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  • MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland” - A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

     

    The mysterious solo endeavor known as Merfolk resurfaces with "Sundaland," a boundary-pushing album that fuses emotional intensity with mythic storytelling and sonic experimentation. Spearheaded by Patrick Loisel of AUGURY, a multi-instrumentalist, Native-descended artist, and former physics teacher, Merfolk is far more than a band. It’s a singular vision brought to life by one mind and many hands. Every step of the creative process, from composing and crafting instruments to engineering the sound and directing the visuals, is handled entirely by Loisel himself. No session players. No pre-recorded crutches. Just pure, unfiltered artistry.

    Merfolk channels the spirit of Emperor, Mayhem, Hollenthon, Mercyful Fate, and a trove of obscure '70s experimental sounds, forging a unique blend of post-black metal, classical instrumentation, and narrative-rich, sociological lyricism. The songwriting draws from ancient migratory myths and uncanny architectural echoes across the Pacific, all filtered through the artist’s wildly eclectic life, one that began with a childhood literature award and later included the care of over 300 tarantulas.

    The newest offering, "Sundaland," is named after a submerged continent in Southeast Asia and explores the mythic aftermath of a prehistoric flood. From the haunting warnings of floating entrail-ghosts (Krasue) to the desperate offerings to misunderstood sea monsters, the album weaves a narrative that’s as unsettling as it is cinematic.

    Musically, "Sundaland" is a leap from Merfolk’s earlier work "Demersal," trading whistling and early synths for miked classical instruments, violin, cello, double bass, and piano, played by the artist himself. The fretless bass was custom-built, and electronic drums were introduced for a cleaner yet still furious sound. The result? A sound described in five words: eclectic, psychedelic, spooky, unusual, furious.

    The album’s flagship single, "Castaways," is a melancholic, ambient piece born from emotional turmoil. Its music video is a surreal spectacle of psychedelic practical effects, reminiscent of Kubrick’s 2001: A Space Odyssey. Filmed in near-total darkness with handmade puppets and props, some collapsing mid-shoot, the video captures the eerie beauty of survivors scavenging sunken ruins and encountering a newly revealed civilization.

    Watch the full visual experience in "Castaways", where Merfolk’s DIY ethos and cinematic ambition collide.



    Unveiled on May 26th, 2025, "Sundaland" by Merfolk transcends the boundaries of a traditional album; it's a plunge into a myth-soaked realm where metal meets mysticism. This sonic excavation unearths ancient lore and raw emotional terrain, offering a listening experience that’s as intense as it is unpredictable. For those drawn to the arcane and the avant-garde, Sundaland is a must. And for the fearless few ready to descend deeper, the abyss awaits.

    "Sundaland" is available at https://artists.landr.com/990591564626

    More info: https://www.melogy.ca/merfolk | https://www.facebook.com/profile.php?id=61553443841461

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  • LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions For 2026 Line Up - Camping & Extreme Music In Alberta's Badlands

    Set against the rugged backdrop of Alberta’s badlands, where sculpted sandstone, wind-carved hoodoos, and sweeping canyons dominate the landscape, Canada’s most decibel-breaking extreme music gathering, the Loud As Hell Open Air Festival, returns for its 14th edition in 2026. From July 31st to August 2nd, Drumheller’s Dinosaurs Down Stampede will erupt with the ferocity of rising Canadian and international metal acts, roaring through the heart of the nation’s largest dinosaur fossil beds.

    Band submissions for the 2026 edition officially open on October 1st and will be accepted until October 31st. This is your band's chance to join one of the loudest and most brutal festivals in Canada, where underground talent meets prehistoric fury.

    Bands interested in performing can apply at the following link: https://loudashell.ca/

    Early Bird tickets go on sale December 1st, 2026. Don’t miss your chance to lock in the loudest weekend of the summer at a killer price. Get ready for prehistoric heaviness and decibel-shattering performances in one of Canada’s most surreal landscapes. Loud As Hell is coming… and it’s going to be louder than ever.

    The 2025 edition of Loud As Hell delivered three relentless days of headbanging, moshing, and pure metal chaos, featuring over 40 bands from Canada, the U.S., and Mexico. Acts like Revocation, Insurrection, First Fragment, Gorgatron, Filth, Opal in Sky, Judicator, Beguiler, Gore Pig, Spit On Your Grave, Hazzerd, Cyborg Octopus, and Thirteen Goats tore through the badlands with crushing performances. The festival even hosted a heavy metal wedding, adding a unique twist to the weekend’s sonic carnage.

    LAH 2025 Lineup Spotify Playlist – https://open.spotify.com/playlist/3cu3CgEX8n2g2MQbADNJmg

    Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

    In 2026, Loud As Hell returns for its 14th edition, presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. Renowned for delivering one of the most punishing lineups in Western Canada, the festival promises another unforgettable experience packed with crushing performances, freak shows, burlesque acts, clinics, vendors, and yes, dinosaurs. Loud As Hell isn’t just a festival. It’s a full-throttle celebration of metal mayhem.

    More info:
    LoudAsHell.ca
    Facebook.com/LoudAsHellFestival
    X: @LoudAsHellFest
    Instagram: @LoudAsHellFestival
    Social Media Hashtags #LAHXIV, #LAHOA, #LAHOA2026

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  • ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup - The Okanagan’s Ultimate Mountain Mosh Pit Returns

     

    Following a landmark celebration of 15 years of extreme metal in British Columbia’s Okanagan Valley, marked by record-breaking attendance and its most triumphant edition yet, ARMSTRONG METALFEST is officially set to return in 2026 on July 17th and 18th at the Hassen Arena, for two days of moshing, headbanging, and camping.

    Armstrong MetalFest’s 15th year of mountain moshing roared to life with a powerhouse 2025 lineup featuring BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM, and many more heavy hitters from across Canada and beyond. On July 11th and 12th, the town of Armstrong, BC, was transformed into a metal haven, complete with Yeti Games, the Metal Madness Market, and the chaos of Thrash Wrestling.

    Check out the Armstrong MetalFest 2025 Spotify playlist - https://spoti.fi/4i4u2OV

    Armstrong MetalFest has also released a promotional video that traces its journey from humble beginnings to becoming one of Canada’s premier metal festivals in British Columbia. Watch the full recap below.

    Band submissions for the 2026 edition of Armstrong MetalFest will be open from October 1st to 15th, inviting artists to become part of the next chapter in the festival’s legendary legacy.

    Interested bands can apply through the official portal: https://armstrongmetalfest.ca/band-submissions/

    "To close the night and the weekend, Born of Osiris delivered a high-octane headline set that tore the roof off. It was the perfect finale to an unforgettable weekend. When the last note rang out, it hit us — AMF 2025 was coming to a close. There's always that bittersweet feeling as you start packing up. But that's the beauty of this festival: it stays with you long after the amps cool down. Every year, Armstrong Metalfest brings together a community that truly loves heavy music. It's not just about bands and beer — it's about belonging. The friends you make, the moments you live, the memories that stick — they're why we keep coming back. If you've never been to AMF, consider this your sign. It's more than a music festival—it's a metal rite of passage. Once you go, it gets into your blood. We're already counting the days until the next one." - Stan Schinners of Broken Neck Radio / Absolute Underground Magazine (Live Review AMF 2025)

    Tickets for AMF 2026 will be announced at a later date, granting general admission and access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 17, 2026, until 10:00 AM on Sunday, July 18, 2026. Free camping is included.

    Please Note: Camping - RV / Non-Hookup RV / Vehicle Passes: Make sure to reserve your vehicle spot to get the best location on the grounds. A fee is required for a weekend pass per vehicle in addition to your day or weekend pass. RV hookups include water and power. If you choose to park your vehicle outside the camping area in the main parking lot, then a vehicle pass is not required.

    About:

    Since its inception in 2009 (with a brief hiatus in 2020 and 2021 due to the COVID-19 pandemic), West Metal Entertainment and Armstrong MetalFest have championed hundreds of local bands while welcoming renowned international acts to the quiet town of Armstrong, British Columbia.

    Every year, metalheads from across Canada and the U.S. converge on the scenic Okanagan Valley for three days of camping and two days packed with heavy metal mayhem. Under the blazing summer sun, fans revel in live performances, wrestling spectacles, scavenger hunts, and reconnecting with their extended metal family.

    Armstrong MetalFest has hosted legendary headliners like Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, Warbringer, Fallujah, Striker, and Beyond Creation, alongside rising stars from across North America. And when the final riff fades, the festival vanishes without a trace, leaving the landscape as untouched as it was before.

    West Metal Entertainment, a non-profit society, not only produces Armstrong MetalFest annually but also supports the regional music scene by organizing performances at various venues, including all-ages shows, to inspire musical passion in both youth and adults.

    For more info:
    http://www.armstrongmetalfest.ca/

    https://www.facebook.com/armstrongmetalfest/

    https://www.instagram.com/armstrongmetalfest/

    ​https://x.com/amfcanada

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  • Out Nov 2025 Trois-Rivieres' OUTLYING’s New Album "Oblivisci" Explores Pain and Redemption; Streaming Single "November"

     

    After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, "Oblivisci," drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.

    Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

    “We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.

    "Oblivisci," Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

    “After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.

    The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

    Add to your Spotify playlist - https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ


    OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.

    Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.

    Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.

    Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

    “We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.

    With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).

    The album artwork for "Oblivisci" depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.

    "Oblivisci" will be available on November 21st on all streaming platforms.

    Track Listing:
    1 - The Raven Is Gone - 5:27
    2 - Stigma - 3:49
    3 - Snow - 6:02
    4 - Streets Of Rats And Vultures - 4:47
    5 - Pitch-Black Serum - 4:36
    6 - November - 5:56
    7 - Sentinel - 5:43
    8 - Impaired - 5:32
    9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
    10- Dreamless Nights Part II: From Velvet Skies - 5:13
    11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
    Album Length: 55:49

    For more info:

    http://www.outlying.ca/

    http://www.facebook.com/outlyingband

    http://www.instagram.com/outlyingband/

    https://www.tiktok.com/@outlying.band

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  • ANCIENT THRONES' New Concept Album "Melancholia" Plunges Listeners Into A Surreal Narrative

     

    Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, "Melancholia," on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.

    Described by the band as “the sound of existential exhaustion,” "Melancholia" is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.

    “This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.



    Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.

    “We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.



    "Melancholia" is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.

    Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.


    With "Melancholia" out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.​

    ​Album pre-order (Vinyl, Digital) - https://ancientthrones.bandcamp.com

    Track Listing:
    1. A Moon Fused Key (5:12)
    2. Achromatopsia (1:19)
    3. Melancholia (6:17)
    4. A Turning Point (5:46)
    5. A Pellucid Prism (4:26)
    6. Sacred Swollen Glass (6:16)
    7. Blight (2:18)
    8. A Pale Palace (4:55)
    9. Vacant (5:31)
    Album Length: 42:00

    Band Lineup:
    Dylan Wallace - Guitar
    Nick Leslie - Guitar
    Matt LeBlanc - Bass
    Sean Hickey - Drums & Vocals

    More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

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