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  • Metal From Reunion Island - LOMOR Unveils Single “Tantine Lo Clou” From New Album "Sabouk Rouge" Out Feb 2026

     

    After the intensity of their latest single “Panzram”, Reunion Island’s thrash metal power trio Lomor return with the official music video for “Tantine Lo Clou”, a new track taken from their upcoming album "Sabouk Rouge", out February 2026 via Rockshots Records.

    Based on a bizarre real-life episode during the band’s French tour in 2023, “Tantine Lo Clou” turns an awkward and hilarious backstage encounter into a wild burst of energy, carried by razor-sharp riffs, frantic rhythms and Lomor’s trademark blend of old-school thrash, punk aggression and Creole attitude. The track showcases the band’s ability to shift seamlessly from dark, violent themes to irreverent storytelling without ever losing momentum.

    Musically, the song embodies the raw, unfiltered nature of Lomor’s sound: fast, abrasive guitar work from Eric Castelnau, the pounding precision of Gurvan Cambrai on drums and the tight, overdriven low end of Mathieu “Micha” Michalina on bass guitar. Lyrically, it stands as one of the most humorous and off-beat moments on "Sabouk Rouge" offering listeners a brief escape before the album dives back into heavier topics such as hatred, madness, slavery and human cruelty.

    Like the rest of the album, “Tantine Lo Clou” was produced by Lomor, recorded and mixed by Sébastien Camhi at Art Music Studio in France and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany. "Sabouk Rouge" marks the band’s most cohesive and dynamic work to date, pushing their Reunion-born thrash identity into new and sharper territories.

    With their authentic old-school spirit, no-click live philosophy and explosive stage presence, Lomor continue to stand out as one of the most unique voices rising from the Indian Ocean’s metal scene.

    DIGITAL - http://lnk.to/E9IymE

    To celebrate the release, Lomor have unveiled an official music video for “Tantine Lo Clou”, available now on the Rockshots Records YouTube Channel.



    New album “Sabouk Rouge” out February 6th, 2026.

    PRE ORDER - https://rockshots.eu/SaboukRougeCD

    Track Listing:
    1. Sabouk Rouge – 5:13
    2. Tantine Lo Clou – 3:40
    3. Meet Your Meat – 3:16
    4. Sanctuary – 5:17
    5. A Shiny Day For A Vampire – 5:14
    6. La Haine – 5:06
    7. La Pouss’ – 3:07
    8. Panzram – 4:29
    9. The Ugly, The Bad & The Bastard – 3:02
    10. Kit’ Ta Mère – 4:24
    11. Nevroz (feat. S. Camhi) – 2:34
    Album Length: 45:22

    More info: Rockshots.eu | Instagram.com/lomor.music | Facebook.com/lomormusic

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  • SILAS FERNANDES Unveils New Videos "Earth Was Boring" and "Escape The Reality Room" from Latest Album "Carbon Purge Acceleration"

     

    Photo Credit - Marisa Terra Fernandes

    Acclaimed guitarist, producer, and content creator Silas Fernandes (founder of Electric Eye Audio, producer of guitar pedals and digital tools for metal guitarists and creator of the popular YouTube show Rig on Fire) has released two new videos, "Earth was Boring" and "Escape The Reality Room," from his latest album "Carbon Purge Acceleration," which dropped this past September. Known for his fusion of industrial metal, shred guitar, and progressive influences, Fernandes continues to push boundaries with instrumental music that blends aggression, melody, and thought-provoking themes.



    Formed out of Fernandes’ departure from a cover band with Andreas Kisser (Sepultura) in the 1980s, his solo career has been defined by innovation and independence. Inspired by legends like Joe Satriani, Steve Vai, and Tony McAlpine, Fernandes has carved out a unique sound described in five words: industrial, shred, instrumental, melodic, metal.

    His latest videos reflect Fernandes’ vision of instrumental music as more than just a technical display. "Earth was Boring" is a heavy, aggressive track that fuses modern metal with metalcore elements, climaxing in a melodic shred solo. The video for that track features robotic vocal samples sourced from the Killer Instinct character Fulgor, reversed to create a distinct tone. The video for "Escape The Reality Room" alternates between thrashy modern riffs and calm, melodic passages reminiscent of Joe Satriani, offering listeners a dynamic journey through sound and imagery.

    “I hope fans take the titles of each song seriously. Each track was written based on visuals and contemporary matters,” says Fernandes.

    Fernandes’ new six-track album "Carbon Purge Acceleration" unfolds as a sonic journey that shifts fluidly from aggressive intensity to ethereal soundscapes. He describes the work as “a true creative cauldron,” blending fusion, modern progressive metal, and nostalgic eighties influences without being confined to genre labels. The album’s artwork reinforces its thematic depth, portraying a divine digital entity revered by worshippers blind to its destructive force, an allegory for the entanglement of technology and chaos in contemporary life. Each track contributes to this layered narrative, "John Hughes Didn’t Direct My Life" channels a nostalgic, 80s-inspired shred; "Flight of the Navigator", surges forward with fast-paced prog metal, fusion harmonies, and daring time signatures; "Heavy Droids" explores the complexity of 7/4 prog metal, weaving in melodic, slow-tempo passages; and "The Death of Synthetic Curation" closes with a haunting solo guitar piece, drenched in ambient effects that linger like echoes of dissolution. Together, these compositions form a bold, genre-defying statement that is both visceral and thought-provoking.

    Recommended for fans of Steve Vai, Fear Factory, Meshuggah, Devin Townsend, and Periphery, "Carbon Purge Acceleration" (released Sept 21st, 2025) is available at the following links:

    All Digital Platforms - https://silasfernandes.hearnow.com/

    Online Store - CD / Merch - https://www.silascf.com.br/en/services-5

    Bandcamp - https://silasfernandes.bandcamp.com

    Track Listing:
    1. Earth Was Boring - 4:21
    2. Escape the Reality Room - 3:47
    3. Heavy Droids - 4:09
    4. Flight Of The Navigator - 3:39
    5. John Hughes Didn't Direct My Life - 5:19
    6. The Death of Synthetic Curation - 5:05
    Album Length: 26:20

    For more info: Silascf.com.br | Facebook.com/silas.fernandes.165 | Instagram.com/silasfernandesguitar

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  • THUNDEROR "Pump Up The Volume" w/ First Single Off New Album "Bleed For It" Out March 2026 + Canadian Tour w/ Burning Witches + EU Tour w/ Chris Holmes (W.A.S.P.)

     

    Canadian heavy metal force Thunderor, fronted by JJ Tartaglia (vocals, drums, Skull Fist) and Jonny Nesta (guitar, ex-Skull Fist), alongside Brycen Gunn on bass, are igniting excitement with their high-octane new single “Pump Up The Volume.” The track offers the first glimpse of their forthcoming sophomore album, "Bleed For It," slated for release at the end of March 2026. With their trademark fusion of Arena Rock Opera Heavy Metal, Thunderor deliver soaring vocals, massive choruses, and uplifting energy designed to inspire fans to live boldly and chase their dreams.

    The single also doubles as the opening number from Thunderor The Musical, the band’s ambitious rock opera, which premiered at the Toronto Fringe Festival 2025. Featuring a cameo from Toronto Mayor Olivia Chow in the promotional clip, the track sets the tone for an album that promises both fun and depth.

    “This one is a lot of fun. Turn up the music, pump up your life, Pump Up The Volume! It’s also the opening number for the Musical, and it sets the mood nicely. Although the rest of the album ventures to many different places. Special thanks to Olivia Chow and the City of Toronto for her cameo in the promo clip, super cool.” – JJ Tartaglia.

    Add to your Spotify playlist - https://open.spotify.com/album/4FzxOaCZO4Vk9o7bnFntHK

    Following their acclaimed debut, Thunderor’s second album "Bleed For It" showcases significant growth in both songwriting and performance. The band highlights improved vocals and more expansive anthem-driven choruses, delivering a soundtrack that balances raw heavy metal energy with theatrical flair. The upcoming album is a concept record, serving as the official soundtrack to Thunderor The Musical. Fans can expect a journey through uplifting themes of love, struggle, and perseverance, all wrapped in the band’s trademark high-energy sound.

    Drawing inspiration from legends like Meat Loaf, Van Halen, Bruce Springsteen, The Darkness, H.E.A.T., Night Flight Orchestra, and their own roots in Skull Fist, Thunderor’s sound is a modern twist on classic heavy and hair metal.

    Due out on March 27, 2026, the "Bleed For It" Vinyl Bundle Pre-Order is available at https://thunderor.bigcartel.com/product/bleed-for-it-lp-limited-bundle-pre-order

    In additional news, Thunderor will be hitting the road in 2026, supporting Burning Witches on their first Canadian Tour in April, followed by a Scandinavian Tour supporting Chris Holmes (W.A.S.P.) in May (dates listed below).

    Canada Tour 2026 with Burning Witches
    April 20 - Piranha Bar - Montreal, QC
    April 21 - La Source De La Martiniere - Quebec City, QC
    April 22 - The Brass Monkey - Ottawa, ON
    April 23 - The Garrison - Toronto, ON

    Scandinavia Tour 2026 with HOLMES (The Sound of WASP)
    May 15 - Nordic Noise - Copenhagen, Denmark
    May 16 - Godset - Kolding, Denmark
    May 27 - The Abyss - Gothenburg, Sweden
    May 28 - Muskelrock - Blädinge, Sweden
    May 29 - Lokstallet - Skövde, Sweden
    May 30 - Gjerdrum Rock Club - Gjerdrum, Norway
    May 31 - Sjøboden Live Scene - Mandal, Norway

    For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official 

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  • Australia's GREYSTONE CANYON's New Album "Something Borrowed…Something New"

     

    Australian hard rock outfit Greystone Canyon returns today with their highly anticipated third album, "Something Borrowed… Something New." Out today, as of December 5th, via Rockshots Records, the record is a hybrid collection blending brand-new original songs with powerful renditions of classic rock staples, all captured live in the studio with no click tracks, no tricks, just pure rock ’n’ roll.

    Formed by vocalist/guitarist Darren Cherry, whose lifelong passion for music was inspired by AC/DC, KISS, and his father’s career as a professional musician, Greystone Canyon has built a reputation for tone, feel, fire, honesty, and organic sound. With drummer Sham (also of Nothing Sacred), guitarist Richard Vella, and bassist David Poulter, the band brings decades of experience, including Cherry’s tenure with Paul Di’Anno’s final Australian tour in 2024.



    “This is our third album and is somewhat of a hybrid. It’s a mix of new original material and classic rock cover songs. It was recorded live, together in one room, no click tracks, just real rock ’n’ roll,” says Cherry.

    Greystone Canyon’s new album "Something Borrowed… Something New" pays homage to rock legends like UFO, ZZ Top, Led Zeppelin, Thin Lizzy, and Neil Young, while introducing powerful originals such as Drives UsFriend of the Fox, and Stealing Our Freedom. Inspired by Van Halen’s Diver Down, the record blends covers and originals into a dynamic listening experience. From the faithful tribute of UFO’s Doctor, Doctor and the smoky swing of ZZ Top’s Just Got Paid, to the road-trip energy of Drives Us and the heavier, metalized punch of Led Zeppelin’s Immigrant Song, the album showcases both reverence and reinvention. Originals like the acoustic, eerie Friend of the Fox and the protest anthem Stealing Our Freedom stand proudly alongside covers such as Thin Lizzy’s Suicide and Neil Young’s haunting Hey Hey, My My. With creative flourishes like "AAF," a Hendrix-style guitar homage to the Australian National Anthem, the album captures Greystone Canyon’s ability to honour rock’s greatest while carving out its own identity.

    Unlike their previous album, "Iron & Oak," which took six years to complete, "Something Borrowed… Something New" was tracked, mixed, and mastered in just five months. Recorded at Black Lodge Studio under the guidance of Joel Taylor, the band embraced a raw, live recording method that captures the warmth, punch, and energy of musicians playing together in real time.

    “This album has been the most fun we’ve had recording. Albums can be hard work and tedious, but this was a joy to make, and we think you can hear that in the recording,” adds Cherry.



    Greystone Canyon are an Australian hard rock band blending classic rock, heavy metal, blues, and folk influences. Known for their organic sound and passionate performances, the band continues to evolve while staying true to their roots. Their music is inspired by life, history, and the future, with lyrics that reflect both personal experiences and broader social themes.

    "Something Borrowed… Something New" is available now on December 5th, 2025, from Rockshots Records on all major streaming platforms and physical formats.

    CD - https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

    Add to your Spotify playlisthttps://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj

    Track Listing:
    1. Doctor, Doctor (UFO cover) - 04:16
    2. Just Got Paid (ZZ Top cover) - 03:35
    3. Drives Us - 05:06
    4. Immigrant Song (Led Zeppelin cover) - 02:21
    5. Friend of the Fox - 03:57
    6. Suicide (Thin Lizzy cover) - 05:14
    7. Hey, Hey, My, My (Into the Black) (Neil Young cover) - 03:22
    8. AAF - 1:47
    9. Stealing Our Freedom - 04:26
    Album Length: 33:54

    More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

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  • Quebec Deathcore Force DISCOVERY THROUGH TORMENT's EP "Telesynthetic Rebirth"

     

    Saint-Jean-sur-Richelieu, QC, Canada deathcore force Discovery Through Torment is set to unleash their new EP, "Telesynthetic Rebirth," with an exclusive advance stream premiering on Decibel Magazine a full day ahead of its official release on December 5th. Fans can experience the band’s most ambitious and brutal work yet before it drops worldwide.

    Listen to the EP's full stream premiere on Decibel Magazine HERE.

    Formed out of a desire to push heaviness to its limits, Discovery Through Torment has carved a reputation in the Quebec underground for its uncompromising blend of slam, brutal death metal, and blackened atmospheres. Since their debut, "Divine in Blood" (2020), and the acclaimed follow-up, "The Mangled God" (2022), the band has evolved into a sharpened five-piece lineup, now fronted by vocalist Alex Desroches. With "Telesynthetic Rebirth," they deliver a bold new chapter defined by narrative-driven lyrics, cinematic scope, and relentless aggression.

    “On this EP, we took the time to experiment a lot and find the right balance between sounding fresh and staying true to our sound. It’s very dark and heavy, with sci-fi atmospheres and plenty of surprises. We are very proud of this one, it hits HARD,” adds the band.

    The EP plays out like a video game-inspired descent into collapse and conquest, pulling listeners through five chapters of divine downfall, human abduction, and engineered genocide. Musically, it balances towering, cinematic compositions with suffocating heaviness, fusing slam brutality and blackened deathcore atmospheres into a relentless narrative arc. It begins with "Dethronement," a grand opener announcing the fall of the Mangled God with epic scale, before plunging into "Arcane Inception," where crushing riffs expose the apocalyptic intentions of a new force rising from the ashes. The tone grows colder and more clinical in "Veil Unfurling," transforming captives into telepathic servants through a chilling blend of atmosphere and brutality. The intensity reaches its peak in "Lesions," a punishingly direct assault that warns of inevitable demise with twisted vocal lines and relentless weight. Finally, "First Encounter Assault Regiment" closes the record with a genocidal march, its towering chorus and cliffhanger ending leaving the storyline suspended in anticipation of the destructive chapter still to come.



    The EP’s artwork mirrors this ominous narrative, drenched in red hues and desolate landscapes that hint at alien origins and looming menace. Adding to its depth are several fun details: hidden nods to the first F.E.A.R. game woven into track titles and lyrics, the clinical edge of "Veil Unfurling" born from a binge of House M.D., and synth layers crafted in DIY fashion by guitarist Sam experimenting at home.

    For fans of Aversions Crown, Rings of Saturn, and Mental Cruelty, "Telesynthetic Rebirth" drops December 5th, 2025, on all major platforms.

    "Telesynthetic Rebirth" arrives December 5, 2025 is available for EP pre-order at https://discoverythroughtorment.bandcamp.com/

    Add to your Spotify playlist - https://open.spotify.com/artist/3cttRrJzJ5CxdMlaJPkNtq?si=WK9PdT1SQ-yZOes9PP50IA​​

    Track Listing:
    1. Dethronement - (4:36)
    2. Arcane Inception - (3:40)
    3. Veil Unferling - (4:29)
    4. Lesions - (3:35)
    5. First Encounter Assault Regiment - (4:19)
    Album Length - (20:39)

    Album Band Line Up:
    Charles-Étienne Lafrance - Drums
    Samuel Fortin - Guitar
    Frédéric Ricard - Guitar
    Alexandre Desroche - Vocals
    Alexis Lafrance - Bass

    Live Band Line Up:
    Charles-Étienne Lafrance - Drum
    Samuel Fortin - Guitar
    Frédéric Ricard - Guitar
    Alexandre Desroche - Vocals

    More info: Facebook.com/DiscoveryThroughTorment | Instagram.com/discovery.through.torment

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