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Search Results: at-the-gates

  • DYING AWKWARD ANGEL's New Album “The Missing Frame” Explores the Edge Between Reality and Nightmare

     

    Italian melodic death metallers Dying Awkward Angel return today, August 22nd, 2025, with their most intense and uncompromising work to date, the new full-length album "The Missing Frame", released via Rockshots Records.

    Formed in 1998 in the underground metal scene of Turin by guitarist and main composer Edoardo Demuro, the band forged its style drawing from the Gothenburg melodeath wave (In Flames, At The Gates, Dark Tranquillity) and the aggression of American thrash and death metal, adding its own unmistakable Italian touch. Over the years, they have shared the stage with Decapitated, Impaled Nazarene, Necronomicon, Forgotten Tomb, Node, and many more, building a solid reputation for their visceral and high-energy live shows.

    "The Missing Frame" follows the critically acclaimed "Absence Of Light" (2018) and was anticipated by the singles “Music Kills” and “9.99”. Written during a period of renewed creative focus, the album is faster, heavier, and more deliberate, the result of what the band calls “a brutal and honest cooperation between us all.

    Lyrically, the record delves into themes of duality, good and evil, instinct and control, reality and illusion, often drawing from deeply personal experiences, stories, and nightmares of the band members. Tracks like “9.99” question the value of human life, while “Music Kills” explores the double-edged power of music itself.

    Musically, the album delivers the cold precision of Swedish melodic death metal combined with the raw energy of American metal, all with a modern and direct production approach. “Don’t expect what you expect. Expect what you don’t,” the band warns.

    Recorded at Bottleneck Studios in Turin and produced by the band, "The Missing Frame" is an album that stays true to the band’s roots while pushing their boundaries further than ever before.

    Coinciding with the album's release, the band unveils their newest music video for the track "The Inner Paradox", a haunting allegory of deep depression. It portrays a layered prison that might almost seem bearable, if not for the grim reality that the world beyond its walls is even more harrowing.

    For fans of: At The Gates, Carcass, Dark Tranquillity

    LISTEN "The Inner Paradox" athttps://lnk.to/z9xAx8


    ORDER "The Missing Frame" here: https://rockshots.eu/TheMissingFrameCD

    Add to your Spotify Playlist - https://open.spotify.com/album/5SpG2i3qgkqlAIZnbP1pWJ

    In additional news, Dying Awkward Angel will have the honor of performing at Rock Inn Somma, a special event where the band will present their brand-new album live on its release day!

    Track Listing:
    1. The Ecstasy of God (Instrumental)
    2. Black Waves
    3. The Fallen
    4. Music Kills
    5. 9.99
    6. Raptus
    7. YOU MUST DIE!
    8. Blinded
    9. Skin and Bones
    10. The Inner Paradox
    11. Out of Mind (R’lyeh)
    12. A Promise
    13. The Missing Frame (Instrumental)

    Line-up:
    Michele Spallieri: Vocals
    Demuro Edoardo: Guitars,
    Lorenzo Asselli: Guitars
    Luca Pellegrino: Drums
    Davide Onida: Bass Guitar

    More info: https://www.rockshots.eu | http://www.dyingawkwardangel.com | https://www.instagram.com/dyingawkwardangel_official/

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  • DYING AWKWARD ANGEL Release New Single "Music Kills"

     

    Italian melodic death metal act Dying Awkward Angel unleash their brand-new single “Music Kills”, a powerful mid-tempo composition that highlights the band’s continued evolution while remaining firmly rooted in the legacy of Scandinavian death metal.

    Characterized by a raw and uncompromising sound, “Music Kills” draws inspiration from the early ‘90s Swedish scene—specifically, bands such as Dismember and Entombed—and channels the iconic HM-2 guitar tone into a modern, groove-driven framework. The result is a track that is both punishing and memorable, blending brutal riffs, visceral vocals, and an ominous atmosphere.

    Lyrically, the song delves into the ambivalent nature of music itself, exploring its potential to both uplift and consume. This thematic depth adds an introspective dimension to the band’s sonic aggression, further establishing their unique voice within the international melodic death metal landscape.

    Following their critically praised 2018 full-length "Absence of Light", “Music Kills” marks a significant step forward for Dying Awkward Angel. While known for their fast-paced and relentless songwriting, the band now embraces a darker, more deliberate approach—one that prioritizes atmosphere and weight without sacrificing intensity.

    The release of “Music Kills” also marks the beginning of an exciting new chapter. In the coming weeks, the band will unveil further details surrounding their upcoming full-length album, which promises to expand on the themes and sonic direction explored in this latest track.

    For fans of Dismember, Entombed, At The Gates, and all those drawn to the raw edge of melodic death metal, “Music Kills” stands as a compelling statement of intent.

    Listen to "Music Kills":

    Digital (Spotify) - ​http://lnk.to/qtFgi5​

    Formed in 1998, Dying Awkward Angel draws inspiration from the '90s extreme metal scene of Gothenburg, the UK, and the USA, with influences from bands like In Flames, At the Gates, Carcass, Slayer, Death, Pantera, and Metallica. The band's early releases, "Dying Awkward Angel" and "Ghost at the Spine," received excellent critical acclaim. After some line-up changes, the band stabilized in 2013 and recorded the full-length album "Waiting for Punishment".

    In 2015, the EP "Madness Rising" showcased a more mature and modern songwriting mixing old-school brutality with melodic incursions. In 2017, with the addition of Michele Spallieri (Kenos) as the vocalist, the band released the album "Absence Of Light" in 2018 (Extreme Metal Music / Rockshots Records), distributed across Europe, the USA, and Japan. Over the years, the band has shared the stage with renowned names such as Impaled Nazarene, **enos, Decapitated, Necronomicon, Forgotten Tomb, and many others.

    Line-up:
    Michele Spallieri: Vocals
    Demuro Edoardo: Guitars,
    Lorenzo Asselli: Guitars
    Luca Pellegrino: Drums
    Davide Onida: Bass Guitar

    More info: https://www.rockshots.eu | http://www.dyingawkwardangel.com | https://www.instagram.com/dyingawkwardangel_official/

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  • Aggro-Metal CHÜZO Announces Ontario Tour Dates + New Video "Bruised and Broken" Off Latest EP "M.T.M.D (Maximum Threshold, Minimum Decay)"

     

    Montreal aggro-metal troupe CHÜZO will be hitting the road in March for weekend warrior dates in Ontario for shows in Oshawa, Toronto, and Hamilton. The tour dates are in support of their latest EP "M.T.M.D (Maximum Threshold, Minimum Decay)" unleashed this past October and produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio) (dates listed below).

    The band recently released their latest knock-out music video "Bruised and Broken".

    "This track is about being pushed, provoked, and instigated to the point of no return. When in life one encounters certain individuals whose existence is to only make you angry and enraged; to bully you and disrespect you beyond aggravation, and the inevitable result that losing your temper and seeing red does to the individual being provoked and instigated is what this track is about. The utter destruction and devastation that awaits the foolish person who dares to provoke a person who has been pushed to the edge of human insanity; fuck around and find out!" adds the band.

    CHÜZO's new EP "M.T.M.D (Maximum Threshold, Minimum Decay)" is a three-track record that marks the next chapter and a true representation of what the quartet's sound is meant to be.

    "This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets." adds guitarist Cristian S.

    CHÜZO's new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed 'Aggro Metal'.

    The EP's lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

    For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, "M.T.M.D (Maximum Threshold, Minimum Decay)" was released on November 15, 2024.

    EP Stream links below:

    Bandcamp - https://chuzomtl.bandcamp.com

    Digital (Spotify) - https://distrokid.com/hyperfollow/chzo/mtmd

    TOUR DATES
    March 7 - Piranha Bar (Wacken Metal Battle) - Montréal, QC - info
    March 14 - The Atria - Oshawa, ON - info
    March 15 - Duffy’s Tavern - Toronto, ON - info
    March 16 - Doors Pub - Hamilton, ON - info

    More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

    -30-

    Canadian College Radio Loud Charts - December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

    "‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest " - Decibel Magazine

    "“Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage." - No Clean Singing

    "The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group's ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities." - Rock Hard Italy

    "M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice." - Amplify The Noise

    "It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]" - Metal Noise

    "CHÜZO have achieved several things on "MTMD (Maximum Threshold, Minimum Decay)" that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled "MTMD" are fast-paced in nature, mill into the ear canals at massive speed and –'s most important aspect – remains there... The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!" - Metal Division Magazine


    "Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill" - Margoth PDF Webzine

    --
    ASHER MEDIA RELATIONS
    Jon Asher - Music Publicist
    #.514.581.5780
    jon[@]ashermediarelations[.]com
    Facebook @AsherMediaRelations
    Instagram @AsherMedia
    Tweet @AsherMedia

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  • CHÜZO Take Over The World w/ Aggro-Metal and New EP "M.T.M.D (Maximum Threshold, Minimum Decay)"; Produced by Kevin Jardine (Slaves On Dope)

     

    Montreal, Canada's CHÜZO is ready to take on the metal world with the introduction of their self-described Aggro-Metal and new EP entitled "M.T.M.D (Maximum Threshold, Minimum Decay)". The three-track record marks the next chapter and true representation of what their sound is meant to be with the fresh new lineup who are hungry to showcase what this forthcoming EP will spark.

    Produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their 'Aggro Metal', a blender of grindcore, Swedish death metal and a touch of thrash metal crossed over with hardcore punk.

    "The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO." adds Cristian S.

    The EP's lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

    For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, "M.T.M.D (Maximum Threshold, Minimum Decay)" is due out on November 15, 2024, and can be heard in full before it officially drops via its stream premiere on Decibel Magazine HERE.

    EP pre-order/digital per-save is available at the following links:

    Bandcamp - https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay

    Digital Pre-Save - https://distrokid.com/hyperfollow/chzo/mtmd

    EP Artwork by Draught https://www.instagram.com/draught___/

    Track Listing:
    1. The Brutalator - 3:39
    2. Brand New Cell - 3:12
    3. Bruised and Broken - 4:21

    More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band

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  • MINDREAPER Unveils Epic New Video "The God I Am" In Anticipation of Upcoming Album “Withering Shine (...Into Oblivion)” Out Dec 2024

     

    L-R: Christian Schoenke – Bass, Marcel Schneider – Drums, Sebastian Rehbein – Lead Vocals, Manuel Nozulak – Additional Vocals, Marcel Bangert – Guitars, Keys

    Fans of hard-hitting melodic death metal are in for a treat as Germany's Mindreaper gears up to premiere their latest music video “The God I Am”. This visual spectacle serves as a powerful prelude to their highly anticipated album “Withering Shine (...Into Oblivion)” set to drop on December 2nd, 2024 via Death Age Records.

    “Withering Shine (...Into Oblivion)” stands as Mindreaper's magnum opus, seamlessly blending traditional elements with modern symphonic touches to create a unique sonic landscape. The album promises to be a collection of eternal hymns, each track a testament to the band's musical prowess and emotional depth.

    Mindreaper takes listeners on a haunting journey through the echoes of past existences, confronting themes of transience and irrelevance. The album doesn't shy away from societal critique, tearing open old wounds and processing the lowest socio-cultural structures while keeping an eye on potential apocalyptic dystopias.

    Listeners can expect brutally snotty guitars, lung-piercing bass, and stomach-smashing percussion, all embraced by epic orchestral arrangements that avoid falling into kitsch. The varied vocals of two powerful singers add another layer of depth to the already rich soundscape.

    As the band puts it, “It is not the raised index finger, but the middle finger that wields the pen and the sword!” It is recommended for fans of Carcass, Edge of Sanity, and At the Gates.

    Watch and listen to the video for “The God I Am” via its premiere on TheCirclePit below.

    Due out on December 2nd, 2024 via Death Age Records“Withering Shine (...Into Oblivion)” will be available at the following links:

    Online Store - https://www.mindreaper.de/shop/de/2-mindreaper-shop

    Bandcamp - https://mindreaper.bandcamp.com

    Spotify - https://spoti.fi/3rmTjeL

    Track Listing:
    1 - Withering Shine (… Into Oblivion)
    2 – Liberty’s Fate
    3 - Death T(h)rust
    4 - Nocturnal Animals
    5 - Desert Trails
    6 - Vengeance Dawn
    7 - Power Plant
    8 - The God I Am
    9 - Bequest for No One
    10 - Black Stone Misery
    11 - Final Heaven

    Line Up:
    Sebastian Rehbein - Vocals
    Marcel Bangert - Guitars, Keys
    Christian Schoenke - Bass
    Marcel Schneider - Drums
    Manuel Nozulak - Additional Vocals

    Album Credits:
    Recording and Mixing: Andy Classen's Stage One Studio
    Mastering: Tue Madsen - Sheriff at Antfarm Studio
    Music & Arrangement: Marcel Bangert
    Lyrics: Sebastian Rehbein

    More info: https://www.mindreaper.de | https://www.facebook.com/TheMindreaper | https://www.instagram.com/mindreaper_metal

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