for mistakes. It just needed to feel human. The personal struggles, the current socio‑political issues, and the societal struggles all seemed extremely relatable… they tell the tale of the ever‑changing nature of life as a whole,” says Baumoel.

    Formed in 2007, Malefic set out to push blackened metal into a modern direction while preserving its weight and emotional gravity. Their current lineup features Aaron Baumoel (drums/vocals), Jason Davila (guitar), Doug Rosander (bass), and Sam Williams (Guitar) (also of Cemetery Filth, Jaeger). The band’s collective experience across Atlanta’s metal scene fuels their razor‑tight live performances:

    Recommended for fans of Old Man's Child, Carcass, Testament, Dissection, and The Black Dahlia Murder, "Impermanence" (released Feb 13, 2026) is available at the following links:

    Vinyl - https://www.terminushatecity.com/shop

    Spotify - https://open.spotify.com/album/3d9ZKsvOYoYC2gi0Jrqy6Y

    Track Listing:
    1. Blood of the Throne - [3:33]
    2. In Darkest Dreams (the Reaping) - [3:44]
    3. Of Gods and Man - [4:14]
    4. Idiocracy - [3:56]
    5. Deserter - [3:53]
    6. Disembodiment - [4:39]
    7. Obsidian Earth - [4:37]
    8. Echoes of Silence - [4:45]
    9. It Haunts - [4:01]

    Album Band Line-up:
    Aaron Baumoel - Drums and Vocals
    Devin Autry - Guitars
    Jason Davila - Bass and Lead Guitars
    Sam Williams - Lead Guitars

    Live Band Line-up:
    Aaron Baumoel - Drums and Vocals
    Jason Davila - Guitars
    Sam Williams - Guitars
    Doug Rosander - Bass

    More info: https://linktr.ee/malefic

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  • ESHTADUR Unveils Music Video “Into The Woods” From New Album "In Darkness All Shadows Gone" Out Oct 2026

     

    Colombian melodic black/death metal band ESHTADUR announce their new full-length album, "In Darkness All Shadows Gone", due for release on October 2nd, 2026 through Rockshots Records.

    The announcement is accompanied by “Into The Woods”, the first single and official video introducing the musical and conceptual journey behind the record.

    Developed over four years, "In Darkness All Shadows Gone" consists of twelve compositions combining melodic black and death metal, symphonic arrangements, layered vocals, Tuvan throat singing and atmospheric passages. Recorded with the Caldas Symphonic Orchestra, the album expands the band’s established sound while maintaining the combination of heavy riffing, dark melodies and orchestral textures that has shaped its identity.

    The album follows a conceptual journey through mysticism, transformation and inner transmutation. At the centre of the narrative stands The Crow, a shamanic figure moving between existence, death, emptiness and the unknown. Acting as both master and apprentice, The Crow guides the listener through a process of isolation, self-discovery and spiritual awakening, where darkness becomes not only an oppressive force but also a path towards understanding the self.

    Across the record, ESHTADUR explore the relationship between darkness and the light contained within each individual. The songs draw upon occult symbolism, cosmic philosophy, ancestral knowledge and human emotion, forming a continuous narrative rather than a collection of disconnected tracks. Musically, black and death metal alternate as leading forces throughout the album, supported by melodic writing, cinematic orchestration and folk-rooted elements.

    Jorg August comments on the creation of the album:

    “We worked on this material for four years. It is a long album with twelve tracks, symphonic arrangements, a real orchestra, many vocal layers and Tuvan voices. At times, it felt like a giant puzzle, but everything finally came together. We are proud of the result and grateful to everyone who helped us build it. A crow is calling.”

    The first single, “Into The Woods,” represents the call to initiation and the first step into the album’s inner world. The listener is invited to leave behind external noise and enter the forest alone, confronting silence, memory, and self-delusion. Inspired by contemplative philosophies and the idea of returning to nature as a means of self-discovery, the song presents the forest as both a physical place and a metaphorical descent into consciousness.

    Musically, “Into The Woods” combines fast melodic and aggressive guitar riffs, alternate-picked passages, dark orchestration, dissonant elements, ancestral chants and forceful vocals. The track establishes the balance between aggression, melody and atmosphere that continues throughout the album, while its lyrics address inner turmoil, past trauma and the need to confront fear before transformation can begin.

    The accompanying official video focuses on frontman Jorg August, who is guided by the symbolic Crow into the forest and towards the first dimension of the album’s narrative. The visual interpretation reinforces the song’s themes of solitude, initiation and departure, presenting the journey as an individual mission in search of a deeper understanding of the self.

    Listen toInto The Woods”: ​https://lnk.to/N8qobN

    "In Darkness All Shadows Gone" will be available from October 2nd, 2026 through Rockshots Records. The album can be pre-ordered now from the Rockshots Records store at:
    https://rockshots.eu/cuhb5ys9ncs1ndx

    The album was produced by Jorg August, who also wrote the music, lyrics, compositions, and orchestral arrangements. The recordings took place at RockStar Studios Colombia, while the orchestra was recorded at Batuta’s Theater in Manizales, Colombia. The album was mixed and mastered by Tomasz “Zed” Zalewski, with additional mixing and mastering by Chris Clancy on “Fire Above Mountain Below” and “Umbra.” The cover artwork was created by Valesia Obscura.

    For fans of: Septicflesh, Dissection, At The Gates.

    Track Listing:
    1. Age of Antumbra – 2:00
    2. Into The Woods – 4:41
    3. Umbra – 6:22
    4. August’s Burdens – 4:59
    5. Fire Above Mountain Below – 5:08
    6. Old Shaman Blind – 5:08
    7. Thunderground – 3:40
    8. Ruler of the Lake – 5:14
    9. A Black Winged Waltz – 9:23
    10. Nebulae (Virgo) – 5:09
    11. Omen of Millennia – 3:56
    12. Soy Real – 5:11

    ESHTADUR are:
    Jorg August – Vocals, guitars
    Camilo Barbosa – Lead guitars
    Andres Gonzalez – Bass
    David Lopez – Drums

    More info:

    https://rockshots.eu/

    https://www.facebook.com/EshtadurOfficial/

    https://www.instagram.com/eshtadur/

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  • DESTROY MY BRAINS Prepare to Unleash "WILT" - The Final Chapter of Their Trauma‑Forged Five‑Album Saga; Streaming Singles "OCI (Obsessive Compulsive Imploder)" and "Decontribute"

     

    From the frozen prairies of Lloydminster, Canada, doom/sludge cult Destroy My Brains unleash "WILT" on August 14th, 2026, the catastrophic final chapter in their long‑planned five‑album saga. Beginning with "Worthless" (2018), followed by "InsignifiCan't" (2020), "Lifeless" (2020), "Tormented" (2022), and now culminating in "WILT" (2026), the band has executed a conceptual arc conceived from day one, each release carving deeper into their signature themes of self‑destruction, trauma, and sonic decay.

    “We already picked the titles of the albums so that all the first letters would spell WILT,” says vocalist/guitarist Jarret

    Destroy My Brains deal in corrosive, melting, abhorrent, Crowbar‑worshipping sludge, and WILT drives that identity straight into the ground. The album hits with pounding grooves, chugs heavy enough to buckle steel, soul‑removing drums, and vocals that scorch everything in their path. Rather than reinventing themselves, the band sharpened their already‑lethal formula, each member pouring their own darkness into the record until it becomes a collective collapse. Frontman Jarret pushes deeper than ever, turning "WILT" into both a sonic beating and a personal exorcism.

    “We didn’t reinvent anything. We sharpened, hardened, turned it up louder… and put some of the darkest, most meaningful lyrics we have ever done. I got deep inside to a place of furious hate and pain… trauma I caused myself and others… self-destruction, dying, drug/alcohol abuse, and hatred towards others leading to their ultimate ruin,” adds Jarret.

    "WILT" unfolds as a seven‑part descent into psychological collapse and sludge‑soaked extremity, each track carving out its own form of emotional and sonic violence. It opens with OCI, a claustrophobic portrayal of OCD spiraling into anxiety, compulsion, and eventual institutionalization, before shifting into Burn the Virgin, a ritualistic Walpurgisnacht sacrifice story that moves from eerie melody into suffocating doom. Decontribute serves as the band’s manifesto of societal decay, embracing personal ruin with lines like “YOU CAN WATCH ME, FALL APART… I DECONTRIBUTE TO REALITY.” The album sinks deeper with Avulsion, the bleakest and most doom‑laden track, using the imagery of bodily tearing to mirror lifelong psychological torment. Downgrade drags listeners through punk‑rooted sludge about manipulation, overdose, and satanic delusion, while Spill confronts childhood violence and emotional shutdown, ending with the devastating admission “I CAN’T FEEL, I DON’T FEEL, I WON’T FEEL, ANYTHING EVER…” Finally, the 11‑minute title track Wilt stands as the album’s tragic apex, confronting the wounds of child abuse and opening with the harrowing line “YOU DESTROYED THE CHILD WITHIN ME.” Together, these songs form a cohesive, crushing exploration of trauma, degradation, and the darkest corners of human experience.

    "WILT" is Destroy My Brains at their most evolved, most hateful, and most emotionally devastating. “We are pleased to degrade and devolve you while you take in our sonic displeasures,” comments Jarret.

    Destroy My Brains is currently streaming two singles, "OCI (Obsessive Compulsive Imploder)" and "Decontribute," in lead-up to the release of "WILT", with a third, "Downgrade," being revealed with a music video in the coming weeks.

    Listen at the following links:

    Spotify - https://open.spotify.com/artist/67kJ5QtfRsT22WZpIZ2NKu

    Recommended for fans of Eyehategod, Crowbar, Buzz-oven, Acid Bath, and Electric Wizard, the album pre-order for "WILT" (release date August 14th, 2026) is available at https://destroymybrains.bandcamp.com/

    Track Listing:
    1. OCI (Obsessive Compulsive Imploder) - 4:32
    2. Burn The Virgin - 10:30
    3. Decontribute - 7:28
    4. Avulsion - 7:08
    5. Downgrade - 5:14
    6. Spill - 9:30
    7. Wilt - 11:40
    Album Length: 56:03

    More info: https://linktr.ee/destroymybrains

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