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• NIGHT'S EDGE Unveils New Video "Shapes in Grey Space II : Soaring" Ahead of New Album Out Aug 21st

  Aug 21, 2025 Fistoffreedom 0 Comments

   

  With their fourth full-length album, "The World That Never Was," set to drop on August 21st, 2025, Baltimore-based trio NIGHT'S EDGE is unveiling one last visual offering ahead of release day. In collaboration with Ghost Cult Magazine, the band premieres the music video for “Shapes in Grey Space II: Soaring”, the second installment in a three-part suite that closes the album. The two-and-a-half-minute ballad of symphonic alternative metal track unfolds a Twilight Zone-inspired narrative, exploring themes of isolation and the transformative journey of self-discovery it can spark.

  "Soaring is a hardcore banger in ¾, as fancy as it is intense. The sudden pauses and shifts in direction of the music catch you off guard, while the vocals make you feel like you are ascending into the chorus, with mixed feelings of freedom while remaining tethered to reality. The words reflect our inner turmoil of free will versus the outside forces that control us. When writing Soaring, Damian constantly referred to the movie “Chronicle,” a found-footage thriller about teenagers who get superpowers. Not sure how that connects, that is for you to figure out!" adds Brian Haran – Vocals, Bass, Keys, Programming.

  Since forming in 2018, Night’s Edge has undergone several lineup shifts and sonic evolutions, making notable strides since their 2019 debut. Rooted in the Alternative Metal realm yet defying easy classification, their sound blends gothic metal, progressive rock, and nu-metal influences into a heady mix of heaviness and pop sensibility, wrapped in layers of synths and theatrical flair. Their upcoming album, "The World That Never Was," delves into themes of lost identity and the voids we fall into—obsession, rage, and uncertainty. In its closing arc, the album tells a parable: the protagonist wakes in a world where humanity has vanished and is forced to confront their reflection in the silence... or so it appears.

  "We are immensely proud of this album. The World That Never Was has the strongest songwriting that Night’s Edge has ever brought forward, and these powerful songs elevate the three of us as musicians and as a band. It has presented challenges to all of us, as Performers and as writers, and has resulted in a genuine expression of music that is uniquely us. The album flows dramatically from piece to piece, with each song offering something different and contributing a different part from which the whole is built. No two songs sound the same, but every second of the album is unmistakably Night’s Edge. The recording and production process challenged all of us but allowed us to become even more intimate with each song. The lyrical themes that wrap through the album have become hooks in each of our brains, and we feel like each of us left a part of ourselves in this record. The World That Never Was is dense but digestible, complex but immediate, grim but beautiful. It is an album of contrasts, an album of ambition, and Night’s Edge’s most definitive musical statement," says Haran

  "The World That Never Was" follows releases Strangers – LP (2023), Night's Edge - EP (2022), The Darkest Side of Dreams - LP (2020), and Shades of Dusk - LP (2019) and is recommended for fans of Coheed and Cambria, Avantasia, System of a Down, HIM, and Deftones.

  Album pre-order (out Aug 21st) - https://nightsedge.bandcamp.com

  Spotify - https://open.spotify.com/artist/5YEhprmAqIyaGmzH1qQInZ​

  Upcoming Show Dates:​
  Aug 23 – Roachfest – Hollywood, MD
  Sept 12 - Zen West - Baltimore, MD - ALBUM RELEASE PARTY
  Sept 20 - Asbury Park Brewery - Asbury Park, NJ
  Oct 10 - The Depot - Baltimore, MD

  Track Listing:​
  1. Someone To Stay (4:11)
  2. If You Loved Me (3:51)
  3. Man of Many Faces (4:23)
  4. Love Fiction (4:14)
  5. Wish You Wouldn’t (4:09)
  6. Overdue For Destruction (2:50)
  7. Smite (3:46)
  8. Ataecina (5:08)
  9. Shapes In Grey Space I: Reaching (7:43)
  10. Shapes In Grey Space II: Soaring (2:41)
  11. Shapes In Grey Space III: Separating (5:23)
  Total Length: 48:32

  Recording and Live Line Up:​
  Brian Haran – Vocals, Bass, Keys, Programming
  Damian Remmell – Guitars
  Dan Hunt – Drums

  More info: Nightsedgeband.com | Facebook.com/nightsedgeband | Instagram.com/nights_edge_band

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• PsyDeathTechProg THE JUDGE THE JUROR's New Single “Heliconian Optivisor” Is Metal Alchemy At Its Finest

  Aug 15, 2025 Fistoffreedom 0 Comments

   

  Edmonton, Canada’s most electrifying new metal force, The Judge The Juror (TJTJ), has dropped their blistering new single, “Heliconian Optivisor,” the first taste of their upcoming conceptual EP, "Primitive Minds," set to release in early fall 2025. This marks the beginning of an ambitious trilogy of EPs that will unfold over the next eight months, each exploring the collapse of the human condition through the band’s self-forged genre: PSYDEATHTECHPROG.
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  A mesmerizing, fast-paced assault of sonic force, “Heliconian Optivisor” dives deep into the psychological tension of viewing the world through distorted lenses, red flags we fail to see until it’s too late. The track blends blistering tech-death precision with psychedelic synths and progressive structures, reflecting the band’s desire to find authentic community without compromising identity.

  “What happens when you realize that you may have been viewing parts of your life through a lens you didn’t create? This song speaks of our human desire to find community and belonging that doesn’t come at the cost of selling our souls to fit in. This sentiment has been an ongoing discussion for the band members, as we try to carve a new, unique, and niche sound. We don’t always know where we fit into the metal scene, but we know we want to be authentic and stay true to what we believe without compromising. This balancing creates a push and pull of emotions that the musical structure of the song builds on,” says David W Frontenac (Vocals/Synth/Programming).​

  ​Add to your Spotify Playlist - https://distrokid.com/hyperfollow/thejudgethejuror/heliconian-optivisor

  
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  The first of three conceptually linked EPs, "Primitive Minds" explores the paradox of modern humans trapped in ancient mental frameworks. Lyrically and musically, it’s a psychedelic futurist journey, equal parts brutal and introspective. TJTJ's release plans for the EPs will be Fall 2025 "Primitive Minds", early 2026 "Medieval Institutions", and mid-2026 "Godlike Technologies". Each release will build on the last, culminating in a sweeping narrative about societal collapse, technological alienation, and the search for meaning.

  In addition to unveiling the new single, The Judge The Juror will be hitting the road for an August tour in Alberta and BC with The Hallowed Catharsis & Plague Doctor. Catch them live for one of the most high-energy performances in Western Canada. Expect a barrage of increasingly weird and wonderful proggy tech-death.

  Tour Dates - The Judge The Juror w/ **The Hallowed Catharsis & Plague Doctor​
  Aug 21 - Kelowna, BC - Jackknife Brewing**
  Aug 22 - Kamloops, BC - Bridgeview Theatre** (UGEFEST)
  Aug 23 - Salmon Arm, BC - Solid Urban Studios**
  Aug 24 - Abbotsford, BC - Heavy Metal BBQ**
  Sept 13 - Red Deer, AB - The Vat
  ​
  ​More info: https://linktr.ee/thejudgethejurorofficial

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• VISITANT Unveils Mesmerizing Music Video “Briars” + Michigan Metal Fest + "In the Wake of Flame Tour" (FL/GA/TN/SC/NC) w/ IATT

  Aug 7, 2025 Fistoffreedom 0 Comments

   

  ​With their debut album “Rubidium” just weeks away from being unleashed on Exitus Stratagem Records on August 22, 2025, blackened death metal collective Visitant presents their third and final pre-release single “Briars” accompanied by a beautiful music video that visualizes the band's immersive dreamscapes. This composition serves as a powerful statement piece, showcasing the full scope of Visitant's ability to craft ritualistic soundscapes that are both aggressive and ethereal. As they put it, “such a beautiful representation of what is to come.”

  The story of a man who, after realizing he’s died, pleads that it wasn’t his time yet, and as his pleas fall on non-existent ears, he comes to discover that everyone will be forgotten in the end. “Briars” exemplifies the band's commitment to creating tasteful juxtapositions between the visceral and the beautiful. The track features the collaborative genius that has defined Visitant's approach: Taylor Tidwell's intricate guitar work, Anthony Lusk-Simone's orchestral arrangements and powerful drumming, Kilian Duarte's prominent bass lines that intensify the forward-pushing experience, and Chelsea Marrow's commanding vocal performance that channels personal experiences transformed into ghost stories.

  The single arrives as Visitant prepares for their live debut at Michigan Metal Fest on August 23rd and "In the Wake of Flame Tour" with Philadelphia’s alchemical blackened death metal force IATT (dates listed below), where they will bring their haunting world to life with what they envision as an intense live experience featuring ‘muted dingy lighting and old house vibes’ that match the atmosphere of their music.

  Visitant has created a debut album that promises to resonate with listeners for years to come. They are recommended listening for fans of Opeth, Naglfar, and Between the Buried and Me.

  Spotify - https://hypeddit.com/visitant/briars​

  Visitant's recording lineup features seasoned musicians from the extreme metal underground: Anthony Lusk-Simone (drums/orchestration) from Abiotic and Lattermath, Kilian Duarte (bass) from Abiotic and Scale the Summit, Taylor Tidwell from Unaligned, and Chelsea Marrow from Voraath, whose vocal work has also been featured in acclaimed video games including DOOM ETERNAL and Senua's Saga: Hellblade II. Thomas Weidick, on guitar, recently joined their live lineup this past June.

  Previous Singles:

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  Visitant's "Rubidium" is available for album pre-order (out Aug 22nd) via Exitus Stratagem Records at https://hypeddit.com/visitant/rubidium​

  Other Dates:​
  Aug 23 - Michigan Metal Fest - Leila Arboretum - Battle Creek, MI w/ Dying Fetus, Within Ruins, Ov Sulfur, The Convalescence
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  ​"On The Wake of Flame Tour" - IATT, VISITANT:
  Oct 3 - Pensacola, FL – Pacific Kava
  Oct 4 - Jensen Beach, FL – Dark Riff Records
  Oct 5 - Duluth, GA – Sweetwater
  Oct 7 - Nashville, TN – Cobra
  Oct 8 - Piedmont, SC – Tribbles
  Oct 9 - Raleigh, NC – Chapel Of Bones
  Oct 10 - Knoxville, TN - The Pilot Light
  Oct 11 - Jackson, TN – TN Metal Devastation Fest (Visitant only)

  Track Listing:​
  1. Unworldly - 4:48
  2. Briars - 5:20
  3. Starless - 5:07
  4. Rubidium - 5:24
  5. Fodder - 4:37
  6. Envies Lament - 4:56
  7. Moon Bathe - 2:38
  Album Length: 32:50

  Album Band Line Up:​
  Chelsea Marrow Vocals
  Kilian Duarte Bass
  Taylor Tidwell Guitars
  Anthony Lusk-Simone Drums / Orchestration

  Live Band Line Up:​
  Chelsea Marrow - Vocals
  Taylor Tidwell - Guitar & Backing Vocals
  Kilian Duarte or Anthony Wheeler - Bass
  Charles Webber or Anthony Lusk-Simone - Drums
  Thomas Weidick - Guitar

  For more info:

  ​Exsrmusic.com | ​Facebook.com/visitantband | Instagram.com/Visitantband | Tiktok.com/@_visitant_

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• METATRONE Reveals New Music Video For Single “Facsimile” From Fifth Studio Album Coming In 2026

  Jul 30, 2025 Fistoffreedom 0 Comments

   

  After marking their return with the spiritually-charged “Emmaus”, Italian Christian Catholic metal veterans Metatrone unveil their new single “Facsimile”, the second track from their upcoming fifth studio album set for release in 2026.

  “Facsimile” is more than just a song - it’s a powerful manifesto against artistic conformity and imitation. Musically, the track blends razor-sharp riffs, progressive arrangements, and melodic choruses, channeling the band’s signature power-prog style with an aggressive thrash edge.

  Written by founding duo David Brown and Stefano “Ghigas” Calvagno, the track openly challenges the rise of tribute culture and invites musicians to embrace their true selves, creatively and spiritually.

  Keyboardist David Brown comments:

  “This song challenges artists to invest in themselves with honesty and originality, without resorting to imitation. As Jesus says in John 8:32, ‘The truth will set you free.’ We believe that truth lies in embracing your uniqueness.”

  Guitarist Ghigas adds:

  “The tribute band phenomenon has gone from a fun curiosity to something grotesque. It's strange - and sad - to see talented musicians devote so much effort to copying artists who are still active. Music is about truth, not imitation.”

  “Facsimile” also reflects the band’s ongoing evolution. With Jo Lombardo back on vocals and Simone Alberti (drums) and Alex Palazzo (bass) solidifying the current lineup, Metatrone's sound has grown sharper, more dynamic, and emotionally charged — a balance of faith-driven lyrics, technical complexity, and metal intensity.

  Stay tuned!

  Digital - https://lnk.to/SLWokA​
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  METATRONE Line Up:​
  ​
  ​Jo Lombardo: Lead Vocals
  ​Ghigas: Guitars
  ​David Brown: Keyboards, Growl
  ​Alex Palazzo: Bass
  ​Simone Alberti: Drums
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  ​Recorded and Mixed by Luigi Scuderi​
  Mastered by Jacob Hansen​
  Artwork by Nello Dell'Omo (Art For Music)

  ​More info:​
  Label: https://www.rockshots.eu​
  All Links: https://linktr.ee/metatrone_music

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• New York Thrash QUEMASANTOS Channels Loss From Cancer Into Lyrical Fury with “Burning the Black”

  Jul 25, 2025 Fistoffreedom 0 Comments

   

   

  New York thrash QUEMASANTOS is turning up the heat with their scorching new lyric video 'Burning the Black', a vision accumulated through time turned into a metal track that was born from grief, rage, and love. It emerged from the pain of witnessing cancer’s devastating impact.
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  ​"In the past, vocalist Nelson Diaz has always come up with the concepts for the music they’ve been writing. This time, I asked him to work under my concept, which was based on what I was experiencing at the time (which was during the time before my wife’s passing). He kindly agreed to do it, and I’m just happy with the way he performed and used all the material I gave him. He’s a true friend and a master of metal interpretation. I love him," adds Ignacio Orellana (Bass/Guitars/Drums).

  ​'Burning the Black' is an analogy to the process of receiving chemotherapy, which burns the cancer cells in the body. The concept for the track came to Ignacio Orellana while watching his wife fight cancer for six years, which tragically ended with her dramatic death. The lyrics are narrated from the perspective of death, constantly reminding you that it will take you and that no matter what you do, it’s inevitable. The music encapsulates the life cycle of a person, beginning with the gradual and transformative changes life brings and concluding in a manner reminiscent of its inception.
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  ​"On a personal note, this has been a brutal and devastating time, as well as strange to lose my life partner of 31 years. It still feels unreal. This song is essentially what I can translate from the experience of being there next to her and witnessing her decline from good to bad. I genuinely hope that people can understand it the way I’m trying to convey it. I loved my wife, and she will always be with me," says Orellana.
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  ​Quemasantos is Nelson Diaz (singer and concepts) & Ignacio Orellana (bass/guitar/drums).
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  The guest musician for this track was Felipe Roa, the lead guitarist for metal bands Acaro and Shadows Fall (touring member). With extensive studio recording and touring experience, Roa has also owned and operated Boston Guitar Tech, providing professional services such as guitar setups, fretwork, electronics, and online and in-person lessons.
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  Vocal tracks recorded at Studios Ultrasonico, Santiago, Chile.
  Felipe Roa's tracks were recorded at his studio.
  Mixed and mastered at Oily Sound Studios in New York City by Ignacio Orellana.
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  ​More info:

  ​https://quemasantos.com

  ​http://quemasantos.bandcamp.com

  ​http://instagram.com/quemasantos1

  ​http://www.facebook.com/quemasantos

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