Search Results: rock

• HighWay Announce New Album "Last Call for Rock’N’Roll" Out April 2026; Unveil First Single “Hi-Way” Out Now!

  Dec 12, 2025 Fistoffreedom 0 Comments

   

   

  French hard rock powerhouse HighWay is back with a vengeance. After the acoustic detour of The Journey (2022), the band returns louder, bolder, and more electric than ever with their sixth studio album, Last Call for Rock’N’Roll, set for release on April 24th, 2026.

  The first single, “Hi-Way”, is now streaming and immediately sets the tone for what fans can expect: unstoppable riffs, soaring vocals, and the kind of raw energy that has defined HighWay’s sound for over two decades.

  "We realized we’d never written a song called HighWay! All the greats, Motorhead, Iron Maiden, and Black Sabbath, have their eponymous track. So why not us? Musically, it’s a return to the big rock song with a groovy verse, a spooky orchestral bridge, and a riff that fans will love,” explains frontman Ben Chambert.

  The single’s accompanying video introduces HighWay’s new line-up, showcasing the band’s explosive live energy. Joining founding brothers Ben and Romain are bassist Cerise Pouillard (formerly of AC/DC tribute Ladies Ballbreaker) and guitarist Florian Arnaud, whose addition brings twin-guitar firepower and massive backing vocals to the band’s stage sound.

  Add to your Spotify playlist - https://kuronekomedia.lnk.to/LCFRnR​

  Produced, mixed and mastered by Brett Caldas-Lima (Ayreon, Devin Townsend, Megadeth), the album features 12 brand-new tracks that blend power, melody, and emotion in a timeless hard rock spirit. From high-octane anthems like “Bang Bang!” and “Go! Go! Go!” to intimate ballads like “Mayday”, the record explores life’s highs and lows with authenticity and passion.

  “Fans will be blown away by this record. After the acoustic break of The Journey (2022), we’re back to pure rock—100% electric, high voltage, but still full of melody, vocals, and surprises. Writing and recording these songs was a passionate process, and with producer Brett Caldas-Lima, we refined every detail. The lyrics are more personal and intimate than ever, reflecting real-life experiences we wanted to share. We feel more mature as songwriters, and we’re proud of this album on every level, songwriting, sound, and production.” – HighWay

  Formed in 1999 after being inspired by AC/DC’s "Live at Donington," HighWay has played over 500 European shows, sharing stages with legends like Michael Schenker Group, Gotthard, Jeff Scott Soto, and Nashville Pussy. With influences ranging from AC/DC and Queen to Aerosmith and Guns N’ Roses, the band has carved out its place in the “new wave of European Classic Hard Rock.”

  Now, with "Last Call for Rock’N’Roll," HighWay is ready to take things to the next level, delivering a massive live sound, unforgettable hooks, and a renewed sense of purpose. Don’t miss the Last Call. HighWay is back and louder than ever.

  Due out on April 24, 2026, "Last Call for Rock’N’Roll" is available for album pre-order at https://highwayshop.sumupstore.com/​

  Track Listing:​
  1. LAST CALL (FOR ROCK N' ROLL) - 5:13
  2. HI-WAY - 4:40
  3. ¡ BANG BANG! - 3:47
  4. NINETIES ACTION MOVIE - 5:16
  5. PEACE OUT - 5:44
  6. MAYDAY - 4:25
  7. GO! GO! GO! - 5:48
  8. LET ME - 4:54
  9. D.K/D.C - 3:16
  10. RAT RACE - 6:00
  11. ACTION - 4:32
  12. (DON’T) LOOK BACK - 5:09
  Album Length: 58:48

  More info: https://linktr.ee/highway_the_band​

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• Australia's GREYSTONE CANYON's New Album "Something Borrowed…Something New"

  Dec 5, 2025 Fistoffreedom 0 Comments

   

  Australian hard rock outfit Greystone Canyon returns today with their highly anticipated third album, "Something Borrowed… Something New." Out today, as of December 5th, via Rockshots Records, the record is a hybrid collection blending brand-new original songs with powerful renditions of classic rock staples, all captured live in the studio with no click tracks, no tricks, just pure rock ’n’ roll.
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  Formed by vocalist/guitarist Darren Cherry, whose lifelong passion for music was inspired by AC/DC, KISS, and his father’s career as a professional musician, Greystone Canyon has built a reputation for tone, feel, fire, honesty, and organic sound. With drummer Sham (also of Nothing Sacred), guitarist Richard Vella, and bassist David Poulter, the band brings decades of experience, including Cherry’s tenure with Paul Di’Anno’s final Australian tour in 2024.

  
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  ​“This is our third album and is somewhat of a hybrid. It’s a mix of new original material and classic rock cover songs. It was recorded live, together in one room, no click tracks, just real rock ’n’ roll,” says Cherry.

  Greystone Canyon’s new album "Something Borrowed… Something New" pays homage to rock legends like UFO, ZZ Top, Led Zeppelin, Thin Lizzy, and Neil Young, while introducing powerful originals such as Drives Us, Friend of the Fox, and Stealing Our Freedom. Inspired by Van Halen’s Diver Down, the record blends covers and originals into a dynamic listening experience. From the faithful tribute of UFO’s Doctor, Doctor and the smoky swing of ZZ Top’s Just Got Paid, to the road-trip energy of Drives Us and the heavier, metalized punch of Led Zeppelin’s Immigrant Song, the album showcases both reverence and reinvention. Originals like the acoustic, eerie Friend of the Fox and the protest anthem Stealing Our Freedom stand proudly alongside covers such as Thin Lizzy’s Suicide and Neil Young’s haunting Hey Hey, My My. With creative flourishes like "AAF," a Hendrix-style guitar homage to the Australian National Anthem, the album captures Greystone Canyon’s ability to honour rock’s greatest while carving out its own identity.
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  Unlike their previous album, "Iron & Oak," which took six years to complete, "Something Borrowed… Something New" was tracked, mixed, and mastered in just five months. Recorded at Black Lodge Studio under the guidance of Joel Taylor, the band embraced a raw, live recording method that captures the warmth, punch, and energy of musicians playing together in real time.
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  ​“This album has been the most fun we’ve had recording. Albums can be hard work and tedious, but this was a joy to make, and we think you can hear that in the recording,” adds Cherry.

  
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  ​Greystone Canyon are an Australian hard rock band blending classic rock, heavy metal, blues, and folk influences. Known for their organic sound and passionate performances, the band continues to evolve while staying true to their roots. Their music is inspired by life, history, and the future, with lyrics that reflect both personal experiences and broader social themes.
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  ​"Something Borrowed… Something New" is available now on December 5th, 2025, from Rockshots Records on all major streaming platforms and physical formats.

  CD - https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd​

  Add to your Spotify playlist - https://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj​

  Track Listing:
  ​1. Doctor, Doctor (UFO cover) - 04:16
  2. Just Got Paid (ZZ Top cover) - 03:35
  3. Drives Us - 05:06
  4. Immigrant Song (Led Zeppelin cover) - 02:21
  5. Friend of the Fox - 03:57
  6. Suicide (Thin Lizzy cover) - 05:14
  7. Hey, Hey, My, My (Into the Black) (Neil Young cover) - 03:22
  8. AAF - 1:47
  9. Stealing Our Freedom - 04:26
  Album Length: 33:54

  More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official​

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• LITTLE KING's New Music Video "Who’s Illegal?" Is A Bold Prog Rock Anthem of Inclusion

  Nov 20, 2025 Fistoffreedom 0 Comments

   

  Progressive rock band Little King has released the official music video for “Who’s Illegal?”, a standout track from their latest album, "Lente Viviente," which dropped this past September. Known for their dynamic, melodic, progressive, heavy rock sound, Little King continues to push boundaries with music that is both sonically adventurous and socially conscious.
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  Frontman and songwriter Ryan Rosoff drew inspiration for “Who’s Illegal?” from his return to Tucson, AZ, where the city’s Presidio San Agustin del Tucson reflects centuries of cultural intersections between Indigenous tribes, Spanish settlers, Mexican heritage, and American expansion. The song asks a timeless question: “After all this time and all the arbitrary assignment of this land to governments and warlords…Who’s Illegal?”​
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  The track fuses suspended chords, melodic bass lines, and shifting time signatures — alternating between 6/8 and 9/8 — to reflect the lyrical tension between division and unity. Filmed across Tucson’s vibrant cityscapes, the video amplifies this narrative, visually underscoring themes of immigration, inclusion, and love.

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  ​"Lente Viviente" (Spanish for “Living Lens”) stands as Little King’s most ambitious project to date. Featuring new members Dave Hamilton on bass and Tony Bojorquez on drums, the record delves into themes of memory, identity, aging, addiction, and resilience. Each song unfolds as a “micro-epic,” blending intricate arrangements with concise, emotionally charged storytelling.

  “I want people to take a short, mind-blowing journey…like Musical DMT. The dynamic range of this record will push and pull from the first note to the last,” says frontman Ryan Rosoff.

  Across its tracks, "Lente Viviente" reveals a sweeping emotional and musical spectrum. “Catch and Release” and “Dawn Villa” revisit childhood and enduring friendship, while “Pass Through Filters” meditates on aging and addiction. “Kindness for Weakness” explores the fragile balance between vulnerability and strength, and “Who’s Illegal?” confronts immigration and identity with bold conviction. Together, these songs create a cohesive journey, complex yet melodic, that invites listeners to think deeply, feel fully, and return again and again for the complete experience.
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  Since forming in 1997, Little King has steadily evolved through confidence, technical growth, and relentless creativity. Rosoff, a former Creative Writing major and English teacher, has penned over 65 songs, blending literary depth with progressive rock intensity. With influences ranging from Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and Night Verses, Little King’s music resonates with fans of both classic and modern rock.
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  "Lente Viviente" (released Sept 26th) is available on digital platforms at https://show.co/nI24kSK​

  Track Listing:​
  1. Catch and Release - 3:22
  2. Dawn Villa - 3:42
  3. Who’s Illegal? - 3:56
  4. Kindness for Weakness - 3:21
  5. Sweet Jessie James - 2:42
  6. Pass Through Filters - 4:50
  7. The Living Lens - 3:37
  Album Length: 25:34

  For more info: LittleKingtunes.com​

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• Lily Löwe Unleashes “Haunted House” A Dark Rock Anthem Just in Time for Halloween; New Album "Beautiful Disaster" Coming February 2026

  Oct 29, 2025 Fistoffreedom 0 Comments

   

  Norwegian melodic hard rock band Lily Löwe has dropped their latest single, “Haunted House,” a chilling and cathartic track that arrives just in time to soundtrack your Halloween. The single is the sixth release from their upcoming sophomore album, "Beautiful Disaster, set to arrive February 6, 2026.
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  ​“Haunted House” dives deep into the shadows of the mind, using the metaphor of a haunted home to explore themes of anxiety, inner demons, and emotional chaos. With heavy basslines, modern production, and frontwoman Lily’s commanding vocals, the track delivers a visceral listening experience, dark, raw, and emotionally charged.
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  ​“It’s about being trapped inside your own head. We wanted the music to reflect that, heavy, haunting, but also cathartic,” says Lily.
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  The single follows a string of high-voltage releases in 2025, including “Wild,” “Demons,” “Puppet Master,” “Glitter & Gore,” and the title track “Beautiful Disaster.” Each song reveals a different facet of the band’s evolving sound, melodic, punchy, and unapologetically heavy.
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  Formed after Lily’s solo debut at Melodi Grand Prix 2022, Lily Löwe quickly grew into a full band featuring some of Norway’s top heavy rock talent: Adrian Sunde Bjerketvedt (Jorn), Patrik Svendsen (Tonic Breed), Stian Hansen (Suicide Bombers), and Eiliv Sagrusten (Invasion). Their debut album LÖWE earned critical acclaim, and their upcoming release promises to push boundaries even further.
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  ​"Beautiful Disaster" is a sonic journey through power, vulnerability, and transformation, blending classic hard rock roots with modern edge. From the glam-punk riot of “Glitter & Gore” to the emotional wreckage of the title track, the album is “all killer, no filler,” according to the band.
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  Fans can expect more singles leading up to the album’s release, and a live show that’s as intense as the music itself, with raw emotion, heavy riffs, and hooks that stick.
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  ​“Haunted House” is available now on all major streaming platforms. "Beautiful Disaster" arrives February 6, 2026.

  Add to your Spotify Playlist - https://open.spotify.com/track/5NtqnDqrHsz2ap3kJe2Coj

  More info: https://www.lilylowe.com | Facebook.com/iam.lilylowe | Instagram.com/iam_lilylowe

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• THE RETICENT Confronts Mental Health with New Video "The Scorn" Off Upcoming Album "please" Out Nov 2025

  Oct 23, 2025 Fistoffreedom 0 Comments

   

  Progressive metal act The Reticent has unveiled the lyric video for “The Scorn (Those Who Don’t Understand),” the latest single from their upcoming album "please," due out on Generation Prog Records on November 13th. Known for their emotionally intense concept albums, The Reticent continues their tradition of soul-baring storytelling with "please," a harrowing journey through the many battlefields of mental illness.
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  ​“The Scorn (Those Who Don’t Understand)” takes on the voice of those who dismiss mental health struggles, echoing phrases like “just get over it” and “it’s all in your head.” Musically, the track leans into groove-oriented rhythms and major chords to reflect the detached worldview of those who don’t understand. The addition of exotic instrumentation like the oud and hand percussion further separates the song from the rest of the album’s sonic palette.
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  But "please" is more than just an album; it’s a survival mechanism. Written in just six months, the album was recorded under extreme conditions. Drums for "please" and its follow-up were tracked in a single day, while guitars, bass, and keys were completed in two. The vocals, however, took two grueling weeks, during which founder Chris Hathcock injured his larynx so severely that doctors feared permanent damage. Hathcock was forced into six weeks of total silence, even teaching his classes entirely nonverbally. Thankfully, he recovered, mostly.
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  The pain didn’t stop there. While filming the video for “The Concealment,” Hathcock broke two toes, sprained three others, and partially tore his rotator cuff during a scene that required him to violently destroy a room. Just six days later, he performed at ProgStorm Festival in Montreal with those injuries, doubled over in pain by the end of the set. Fans, immersed in the emotional intensity of the performance, had no idea.
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  "please" is the first album by The Reticent to be almost entirely engineered by Chris Hathcock himself. While drums were tracked at The Basement Studios with longtime producer Jamie King (Between The Buried And Me, The Contortionist), all other elements were recorded at Hathcock’s Silent Muse Studio. The album was also mixed and mastered by King, adding his signature polish to the final product. The isolation of self-recording introduced an additional layer of emotional strain, especially during the vocal sessions.
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  Lyrically, the album is rich with references to the work of clinical psychologist Kay Redfield Jamison. Lines like “Night falls fast…” in “The Concealment” and “an unquiet mind” in “The Night River” nod to Jamison’s seminal works on suicide and bipolar disorder. Her voice even appears in samples throughout “Discharge.”
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  Musically, "please" marks a return to 6-string guitars, a first since 2016’s "On The Eve Of A Goodbye," except for “The Bed of Wasps.” The five-year gap between "please" and 2020’s "The Oubliette" is the longest in the band’s history, a reflection of the emotional toll and life events that shaped its creation.
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  ​The Reticent, led by Grammy-nominated music educator Chris Hathcock, has built a reputation for devastatingly autobiographical concept albums. Joined by James Nelson (Nospūn) and Paul McBride (Voraath), the band delivers performances that blur the line between metal show and performance art. Their appearance at ProgPower USA was hailed by Metal Injection as “one of the most heart-wrenching performances in ProgPower history.”​
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  In addition to their recent performance at ProgStorm Festival in Montreal this past summer, The Reticent is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.
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  The lyric video for “The Scorn (Those Who Don’t Understand)” is now available on YouTube and streaming platforms.

  Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in "please," which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of "please."

  CD pre-order (North America) - https://thereticent.net/please-pre-order

  CD pre-order (EU) - http://www.generation-prog.com/shop/

  Digital Album pre-save - https://show.co/MoPdl8W

  Track Listing:​
  1. Intake – 1:45
  2. The Concealment (Those Who Don’t Want To Wake) – 6:06
  3. The Night River (Those Who Can’t Rest) – 6:55
  4. Diagnosis 1 – 2:18
  5. The Bed of Wasps (Those Consumed With Panic) – 5:47
  6. The Scorn (Those Who Don’t Understand) – 8:12
  7. Diagnosis 2 – 2:39
  8. The Riptide (Those Without Hope) – 6:09
  9. The Chance (Those Who Let Go) – 6:52
  10. Discharge – 2:56
  Album Length: 49:45

  For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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