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Search Results: album

  • DEVOLVER Unveils New Album "Non Compos Mentis" Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

     

    Grande Prairie, Canada's rising metal outfit Devolver, returns with a vengeance, announcing the release of their sophomore album, "Non Compos Mentis", out August 22nd, 2025. Produced by genre heavyweight Mark Lewis, whose credits include Whitechapel, Trivium, and DevilDriver, the album marks a seismic evolution in Devolver’s sound, melding Gothenburg-style melodic death metal with the raw intensity of early 2000s metalcore.

    Formed in 2015 by guitarist Devin Babcock as a creative outlet for material that didn’t fit his previous band, Devolver has grown into a five-piece force of nature. With members also active in the local project Dog Poison, the band’s roots run deep in the underground scene.

    "Non Compos Mentis" is more than an album; it’s a visceral listening experience. The album features a refined tracklist culled from over 20 demos, each song built collaboratively from riffs and skeletons crafted by guitarists Devin Babcock and Jayde Penner, resulting in a relentless, emotionally charged journey that’s both technically precise and soulfully raw.

    The album’s haunting title track, "Non Compos Mentis", draws from a chilling true story: the 1805 murder of Amos Babcock’s sister in a religious frenzy, an ancestor of Devin Babcock. The artwork was created by legendary metal illustrator Travis Smith (Opeth, Avenged Sevenfold, Soilwork), depicting Amos bloodied in the snow, surrounded by the ghostly eyes of his nine children. It’s a visual as disturbing as the story it tells, and a testament to the band’s commitment to storytelling through music and art.

    The band comments on the album's release:

    “We think Non Compos Mentis will be embraced by fans of our first album; it’s a huge evolution of our sound. Our first album was a passion project for Devin, but this record is what the five of us sound like collaborating as a unit. The razor-sharp production from Mark Lewis helped us push this thing over the edge, into something we think people will grab onto. We want to give people the feeling we felt when we first heard our favourite bands, and the albums that made us fall in love with music."

    With each track on the album as a chapter in a larger emotional and sonic narrative, Devolver's "Non Compos Mentis" represents a bold leap forward and is recommended for fans of Swedish melodic death metal and classic metalcore. Think the melodic brutality of In Flames and Dark Tranquillity, fused with the punch of Killswitch Engage and As I Lay Dying.

    "Non Compos Mentis" is available at the following links:

    Album order (out Aug 22nd) - https://devolvermusic.bandcamp.com/

    Spotify for Playlist Add - https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm​​

    Track Listing:
    1. Deathtouch – 3:55
    2. New Blood – 3:14
    3. Jewels of the Maw – 3:30
    4. Wraiths – 3:20
    5. At Any Cost – 3:40
    6. Non Compos Mentis – 3:53
    7. Merciless Storm – 3:56
    8. Suffocating Syndrome – 3:36
    9. Dehumanize – 3:47
    Album Length: 32:55

    Band Lineup:
    Chris Brown - Vocals
    Devin Babcock - Guitar (lead)
    Jayde Penner - Guitar (rhythm)
    Bevin Booth - Drums
    Jaylen Elias - Bass

    More info: https://linktr.ee/devolverab

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  • Blast Beats to Blood Rituals KRATORNAS Redefines Extreme Metal w/ New Album “God Of The Tribes”

     

    “God of the Tribes”, the highly anticipated new full-length from Kratornas, will be available worldwide through Grathila Records as of this Friday, August 22nd. Before its official release, the full stream album premiere can be checked out on Decibel Magazine HERE.

    This landmark release represents the most significant evolution yet for the pioneering one-man extreme metal project, originally founded in the Philippines and now residing in Saskatoon, Canada.

    Breaking from the hyper-fast brutality that defined earlier Kratornas releases, “God of the Tribes”, mastered by Dan Swanö (Dissection, Bloodbath, Marduk, Incantation), showcases a more methodical approach, focusing on atmosphere, tension, and ritualistic elements. The album introduces previously unexplored instrumentation, including 7-string guitars for L/R channels and 6-string fretless bass, moving away from blast beats and heavily distorted guitars toward a more nuanced sonic palette. Kratornas comments:

    “This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had firsthand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms, but wrote my own, taking that foundation and fusing it with Kratornas. This album is the most natural and honest album I've ever done.”

    The lyrics on “God of the Tribes” draw from the apocalyptic themes that have defined Kratornas since 1999, when the project shifted from its early Satanic themes to ‘doomsday predictions’. The album incorporates ritualistic chants throughout, with the creator noting that ‘the words are a bit ‘dangerous’ to chant along’.

    Recommended for fans of Marduk, Beherit, Archgoat, Blasphemy, and Dark Funeral, Kratornas"God of the Tribes" is available for album pre-order (CD) (Out Aug 22nd) - https://kratornas.bandcamp.com/album/god-of-the-tribes-gcd-2025

    Track Listing:
    1. Cursed Sky Serpent (15:00)
    2. Evil and Plunder (3:00)
    3. Ravaged by Hurakaan (7:00)
    4. Novena para Guerra (11:00)

    For more info: https://www.facebook.com/officialkratornas

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  • NIGHT'S EDGE Unveils New Video "Shapes in Grey Space II : Soaring" Ahead of New Album Out Aug 21st

     

    With their fourth full-length album, "The World That Never Was," set to drop on August 21st, 2025, Baltimore-based trio NIGHT'S EDGE is unveiling one last visual offering ahead of release day. In collaboration with Ghost Cult Magazine, the band premieres the music video for “Shapes in Grey Space II: Soaring”, the second installment in a three-part suite that closes the album. The two-and-a-half-minute ballad of symphonic alternative metal track unfolds a Twilight Zone-inspired narrative, exploring themes of isolation and the transformative journey of self-discovery it can spark.

    "Soaring is a hardcore banger in ¾, as fancy as it is intense. The sudden pauses and shifts in direction of the music catch you off guard, while the vocals make you feel like you are ascending into the chorus, with mixed feelings of freedom while remaining tethered to reality. The words reflect our inner turmoil of free will versus the outside forces that control us. When writing Soaring, Damian constantly referred to the movie “Chronicle,” a found-footage thriller about teenagers who get superpowers. Not sure how that connects, that is for you to figure out!" adds Brian Haran – Vocals, Bass, Keys, Programming.

    Since forming in 2018, Night’s Edge has undergone several lineup shifts and sonic evolutions, making notable strides since their 2019 debut. Rooted in the Alternative Metal realm yet defying easy classification, their sound blends gothic metal, progressive rock, and nu-metal influences into a heady mix of heaviness and pop sensibility, wrapped in layers of synths and theatrical flair. Their upcoming album, "The World That Never Was," delves into themes of lost identity and the voids we fall into—obsession, rage, and uncertainty. In its closing arc, the album tells a parable: the protagonist wakes in a world where humanity has vanished and is forced to confront their reflection in the silence... or so it appears.

    "We are immensely proud of this album. The World That Never Was has the strongest songwriting that Night’s Edge has ever brought forward, and these powerful songs elevate the three of us as musicians and as a band. It has presented challenges to all of us, as Performers and as writers, and has resulted in a genuine expression of music that is uniquely us. The album flows dramatically from piece to piece, with each song offering something different and contributing a different part from which the whole is built. No two songs sound the same, but every second of the album is unmistakably Night’s Edge. The recording and production process challenged all of us but allowed us to become even more intimate with each song. The lyrical themes that wrap through the album have become hooks in each of our brains, and we feel like each of us left a part of ourselves in this record. The World That Never Was is dense but digestible, complex but immediate, grim but beautiful. It is an album of contrasts, an album of ambition, and Night’s Edge’s most definitive musical statement," says Haran

    "The World That Never Was" follows releases Strangers – LP (2023), Night's Edge - EP (2022), The Darkest Side of Dreams - LP (2020), and Shades of Dusk - LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

    Album pre-order (out Aug 21st) - https://nightsedge.bandcamp.com

    Spotify - https://open.spotify.com/artist/5YEhprmAqIyaGmzH1qQInZ

    Upcoming Show Dates:
    Aug 23 – Roachfest – Hollywood, MD
    Sept 12 - Zen West - Baltimore, MD - ALBUM RELEASE PARTY
    Sept 20 - Asbury Park Brewery - Asbury Park, NJ
    Oct 10 - The Depot - Baltimore, MD

    Track Listing:
    1. Someone To Stay (4:11)
    2. If You Loved Me (3:51)
    3. Man of Many Faces (4:23)
    4. Love Fiction (4:14)
    5. Wish You Wouldn’t (4:09)
    6. Overdue For Destruction (2:50)
    7. Smite (3:46)
    8. Ataecina (5:08)
    9. Shapes In Grey Space I: Reaching (7:43)
    10. Shapes In Grey Space II: Soaring (2:41)
    11. Shapes In Grey Space III: Separating (5:23)
    Total Length: 48:32

    Recording and Live Line Up:
    Brian Haran – Vocals, Bass, Keys, Programming
    Damian Remmell – Guitars
    Dan Hunt – Drums

    More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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  • IN LIMINE Unleashes “Unfollow” ft. George Kollias (Nile): A Ferocious First Glimpse into Debut Album "Inveteratus"

     

    Italian extreme metal project IN LIMINE presents “Unfollow”, the long-awaited first single from the upcoming debut album "Inveteratus", set for release in October 2025. With its blend of circular, infectious riffs, ferocious grooves, and unexpectedly melodic vocals, “Unfollow” encapsulates the dynamic contrasts that define IN LIMINE’s sound, a dense, abrasive, and yet surprisingly accessible approach that draws from thrash, death metal, metalcore, and melancholic melodic passages.

    Led by multi-instrumentalist and composer Matteo Galimberti (ex-Cripple Bastards), IN LIMINE was conceived as a studio project driven by deep personal expression and conceptual depth. “Unfollow” introduces listeners to a dystopian world in decline, echoing the broader themes of "Inveteratus" - a term that once meant endurance but now suggests a hardened, irredeemable state. Through its lyrics and sound, the song reflects on moral decay and the loss of critical awareness in a hyper-connected society addicted to conformity and consumerism.

    Featuring throughout the entire albumGeorge Kollias (Nile) delivers blistering yet nuanced drumming that pushes each track far beyond genre conventions, while Laur Lindmäe (Pridian) brings a gripping vocal performance whose wide range adds contrast and emotional impact.

    Recorded across multiple sessions between 2022 and 2024, "Inveteratus" was produced with meticulous attention to detail. All guitars and bass were recorded by Matteo Galimberti and later reamped at Domination Studio by Simone Mularoni, who also handled the mixing and mastering in July 2024. The result is a finely balanced sonic landscape: raw yet articulate, violent yet conceptually refined.

    Thematically, the album explores the cyclical nature of time, transformation, and cultural decline through a symbolic and visual lens. From Greek deities like Kairòs and Kronos to fractured sundials and crumbling clocks, every element - both sonic and visual - contributes to a broader meditation on time, change, and the failure to evolve.

    IN LIMINE’s debut is as thoughtful as it is visceral — a work for fans who seek more than just sonic aggression. For admirers of Death, Slayer, Morbid Angel, and Lamb of God, “Unfollow” is a compelling introduction to a band that refuses to follow trends and instead crafts its threshold.

    Digital Single (Add to your Spotify Playlist) - https://lnk.to/sC5zov​

    Visualizer - https://www.instagram.com/reel/DNVL-dji8Yj/​

    "Inveteratus" will be released worldwide on October 24th, 2025
    ALBUM PRE-ORDERhttps://rockshots.eu/products/in-limine-inveteratus-cd

    Track Listing:
    1. Soldier Child
    2. Same Language Babilonia
    3. Misleading
    4. Instinction
    5. Echoing To Nothing (Instrumental)
    6. Ruins Of Flesh
    7. Psychic Frame Subsidence
    8. Silence Completion
    9. A Veil, A Shield (Instrumental)
    10. Unfollow
    11. Misoneism

    In Limine Line Up:
    Matteo Galimberti: Rhythm, Lead, and Acoustic Guitars
    George Kollias: Drums and Percussion (session member)
    Laur Lindmäe: Vocals (session member)

    More info: 
    https://www.rockshots.eu

    FOLLOW:
    Instagram: https://www.instagram.com/inlimine_band

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  • Through Flames and Folklore: VALLORCH’s “Hellpath” Live Video Ignites Ancient Myth

     

    Vallorch continues their evolution through folk and symphonic metal with “Hellpath”, their brand-new single and official live video taken from the acclaimed album "The Circle" (out via Rockshots Records). Shot during the band’s 2025 Italian Tour at Obscene Valhalla, the performance captures Vallorch’s intense stage presence and emotional depth, directed and edited by Simone D’Addazio (@morksar) with additional camera work by Ivan Castelli (Ivan Lionsoul).

    With its evocative mix of crushing riffs, folk instrumentation, and fierce, emotive vocals, "Hellpath" transforms ancient myth into a deeply personal reflection on life’s hardest questions. The track draws inspiration from the Cimbrian tale “The 99 Paths of Hell”, where a man must outwit the devil to save his soul — a tale Vallorch reimagines as a metaphor for life’s endless crossroads: regret, anxiety, identity, and the fear of being forgotten.

    Lyrically and musically, the song is one of the band’s most introspective works to date. Harsh vocals embody the voice of the devil—or perhaps one’s inner demons—while solemn folk melodies evoke a dance through fire. Despite its darkness, the song offers resilience: a call to keep walking, even through flame, and to stay true to oneself in a world of uncertainty.

    "Hellpath" shines as one of the most powerful moments on "The Circle", an album that explores the many faces of the night: its solitude and celebration, its fears and freedoms. Vallorch’s unique blend of folk, symphonic, death, and power metal, along with their deep connection to Alpine mythology and Cimbrian heritage, sets them apart in the modern metal landscape.

    The video of "Hellpath" is not just a performance — it’s a ritual. The band’s energy, intensity, and connection with the audience are palpable, delivering a visual and sonic experience that encapsulates everything Vallorch stands for.

    Fans of Eluveitie, Wind Rose, Epica and Alestorm will find in "Hellpath" a song that bridges myth and meaning, tradition and self-expression — a path into the flames and through them.

    Get Your Copy Of "The Circle" herehttps://lnk.to/sbWpoP

    More info: 
    https://www.rockshots.eu

    FOLLOW:
    https://www.instagram.com/vallorch_official/
    https://www.facebook.com/vallorch

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