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  • SHORES OF NULL Teams Up with CONVOCATION To Unleash "Latitudes of Sorrow" Split Album

     

    Two of doom metal’s most uncompromising forces, Italy's Shores of Null and Finland's Convocation, have joined together to unleash one of the heaviest and most emotionally devastating split albums in recent memory. Their new release, "Latitudes of Sorrow," premieres in full today via Doomed & Stoned, offering listeners an exclusive first encounter with this monumental collaboration before it is officially released from Everlasting Spew Records on Friday, November 21st.

    "Latitudes of Sorrow" transcends the idea of a traditional split release, standing instead as a profound conversation between two unique visions of doom. Shores of Null’s melodic yet crushing sound collides with Convocation’s suffocating atmospheres, opening vast, introspective landscapes where grief, mortality, and inner turmoil reverberate. The outcome is a work of staggering weight and resonance, an album destined to haunt listeners long after its final echoes fade.

    Hailed as “a union of all the many shades of doom, forging one of the most grievous and heavy splits you’ll encounter for years to come,” the record presents exclusive new material from both bands. Each track delves into themes of absence, loss, and existential struggle, offering two distinct but complementary approaches to the genre’s darkest depths.

    Shores of Null open the split with three tracks that balance catchiness with crushing despair. 'An Easy Way' reflects on depression and human frailty, pairing memorable hooks with unrelenting darkness. 'The White Wound' draws inspiration from the tragic 2017 Hotel Rigopiano avalanche in Italy, weaving grief and anger into a soundscape of doom passages and blackened blastbeats. "The Year Without Summer" meditates on the catastrophic events that occurred globally in 1816 after the volcanic eruption of Mount Tambora, located in modern-day Indonesia. It features guest growls from MN of Convocation to heighten its apocalyptic atmosphere.

    Convocation contributes two tracks steeped in suffocating heaviness and spectral atmospheres. 'Abaddon’s Shadow' and 'Empty Room' expand the split’s themes of absence and mortality, recorded at The Desolate Dungeon and mastered at Trollhouse Audio. Together, the five tracks form a cohesive journey through grief, devastation, and the haunting beauty of doom metal.

    The Shores of Null side of "Latitudes of Sorrow" was written by Raffaele Colace, Gabriele Giaccari, and Davide Straccione, and produced in collaboration with Marco “Cinghio” Mastrobuono, who also handled mixing and mastering at Bloom Recording Studios in Rome, Italy. Convocation’s contribution was recorded and mixed at The Desolate Dungeon, with mastering completed at Trollhouse Audio. Final split and vinyl mastering duties were carried out by Carlo Altobelli at Toxic Basement, ensuring a unified sonic weight across both sides of the release.

    The album’s artwork, created by LL of Convocation, depicts a spectral figure and an empty chair—an evocative image symbolizing presence in absence. This visual perfectly mirrors the record’s themes, as "Latitudes of Sorrow" unfolds musically and lyrically into a harrowing journey through grief, solitude, and the crushing inevitability of mortality.

    "Latitudes of Sorrow" drops digitally and on CD and Cassette physical format on November 21st via Everlasting Spew Records. The vinyl edition of the split will be issued in Spring 2026.

    Album countdown and pre-save: https://open.spotify.com/prerelease/79oGZH6MpwHGsTTmnLKo8D

    Pre-Order:

    Physical: https://bit.ly/42PbNY8

    Digital: https://everlastingspew.bandcamp.com/album/latitudes-of-sorrow

    Track Listing:
    1. Shores Of Null - An Easy Way - 5:56
    2. Shores Of Null - The White Wound - 6:00
    3. Shores Of Null - The Year Without Summer - 5:53
    4. Convocation - Abaddon's Shadow - 10:31
    5. Convocation - Empty Room - 8:55
    Split Album Length: 37:17

    For more info: Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull

     

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  • Streaming Now! Quebec Melodic Death OUTLYING Unleash Long-Awaited Album "Oblivisci"

     

    Trois-Rivières, Quebec, Canada, melodic death metal band Outlying will release their long-awaited new album "Oblivisci" on November 21st. A visceral and uncompromising work, the record blends aggression, melody, and raw emotion into a cohesive listening experience that fans will find impossible to ignore.

    Formed in 2003 by high school friends jamming covers, Outlying has evolved through lineup changes and years of musical exploration into a band committed to creating music that is both powerful and accessible. Frontman Fred Dubeau, the band’s primary songwriter, sought to move beyond “music for musicians” and instead craft songs that resonate viscerally with listeners. The result is a sound described in five words: captivating, dark, aggressive, melodic metal.

    The album’s title, "Oblivisci", Latin for “to forget”, reflects themes of withdrawal, alienation, and the struggle to escape trauma. Across eleven tracks, the band explores grief, loneliness, disenfranchisement, and addiction, culminating in a three-part epic that chronicles frontman Dubeau’s personal battle with alcohol and drug dependency. Now sober, Dubeau channels those experiences into music that is both cathartic and brutally honest.

    “It is a great pleasure for us after all this time and a very difficult process to introduce the world to our newest effort, Oblivisci. We are glad to be musicians who are somehow different from most other bands in our environment, and strive to make music that is expressive, dark, heavy, and brings the listener through many different kinds of atmospheres and vibes. We try to avoid trends and gimmicks, and create something that comes from our diverse musical influences, different backgrounds and lives, and many other forms of art such as movies, books, or video games. While staying true to what Outlying always was, we always try to step up our game and improve our sound and musical connection with our audience. Despite being more often than not called a melodic death metal band, the band absorbs influences from thrash, black, prog, and also 70s, 80s, and 90s rock. In a world of thousands of forgettable songs, we hope to find our way into the hearts of many metal enthusiasts locally and around the world,” says the band.

    Musically, "Oblivisci" strikes a balance between relentless, heavy riffing and soaring melodic passages, enriched by clean vocal textures and dynamic arrangements. With Outlying, the band steers clear of unnecessary complexity, instead crafting songs that prioritize emotion and impact. While echoes of their influences, At The Gates, Testament, Cradle of Filth, In Flames, and Wintersun, are present, Outlying’s sound stands apart as distinct and refined, heavier yet more melodic than ever before.

    The record begins with The Raven Is Gone, a blistering and epic opener that channels the urgency of escaping chaos in search of refuge. Stigma follows, rooted in old‑school melodic death metal, confronting themes of societal judgment and subcultural rejection. The atmosphere turns chilling with Snow, a haunting narrative of abuse elevated by female vocals and an expansive, epic structure. The descent continues in Pitch Black Serum, a dark and unsettling track that delves into defeatism and indulgence in fleeting pleasures. Sentinel then emerges as a poignant power ballad, weaving clean vocals with an aggressive bridge to capture grief and memory. Closing the album, the three‑part suite Dreamless Nights I–III delivers a sweeping chronicle of addiction, false escape, and painful aftermath, culminating in a climactic, melodic finale that leaves a powerful and lasting impression.



    The album artwork depicts a post-apocalyptic version of the band’s home city, visually reinforcing the themes of decay, alienation, and survival that permeate the record. It mirrors the music’s balance of heaviness and melody, offering listeners a complete aesthetic experience.

    With "Oblivisci," Outlying has crafted a “no skipped tracks” album; every song matters, every riff and lyric carries weight. The band hopes to continue releasing music consistently, exploring new directions while staying true to their core sound.

    Listen to the album in full via its stream premiere on Bravewords HERE.

    Available on all digital platforms on November 21st, 2025.

    Bandcamp - https://outlying.bandcamp.com

    Spotify - https://open.spotify.com/artist/5q6oycizRFEpwSzpUBJ0Z8

    Track Listing:
    1 - The Raven Is Gone - 5:27
    2 - Stigma - 3:49
    3 - Snow - 6:02
    4 - Streets Of Rats And Vultures - 4:47
    5 - Pitch-Black Serum - 4:36
    6 - November - 5:56
    7 - Sentinel - 5:43
    8 - Impaired - 5:32
    9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
    10- Dreamless Nights Part II: From Velvet Skies - 5:13
    11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
    Album Length: 55:49

    For more info:

    http://www.outlying.ca/

    http://www.facebook.com/outlyingband

    http://www.instagram.com/outlyingband/

    https://www.tiktok.com/@outlying.band

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  • Brass Metal FALLSTAF Returns w/ New Album "Ode To The Dead"

     

    After nearly ten years away from the spotlight, Montreal’s groundbreaking brass-metal band Fallstaf makes a powerful return with their highly anticipated second album, "Ode to The Dead." Produced by Kevin Jardine (Slaves on Dope), the full album will be available to stream ahead of its official release on November 14th, premiering exclusively on Hardcore Worldwide’s YouTube channel.

    Known for pioneering the genre of brass-infused experimental metal, Fallstaf first made waves in 2011 with their debut album, "Bastard Son of a Pure Breed," also produced by Jardine. Their signature sound, heavy riffs, progressive structures, and a masked trombonist in full suit and tie, earned them cult status in the Montreal metal scene.

    But tragedy struck in 2016 when frontman IANN suffered a near-fatal accident, resulting in a coma, multiple injuries, and the loss of his leg. The band dissolved. Now, nearly ten years later, Fallstaf reunites with Jardine to deliver a powerful, deeply personal new record that channels pain, survival, and rebirth.



    "Ode to The Dead" is a seven-track exploration of mortality, from personal tragedy and mental anguish to crime, conflict, and loss. Drawing from frontman IANN’s near-death experience and the band’s shared grief, the album is both a tribute and a release.

    It opens with “Sunless Friday,” a chilling retelling of IANN’s accident, where cold riffs and screaming trombone set the tone. The title track, “Ode to The Dead,” honors those we’ve lost, echoing the idea that “they walk among us.” “Battered Soul” dives into depression and suicide with sludge-heavy weight and a fading finale. “Kings of the West Side” recounts Montreal’s mafia history with gangland grit and resurrected riffs. “Under the Same Sky” reflects on global unrest and shared humanity, while “Bastard Son” tells a hitman’s legacy through galloping riffs and thrash choruses. The closer, “The Burden,” mourns the toll of cancer with crushing heaviness and a melodic, mournful release. Each track is a raw, brass-laced chapter in Fallstaf’s powerful return.

    “We didn’t make this album to impress anyone. We made it out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” adds the band.

    The album artwork, featuring a layered skull photo taken by IANN, reflects the lyrical darkness without veering into the macabre. It’s a visual metaphor for the band’s rebirth: haunting, honest, and human.



    Musically, the band has evolved, embracing groove metal, prog metal, metalcore, and hardcore influences while incorporating melodic choruses and complex arrangements. Fans of Pantera, Shining, Hatebreed, and Mighty Mighty Bosstones will find familiar fire in Fallstaf’s brass-laced fury.

    Stay tuned for upcoming live dates and new music. The resurrection has begun as Fallstaf’s live performances are legendary, and the band plans to return to the stage in 2026. Expect suits, ties, a masked brass player, and a frontman with a robotic leg, all delivering a high-energy spectacle that defies expectations.

    “People think we’re a ska band until the first chord hits. Then they know we kick ass,” says the band.

    "Ode to the Dead" will be available on November 14th, 2025, on Spotify, Apple Music, Bandcamp, and more. For collectors, grab the exclusive coffin-shaped USB drive packed with interactive content and bonus material.

    Album pre-order - https://fallstaf1.bandcamp.com/album/ode-to-the-dead

    Add to your Spotify Playlist - https://open.spotify.com/artist/3yaTJY58SzbbDJ3RsnTlZU​​

    Track Listing:
    1. Sunless Friday - 2:57
    2. Ode to the Dead - 3:27
    3. Battered Soul - 3:40
    4. Kings of the West Side - 3:31
    5. Under the Same Sky - 3:31
    6. Bastard Son - 3:45
    7. The Burden - 4:41
    Album length: 25:37

    More info: https://www.facebook.com/fallstafmontrealbrassmetal | https://www.instagram.com/fallstafmontreal/

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  • HOPELESS NATION Ends Decade-Long Hiatus with Explosive New Video “Silverspoon”

     

    After nearly a decade of silence, Trois-Rivières, QC's Hopeless Nation roars back into the spotlight with their new single “Silverspoon,” a blistering fusion of hardcore grit and modern metal precision. The track marks the band’s official return and is accompanied by a surreal, AI-generated music video that can be viewed below.

    Formed in 1998, Hopeless Nation built its legacy on raw energy, socially charged lyrics, and sweat-soaked live shows. Their 2009 album "Built from Scratch" became a cornerstone of Quebec’s underground scene, backed by over 200 performances alongside acts like 100 Demons, Bane, Lofofora, and Despised Icon.

    In summer 2024, the band reunited for a high-energy show that reignited their creative fire. Revisiting unrecorded material from 2014, they began a new cycle, grinding back up from the roots while staying true to their hardcore and metal ethos. That journey culminates in “Silverspoon,” a track that hits hard from the first note and refuses to let go.

    “Silverspoon” is immediate, layered, and aggressive, with clean vocal hooks that broaden its reach. Mixed and mastered by Francis Perron (Voïvod, Decayed Remains) at RadicArt, it’s built to dominate playlists and ignite live crowds. Lyrically, it critiques entitlement while celebrating earned effort, themes reflected in its cinematic music video.

    The video, created entirely with AI technology, fuses 1960s suburban nostalgia with cosmic adventure. A young boy carrying a silver spoon becomes a cult leader, confronting human space invaders and his own inner darkness, symbolized by a red snake. It’s a bold artistic leap that blends innovation with authentic musical expression.

    The single artwork mirrors this tension: a red serpent coiled around a silver spoon, rendered in a haunting, old painting style. It visually ties to the song’s themes and the surreal narrative of the video.

    Hopeless Nation’s return is more than a comeback; it’s a tribute. The new planned singles to be released in the coming months honour past members Jonathan Houle (bass/guitar, 2012–2014, 2024) and Maxime Dupont (rhythm guitar, 1998–2014), whose talent and spirit helped define the band’s sound. Their legacy echoes through every riff and lyric.

    The band’s lineup remains deeply rooted in the Quebec scene, and Louis-Simon Bellerose leads punk hardcore legends Genetic Error. Steve DC and Guy Provencher represented Canada at Wacken Open Air 2023 with Strigampire, winners of the Wacken Metal Battle Canada.

    Known for their no-backing-tracks, lamp-amp sound, and full crowd interaction, their live shows are legendary, often featuring headbanging, chair-throwing, and immersive visual projections that leave fans breathless.

    “Silverspoon” is just the beginning. Four more singles, "Disaster," "My Curse," "1000 Miles," and "Predators," will follow, leading to a full EP. Each track bridges the band’s hardcore roots with a modern metal sheen, offering pit-friendly intensity and emotional depth.

    For fans of Gojira, Darkest Hour, At the Gates, Lamb of God, and Zao, Hopeless Nation delivers a sound that’s explosive, raw, and relentlessly honest.

    Add to your Spotify playlist - https://open.spotify.com/track/0XXWDbK2CcqkMpeOo80uIL

    More info: https://www.instagram.com/hopelessnation_official | https://www.facebook.com/hopelessnation

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  • GREYSTONE CANYON Shares Cover Video of THIN LIZZY's “Suicide”

     

    Australian hard rockers Greystone Canyon return with a powerful new single - a bold rendition of Thin Lizzy’s “Suicide”, available worldwide today, November 7th, 2025. The track is the first glimpse into the band’s forthcoming album "Something Borrowed…Something New," due out December 5th, 2025, from Rockshots Records, marking their most authentic and organic release to date.

    Faithful to the spirit of Phil Lynott and Thin Lizzy’s timeless legacy, Greystone Canyon delivers a warm, punchy, and honest version of “Suicide”, enriched by their signature blend of melodic rock and gritty hard-edged groove. Recorded live with no click tracks or studio trickery, the single captures the raw chemistry of a band feeding off one another in the room - a true celebration of rock ‘n’ roll energy.

    DIGITAL: https://lnk.to/S1C1D3

    Produced by the band and engineered by Joel Taylor at Black Lodge Studio (Melbourne), "Something Borrowed…Something New" represents a turning point in Greystone Canyon’s journey. As the title suggests, it’s a hybrid record - a mix of new original songs and hand-picked classics from the bands that shaped their sound, including Thin Lizzy, Led Zeppelin, ZZ Top, UFO, and Neil Young. The album bridges past and present, combining heartfelt tributes with fresh, road-worn originals such as “Drives Us,” “Friend of the Fox,” and “Stealing Our Freedom”.

    Vocalist/guitarist Darren Cherry comments:

    “This is our most honest record so far - real instruments, real performances, all captured live in one room. We wanted to remind listeners of the warmth and punch that only true rock bands can create together. It’s pure, old-school energy and we had an absolute blast making it.”

    Following the success of "Iron & Oak" (2024), which reached #18 on the Australian iTunes Hard Rock chart and earned multiple 10/10 media scores, the band is poised to bring their music to a new global audience with a record that’s equal parts homage and evolution.

    Recommended for fans of Led Zeppelin, Thin Lizzy, and ZZ Top, Greystone Canyon's new album “Something Borrowed…Something New” is out December 5th, 2025

    PRE-ORDER of "Something Borrowed…Something New" - https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

    Track Listing:
    1. Doctor, Doctor (UFO cover) - 04:16
    2. Just Got Paid (ZZ Top cover) - 03:35
    3. Drives Us - 05:06
    4. Immigrant Song (Led Zeppelin cover) - 02:21
    5. Friend of the Fox - 03:57
    6. Suicide (Thin Lizzy cover) - 05:14
    7. Hey, Hey, My, My (Into the Black) (Neil Young cover) - 03:22
    8. AAF - 1:47
    9. Stealing Our Freedom - 04:26
    Album Length: 33:54

    More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

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