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Search Results: new-album

  • Chilean Prog ENGRUPID PIPOL Unleashes New Concept Album "Quadragenta At Finem Mundi"

     

    After more than three years of silence, Chilean instrumental trio Engrupid Pipol returns with their most daring and conceptually rich album to date: "Quadragenta at Finem Mundi." A sonic prophecy told in seven acts, this 46-minute progressive metal journey explores the collapse of civilization and the rebirth of life through intricate compositions, raw emotion, and a sound that pushes the boundaries of the trio format.

    Drummer Nacho García reflects on the band’s evolution.

    “The work done on this album is incomparable to our two previous records, both technically and personally. On Engrupid Divais, we had found the sound we were looking for. This time, once we were in the studio, we realized we already had the sound we wanted; it just needed a few tweaks.”

    The band focused on preserving the integrity of the trio format, avoiding overdubs that couldn’t be replicated live. The result is a modern, powerful, and crystal-clear sound, with each instrument retaining its warmth and natural tone. Acoustic guitars, synthesizers, and even the bombo legüero, a traditional Latin American drum, add depth and texture to the album’s apocalyptic narrative.



    "Quadragenta at Finem Mundi" is Engrupid Pipol’s first conceptual album, and it demanded everything from its members. With funding from the Chilean Ministry of Arts, Culture, and Heritage, the band had the resources to elevate their recording, post-production, and promotional efforts, but also faced immense pressure to deliver.

    “We had a deadline and only three rough demos. It tested us as a band and as friends. We had to devote a huge chunk of our lives to this process, writing, arranging, rehearsing, and reworking demos until the songs matured,” recalls Nacho.

    Guitarist Kaztrol adds:

    “This album was born from a different place than usual. It pushed us to our limits and presented obstacles we didn’t expect. Listening to the finished album is an auditory delight, a reward for our souls after all the effort and sacrifice.”

    "Quadragenta at Finem Mundi" unfolds as a seven-act instrumental journey through the collapse and rebirth of civilization. It opens with “Tripel Ultimatum,” a high-adrenaline, riff-heavy track that introduces three survivors of a nuclear disaster. “Vorágine” follows with a whirlwind of acoustic chaos, mirroring the consumerist frenzy and environmental decay of modern society. “Animal Inteligenz” offers a satirical take on artificial intelligence as a new deity, exploring the decline of human intellect and the rise of evolved animals and machines. The fourth act, “Inspireichon Burn,” channels death-metal fury to depict the devastation of thermonuclear war and the greed of war profiteers, born from a spontaneous burst of inspiration. “Vairal Madnez,” the most collaborative track, critiques digital obsession, fake news, and biological warfare, and stands out as a favorite to perform. “Aztral Configureited” shifts the tone to cosmic reflection, imagining planetary alignment as life on Earth fades and a new cycle begins. The album closes with “Ameba Emenens,” a fully acoustic and introspective finale, where a lone ameba survives the apocalypse to restart life, offering a hopeful end to a dark and prophetic musical odyssey.

    "Quadragenta at Finem Mundi" is more than an album; it’s a statement. A sonic warning. A cathartic release. And above all, a testament to the enduring power of three musicians who’ve spent nearly 25 years crafting their sound and pushing their limits.

    Available November 7, 2025, on all major platforms, the album is recommended for fans of Liquid Tension, Rush, Megadeth, King Crimson, Night Verses, and Animals as Leaders.

    Add to your Spotify playlist https://open.spotify.com/album/7i6N3YPymMG6Bk6SAwrhPb

    Digital Download - https://www.portaldisc.com/contenido/disco-engrupid-pipol-quadragenta-at-finem-mundi

    Track Listing:
    1. Tripel Ultimatum - 5:48
    2. Voragine - 6:53
    3. Animal Inteligenz - 7:34
    4. Inspireichon Burn
    5. Vairal Madness 5:01
    6. Aztral Configureited 8:24
    7. Ameba Emenens 4.20
    Album Length 45:20

    For more info: Engrupidpipol.cl | Instagram.com/engrupid_pipol | Facebook.com/engrupid

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  • THE JUDGE THE JUROR Unleashes Genre-Bending PsyDeathTechProg EP “Primitive Minds” + Video “Your Vice is a Locked Door”

     

    Western Canada’s most electrifying metal experimenters, The Judge The Juror, have officially dropped their new EP, "Primitive Minds", out today, November 7th, 2025. Alongside the release, the band has unveiled a crushing new music video for the opening track “Your Vice is a Locked Door”, offering fans a visual descent into their self-coined genre: PSYDEATHTECHPROG, a fusion of psychedelic, progressive, technical death metal that defies categorization and redefines sonic boundaries. The band invented the term PSYDEATHTECHPROG as both a descriptor and a tongue-in-cheek jab at metal’s obsession with micro-genres.



    "Primitive Minds" explores the paradox of modern humanity: how our ancient instincts clash with the hyper-digital world we inhabit. The EP’s three tracks, “Your Vice is a Locked Door,” “Helciconian Optivisior,” and “HYPERCUBE (Unfolding),” each dissect a different facet of this existential tension, from algorithmic manipulation to emotional fragmentation.

    “Your Vice is a Locked Door” delivers a punishing critique of social media’s commodification of identity. “Helciconian Optivisior” offers a mesmerizing sonic assault, reflecting the struggle to connect beyond distorted lenses, while “HYPERCUBE (Unfolding)” ventures into cosmic tech-death territory, exploring internal battles and societal exploitation.

    The EP artwork, created by guitarist Scotty Oakes, is a painted psychedelic interpretation of the human mind, visually complementing the band’s cerebral themes.

    Formed in Edmonton, AB by members of local acts Vespertine Battle Scene and Driven to Exile, The Judge The Juror consists of David (vocals/synth), Blaise (guitar), Scotty (guitar), Merrick (bass), and Nick (drums). Their collaborative writing process blends brutal riffage, experimental synths, and progressive structures into a sound that’s as weird as it is exhilarating.

    Fans can expect two more EPs, "Medieval Institutions" (Early 2026) and "Godlike Technologies" (Mid-2026), completing the trilogy that chronicles the downfall of the human condition.

    Influenced by genre giants like Meshuggah, Cynic, Between the Buried and Me, and VOLA, the band has carved out a niche for fans of Born of Osiris, The Browning, and Enter Shikari.

    "Primitive Minds" is available now on all major platforms - https://distrokid.com/hyperfollow/thejudgethejuror/primitive-minds

    In additional news, The Judge The Juror will be unveiling "Primitive Minds" and more at their local EP Release show in Edmonton, AB on November 7th at Bunkers Live Pub (615 Hermitage RD NW) alongside Shackled To The Throne, Valley Of Despair, and Decrepitation. Event Info - https://www.facebook.com/events/1183563156934083/

    Track Listing:
    1. Your Vice is a Locked Door - (4:36)
    2. Heliconian Optivisor - (3:40)
    3. HYPERCUBE (Unfolding) - (2:59)

    More info: https://linktr.ee/thejudgethejurorofficial

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  • THE RETICENT Confronts Mental Health with New Video "The Scorn" Off Upcoming Album "please" Out Nov 2025

     

    Progressive metal act The Reticent has unveiled the lyric video for “The Scorn (Those Who Don’t Understand),” the latest single from their upcoming album "please," due out on Generation Prog Records on November 13th. Known for their emotionally intense concept albums, The Reticent continues their tradition of soul-baring storytelling with "please," a harrowing journey through the many battlefields of mental illness.

    “The Scorn (Those Who Don’t Understand)” takes on the voice of those who dismiss mental health struggles, echoing phrases like “just get over it” and “it’s all in your head.” Musically, the track leans into groove-oriented rhythms and major chords to reflect the detached worldview of those who don’t understand. The addition of exotic instrumentation like the oud and hand percussion further separates the song from the rest of the album’s sonic palette.

    But "please" is more than just an album; it’s a survival mechanism. Written in just six months, the album was recorded under extreme conditions. Drums for "please" and its follow-up were tracked in a single day, while guitars, bass, and keys were completed in two. The vocals, however, took two grueling weeks, during which founder Chris Hathcock injured his larynx so severely that doctors feared permanent damage. Hathcock was forced into six weeks of total silence, even teaching his classes entirely nonverbally. Thankfully, he recovered, mostly.

    The pain didn’t stop there. While filming the video for “The Concealment,” Hathcock broke two toes, sprained three others, and partially tore his rotator cuff during a scene that required him to violently destroy a room. Just six days later, he performed at ProgStorm Festival in Montreal with those injuries, doubled over in pain by the end of the set. Fans, immersed in the emotional intensity of the performance, had no idea.

    "please" is the first album by The Reticent to be almost entirely engineered by Chris Hathcock himself. While drums were tracked at The Basement Studios with longtime producer Jamie King (Between The Buried And Me, The Contortionist), all other elements were recorded at Hathcock’s Silent Muse Studio. The album was also mixed and mastered by King, adding his signature polish to the final product. The isolation of self-recording introduced an additional layer of emotional strain, especially during the vocal sessions.

    Lyrically, the album is rich with references to the work of clinical psychologist Kay Redfield Jamison. Lines like “Night falls fast…” in “The Concealment” and “an unquiet mind” in “The Night River” nod to Jamison’s seminal works on suicide and bipolar disorder. Her voice even appears in samples throughout “Discharge.”

    Musically, "please" marks a return to 6-string guitars, a first since 2016’s "On The Eve Of A Goodbye," except for “The Bed of Wasps.” The five-year gap between "please" and 2020’s "The Oubliette" is the longest in the band’s history, a reflection of the emotional toll and life events that shaped its creation.

    The Reticent, led by Grammy-nominated music educator Chris Hathcock, has built a reputation for devastatingly autobiographical concept albums. Joined by James Nelson (Nospūn) and Paul McBride (Voraath), the band delivers performances that blur the line between metal show and performance art. Their appearance at ProgPower USA was hailed by Metal Injection as “one of the most heart-wrenching performances in ProgPower history.”

    In addition to their recent performance at ProgStorm Festival in Montreal this past summer, The Reticent is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.

    The lyric video for “The Scorn (Those Who Don’t Understand)” is now available on YouTube and streaming platforms.

    Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in "please," which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of "please."

    CD pre-order (North America) - https://thereticent.net/please-pre-order

    CD pre-order (EU) - http://www.generation-prog.com/shop/

    Digital Album pre-save - https://show.co/MoPdl8W

    Track Listing:
    1. Intake – 1:45
    2. The Concealment (Those Who Don’t Want To Wake) – 6:06
    3. The Night River (Those Who Can’t Rest) – 6:55
    4. Diagnosis 1 – 2:18
    5. The Bed of Wasps (Those Consumed With Panic) – 5:47
    6. The Scorn (Those Who Don’t Understand) – 8:12
    7. Diagnosis 2 – 2:39
    8. The Riptide (Those Without Hope) – 6:09
    9. The Chance (Those Who Let Go) – 6:52
    10. Discharge – 2:56
    Album Length: 49:45

    For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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  • HARVESTED Earworm Ferocious "Voices of the Void" Band Playthrough From New Album “Dysthymia”

     

    Canadian death metal outfit Harvested has dropped a ferocious, earworming band playthrough video for “Voices of the Void,” a standout track from their latest full-length album, "Dysthymia." The video showcases the band’s technical prowess, raw aggression, and unrelenting energy, hallmarks of a sound they describe as “Heavy, Brutal, Fast, Aggressive and Violent.”

    Formed in 2019 as a creative outlet for members of other local projects, Harvested has evolved into a powerhouse of modern death metal. With roots in bands like A Scar For The Wicked, Sons Of The Nether, Thalassophobia, and Fumigation, the group brings together a wealth of experience and a shared passion for pushing sonic boundaries.

    “Voices of the Void” is a dynamic track that blends chaotic tempo shifts with crushing grooves, embodying the band’s signature fusion of old-school death metal and deathcore. Lyrically, it delves into themes of dissociation and psychological turmoil, part of the album’s overarching exploration of mental illness.

    “This album is the evolution of our sound. We’ve taken influences from technical death metal giants like The Zenith Passage and Cattle Decapitation, but stayed true to our roots. Dysthymia is a level-up in every way—production, songwriting, and performance,” says guitarist Mitchi Dimitriadis.

    The playthrough video offers fans an intimate look at the band’s musicianship, with each member delivering a tight, high-speed performance that reflects their commitment to precision and intensity.

    “We pride ourselves on being athletes with our instruments. It’s not just about brutality, it’s about groove, cohesion, and constantly challenging ourselves,” adds Dimitriadis.

    "Voices of the Void" is one of nine tracks on "Dysthymia," each confronting different facets of psychological distress, from cult mentality and shadow selves to global political psychosis. The album’s artwork, a psychedelic depiction of mental chaos, complements its lyrical depth and sonic ferocity.



    With "Dysthymia" now unleashed and the band’s live shows gaining momentum, Harvested is poised to make a lasting impact on the Canadian metal scene.

    Recommended for fans of Cattle Decapitation, Decapitated, and Cannibal Corpse, Harvested's “Dysthymia” is available at the following links:

    Spotify - https://distrokid.com/hyperfollow/harvested1/dysthymia

    More info: Facebook.com/harvested666 | Instagram.com/harvestedband

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  • STERILIZING THE DECEASED Confronts Inner Demons w/ New Video "Recovery"

     

    Melodic deathcore outfit Sterilizing The Deceased has dropped a gripping new music video for “Recovery,” the opening track from their emotionally charged EP "Nothing," released August 1st. Known for their bone-crushing breakdowns and atmospheric aggression, the Cleveland-based band delivers a visual experience as raw and visceral as the music itself.

    “Recovery” dives deep into themes of personal reflection, addiction, and the struggle to find light in overwhelming darkness. The video mirrors the EP’s overarching narrative, a fictional/non-fictional journey through drug addiction and suicidal ideation, inspired by frontman Angelo Vespucci’s own battles. With imagery that evokes resistance, pain, and redemption, the video amplifies the track’s emotional weight and lyrical intensity.

    “This song is about wondering where things went wrong and why they had to change. It’s the beginning of a story that’s deeply personal to me, and I wanted the visuals to reflect that internal war,” says Vespucci.

    The EP "Nothing" marks a turning point for Sterilizing The Deceased, showcasing a mature sound that blends melodic deathcore, progressive metalcore, and djent influences. Fans of Reflections, Chelsea Grin, and old-school Lorna Shore will find familiar sonic territory, but with a distinct emotional edge. From the chaotic descent of “Self Meditated” to the cathartic rebirth in “Awake,” the EP offers a full-circle listening experience that encourages introspection and connection.

    Formed in 2014, Sterilizing The Deceased has carved out a reputation in the Midwest metal scene, sharing stages with heavyweights like Cannibal Corpse, Dying Fetus, and Slaughter to Prevail. With members also active in projects like xEIGHTY-SIXEDx, Lie In Wait, and Terra Vista, the band brings a wealth of experience and collaborative firepower to every release.

    Experience the beginning of a journey through pain, purgatory, and ultimately, awakening with the music video premiere of "Recovery".



    Fans can expect more music in the coming year, with another EP or full-length already in the works.

    Sterilizing The Deceased's latest EP “Nothing” can be heard on all digital platforms.

    Spotify - https://open.spotify.com/album/4aTbT4KtSuLM2V2G1136Zt

    Bandcamp - https://sterilizingthedeceased.bandcamp.com/

    More info: Facebook.com/SterilizingTheDeceased | Instagram.com/sterilizingthedeceased

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