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Search Results: melodic-death

  • Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album "Oblivisci"

     

    Trois-Rivières, Quebec, Canada, melodic death metal band Outlying will release their long-awaited new album "Oblivisci" on November 21st. A visceral and uncompromising work, the record blends aggression, melody, and raw emotion into a cohesive listening experience that fans will find impossible to ignore.

    Formed in 2003 by high school friends jamming covers, Outlying has evolved through lineup changes and years of musical exploration into a band committed to creating music that is both powerful and accessible. Frontman Fred Dubeau, the band’s primary songwriter, sought to move beyond “music for musicians” and instead craft songs that resonate viscerally with listeners. The result is a sound described in five words: captivating, dark, aggressive, melodic metal.

    The album’s title, "Oblivisci", Latin for “to forget”, reflects themes of withdrawal, alienation, and the struggle to escape trauma. Across eleven tracks, the band explores grief, loneliness, disenfranchisement, and addiction, culminating in a three-part epic that chronicles frontman Dubeau’s personal battle with alcohol and drug dependency. Now sober, Dubeau channels those experiences into music that is both cathartic and brutally honest.

    “It is a great pleasure for us after all this time and a very difficult process to introduce the world to our newest effort, Oblivisci. We are glad to be musicians who are somehow different from most other bands in our environment, and strive to make music that is expressive, dark, heavy, and brings the listener through many different kinds of atmospheres and vibes. We try to avoid trends and gimmicks, and create something that comes from our diverse musical influences, different backgrounds and lives, and many other forms of art such as movies, books, or video games. While staying true to what Outlying always was, we always try to step up our game and improve our sound and musical connection with our audience. Despite being more often than not called a melodic death metal band, the band absorbs influences from thrash, black, prog, and also 70s, 80s, and 90s rock. In a world of thousands of forgettable songs, we hope to find our way into the hearts of many metal enthusiasts locally and around the world,” says the band.

    Musically, "Oblivisci" strikes a balance between relentless, heavy riffing and soaring melodic passages, enriched by clean vocal textures and dynamic arrangements. With Outlying, the band steers clear of unnecessary complexity, instead crafting songs that prioritize emotion and impact. While echoes of their influences, At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, are present, Outlying’s sound stands apart as distinct and refined, heavier yet more melodic than ever before.

    The record begins with The Raven Is Gone, a blistering and epic opener that channels the urgency of escaping chaos in search of refuge. Stigma follows, rooted in old‑school melodic death metal, confronting themes of societal judgment and subcultural rejection. The atmosphere turns chilling with Snow, a haunting narrative of abuse elevated by female vocals and an expansive, epic structure. The descent continues in Pitch Black Serum, a dark and unsettling track that delves into defeatism and indulgence in fleeting pleasures. Sentinel then emerges as a poignant power ballad, weaving clean vocals with an aggressive bridge to capture grief and memory. Closing the album, the three‑part suite Dreamless Nights I–III delivers a sweeping chronicle of addiction, false escape, and painful aftermath, culminating in a climactic, melodic finale that leaves a powerful and lasting impression.



    The album artwork depicts a post-apocalyptic version of the band’s home city, visually reinforcing the themes of decay, alienation, and survival that permeate the record. It mirrors the music’s balance of heaviness and melody, offering listeners a complete aesthetic experience.

    With "Oblivisci," Outlying has crafted a “no skipped tracks” album; every song matters, every riff and lyric carries weight. The band hopes to continue releasing music consistently, exploring new directions while staying true to their core sound.

    Listen to the album in full via its stream premiere on Bravewords HERE.

    Available on all digital platforms on November 21st, 2025.

    Bandcamp - https://outlying.bandcamp.com

    Spotify - https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8

    Track Listing:
    1 - The Raven Is Gone - 5:27
    2 - Stigma - 3:49
    3 - Snow - 6:02
    4 - Streets Of Rats And Vultures - 4:47
    5 - Pitch-Black Serum - 4:36
    6 - November - 5:56
    7 - Sentinel - 5:43
    8 - Impaired - 5:32
    9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
    10- Dreamless Nights Part II: From Velvet Skies - 5:13
    11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
    Album Length: 55:49

    For more info:

    http://www.outlying.ca/

    http://www.facebook.com/outlyingband

    http://www.instagram.com/outlyingband/

    https://www.tiktok.com/@outlying.band

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  • DEVOLVER's New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

     

    L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

    Photo Credit - Heidi Robertson

    Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album "Non Compos Mentis." Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.

    “We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.

    “Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

    Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.

    Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

    “This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.



    The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.

    Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

    Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, "Non Compos Mentis" is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

    "Non Compos Mentis" (released Aug 22nd) is available at the following links:

    Bandcamp - https://devolvermusic.bandcamp.com/

    Spotify for Playlist Add - https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm​​

    Track Listing:
    1. Deathtouch – 3:55
    2. New Blood – 3:14
    3. Jewels of the Maw – 3:30
    4. Wraiths – 3:20
    5. At Any Cost – 3:40
    6. Non Compos Mentis – 3:53
    7. Merciless Storm – 3:56
    8. Suffocating Syndrome – 3:36
    9. Dehumanize – 3:47
    Album Length: 32:55

    Band Lineup:
    Chris Brown - Vocals
    Devin Babcock - Guitar (lead)
    Jayde Penner - Guitar (rhythm)
    Bevin Booth - Drums
    Jaylen Elias - Bass

    More info: https://linktr.ee/devolverab

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  • MOONSHADE Unleashes Epic Metal Rendition of STROMAE’s “Ma Meilleure Ennemie” Ahead of 2026 Cover EP "Angels, Blood And Enemies"

     

    ​Portuguese melodic death metal force Moonshade has unveiled their latest single, a thunderous, emotionally charged cover of Stromae & Pomme’s “Ma Meilleure Ennemie.” Accompanied by a lyric video, the track will be featured on their upcoming three-song EP, "Angels, Blood And Enemies," set for release in February 2026.

    Inspired by an unforgettable scene from the Netflix series ArcaneMoonshade’s cover strips away the original’s trip-hop shell and rebuilds it with their signature blend of epic, brutal, and atmospheric metal. The band’s connection to Arcane and League of Legends runs deep, with members Pedro and Ricardo being longtime Stromae fans.

    “We annoyed the rest of the band to exhaustion to make this cover happen. But they’re always tolerant of our eccentricities, and now we have a metal version of this brilliant Belgian trip-hop artist. We wanted to highlight the song’s emotional intensity using our own sonic palette. We’ve never done covers before, and there’s probably not much overlap between our fanbase and Stromae’s. But we had fun, we’re proud of it, and that’s what matters. Moonshade’s fans are open-minded and adventurous, traits that make this cover EP a natural fit,” says vocalist Ricardo Pereira, who also performs clean vocals alongside drummer Daniel, adding layers to the song’s theme of love-hate duality.

    If you love Insomnium, Heaven Shall Burn, In Flames, Dark Tranquillity, or Omnium Gatherum, Moonshade’s sound will feel like home.

    With "Angels, Blood And Enemies," Moonshade invites fans into a new chapter, one of fearless reinterpretation, emotional depth, and genre-defying creativity.

    The single’s artwork, designed by Rui Carneiro (Lorna Shore, Polaris, Chelsea Grin), draws from Guido Reni’s Archangel Michael Defeating Satan, visually anchoring the EP’s title, "Angels, Blood And Enemies." Carneiro also created the remaining two artworks for the EP, whose tracklist remains a mystery for now.

    Watch the lyric video for "Ma Meilleure Ennemie" created by Jöel Martins from Titanforged Productions (Wolfheart, Analepsy, Dark Oath).

    ​Add to your Spotify playlist - https://mme-out-now.sbmt.to/

    More Info: https://moonshadeofficial.com/

     

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  • HELLFOX Release Official Video for “Water On The Ceiling”

     

    Italian all-female metal band HELLFOX have unveiled the brand new official video for Water On The Ceiling, one of the standout tracks from their latest album "The Spectrum Of Human Gravity", released last June 6th, 2025 via Rockshots Records.

    A song born from the suffocating sensation of insomnia, Water On The Ceiling captures the eerie stillness of endless nights when eyes remain wide open as reality blurs into a waking dream. The track blends haunting melodies, distorted synths and Hellfox’s trademark dual female vocals to convey the claustrophobic feeling of staring at a ceiling that turns into water—suffocating, oppressive and inescapable.

    The video adds a new visual dimension to the song’s atmosphere, portraying the emotional weight of sleeplessness and the surreal imagery that inspired the lyrics. It represents yet another chapter in the band’s journey of exploring the depths of human emotion through music and imagery.

    "The Spectrum Of Human Gravity" has already gained recognition for its unique fusion of Nordic melodic death metal roots, pop-inspired clean vocals, and modern electronic textures. With singles like Seaweed Braids and AtlasHellfox set the stage for an album that confronts loneliness, mental struggles, and the search for identity without resorting to clichés. Water On The Ceiling continues this narrative, offering a vivid metaphor for psychological weight and restless nights.

    Recorded at Eden Studio by Alessio Lucatti and mixed/mastered by Simone Mularoni at Domination Studio, the album showcases the band’s fearless approach to songwriting and their growth since their 2022 debut.

    For fans of Amorphis, In Flames, and Dark TranquillityHellfox’s new video is not just a performance but a visceral dive into the emotions that define "The Spectrum Of Human Gravity".

    "The Spectrum Of Human Gravity" is now available on all digital platforms.
    Stream the album here: "The Spectrum Of Human Gravity"
    CD available via Rockshots Records here

    More info: https://www.rockshots.eu | https://www.instagram.com/hellfoxofficial | https://www.facebook.com/HellfoxOfficial

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  • Out Nov 2025 Trois-Rivieres' OUTLYING’s New Album "Oblivisci" Explores Pain and Redemption; Streaming Single "November"

     

    After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, "Oblivisci," drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.

    Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

    “We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.

    "Oblivisci," Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

    “After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.

    The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

    Add to your Spotify playlist - https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ


    OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.

    Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.

    Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.

    Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

    “We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.

    With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).

    The album artwork for "Oblivisci" depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.

    "Oblivisci" will be available on November 21st on all streaming platforms.

    Track Listing:
    1 - The Raven Is Gone - 5:27
    2 - Stigma - 3:49
    3 - Snow - 6:02
    4 - Streets Of Rats And Vultures - 4:47
    5 - Pitch-Black Serum - 4:36
    6 - November - 5:56
    7 - Sentinel - 5:43
    8 - Impaired - 5:32
    9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
    10- Dreamless Nights Part II: From Velvet Skies - 5:13
    11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
    Album Length: 55:49

    For more info:

    http://www.outlying.ca/

    http://www.facebook.com/outlyingband

    http://www.instagram.com/outlyingband/

    https://www.tiktok.com/@outlying.band

    Read more

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