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• “Poems By a Poltergeist” Materializes as Juliet Ruin’s Most Haunted Creation Yet

  Sep 25, 2025 Fistoffreedom 0 Comments

   

  Canadian modern metal band Juliet Ruin returns with their most vulnerable and sonically ambitious release to date: the five-track EP "Regime," their fourth studio offering, available this October 24th, 2025. Leading the charge is the haunting first single “Poems By a Poltergeist,” accompanied by a gripping lyric video (created by vocalist Jess Felming) that dives deep into themes of depersonalization, mental health, and emotional isolation.
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  ​“This song came straight from the pages of Jess’ journal. It’s about feeling like a ghost in your own life, angry, disconnected, and searching for meaning,” the band shares.
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  Formed in 2015, Edmonton, AB's Juliet Ruin has evolved into a genre-fluid powerhouse known for its chunky, groovy, pretty, powerful, and catchy sound. With influences ranging from Spiritbox and Jinjer to Alexisonfire, the band blends metalcore, pop, and progressive elements into a style that’s both emotionally raw and technically sharp.
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  "Regime" is a sonic double-edged sword, balancing pop-infused vulnerability with bone-crushing breakdowns and the heaviest subject matter the band has ever tackled. From the introspective "Chrysalis" to the socially charged title track "Regime," each song is a collaborative effort shaped by personal experience and collective passion.
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  ​“We wanted this EP to feel empowering but also understanding,” says vocalist Jess, whose scream vocals, honed during the COVID lockdown through YouTube tutorials and lucid dreaming, now anchor the band’s evolving sound.
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  The album artwork, created by longtime collaborator Feen Murray, uses abstract imagery of skulls and hearts to reflect the tension between emotionality and overthinking, a visual metaphor for the EP’s lyrical core.

  "Regime" is more than just a record. It’s a statement. A safe space. A scream in the silence. And with “Poems By a Poltergeist,” Juliet Ruin invites listeners to confront their shadows and find strength in the echo.

  Add Single to your Spotify playlist (Sept 26th) - https://open.spotify.com/artist/54QrxuOJkvabZgah6SA4qv​
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  EP pre-order (out Oct 24th) - https://julietruin.bandcamp.com/​

  Track Listing:​
  1. Reactance Theory (4:03)
  2. Chrysalis (4:01)
  3. Poems By a Poltergeist (3:02)
  4. The Art of Being Wise (4:09)
  5. Regime (5:02)
  EP Length: 20:18​

  More info:

  ​https://www.facebook.com/julietruinband​

  ​https://www.instagram.com/julietruin

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• Out Nov 2025 Trois-Rivieres' OUTLYING’s New Album "Oblivisci" Explores Pain and Redemption; Streaming Single "November"

  Sep 23, 2025 Fistoffreedom 0 Comments

   

  After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, "Oblivisci," drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.
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  Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

  “We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.
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  ​"Oblivisci," Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

  “After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.
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  The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

  Add to your Spotify playlist - https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ​

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  ​OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.
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  Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.
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  Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.
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  Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

  “We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.
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  With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).
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  The album artwork for "Oblivisci" depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.
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  ​"Oblivisci" will be available on November 21st on all streaming platforms.

  Track Listing:
  ​1 - The Raven Is Gone - 5:27
  2 - Stigma - 3:49
  3 - Snow - 6:02
  4 - Streets Of Rats And Vultures - 4:47
  5 - Pitch-Black Serum - 4:36
  6 - November - 5:56
  7 - Sentinel - 5:43
  8 - Impaired - 5:32
  9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
  10- Dreamless Nights Part II: From Velvet Skies - 5:13
  11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
  Album Length: 55:49

  For more info:

  ​http://www.outlying.ca/​

  ​http://www.facebook.com/outlyingband​

  ​http://www.instagram.com/outlyingband/​

  ​https://www.tiktok.com/@outlying.band

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• Breaking Out of "The Underground" KARNAGE THROUGH CROSSING Have A New Headbanger For You!

  Sep 5, 2025 Fistoffreedom 0 Comments

   

  Calgary, Alberta, gritty, melodic crossover metal Karnage Through Crossing (KTX) have announced the release of their searing new single “The Underground”, a powerhouse track from their forthcoming sophomore album, due to detonate in 2026. This follow‑up to their 2024 debut, "Shattered Chains", and 2025 single "Chosen Paths" marks the dawn of a heavier, more ambitious chapter in the KTX saga.
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  Born from the ashes of Nova 1 and forged in the chaos of the pandemic years, KTX, led by founding songwriter Rhyse Tremel and drummer Ashton Lal, has evolved from determined survivors into a finely tuned machine of sonic mayhem. Their mission: to fuse the thunder and majesty of traditional heavy metal with the blistering edge of thrash, the weight of death metal, and the anthemic firepower of hard rock.
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  “The Underground” embodies this ethos in full force. Lyrically rooted in a steampunk dystopia, it tells the tale of a slum‑born pit fighter rising to power and vengeance. Musically, it’s a battlefield of melodic euphoria, breakneck speed, and tension‑filled pauses that explode into unrelenting energy, a sound sharpened through months of rehearsal after their debut album hit the streets.
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  ​“It was the second song written for the new record and the first we rehearsed after the debut. Those dramatic pauses, the tight finish, it just kept evolving until it became one of the most energizing songs we’ve ever played,” adds Tremel.

  
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  On stage, KTX live their creed of going BIG. Think full-stack amps, custom‑built steel props wrapped in barbed wire and chrome, leather and ripped denim, massive drum kits, and the blazing strobes and fog of heavy metal’s golden age. Their storytelling blends dark fantasy, historical echoes, and unflinching empowerment, all delivered with the defiance and showmanship of their heroes: Death Angel, Megadeth, Iced Earth, Judas Priest, and Skull Fist.
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  With "The Underground" now unleashed, KTX is setting the stage for their most cohesive, high‑voltage release yet. The 2026 album promises monumental leaps in skill, production, and scope, a true testament to the band’s evolution from raw underground contenders to commanding torchbearers of modern metal’s old‑school soul.

  ​Add to your Spotify Playlist - https://open.spotify.com/track/2bRwsJbi4sRRTwzNvpqy6X​

  More info: Facebook.com/ktxmetal | Instagram.com/ktx_metal | Tiktok.com/@karnage.through.c | X.com/ktx_metal

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• DYING AWKWARD ANGEL's New Album “The Missing Frame” Explores the Edge Between Reality and Nightmare

  Aug 22, 2025 Fistoffreedom 0 Comments

   

  Italian melodic death metallers Dying Awkward Angel return today, August 22nd, 2025, with their most intense and uncompromising work to date, the new full-length album "The Missing Frame", released via Rockshots Records.

  Formed in 1998 in the underground metal scene of Turin by guitarist and main composer Edoardo Demuro, the band forged its style drawing from the Gothenburg melodeath wave (In Flames, At The Gates, Dark Tranquillity) and the aggression of American thrash and death metal, adding its own unmistakable Italian touch. Over the years, they have shared the stage with Decapitated, Impaled Nazarene, Necronomicon, Forgotten Tomb, Node, and many more, building a solid reputation for their visceral and high-energy live shows.

  "The Missing Frame" follows the critically acclaimed "Absence Of Light" (2018) and was anticipated by the singles “Music Kills” and “9.99”. Written during a period of renewed creative focus, the album is faster, heavier, and more deliberate, the result of what the band calls “a brutal and honest cooperation between us all.”

  Lyrically, the record delves into themes of duality, good and evil, instinct and control, reality and illusion, often drawing from deeply personal experiences, stories, and nightmares of the band members. Tracks like “9.99” question the value of human life, while “Music Kills” explores the double-edged power of music itself.

  Musically, the album delivers the cold precision of Swedish melodic death metal combined with the raw energy of American metal, all with a modern and direct production approach. “Don’t expect what you expect. Expect what you don’t,” the band warns.

  Recorded at Bottleneck Studios in Turin and produced by the band, "The Missing Frame" is an album that stays true to the band’s roots while pushing their boundaries further than ever before.

  Coinciding with the album's release, the band unveils their newest music video for the track "The Inner Paradox", a haunting allegory of deep depression. It portrays a layered prison that might almost seem bearable, if not for the grim reality that the world beyond its walls is even more harrowing.

  For fans of: At The Gates, Carcass, Dark Tranquillity

  LISTEN "The Inner Paradox" at: https://lnk.to/z9xAx8​
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  ​ORDER "The Missing Frame" here: https://rockshots.eu/TheMissingFrameCD​

  Add to your Spotify Playlist - https://open.spotify.com/album/5SpG2i3qgkqlAIZnbP1pWJ​

  In additional news, Dying Awkward Angel will have the honor of performing at Rock Inn Somma, a special event where the band will present their brand-new album live on its release day!

  Track Listing:​
  1. The Ecstasy of God (Instrumental)
  2. Black Waves
  3. The Fallen
  4. Music Kills
  5. 9.99
  6. Raptus
  7. YOU MUST DIE!
  8. Blinded
  9. Skin and Bones
  10. The Inner Paradox
  11. Out of Mind (R’lyeh)
  12. A Promise
  13. The Missing Frame (Instrumental)

  Line-up:​
  Michele Spallieri: Vocals
  Demuro Edoardo: Guitars,
  Lorenzo Asselli: Guitars
  Luca Pellegrino: Drums
  Davide Onida: Bass Guitar

  More info: https://www.rockshots.eu | http://www.dyingawkwardangel.com | https://www.instagram.com/dyingawkwardangel_official/

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• THIRTEEN GOATS' New Music Video Invites Fans To Their "Animal Kingdom" Ahead of Festival Blitz at Loud As Hell, Mosh Rock, Party in the Park

  Jul 30, 2025 Fistoffreedom 0 Comments

   

   

  Set to kick off their festival blitz with their first performance on August 3rd at Loud As Hell Open Air in Drumheller, AB alongside Revocation, Insurrection, Gorepig, Cyborg Octopus, Squidhammer, Beguiler, and lots more, Vancouver’s genre-bending metal juggernaut Thirteen Goats is welcoming fans to enter their "Animal Kingdom" with their latest music video featuring guest vocals from Carly Ellen Jones.

  The closing track from the band's latest album, "Capricorn Rising" (released in July 2024 via Exitus Stratagem Records), "Animal Kingdom" is the biggest musical risk that the band has taken yet. It starts out with an unsettling pattern of clean, arpeggiated chords, before a wall of cascading guitar melodies and haunting clean vocals crash in for the verses.

  From there, ominous grooves and wailing leads build up to a cathartic duet between Jones and lead singer Graham K. Miles, which shifts into a ferociously heavy climax and an angular final riff that terminates in a single bass note reminiscent of an atomic bomb going off. Not only is it a fitting conclusion to the record, but it’s a sign of how the band’s sound will likely continue to evolve on future releases.

  The music video shows the band members performing a summoning ritual that ends with them falling under the spell of the demon they conjured (played by Jones). 

  “It's classic be-careful-what-you-wish-for stuff,” says Miles. “In that sense, it’s thematically true to the subject matter of the song, which is a warning about the seductive appeal of extremist movements and the consequences of becoming radicalized.”

  Miles, who also directed the video, said he was heavily inspired by the works of filmmaker David Lynch, who passed away in early 2025. “His art was fantastical and surreal,” Miles says, “but it was always about real and contemporary issues under the surface. We’re aiming in the same direction with this video and this record.”

  Watch and listen to "Animal Kingdom" (feat. Carly Ellen Jones) via its premiere on Bravewords HERE. ​

  In addition to performing this week at Loud As Hell Open Air, Thirteen Goats will also be in Sooke, BC on August 10th at MOSH THE ROCK ​and Fort McMurray, AB on Sept 13th for the 3rd edition of Party in the Park.

  Show Dates:​
  Aug 3 - Loud As Hell Open Air – Drumheller, AB - https://loudashell.ca/​
  Aug 10 - MOSH THE ROCK – Sooke, BC - https://www.facebook.com/events/1932051257598357​
  Sept 13 - Party in the Park 3 – Fort McMurray, AB - https://lnk.bio/partyintheparkfestYMM​
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  In additional news, Thirteen Goats have also been nominated by the Western Canadian Music Awards (https://breakoutwest.ca/awards) for Metal & Hard Music Artist of the Year alongside Anciients, Torrefy, Art of Attrition, and Holy Void.

  Known for their punishing live shows, razor-sharp riffs, and tongue-in-cheek lyrical savagery, Thirteen Goats have carved out a unique niche by fusing numerous metal subgenres and delivering the results with a theatrical twist. The quartet unleashed their sophomore LP "Capricorn Rising" in July 2024 via Exitus Stratagem Records. The concept album tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed.

  Each song on the record is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. This storytelling approach takes listeners on a journey through the darkest aspects of both human and animal nature across nine tracks that combine elements of death metal, thrash, and groove.

  Listeners should expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

  Released on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

  Spotify - https://open.spotify.com/album/1CtYBA9YJZoykWkMwdP1wO​

  More info: Exsrmusic.com | ThirteenGoats.com

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