Search Results: meshuggah

• THE JUDGE THE JUROR Unleashes Genre-Bending PsyDeathTechProg EP “Primitive Minds” + Video “Your Vice is a Locked Door”

  Nov 7, 2025 Fistoffreedom 0 Comments

   

  Western Canada’s most electrifying metal experimenters, The Judge The Juror, have officially dropped their new EP, "Primitive Minds", out today, November 7th, 2025. Alongside the release, the band has unveiled a crushing new music video for the opening track “Your Vice is a Locked Door”, offering fans a visual descent into their self-coined genre: PSYDEATHTECHPROG, a fusion of psychedelic, progressive, technical death metal that defies categorization and redefines sonic boundaries. The band invented the term PSYDEATHTECHPROG as both a descriptor and a tongue-in-cheek jab at metal’s obsession with micro-genres.

  
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  ​"Primitive Minds" explores the paradox of modern humanity: how our ancient instincts clash with the hyper-digital world we inhabit. The EP’s three tracks, “Your Vice is a Locked Door,” “Helciconian Optivisior,” and “HYPERCUBE (Unfolding),” each dissect a different facet of this existential tension, from algorithmic manipulation to emotional fragmentation.
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  ​“Your Vice is a Locked Door” delivers a punishing critique of social media’s commodification of identity. “Helciconian Optivisior” offers a mesmerizing sonic assault, reflecting the struggle to connect beyond distorted lenses, while “HYPERCUBE (Unfolding)” ventures into cosmic tech-death territory, exploring internal battles and societal exploitation.
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  The EP artwork, created by guitarist Scotty Oakes, is a painted psychedelic interpretation of the human mind, visually complementing the band’s cerebral themes.
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  Formed in Edmonton, AB by members of local acts Vespertine Battle Scene and Driven to Exile, The Judge The Juror consists of David (vocals/synth), Blaise (guitar), Scotty (guitar), Merrick (bass), and Nick (drums). Their collaborative writing process blends brutal riffage, experimental synths, and progressive structures into a sound that’s as weird as it is exhilarating.
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  Fans can expect two more EPs, "Medieval Institutions" (Early 2026) and "Godlike Technologies" (Mid-2026), completing the trilogy that chronicles the downfall of the human condition.
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  Influenced by genre giants like Meshuggah, Cynic, Between the Buried and Me, and VOLA, the band has carved out a niche for fans of Born of Osiris, The Browning, and Enter Shikari.

  "Primitive Minds" is available now on all major platforms - https://distrokid.com/hyperfollow/thejudgethejuror/primitive-minds​

  In additional news, The Judge The Juror will be unveiling "Primitive Minds" and more at their local EP Release show in Edmonton, AB on November 7th at Bunkers Live Pub (615 Hermitage RD NW) alongside Shackled To The Throne, Valley Of Despair, and Decrepitation. Event Info - https://www.facebook.com/events/1183563156934083/

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  Track Listing:​
  1. Your Vice is a Locked Door - (4:36)
  2. Heliconian Optivisor - (3:40)
  3. HYPERCUBE (Unfolding) - (2:59)

  More info: https://linktr.ee/thejudgethejurorofficial​

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• DEADWOOD Unleashes “Tales of Massacre”, A Brutal Glimpse Into Upcoming EP "Rituals of a Dying Light" (Innerstrength Records)

  Oct 29, 2025 Fistoffreedom 0 Comments

   

   

  Canadian deathcore juggernaut Deadwood has dropped their latest single, “Tales of Massacre”, a blistering and terrifying track inspired by the Salem witch trials. The song is the second single from their upcoming concept EP, "Rituals of a Dying Light," set to release on January 6, 2026, via Innerstrength Records.

  Formed in 2020 with the mission to “Make Deathcore Angry Again,” Deadwood has carved a reputation for delivering music that’s angry, aggressive, dark, heavy, and intense. Their latest offering is no exception; “Tales of Massacre” blends brutal technicality with eerie atmosphere, pushing the boundaries of modern deathcore while staying true to the genre’s roots.
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  ​Deadwood’s forthcoming EP, "Rituals of a Dying Light," plunges listeners into a concept-driven nightmare, where each track draws from real-life horrors and urban legends. From tales of demonic possession to infamous historical crimes, the band channels the macabre through punishing riffs and eerie lyricism. The EP features chilling narratives like “Heretic,” a brooding account of a nun overtaken by darkness, layered with piercing solos that cut through the gloom. “Thirst for Blood” delivers a vampiric frenzy, blending punk-tinged rhythms with a dangerously infectious chorus. “Whisper of Death” slows the tempo for a sinister dive into the psyche of Jack the Ripper, while “Echoes of the Fallen” closes the record with a haunting instrumental drenched in lead guitar and ominous atmosphere. Marking a new chapter in Deadwood’s evolution, the EP introduces solos and melodic leads for the first time—adding depth without sacrificing the band’s trademark aggression.

  “We wanted this release to be scarier, heavier, and more extreme,” says founding member Fred Element

  Deadwood’s lineup includes veterans of the Quebec metal scene, Fred Element (ex-Plasma Riffle, ex-Ion Dissonance), Stephane Filion (ex-Nova Spei), and Charles-Etienne Lafrance (Discovery Through Torment, ex-Dismayed).​
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  Their writing process is collaborative, with each member adding their own flavor to Fred’s initial compositions. Lyrics are crafted to match the music’s atmosphere, drawing inspiration from horror, real-life tragedies, and the darker aspects of existence.
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  ​Deadwood’s live performances are known for their chaotic, horror-infused energy. Their stage presence is designed to evoke terror — not just a band playing music, but a visual and sonic assault.

  “We don’t do small talk or funny vibes. We want to scare you. We want you to feel uneasy,” the band explains.
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  Having toured Japan and the U.S., including a standout performance at Inkarceration Festival, Deadwood is now preparing to conquer Europe in 2026. Their relentless drive and commitment to intensity have earned them spots alongside acts like Humanity’s Last Breath, Born of Osiris, and Traitors.
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  With “Tales of Massacre” setting the tone, Deadwood promises more music is already on the way.

  “We chose five tracks that share the same dark atmosphere. But we’re not done yet, fans can expect a lot from us, sooner than you think,” adds the band.
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  For fans of Meshuggah, Whitechapel, Despised Icon, All Shall Perish, and Behemoth, Deadwood is a must-listen. Their sound is a terrifying blend of death metal and hardcore, crafted for those who crave pure brutality.
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  ​"Rituals of a Dying Light" drops January 6, 2026, via Innerstrength Records.

  Add to your Spotify playlist - https://hypeddit.com/deadwood/talesofmassacre-1

  More info: https://linktr.ee/Deadwood.band | https://innerstrengthrecords.com/

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• PHAETON Unveils First Single "Tethys Rising" From Third Album "Neurogenesis" Out Oct 2025

  Sep 3, 2025 Fistoffreedom 0 Comments

   

  Canadian instrumental progressive metal quartet Phaeton returns with their third full-length album, "Neurogenesis", out on October 24th, 2025, via INB Music, along with it being made available on vinyl at a later date this year. The record is a tightly wound, interstellar journey through melody, muscle, and mind-expanding musicality. With no vocals, no limits, Phaeton lets their instruments do the talking, creating emotional landscapes without a single lyric.

  The album’s title refers to the birth of new neural pathways, fitting for a band that thrives on cerebral complexity and visceral impact. "Neurogenesis" builds on the foundation laid by their previous releases, "Self-Titled" (2018) and "Between Two Worlds" (2023), but sharpens the focus with more concise compositions that never sacrifice imagination. Each track is a self-contained universe, yet together they form a cohesive anthology of sonic exploration. Fans will also be delighted to hear that keyboard wizard Derek Sherinian (Dream Theater, Planet X, Sons of Apollo) guests on the track "Isochron".​
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  The album artwork, created by Calgary visual artist Matt Semenok, features a suspended human brain infused with bioelectricity and cybernetic implants, a chilling nod to the accelerating march of technology and the psychological lag it leaves behind. Think H.R. Giger meets Bill Sienkiewicz in a dystopian dreamscape.

  Today, the band unveils the first single, “Tethys Rising,” which was written by bassist Ferdy Belland. It is a triumphant, high-energy track inspired by the astronomy art of Chesley Bonestell and Belland’s own dream of setting foot on Saturn’s moon.

  The band comments:

  "This was the first complete song that Ferdy wrote for us. He’s big into astronomy, and he loves the retro sci-fi art of Chesley Bonestell, who illustrated this classic image of Saturn as viewed from the surface of its moon Tethys. So he comes up right out of the blue with this tune with all these busier-than-hell riffs. He was nervous at first about submitting his own stuff, since he wanted what he presented to us to be as strong as the songs Kevin and Daniel normally write, but we were encouraging, and “Tethys Rising” certainly matches up in power and quality to anything we’ve written. Ferdy wants to be the first human astronaut on Tethys, for real, but in the meantime, he can celebrate it in song."

  Watch and listen to “Tethys Rising” via its premiere on TheProgSpace HERE.

  Formed from a fusion of four seasoned musicians, Colin Righton, Daniel Airth, Kevin Thiessen, and Ferdy Belland, Phaeton was born from a hunch and a history. Righton had played with each member in separate bands and sensed that combining their talents would spark something extraordinary. Nearly a decade later, that spark has become a supernova.

  From Devin Townsend and Rush to Meshuggah and Gojira, Phaeton blends prog, tech-death, thrash, and djent into a kaleidoscope of sound.
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  Beyond "Neurogenesis", fans can look forward to the 22-minute epic “Clouds of Mercury” slated for release as a standalone EP in 2026, and the band’s fourth album “Quartum” expected in 2027. With new material already brewing, Phaeton shows no signs of slowing its cosmic ascent.

  "Neurogenesis" - album pre-order (out Oct 24th) - https://phaetonband.bandcamp.com/

  Spotify - https://open.spotify.com/artist/5F6RHipUtHpTXxrlABsHth​

  Track Listing:​
  1. Tethys Rising (6:25)
  2. Discontinuum (6:37)
  3. Isochron (4:12) ft. Derek Sherinian
  4. Synethesia (6:24)
  5. Arachnid (4:48)
  6. Augmented (4:37)
  7. Neurogenesis (6:16)
  Album Length: 39:19

  Band Lineup:​
  - Colin Righton: Drums & Percussion
  - Daniel Airth: Lead & Rhythm Guitars
  - Kevin Thiessen: Lead & Rhythm Guitars, Keyboards
  - Ferdy Belland: Electric Bass

  For more info: https://linktr.ee/phaetonofficial​

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• PsyDeathTechProg THE JUDGE THE JUROR's New Single “Heliconian Optivisor” Is Metal Alchemy At Its Finest

  Aug 15, 2025 Fistoffreedom 0 Comments

   

  Edmonton, Canada’s most electrifying new metal force, The Judge The Juror (TJTJ), has dropped their blistering new single, “Heliconian Optivisor,” the first taste of their upcoming conceptual EP, "Primitive Minds," set to release in early fall 2025. This marks the beginning of an ambitious trilogy of EPs that will unfold over the next eight months, each exploring the collapse of the human condition through the band’s self-forged genre: PSYDEATHTECHPROG.
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  A mesmerizing, fast-paced assault of sonic force, “Heliconian Optivisor” dives deep into the psychological tension of viewing the world through distorted lenses, red flags we fail to see until it’s too late. The track blends blistering tech-death precision with psychedelic synths and progressive structures, reflecting the band’s desire to find authentic community without compromising identity.

  “What happens when you realize that you may have been viewing parts of your life through a lens you didn’t create? This song speaks of our human desire to find community and belonging that doesn’t come at the cost of selling our souls to fit in. This sentiment has been an ongoing discussion for the band members, as we try to carve a new, unique, and niche sound. We don’t always know where we fit into the metal scene, but we know we want to be authentic and stay true to what we believe without compromising. This balancing creates a push and pull of emotions that the musical structure of the song builds on,” says David W Frontenac (Vocals/Synth/Programming).​

  ​Add to your Spotify Playlist - https://distrokid.com/hyperfollow/thejudgethejuror/heliconian-optivisor

  
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  The first of three conceptually linked EPs, "Primitive Minds" explores the paradox of modern humans trapped in ancient mental frameworks. Lyrically and musically, it’s a psychedelic futurist journey, equal parts brutal and introspective. TJTJ's release plans for the EPs will be Fall 2025 "Primitive Minds", early 2026 "Medieval Institutions", and mid-2026 "Godlike Technologies". Each release will build on the last, culminating in a sweeping narrative about societal collapse, technological alienation, and the search for meaning.

  In addition to unveiling the new single, The Judge The Juror will be hitting the road for an August tour in Alberta and BC with The Hallowed Catharsis & Plague Doctor. Catch them live for one of the most high-energy performances in Western Canada. Expect a barrage of increasingly weird and wonderful proggy tech-death.

  Tour Dates - The Judge The Juror w/ **The Hallowed Catharsis & Plague Doctor​
  Aug 21 - Kelowna, BC - Jackknife Brewing**
  Aug 22 - Kamloops, BC - Bridgeview Theatre** (UGEFEST)
  Aug 23 - Salmon Arm, BC - Solid Urban Studios**
  Aug 24 - Abbotsford, BC - Heavy Metal BBQ**
  Sept 13 - Red Deer, AB - The Vat
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  ​More info: https://linktr.ee/thejudgethejurorofficial

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• DEADWOOD Unleashes Horrifying Deathcore Video “Heretic” As Japan Tour Kicks Off!

  Apr 4, 2025 Fistoffreedom 0 Comments

   

  Montreal, Canada’s deathcore outfit Deadwood has unveiled their most harrowing work to date with “Heretic”, the lead single from their upcoming EP "Rituals of A Dying Light" slated for release later this year. The accompanying video plunges viewers into a nightmarish realm that perfectly complements the band's brutal, fast-paced sonic assault. The single's release coincides with Deadwood's upcoming Japan tour (dates listed below) alongside Humanity's Last Breath and DVRK, further cementing their place in the international extreme metal scene. The comment on the single and what the audience should expect:

  “This is the first song we’ve written for the next EP and one of the ones we’re most proud of: it’s fast, heavy, and technical. We are a very intense show with a very percussive and tight guitar sound. We have a lot of samples between the songs to create a horror movie atmosphere. The fans go back home with a slap in the face. Heretic represents our darkest material yet.”

  The Montreal-based collective, known for its mission to ‘Make Deathcore Angry Again,’ draws inspiration from centuries-old horror stories and myths. The track delivers the uncompromising heaviness and terrifying atmosphere that have become Deadwood's signature since its 2020 formation. The band's unique blend of death metal and hardcore elements reaches new heights of intensity with this release, promising an unforgettable auditory experience for fans who crave pure brutality.

  Following their Japan tour, Deadwood will continue building momentum with performances across several U.S. cities this summer, including a spot at the prestigious Inkarceration Festival in Mansfield, Ohio. They are recommended for fans of Whitechapel, Despised Icon, and Meshuggah.

  Watch and listen to the music video for "Heretic" via Slam Worldwide at https://youtu.be/qd3b7p4zTug

  [embed]https://youtu.be/qd3b7p4zTug[/embed]

  ​Spotify - https://spoti.fi/41ZoUpS​

  [embed]https://open.spotify.com/track/2iUJ2YpijaTbxfsQslX6GU?si=d9192d6225814752&nd=1&dlsi=4012094fd3874dfa[/embed]

  Japan Tour - Humanity's Last Breath, DVRK, Deadwood
  ​April 12 - Tokyo, JP - Garret
  April 13 - Tokyo, JP - Cyclone
  April 14 - Nagoya, JP - Imaike 3Star
  April 15 - Osaka, JP - Socore Factory

  More info: https://linktr.ee/Deadwood.band​

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