Search Results: bandcamp

• SILAS FERNANDES Unveils New Videos "Earth Was Boring" and "Escape The Reality Room" from Latest Album "Carbon Purge Acceleration"

  Dec 10, 2025 Fistoffreedom 0 Comments

   

  Photo Credit - Marisa Terra Fernandes

  Acclaimed guitarist, producer, and content creator Silas Fernandes (founder of Electric Eye Audio, producer of guitar pedals and digital tools for metal guitarists and creator of the popular YouTube show Rig on Fire) has released two new videos, "Earth was Boring" and "Escape The Reality Room," from his latest album "Carbon Purge Acceleration," which dropped this past September. Known for his fusion of industrial metal, shred guitar, and progressive influences, Fernandes continues to push boundaries with instrumental music that blends aggression, melody, and thought-provoking themes.

  
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  Formed out of Fernandes’ departure from a cover band with Andreas Kisser (Sepultura) in the 1980s, his solo career has been defined by innovation and independence. Inspired by legends like Joe Satriani, Steve Vai, and Tony McAlpine, Fernandes has carved out a unique sound described in five words: industrial, shred, instrumental, melodic, metal.

  His latest videos reflect Fernandes’ vision of instrumental music as more than just a technical display. "Earth was Boring" is a heavy, aggressive track that fuses modern metal with metalcore elements, climaxing in a melodic shred solo. The video for that track features robotic vocal samples sourced from the Killer Instinct character Fulgor, reversed to create a distinct tone. The video for "Escape The Reality Room" alternates between thrashy modern riffs and calm, melodic passages reminiscent of Joe Satriani, offering listeners a dynamic journey through sound and imagery.

  “I hope fans take the titles of each song seriously. Each track was written based on visuals and contemporary matters,” says Fernandes.
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  Fernandes’ new six-track album "Carbon Purge Acceleration" unfolds as a sonic journey that shifts fluidly from aggressive intensity to ethereal soundscapes. He describes the work as “a true creative cauldron,” blending fusion, modern progressive metal, and nostalgic eighties influences without being confined to genre labels. The album’s artwork reinforces its thematic depth, portraying a divine digital entity revered by worshippers blind to its destructive force, an allegory for the entanglement of technology and chaos in contemporary life. Each track contributes to this layered narrative, "John Hughes Didn’t Direct My Life" channels a nostalgic, 80s-inspired shred; "Flight of the Navigator", surges forward with fast-paced prog metal, fusion harmonies, and daring time signatures; "Heavy Droids" explores the complexity of 7/4 prog metal, weaving in melodic, slow-tempo passages; and "The Death of Synthetic Curation" closes with a haunting solo guitar piece, drenched in ambient effects that linger like echoes of dissolution. Together, these compositions form a bold, genre-defying statement that is both visceral and thought-provoking.

  Recommended for fans of Steve Vai, Fear Factory, Meshuggah, Devin Townsend, and Periphery, "Carbon Purge Acceleration" (released Sept 21st, 2025) is available at the following links:

  All Digital Platforms - https://silasfernandes.hearnow.com/​

  Online Store - CD / Merch - https://www.silascf.com.br/en/services-5​

  Bandcamp - https://silasfernandes.bandcamp.com​

  Track Listing:​
  1. Earth Was Boring - 4:21
  2. Escape the Reality Room - 3:47
  3. Heavy Droids - 4:09
  4. Flight Of The Navigator - 3:39
  5. John Hughes Didn't Direct My Life - 5:19
  6. The Death of Synthetic Curation - 5:05
  Album Length: 26:20

  For more info: Silascf.com.br | Facebook.com/silas.fernandes.165 | Instagram.com/silasfernandesguitar​

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• GRAVEWITCH Unleashes New Music Video "Mistress of Hate" from Self-Titled Album Out Now!

  Dec 3, 2025 Fistoffreedom 0 Comments

   

  Extreme metal duo Gravewitch have released their brand-new music video "Mistress Hate," a blistering visual companion to their self-titled album, which dropped this past June via Rock Sun Records. The release marks a defining moment for the band, showcasing their evolution from raw beginnings to a fully realised professional sound.
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  Formed in 2013 by childhood friends Chris Fleming (guitar/vocals) and Andrew Ingraham (drums), Gravewitch was born out of a shared passion for heavy music and a desire to carve their own path in the underground scene.

  “We’ve been best friends since childhood and decided to create Gravewitch when we were sophomores in high school. This band has always been about pushing ourselves creatively and staying true to our vision,” says Fleming.
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  Fusing elements of Black Metal, Thrash, Death Metal, Melodic Death Metal, and Cascadian Black Metal into a sound that is both punishing and atmospheric, Gravewitch is relentless, melodic, heavy, intriguing, and old-school.
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  ​Gravewitch’s self-titled album takes listeners on a dark and diverse journey through ten tracks, each with its own distinct theme and musical identity. From the haunting portrayal of early 1900s insane asylums in Damnable Evil to the personal nightmare of sleep paralysis in Phantasm, the band blends thrash, black, and melodic elements with precision. Mistress of Hate revisits the brutality of witch trials, while Ritual Reanimation summons undead armies through thrash-driven intensity. Nature and atmosphere dominate Atmospheric Alterations, contrasting with the chilling true-crime narrative of White City Devil about serial killer H.H. Holmes. Woodland Trance evokes haunted forests with cascadian black metal textures, and Systematic Fallout delivers pure thrash chaos alongside the band’s first-ever guitar solo. War themes emerge in Operation Overlord, immersing listeners in the chaos of D-Day, while The Once Sacred Gift of Life closes the album with grief, mortality, and the origins of Gravewitch’s sound. Together, the record showcases the duo’s ability to fuse extreme metal subgenres into a cohesive yet varied listening experience.

  "Written during the chaos of 2020, our self-titled album reflects the uncertainty of the times. We had no idea if these songs were ever going to see the light of day. The chaotic energy of the world matched the diversity of the music, so we embraced different lyrical topics that had nothing to do with each other,” adds Fleming.

  The new video "Mistress Hate" captures the raw energy and occult-inspired aesthetic that defines Gravewitch. Filmed in South Wales, United Kingdom by Ritual Video, the clip features the same actress who played “The Witch” in the band’s debut video Circle of Power from their first album "The Summoning."

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  Recommended for fans of Gravewitch's self-titled album, released on June 18, 2025, via Rock Sun Records, is available on all digital platforms and CD.

  Bandcamp (CD) - https://gravewitchofficial.bandcamp.com/album/gravewitch​

  Add to your Spotify playlist - https://open.spotify.com/album/7kBWr27iJzjvjOfTLP3ZgM​

  Track Listing:​
  1. Damnable Evil (4:24)
  2. Phantasm (4:21)
  3. Mistress of Hate (4:13)
  4. Ritual Reanimation (4:35)
  5. Atmospheric Alterations (4:31)
  6. White City Devil (4:00)
  7. Woodland Trance (5:09)
  8. Systematic Fallout (4:21)
  9. Operation Overlord (5:27)
  10. The Once Sacred Gift of Life (3:32)
  Album Length: 44:38

  Band Lineup:​
  Chris Fleming: Guitar/Vocals/Bass
  Andrew Ingraham: Drums

  More info: Facebook.com/gravewitch | Instagram.com/gravewitchofficial​

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• Brass Metal FALLSTAF Returns w/ New Album "Ode To The Dead"

  Nov 13, 2025 Fistoffreedom 0 Comments

   

  After nearly ten years away from the spotlight, Montreal’s groundbreaking brass-metal band Fallstaf makes a powerful return with their highly anticipated second album, "Ode to The Dead." Produced by Kevin Jardine (Slaves on Dope), the full album will be available to stream ahead of its official release on November 14th, premiering exclusively on Hardcore Worldwide’s YouTube channel.

  Known for pioneering the genre of brass-infused experimental metal, Fallstaf first made waves in 2011 with their debut album, "Bastard Son of a Pure Breed," also produced by Jardine. Their signature sound, heavy riffs, progressive structures, and a masked trombonist in full suit and tie, earned them cult status in the Montreal metal scene.
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  But tragedy struck in 2016 when frontman IANN suffered a near-fatal accident, resulting in a coma, multiple injuries, and the loss of his leg. The band dissolved. Now, nearly ten years later, Fallstaf reunites with Jardine to deliver a powerful, deeply personal new record that channels pain, survival, and rebirth.

  
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  ​"Ode to The Dead" is a seven-track exploration of mortality, from personal tragedy and mental anguish to crime, conflict, and loss. Drawing from frontman IANN’s near-death experience and the band’s shared grief, the album is both a tribute and a release.

  It opens with “Sunless Friday,” a chilling retelling of IANN’s accident, where cold riffs and screaming trombone set the tone. The title track, “Ode to The Dead,” honors those we’ve lost, echoing the idea that “they walk among us.” “Battered Soul” dives into depression and suicide with sludge-heavy weight and a fading finale. “Kings of the West Side” recounts Montreal’s mafia history with gangland grit and resurrected riffs. “Under the Same Sky” reflects on global unrest and shared humanity, while “Bastard Son” tells a hitman’s legacy through galloping riffs and thrash choruses. The closer, “The Burden,” mourns the toll of cancer with crushing heaviness and a melodic, mournful release. Each track is a raw, brass-laced chapter in Fallstaf’s powerful return.

  “We didn’t make this album to impress anyone. We made it out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” adds the band.

  The album artwork, featuring a layered skull photo taken by IANN, reflects the lyrical darkness without veering into the macabre. It’s a visual metaphor for the band’s rebirth: haunting, honest, and human.

  
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  Musically, the band has evolved, embracing groove metal, prog metal, metalcore, and hardcore influences while incorporating melodic choruses and complex arrangements. Fans of Pantera, Shining, Hatebreed, and Mighty Mighty Bosstones will find familiar fire in Fallstaf’s brass-laced fury.

  Stay tuned for upcoming live dates and new music. The resurrection has begun as Fallstaf’s live performances are legendary, and the band plans to return to the stage in 2026. Expect suits, ties, a masked brass player, and a frontman with a robotic leg, all delivering a high-energy spectacle that defies expectations.
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  ​“People think we’re a ska band until the first chord hits. Then they know we kick ass,” says the band.

  "Ode to the Dead" will be available on November 14th, 2025, on Spotify, Apple Music, Bandcamp, and more. For collectors, grab the exclusive coffin-shaped USB drive packed with interactive content and bonus material.
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  ​Album pre-order - https://fallstaf1.bandcamp.com/album/ode-to-the-dead

  Add to your Spotify Playlist - https://open.spotify.com/artist/3yaTJY58SzbbDJ3RsnTlZU​​

  Track Listing:​
  1. Sunless Friday - 2:57
  2. Ode to the Dead - 3:27
  3. Battered Soul - 3:40
  4. Kings of the West Side - 3:31
  5. Under the Same Sky - 3:31
  6. Bastard Son - 3:45
  7. The Burden - 4:41
  Album length: 25:37

  More info: https://www.facebook.com/fallstafmontrealbrassmetal | https://www.instagram.com/fallstafmontreal/​

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• Czech Modern Metal Force STELLVRIS Unleash New EP "Shatter and Bloom" and Music Video

  Nov 6, 2025 Fistoffreedom 0 Comments

  NEWS RELEASE

  Montreal, QC - November 6, 2025

  Streaming Now! Czech Modern Metal Force STELLVRIS Unleash New EP "Shatter and Bloom" and Music Video

  L-R - Libor Hřebík (Bass), Andreas Polášek (Guitar), Nicol Hofman (Vocals), Hanz Polášek (Drums)

  Photo Credit - Julia Ramm

  Czech modern metal upstarts STELLVRIS are set to unleash their highly anticipated new EP, "Shatter and Bloom," on Friday, November 7th. Ahead of its official release, the band is premiering both the EP and a powerful new music video for the title track, a showcase of their signature blend of crushing heaviness, soaring melodies, and raw emotion, exclusively via Decibel Magazine HERE.
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  Formed in 2019 after an impromptu jam session led to their first live show at Prague’s iconic Music Club Modrá Vopice, STELLVRIS have quickly carved out a reputation for their powerful, emotional, heavy, melodic, and modern sound. With "Shatter and Bloom," the band takes another bold step forward, pushing their sonic boundaries while staying true to the intensity that has fueled their rise.

  
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  Produced by Christoph Wieczorek at Sawdust Recordings, the five-track EP delivers a dynamic fusion of crushing breakdowns, electronic textures, and irresistibly catchy choruses. Lyrically, it dives headfirst into themes of destruction, rebirth, toxic relationships, and the struggles of modern life, all expressed with raw honesty. The journey begins with the title track “Shatter and Bloom,” a defiant anthem about tearing down what no longer serves and allowing something stronger to rise. “Silence After Violence” follows as a stark warning against the growing tide of aggression in society, even among the youngest generations. With “Monster,” the band turns inward, confronting the scars of toxic relationships while celebrating the strength it takes to break free. “Time’s Up” offers a sharp critique of living life solely online, disconnected from reality and responsibility. Closing the record is “Starships,” a heavy, metal-charged reimagining of Nicki Minaj’s pop hit, ending the EP on an explosive note of energy and fun.
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  ​“Shatter and Bloom is more than just a collection of songs; it’s about destroying what’s toxic and giving space for something new to grow. Every track reflects real struggles we’ve faced or witnessed, from toxic relationships to the rising aggression in society. We want fans to feel seen, empowered, and connected through this music. It’s heavy, it’s honest, and it’s meant to hit both the heart and the pit,” adds the band.

  
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  With "Shatter and Bloom," STELLVRIS continue their evolution, delivering a record that is as cathartic as it is crushing, a testament to resilience, transformation, and the unbreakable spirit of modern metal.

  Recommended for fans of Jinjer, Spiritbox, Holy Wars, Infected Rain, and I Prevail, "Shatter and Bloom" will be available on all digital platforms, along with Vinyl.

  Bandcamp (Vinyl, Digital) - https://stellvris.bandcamp.com/album/shatter-bloom

  Digital (Spotify, Apple Music) - https://linktr.ee/stellvris.band

  Track Listing:​
  1. Shatter and Bloom - 3:18
  2. Silence After Violence - 3:14
  3. Monster - 4:16
  4. Time’s Up - 3:32
  5. Starships (Nicki Minaj Cover)
  EP Length: 18:27
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  ​EP Credits:
  ​• All songs performed by: STELLVRIS
  • All songs written by: STELLVRIS
  • Produced by: Christoph Wieczorek of Sawdust Recordings
  • Mixed by: Christoph Wieczorek of Sawdust Recordings
  • Mastered by: Christoph Wieczorek of Sawdust Recordings
  • EP Artwork by: František Jelen
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  ​Band Line Up:
  ​Nicol Hofman (vocalist)
  Libor Hřebík (bassist)
  Andreas Polášek (guitarist)
  Hanz Polášek (drummer)

  More info: https://linktr.ee/stellvris.band

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• THE RETICENT Confronts Mental Health with New Video "The Scorn" Off Upcoming Album "please" Out Nov 2025

  Oct 23, 2025 Fistoffreedom 0 Comments

   

  Progressive metal act The Reticent has unveiled the lyric video for “The Scorn (Those Who Don’t Understand),” the latest single from their upcoming album "please," due out on Generation Prog Records on November 13th. Known for their emotionally intense concept albums, The Reticent continues their tradition of soul-baring storytelling with "please," a harrowing journey through the many battlefields of mental illness.
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  ​“The Scorn (Those Who Don’t Understand)” takes on the voice of those who dismiss mental health struggles, echoing phrases like “just get over it” and “it’s all in your head.” Musically, the track leans into groove-oriented rhythms and major chords to reflect the detached worldview of those who don’t understand. The addition of exotic instrumentation like the oud and hand percussion further separates the song from the rest of the album’s sonic palette.
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  But "please" is more than just an album; it’s a survival mechanism. Written in just six months, the album was recorded under extreme conditions. Drums for "please" and its follow-up were tracked in a single day, while guitars, bass, and keys were completed in two. The vocals, however, took two grueling weeks, during which founder Chris Hathcock injured his larynx so severely that doctors feared permanent damage. Hathcock was forced into six weeks of total silence, even teaching his classes entirely nonverbally. Thankfully, he recovered, mostly.
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  The pain didn’t stop there. While filming the video for “The Concealment,” Hathcock broke two toes, sprained three others, and partially tore his rotator cuff during a scene that required him to violently destroy a room. Just six days later, he performed at ProgStorm Festival in Montreal with those injuries, doubled over in pain by the end of the set. Fans, immersed in the emotional intensity of the performance, had no idea.
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  "please" is the first album by The Reticent to be almost entirely engineered by Chris Hathcock himself. While drums were tracked at The Basement Studios with longtime producer Jamie King (Between The Buried And Me, The Contortionist), all other elements were recorded at Hathcock’s Silent Muse Studio. The album was also mixed and mastered by King, adding his signature polish to the final product. The isolation of self-recording introduced an additional layer of emotional strain, especially during the vocal sessions.
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  Lyrically, the album is rich with references to the work of clinical psychologist Kay Redfield Jamison. Lines like “Night falls fast…” in “The Concealment” and “an unquiet mind” in “The Night River” nod to Jamison’s seminal works on suicide and bipolar disorder. Her voice even appears in samples throughout “Discharge.”
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  Musically, "please" marks a return to 6-string guitars, a first since 2016’s "On The Eve Of A Goodbye," except for “The Bed of Wasps.” The five-year gap between "please" and 2020’s "The Oubliette" is the longest in the band’s history, a reflection of the emotional toll and life events that shaped its creation.
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  ​The Reticent, led by Grammy-nominated music educator Chris Hathcock, has built a reputation for devastatingly autobiographical concept albums. Joined by James Nelson (Nospūn) and Paul McBride (Voraath), the band delivers performances that blur the line between metal show and performance art. Their appearance at ProgPower USA was hailed by Metal Injection as “one of the most heart-wrenching performances in ProgPower history.”​
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  In addition to their recent performance at ProgStorm Festival in Montreal this past summer, The Reticent is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.
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  The lyric video for “The Scorn (Those Who Don’t Understand)” is now available on YouTube and streaming platforms.

  Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in "please," which arrives November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of "please."

  CD pre-order (North America) - https://thereticent.net/please-pre-order

  CD pre-order (EU) - http://www.generation-prog.com/shop/

  Digital Album pre-save - https://show.co/MoPdl8W

  Track Listing:​
  1. Intake – 1:45
  2. The Concealment (Those Who Don’t Want To Wake) – 6:06
  3. The Night River (Those Who Can’t Rest) – 6:55
  4. Diagnosis 1 – 2:18
  5. The Bed of Wasps (Those Consumed With Panic) – 5:47
  6. The Scorn (Those Who Don’t Understand) – 8:12
  7. Diagnosis 2 – 2:39
  8. The Riptide (Those Without Hope) – 6:09
  9. The Chance (Those Who Let Go) – 6:52
  10. Discharge – 2:56
  Album Length: 49:45

  For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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