Search Results: rock

• Lily Löwe Unleashes “Haunted House” A Dark Rock Anthem Just in Time for Halloween; New Album "Beautiful Disaster" Coming February 2026

  Oct 29, 2025 Fistoffreedom 0 Comments

   

  Norwegian melodic hard rock band Lily Löwe has dropped their latest single, “Haunted House,” a chilling and cathartic track that arrives just in time to soundtrack your Halloween. The single is the sixth release from their upcoming sophomore album, "Beautiful Disaster, set to arrive February 6, 2026.
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  ​“Haunted House” dives deep into the shadows of the mind, using the metaphor of a haunted home to explore themes of anxiety, inner demons, and emotional chaos. With heavy basslines, modern production, and frontwoman Lily’s commanding vocals, the track delivers a visceral listening experience, dark, raw, and emotionally charged.
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  ​“It’s about being trapped inside your own head. We wanted the music to reflect that, heavy, haunting, but also cathartic,” says Lily.
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  The single follows a string of high-voltage releases in 2025, including “Wild,” “Demons,” “Puppet Master,” “Glitter & Gore,” and the title track “Beautiful Disaster.” Each song reveals a different facet of the band’s evolving sound, melodic, punchy, and unapologetically heavy.
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  Formed after Lily’s solo debut at Melodi Grand Prix 2022, Lily Löwe quickly grew into a full band featuring some of Norway’s top heavy rock talent: Adrian Sunde Bjerketvedt (Jorn), Patrik Svendsen (Tonic Breed), Stian Hansen (Suicide Bombers), and Eiliv Sagrusten (Invasion). Their debut album LÖWE earned critical acclaim, and their upcoming release promises to push boundaries even further.
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  ​"Beautiful Disaster" is a sonic journey through power, vulnerability, and transformation, blending classic hard rock roots with modern edge. From the glam-punk riot of “Glitter & Gore” to the emotional wreckage of the title track, the album is “all killer, no filler,” according to the band.
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  Fans can expect more singles leading up to the album’s release, and a live show that’s as intense as the music itself, with raw emotion, heavy riffs, and hooks that stick.
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  ​“Haunted House” is available now on all major streaming platforms. "Beautiful Disaster" arrives February 6, 2026.

  Add to your Spotify Playlist - https://open.spotify.com/track/5NtqnDqrHsz2ap3kJe2Coj

  More info: https://www.lilylowe.com | Facebook.com/iam.lilylowe | Instagram.com/iam_lilylowe

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• THE RETICENT Confronts Mental Health with New Video "The Scorn" Off Upcoming Album "please" Out Nov 2025

  Oct 23, 2025 Fistoffreedom 0 Comments

   

  Progressive metal act The Reticent has unveiled the lyric video for “The Scorn (Those Who Don’t Understand),” the latest single from their upcoming album "please," due out on Generation Prog Records on November 13th. Known for their emotionally intense concept albums, The Reticent continues their tradition of soul-baring storytelling with "please," a harrowing journey through the many battlefields of mental illness.
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  ​“The Scorn (Those Who Don’t Understand)” takes on the voice of those who dismiss mental health struggles, echoing phrases like “just get over it” and “it’s all in your head.” Musically, the track leans into groove-oriented rhythms and major chords to reflect the detached worldview of those who don’t understand. The addition of exotic instrumentation like the oud and hand percussion further separates the song from the rest of the album’s sonic palette.
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  But "please" is more than just an album; it’s a survival mechanism. Written in just six months, the album was recorded under extreme conditions. Drums for "please" and its follow-up were tracked in a single day, while guitars, bass, and keys were completed in two. The vocals, however, took two grueling weeks, during which founder Chris Hathcock injured his larynx so severely that doctors feared permanent damage. Hathcock was forced into six weeks of total silence, even teaching his classes entirely nonverbally. Thankfully, he recovered, mostly.
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  The pain didn’t stop there. While filming the video for “The Concealment,” Hathcock broke two toes, sprained three others, and partially tore his rotator cuff during a scene that required him to violently destroy a room. Just six days later, he performed at ProgStorm Festival in Montreal with those injuries, doubled over in pain by the end of the set. Fans, immersed in the emotional intensity of the performance, had no idea.
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  "please" is the first album by The Reticent to be almost entirely engineered by Chris Hathcock himself. While drums were tracked at The Basement Studios with longtime producer Jamie King (Between The Buried And Me, The Contortionist), all other elements were recorded at Hathcock’s Silent Muse Studio. The album was also mixed and mastered by King, adding his signature polish to the final product. The isolation of self-recording introduced an additional layer of emotional strain, especially during the vocal sessions.
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  Lyrically, the album is rich with references to the work of clinical psychologist Kay Redfield Jamison. Lines like “Night falls fast…” in “The Concealment” and “an unquiet mind” in “The Night River” nod to Jamison’s seminal works on suicide and bipolar disorder. Her voice even appears in samples throughout “Discharge.”
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  Musically, "please" marks a return to 6-string guitars, a first since 2016’s "On The Eve Of A Goodbye," except for “The Bed of Wasps.” The five-year gap between "please" and 2020’s "The Oubliette" is the longest in the band’s history, a reflection of the emotional toll and life events that shaped its creation.
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  ​The Reticent, led by Grammy-nominated music educator Chris Hathcock, has built a reputation for devastatingly autobiographical concept albums. Joined by James Nelson (Nospūn) and Paul McBride (Voraath), the band delivers performances that blur the line between metal show and performance art. Their appearance at ProgPower USA was hailed by Metal Injection as “one of the most heart-wrenching performances in ProgPower history.”​
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  In addition to their recent performance at ProgStorm Festival in Montreal this past summer, The Reticent is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.
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  The lyric video for “The Scorn (Those Who Don’t Understand)” is now available on YouTube and streaming platforms.

  Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in "please," which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of "please."

  CD pre-order (North America) - https://thereticent.net/please-pre-order

  CD pre-order (EU) - http://www.generation-prog.com/shop/

  Digital Album pre-save - https://show.co/MoPdl8W

  Track Listing:​
  1. Intake – 1:45
  2. The Concealment (Those Who Don’t Want To Wake) – 6:06
  3. The Night River (Those Who Can’t Rest) – 6:55
  4. Diagnosis 1 – 2:18
  5. The Bed of Wasps (Those Consumed With Panic) – 5:47
  6. The Scorn (Those Who Don’t Understand) – 8:12
  7. Diagnosis 2 – 2:39
  8. The Riptide (Those Without Hope) – 6:09
  9. The Chance (Those Who Let Go) – 6:52
  10. Discharge – 2:56
  Album Length: 49:45

  For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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• Fiddle Meets Fire THUNDEROR’s Celtic Rock Anthem “Cape Breton Home” Celebrates Maritime Heritage

  Oct 6, 2025 Fistoffreedom 0 Comments

   

   

  Canadian rock powerhouse THUNDEROR returns with a stirring new single and music video, "Cape Breton Home," a Celtic Rock anthem that pays homage to the island roots of frontman JJ Tartaglia. Known for their electrifying blend of heavy metal, pop punk, and rock opera, the band takes a reflective turn with this release, weaving nostalgia and tradition into their signature sound.

  “I wanted to write a song inspired by back home, maybe it’s the time passing by, I felt a bit nostalgic and needed something to reconnect me to the island. What better way than with music! And I think in return, Cape Breton also needs a song like this,” says Tartaglia.

  The track features a guest performance by acclaimed fiddler Colin Grant, whose work with Rum Ragged earned a 2021 JUNO nomination for Traditional Roots Album of the Year. Grant’s authentic Cape Breton fiddle style adds a rich layer of heritage to the song, grounding it in the island’s musical legacy.

  The accompanying video, filmed on location in Cape Breton, captures the rugged beauty and emotional resonance of the place that inspired the song.

  “I had a great trip back to shoot the video. It was a full-circle moment,” Tartaglia adds.

  Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (Skull Fist), THUNDEROR has quickly carved out a global following. Their debut album "Fire It Up" topped Earshot’s National Loud Chart, and their theatrical rock opera "Thunderor the Musical" premiered at the Toronto Fringe Festival in 2025 to rave reviews.

  With "Cape Breton Home," THUNDEROR continues to evolve, proving that even the loudest bands have a quiet place in their hearts.

  Add to your Spotify playlist - https://open.spotify.com/album/3UTjzJzo4teUElvWLgEyjY​

  Appreciated by fans of Judas Priest, Van Halen, and Saxon, Thunderor's releases are available via Boonsdale Records.

  CD – https://thunderor.bigcartel.com​

  For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Musicnovascotia.ca/artist/thunderor/

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• BROCARDE Unveils “Feed My Soul” ft. KORN’s Ray Luzier – A Haunting Dive into Theatrical Horror Metal

  Oct 1, 2025 Fistoffreedom 0 Comments

   

  Known for her haunting vocals, theatrical visuals, and ghostly whispers, Brocarde returns with her next sonic séance, blurring the line between the living and the dead. A gothic siren of symphonic metal and supernatural storytelling, her most visceral offering yet, “Feed My Soul,” is a thunderous single featuring the legendary Ray Luzier of KORN on drums.

  “I love Brocarde’s very unique vocal style and vibe. She has mass aggression to sweetness and everything in between in her voice! The very interesting song arrangements and theatrical segments make the whole package a dynamic, fun adventure to listen to. I see great things ahead for her!” says Ray Luzier.

  The track was recorded remotely across three cities: Brocarde in London, Luzier in Nashville, and producer Chris Collier (Korn, Mick Mars, Whitesnake) in Las Vegas. Though the trio never met during the recording process, fate intervened at Wacken Open Air, where Brocarde bumped into Luzier in the canteen.

  “Watching Ray perform with Korn side stage was a powerful reminder of what I’m fighting for. That’s the level I want to reach,” adds Brocarde.

  The “Feed My Soul” music video was shot in a haunted hunting lodge deep within Germany’s Black Forest, ominously known as The Demon Hotel. The setting mirrors Brocarde’s signature theatrical horror aesthetic, equal parts Phantom of the Opera and Edgar Allan Poe nightmare. From hushed whispers to guttural screams, she commands every moment with chilling precision, layering her vocals like a spectral choir and saturating each frame with raw emotion. The walls, adorned with taxidermy heads frozen in terror, serve as eerie spectators to the song’s themes of toxic entanglement and psychological warfare. Ray Luzier’s thunderous drumming injects a primal pulse, anchoring Brocarde’s ethereal delivery in a maelstrom of cinematic intensity.

  "Feed My Soul is more than a song; it’s a spiritual experience. I wrote it alone in the dark, channeling voices from beyond and emotions I couldn’t explain. It’s about craving connection in a world that feels increasingly disconnected. I want listeners to question everything they see as normal,” adds Brocarde.

  The single offers a glimpse into Brocarde’s long-awaited debut album, set for release in 2026, a decade in the making. While details remain under wraps, fans can expect a musical journey that’s as emotionally raw as it is visually spellbinding.

  Brocarde’s rise has been anything but ordinary. From marrying (and exorcising) a Victorian ghost named Edwardo, to conducting paranormal investigations at Download Festival and Wacken Open Air, she’s carved a niche as rock’s most fearless medium. Her column “Terrifying Travels” in The Daily Star chronicles her encounters with the dead, while her website Brocarde.com documents her haunted adventures around the globe.

  With “Feed My Soul,” Brocarde invites fans to step into her world, a place where music, magic, and madness collide.

  Add to your Spotify Playlist - https://open.spotify.com/track/5fhv0p8TA2moaZztoFoFPE

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  More info:

  ​https://brocarde.com/​

  ​http://instagram.com/brocarde/​

  ​https://www.facebook.com/brocarde/​

  ​http://youtube.com/@thebrocardeshow​

  ​https://x.com/thebrocardeshow

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• LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions For 2026 Line Up - Camping & Extreme Music In Alberta's Badlands

  Sep 30, 2025 Fistoffreedom 0 Comments

  

  Set against the rugged backdrop of Alberta’s badlands, where sculpted sandstone, wind-carved hoodoos, and sweeping canyons dominate the landscape, Canada’s most decibel-breaking extreme music gathering, the Loud As Hell Open Air Festival, returns for its 14th edition in 2026. From July 31st to August 2nd, Drumheller’s Dinosaurs Down Stampede will erupt with the ferocity of rising Canadian and international metal acts, roaring through the heart of the nation’s largest dinosaur fossil beds.

  Band submissions for the 2026 edition officially open on October 1st and will be accepted until October 31st. This is your band's chance to join one of the loudest and most brutal festivals in Canada, where underground talent meets prehistoric fury.

  Bands interested in performing can apply at the following link: https://loudashell.ca/​

  Early Bird tickets go on sale December 1st, 2026. Don’t miss your chance to lock in the loudest weekend of the summer at a killer price. Get ready for prehistoric heaviness and decibel-shattering performances in one of Canada’s most surreal landscapes. Loud As Hell is coming… and it’s going to be louder than ever.

  The 2025 edition of Loud As Hell delivered three relentless days of headbanging, moshing, and pure metal chaos, featuring over 40 bands from Canada, the U.S., and Mexico. Acts like Revocation, Insurrection, First Fragment, Gorgatron, Filth, Opal in Sky, Judicator, Beguiler, Gore Pig, Spit On Your Grave, Hazzerd, Cyborg Octopus, and Thirteen Goats tore through the badlands with crushing performances. The festival even hosted a heavy metal wedding, adding a unique twist to the weekend’s sonic carnage.

  LAH 2025 Lineup Spotify Playlist – https://open.spotify.com/playlist/3cu3CgEX8n2g2MQbADNJmg

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  Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

  In 2026, Loud As Hell returns for its 14th edition, presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. Renowned for delivering one of the most punishing lineups in Western Canada, the festival promises another unforgettable experience packed with crushing performances, freak shows, burlesque acts, clinics, vendors, and yes, dinosaurs. Loud As Hell isn’t just a festival. It’s a full-throttle celebration of metal mayhem.

  More info:
  ​LoudAsHell.ca​
  ​Facebook.com/LoudAsHellFestival​
  X: @LoudAsHellFest
  Instagram: @LoudAsHellFestival
  ​Social Media Hashtags #LAHXIV, #LAHOA, #LAHOA2026

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