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Search Results: rock

  • LITTLE KING's New Music Video "Who’s Illegal?" Is A Bold Prog Rock Anthem of Inclusion

     

    Progressive rock band Little King has released the official music video for “Who’s Illegal?”, a standout track from their latest album, "Lente Viviente," which dropped this past September. Known for their dynamic, melodic, progressive, heavy rock sound, Little King continues to push boundaries with music that is both sonically adventurous and socially conscious.

    Frontman and songwriter Ryan Rosoff drew inspiration for “Who’s Illegal?” from his return to Tucson, AZ, where the city’s Presidio San Agustin del Tucson reflects centuries of cultural intersections between Indigenous tribes, Spanish settlers, Mexican heritage, and American expansion. The song asks a timeless question: “After all this time and all the arbitrary assignment of this land to governments and warlords…Who’s Illegal?”

    The track fuses suspended chords, melodic bass lines, and shifting time signatures — alternating between 6/8 and 9/8 — to reflect the lyrical tension between division and unity. Filmed across Tucson’s vibrant cityscapes, the video amplifies this narrative, visually underscoring themes of immigration, inclusion, and love.



    "Lente Viviente" (Spanish for “Living Lens”) stands as Little King’s most ambitious project to date. Featuring new members Dave Hamilton on bass and Tony Bojorquez on drums, the record delves into themes of memory, identity, aging, addiction, and resilience. Each song unfolds as a “micro-epic,” blending intricate arrangements with concise, emotionally charged storytelling.

    “I want people to take a short, mind-blowing journey…like Musical DMT. The dynamic range of this record will push and pull from the first note to the last,” says frontman Ryan Rosoff.

    Across its tracks, "Lente Viviente" reveals a sweeping emotional and musical spectrum. “Catch and Release” and “Dawn Villa” revisit childhood and enduring friendship, while “Pass Through Filters” meditates on aging and addiction. “Kindness for Weakness” explores the fragile balance between vulnerability and strength, and “Who’s Illegal?” confronts immigration and identity with bold conviction. Together, these songs create a cohesive journey, complex yet melodic, that invites listeners to think deeply, feel fully, and return again and again for the complete experience.

    Since forming in 1997, Little King has steadily evolved through confidence, technical growth, and relentless creativity. Rosoff, a former Creative Writing major and English teacher, has penned over 65 songs, blending literary depth with progressive rock intensity. With influences ranging from Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and Night Verses, Little King’s music resonates with fans of both classic and modern rock.

    "Lente Viviente" (released Sept 26th) is available on digital platforms at https://show.co/nI24kSK​

    Track Listing:
    1. Catch and Release - 3:22
    2. Dawn Villa - 3:42
    3. Who’s Illegal? - 3:56
    4. Kindness for Weakness - 3:21
    5. Sweet Jessie James - 2:42
    6. Pass Through Filters - 4:50
    7. The Living Lens - 3:37
    Album Length: 25:34

    For more infoLittleKingtunes.com

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  • GREYSTONE CANYON Shares Cover Video of THIN LIZZY's “Suicide”

     

    Australian hard rockers Greystone Canyon return with a powerful new single - a bold rendition of Thin Lizzy’s “Suicide”, available worldwide today, November 7th, 2025. The track is the first glimpse into the band’s forthcoming album "Something Borrowed…Something New," due out December 5th, 2025, from Rockshots Records, marking their most authentic and organic release to date.

    Faithful to the spirit of Phil Lynott and Thin Lizzy’s timeless legacy, Greystone Canyon delivers a warm, punchy, and honest version of “Suicide”, enriched by their signature blend of melodic rock and gritty hard-edged groove. Recorded live with no click tracks or studio trickery, the single captures the raw chemistry of a band feeding off one another in the room - a true celebration of rock ‘n’ roll energy.

    DIGITAL: https://lnk.to/S1C1D3

    Produced by the band and engineered by Joel Taylor at Black Lodge Studio (Melbourne), "Something Borrowed…Something New" represents a turning point in Greystone Canyon’s journey. As the title suggests, it’s a hybrid record - a mix of new original songs and hand-picked classics from the bands that shaped their sound, including Thin Lizzy, Led Zeppelin, ZZ Top, UFO, and Neil Young. The album bridges past and present, combining heartfelt tributes with fresh, road-worn originals such as “Drives Us,” “Friend of the Fox,” and “Stealing Our Freedom”.

    Vocalist/guitarist Darren Cherry comments:

    “This is our most honest record so far - real instruments, real performances, all captured live in one room. We wanted to remind listeners of the warmth and punch that only true rock bands can create together. It’s pure, old-school energy and we had an absolute blast making it.”

    Following the success of "Iron & Oak" (2024), which reached #18 on the Australian iTunes Hard Rock chart and earned multiple 10/10 media scores, the band is poised to bring their music to a new global audience with a record that’s equal parts homage and evolution.

    Recommended for fans of Led Zeppelin, Thin Lizzy, and ZZ Top, Greystone Canyon's new album “Something Borrowed…Something New” is out December 5th, 2025

    PRE-ORDER of "Something Borrowed…Something New" - https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

    Track Listing:
    1. Doctor, Doctor (UFO cover) - 04:16
    2. Just Got Paid (ZZ Top cover) - 03:35
    3. Drives Us - 05:06
    4. Immigrant Song (Led Zeppelin cover) - 02:21
    5. Friend of the Fox - 03:57
    6. Suicide (Thin Lizzy cover) - 05:14
    7. Hey, Hey, My, My (Into the Black) (Neil Young cover) - 03:22
    8. AAF - 1:47
    9. Stealing Our Freedom - 04:26
    Album Length: 33:54

    More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

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  • Lily Löwe Unleashes “Haunted House” A Dark Rock Anthem Just in Time for Halloween; New Album "Beautiful Disaster" Coming February 2026

     

    Norwegian melodic hard rock band Lily Löwe has dropped their latest single, “Haunted House,” a chilling and cathartic track that arrives just in time to soundtrack your Halloween. The single is the sixth release from their upcoming sophomore album, "Beautiful Disaster, set to arrive February 6, 2026.

    “Haunted House” dives deep into the shadows of the mind, using the metaphor of a haunted home to explore themes of anxiety, inner demons, and emotional chaos. With heavy basslines, modern production, and frontwoman Lily’s commanding vocals, the track delivers a visceral listening experience, dark, raw, and emotionally charged.

    “It’s about being trapped inside your own head. We wanted the music to reflect that, heavy, haunting, but also cathartic,” says Lily.

    The single follows a string of high-voltage releases in 2025, including “Wild,” “Demons,” “Puppet Master,” “Glitter & Gore,” and the title track “Beautiful Disaster.” Each song reveals a different facet of the band’s evolving sound, melodic, punchy, and unapologetically heavy.

    Formed after Lily’s solo debut at Melodi Grand Prix 2022, Lily Löwe quickly grew into a full band featuring some of Norway’s top heavy rock talent: Adrian Sunde Bjerketvedt (Jorn), Patrik Svendsen (Tonic Breed), Stian Hansen (Suicide Bombers), and Eiliv Sagrusten (Invasion). Their debut album LÖWE earned critical acclaim, and their upcoming release promises to push boundaries even further.

    "Beautiful Disaster" is a sonic journey through power, vulnerability, and transformation, blending classic hard rock roots with modern edge. From the glam-punk riot of “Glitter & Gore” to the emotional wreckage of the title track, the album is “all killer, no filler,” according to the band.

    Fans can expect more singles leading up to the album’s release, and a live show that’s as intense as the music itself, with raw emotion, heavy riffs, and hooks that stick.

    “Haunted House” is available now on all major streaming platforms. "Beautiful Disaster" arrives February 6, 2026.

    Add to your Spotify Playlist - https://open.spotify.com/track/5NtqnDqrHsz2ap3kJe2Coj

    More info: https://www.lilylowe.com Facebook.com/iam.lilylowe | Instagram.com/iam_lilylowe

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  • THE RETICENT Confronts Mental Health with New Video "The Scorn" Off Upcoming Album "please" Out Nov 2025

     

    Progressive metal act The Reticent has unveiled the lyric video for “The Scorn (Those Who Don’t Understand),” the latest single from their upcoming album "please," due out on Generation Prog Records on November 13th. Known for their emotionally intense concept albums, The Reticent continues their tradition of soul-baring storytelling with "please," a harrowing journey through the many battlefields of mental illness.

    “The Scorn (Those Who Don’t Understand)” takes on the voice of those who dismiss mental health struggles, echoing phrases like “just get over it” and “it’s all in your head.” Musically, the track leans into groove-oriented rhythms and major chords to reflect the detached worldview of those who don’t understand. The addition of exotic instrumentation like the oud and hand percussion further separates the song from the rest of the album’s sonic palette.

    But "please" is more than just an album; it’s a survival mechanism. Written in just six months, the album was recorded under extreme conditions. Drums for "please" and its follow-up were tracked in a single day, while guitars, bass, and keys were completed in two. The vocals, however, took two grueling weeks, during which founder Chris Hathcock injured his larynx so severely that doctors feared permanent damage. Hathcock was forced into six weeks of total silence, even teaching his classes entirely nonverbally. Thankfully, he recovered, mostly.

    The pain didn’t stop there. While filming the video for “The Concealment,” Hathcock broke two toes, sprained three others, and partially tore his rotator cuff during a scene that required him to violently destroy a room. Just six days later, he performed at ProgStorm Festival in Montreal with those injuries, doubled over in pain by the end of the set. Fans, immersed in the emotional intensity of the performance, had no idea.

    "please" is the first album by The Reticent to be almost entirely engineered by Chris Hathcock himself. While drums were tracked at The Basement Studios with longtime producer Jamie King (Between The Buried And Me, The Contortionist), all other elements were recorded at Hathcock’s Silent Muse Studio. The album was also mixed and mastered by King, adding his signature polish to the final product. The isolation of self-recording introduced an additional layer of emotional strain, especially during the vocal sessions.

    Lyrically, the album is rich with references to the work of clinical psychologist Kay Redfield Jamison. Lines like “Night falls fast…” in “The Concealment” and “an unquiet mind” in “The Night River” nod to Jamison’s seminal works on suicide and bipolar disorder. Her voice even appears in samples throughout “Discharge.”

    Musically, "please" marks a return to 6-string guitars, a first since 2016’s "On The Eve Of A Goodbye," except for “The Bed of Wasps.” The five-year gap between "please" and 2020’s "The Oubliette" is the longest in the band’s history, a reflection of the emotional toll and life events that shaped its creation.

    The Reticent, led by Grammy-nominated music educator Chris Hathcock, has built a reputation for devastatingly autobiographical concept albums. Joined by James Nelson (Nospūn) and Paul McBride (Voraath), the band delivers performances that blur the line between metal show and performance art. Their appearance at ProgPower USA was hailed by Metal Injection as “one of the most heart-wrenching performances in ProgPower history.”

    In addition to their recent performance at ProgStorm Festival in Montreal this past summer, The Reticent is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.

    The lyric video for “The Scorn (Those Who Don’t Understand)” is now available on YouTube and streaming platforms.

    Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in "please," which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of "please."

    CD pre-order (North America) - https://thereticent.net/please-pre-order

    CD pre-order (EU) - http://www.generation-prog.com/shop/

    Digital Album pre-save - https://show.co/MoPdl8W

    Track Listing:
    1. Intake – 1:45
    2. The Concealment (Those Who Don’t Want To Wake) – 6:06
    3. The Night River (Those Who Can’t Rest) – 6:55
    4. Diagnosis 1 – 2:18
    5. The Bed of Wasps (Those Consumed With Panic) – 5:47
    6. The Scorn (Those Who Don’t Understand) – 8:12
    7. Diagnosis 2 – 2:39
    8. The Riptide (Those Without Hope) – 6:09
    9. The Chance (Those Who Let Go) – 6:52
    10. Discharge – 2:56
    Album Length: 49:45

    For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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  • Fiddle Meets Fire THUNDEROR’s Celtic Rock Anthem “Cape Breton Home” Celebrates Maritime Heritage

     

     

    Canadian rock powerhouse THUNDEROR returns with a stirring new single and music video, "Cape Breton Home," a Celtic Rock anthem that pays homage to the island roots of frontman JJ Tartaglia. Known for their electrifying blend of heavy metal, pop punk, and rock opera, the band takes a reflective turn with this release, weaving nostalgia and tradition into their signature sound.

    “I wanted to write a song inspired by back home, maybe it’s the time passing by, I felt a bit nostalgic and needed something to reconnect me to the island. What better way than with music! And I think in return, Cape Breton also needs a song like this,” says Tartaglia.

    The track features a guest performance by acclaimed fiddler Colin Grant, whose work with Rum Ragged earned a 2021 JUNO nomination for Traditional Roots Album of the Year. Grant’s authentic Cape Breton fiddle style adds a rich layer of heritage to the song, grounding it in the island’s musical legacy.

    The accompanying video, filmed on location in Cape Breton, captures the rugged beauty and emotional resonance of the place that inspired the song.

    “I had a great trip back to shoot the video. It was a full-circle moment,” Tartaglia adds.

    Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (Skull Fist), THUNDEROR has quickly carved out a global following. Their debut album "Fire It Up" topped Earshot’s National Loud Chart, and their theatrical rock opera "Thunderor the Musical" premiered at the Toronto Fringe Festival in 2025 to rave reviews.

    With "Cape Breton Home," THUNDEROR continues to evolve, proving that even the loudest bands have a quiet place in their hearts.

    Add to your Spotify playlist - https://open.spotify.com/album/3UTjzJzo4teUElvWLgEyjY

    Appreciated by fans of Judas Priest, Van Halen, and Saxon, Thunderor's releases are available via Boonsdale Records.

    CD – https://thunderor.bigcartel.com

    For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Musicnovascotia.ca/artist/thunderor/

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