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  • GRAVEWITCH Unleashes New Music Video "Mistress of Hate" from Self-Titled Album Out Now!

     

    Extreme metal duo Gravewitch have released their brand-new music video "Mistress Hate," a blistering visual companion to their self-titled album, which dropped this past June via Rock Sun Records. The release marks a defining moment for the band, showcasing their evolution from raw beginnings to a fully realised professional sound.

    Formed in 2013 by childhood friends Chris Fleming (guitar/vocals) and Andrew Ingraham (drums), Gravewitch was born out of a shared passion for heavy music and a desire to carve their own path in the underground scene.

    “We’ve been best friends since childhood and decided to create Gravewitch when we were sophomores in high school. This band has always been about pushing ourselves creatively and staying true to our vision,” says Fleming.

    Fusing elements of Black Metal, Thrash, Death Metal, Melodic Death Metal, and Cascadian Black Metal into a sound that is both punishing and atmospheric, Gravewitch is relentless, melodic, heavy, intriguing, and old-school.

    Gravewitch’s self-titled album takes listeners on a dark and diverse journey through ten tracks, each with its own distinct theme and musical identity. From the haunting portrayal of early 1900s insane asylums in Damnable Evil to the personal nightmare of sleep paralysis in Phantasm, the band blends thrash, black, and melodic elements with precision. Mistress of Hate revisits the brutality of witch trials, while Ritual Reanimation summons undead armies through thrash-driven intensity. Nature and atmosphere dominate Atmospheric Alterations, contrasting with the chilling true-crime narrative of White City Devil about serial killer H.H. Holmes. Woodland Trance evokes haunted forests with cascadian black metal textures, and Systematic Fallout delivers pure thrash chaos alongside the band’s first-ever guitar solo. War themes emerge in Operation Overlord, immersing listeners in the chaos of D-Day, while The Once Sacred Gift of Life closes the album with grief, mortality, and the origins of Gravewitch’s sound. Together, the record showcases the duo’s ability to fuse extreme metal subgenres into a cohesive yet varied listening experience.

    "Written during the chaos of 2020, our self-titled album reflects the uncertainty of the times. We had no idea if these songs were ever going to see the light of day. The chaotic energy of the world matched the diversity of the music, so we embraced different lyrical topics that had nothing to do with each other,” adds Fleming.

    The new video "Mistress Hate" captures the raw energy and occult-inspired aesthetic that defines Gravewitch. Filmed in South Wales, United Kingdom by Ritual Video, the clip features the same actress who played “The Witch” in the band’s debut video Circle of Power from their first album "The Summoning."

    Recommended for fans of Gravewitch's self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

    Bandcamp (CD) - https://gravewitchofficial.bandcamp.com/album/gravewitch

    Add to your Spotify playlist - https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM

    Track Listing:
    1. Damnable Evil (4:24)
    2. Phantasm (4:21)
    3. Mistress of Hate (4:13)
    4. Ritual Reanimation (4:35)
    5. Atmospheric Alterations (4:31)
    6. White City Devil (4:00)
    7. Woodland Trance (5:09)
    8. Systematic Fallout (4:21)
    9. Operation Overlord (5:27)
    10. The Once Sacred Gift of Life (3:32)
    Album Length: 44:38

    Band Lineup:
    Chris Fleming: Guitar/Vocals/Bass
    Andrew Ingraham: Drums

    More info: Facebook.com/gravewitch | Instagram.com/gravewitchofficial

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  • MARGANTHA Debut EP “Blood Moon Sacrifice” + New Music Video "Miriam And The Endless Night (ft. Andy LaRoque)"

     

    Rockshots Records proudly announces the official release of “Blood Moon Sacrifice”, the debut EP from Finnish-Italian black metal act MARGANTHA, available today on all digital platforms.

    Rooted in myth, fear, and ritual, “Blood Moon Sacrifice” is more than just a collection of songs—it’s a narrative journey steeped in dark folklore and haunting atmosphere. The EP unfolds around the legend of a werewolf that terrorizes a secluded hunters' village beneath a remote mountain range, channeling the emotional tension, primal fear, and descent into hysteria that defines the story.

    Each track serves as a chapter in this tale:

    • “Blood Moon Sacrifice” opens the story with a dark waltz-like cadence, evoking the atmosphere of an ancient forest. During a solitary hunt, the protagonist is bitten, sealing the origin of the curse. Two instrumental interludes—bass and drums—heighten the track’s unsettling tone, making it feel like the soundtrack to a twisted fairy tale.
    • “Wolves at the Door” marks the creature’s approach to the village. This is no pack—but a lone, primordial predator whose thirst rivals that of many. Opening with a dark yet exotic riff and evolving through a melodic death metal core, the track balances blackened aggression, speed, and melody in a cinematic, dynamic form.
    • “Miriam and the Endless Night” (feat. Andy LaRocque) shifts perspective. Told through the eyes of a woman trapped in an endless night of terror, the song moves from eerie, unorthodox harmonies into a vortex of riffs and violence. Andy LaRocque (King Diamond) adds his signature touch where bloodlust and survival collide.
    • “Curse of the Full Moon” concludes the cycle with a hypnotic 6/8 ballad that depicts the protagonist's full transformation. With elongated tempos, obsessive rhythms, and oppressive harmonies, the track channels the ritualistic core of classic black metal—slow, relentless, and introspective.

    Driven by evocative riffs, atmospheric layering, and a primordial vocal delivery, MARGANTHA’s music balances black metal’s raw essence with moments of melody, tension, and dynamic pacing. As the band explains:

    “We start from the story. Every riff, every rhythm is designed to serve the narrative. We’re not interested in technical excess—our focus is atmosphere, cohesion, and emotion.”

    The entire EP was mixed and mastered by Andy LaRocque (King Diamond) at Sonic Train Studio, giving the record a powerful and precise sound while preserving its shadowy intensity.

    Influenced by the cinematic dread of Mgła, the emotional fire of Uada and Gaerea, and the timeless aggression of Venom, Behemoth, and Celtic Frost, MARGANTHA builds a sound that is immersive, urgent, and steeped in meaning.

    With “Blood Moon Sacrifice”, MARGANTHA mark their official debut—a work that merges ancient horror with the raw force of contemporary black metal. For fans of narrative-driven metal, hypnotic atmospheres, and unrelenting darkness, this is a first chapter worth embracing.

    Digital EP https://lnk.to/V1c7Fn

    CD ORDER the EP "Blood Moon Sacrifice"https://bit.ly/3Yz60nn

    Track Listing:
    1. Blood Moon Sacrifice
    2. Wolves at the Door
    3. Miriam and the Endless Night (ft. Andy LaRoque)
    4. Curse of the Full Moon

    Band Members:
    • Nocturnus I – Vocals and Bass (FIN)
    • Nocturnus II – Guitars (ITA)
    • Nocturnus III – Drums (FIN)

    More info: https://www.rockshots.eu | https://www.instagram.com/margantha_the_band/

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  • UADA at The Gramercy Theatre 4/13/22

    ‘If you are looking for that band that wants to keep their identities hidden, look no further.

     

    It was dark as their music anthem’s. That’s it.

    Sounded great and the atmosphere shows that they are into something. 

     

    Not sure if these images can be counted as concert photography but i did my 500% as usual and oh well… it is what it is’

     

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