Search Results: music

• Czech Modern Metal Force STELLVRIS Unleash New EP "Shatter and Bloom" and Music Video

  Nov 6, 2025 Fistoffreedom 0 Comments

  NEWS RELEASE

  Montreal, QC - November 6, 2025

  Streaming Now! Czech Modern Metal Force STELLVRIS Unleash New EP "Shatter and Bloom" and Music Video

  L-R - Libor Hřebík (Bass), Andreas Polášek (Guitar), Nicol Hofman (Vocals), Hanz Polášek (Drums)

  Photo Credit - Julia Ramm

  Czech modern metal upstarts STELLVRIS are set to unleash their highly anticipated new EP, "Shatter and Bloom," on Friday, November 7th. Ahead of its official release, the band is premiering both the EP and a powerful new music video for the title track, a showcase of their signature blend of crushing heaviness, soaring melodies, and raw emotion, exclusively via Decibel Magazine HERE.
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  Formed in 2019 after an impromptu jam session led to their first live show at Prague’s iconic Music Club Modrá Vopice, STELLVRIS have quickly carved out a reputation for their powerful, emotional, heavy, melodic, and modern sound. With "Shatter and Bloom," the band takes another bold step forward, pushing their sonic boundaries while staying true to the intensity that has fueled their rise.

  
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  Produced by Christoph Wieczorek at Sawdust Recordings, the five-track EP delivers a dynamic fusion of crushing breakdowns, electronic textures, and irresistibly catchy choruses. Lyrically, it dives headfirst into themes of destruction, rebirth, toxic relationships, and the struggles of modern life, all expressed with raw honesty. The journey begins with the title track “Shatter and Bloom,” a defiant anthem about tearing down what no longer serves and allowing something stronger to rise. “Silence After Violence” follows as a stark warning against the growing tide of aggression in society, even among the youngest generations. With “Monster,” the band turns inward, confronting the scars of toxic relationships while celebrating the strength it takes to break free. “Time’s Up” offers a sharp critique of living life solely online, disconnected from reality and responsibility. Closing the record is “Starships,” a heavy, metal-charged reimagining of Nicki Minaj’s pop hit, ending the EP on an explosive note of energy and fun.
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  ​“Shatter and Bloom is more than just a collection of songs; it’s about destroying what’s toxic and giving space for something new to grow. Every track reflects real struggles we’ve faced or witnessed, from toxic relationships to the rising aggression in society. We want fans to feel seen, empowered, and connected through this music. It’s heavy, it’s honest, and it’s meant to hit both the heart and the pit,” adds the band.

  
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  With "Shatter and Bloom," STELLVRIS continue their evolution, delivering a record that is as cathartic as it is crushing, a testament to resilience, transformation, and the unbreakable spirit of modern metal.

  Recommended for fans of Jinjer, Spiritbox, Holy Wars, Infected Rain, and I Prevail, "Shatter and Bloom" will be available on all digital platforms, along with Vinyl.

  Bandcamp (Vinyl, Digital) - https://stellvris.bandcamp.com/album/shatter-bloom

  Digital (Spotify, Apple Music) - https://linktr.ee/stellvris.band

  Track Listing:​
  1. Shatter and Bloom - 3:18
  2. Silence After Violence - 3:14
  3. Monster - 4:16
  4. Time’s Up - 3:32
  5. Starships (Nicki Minaj Cover)
  EP Length: 18:27
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  ​EP Credits:
  ​• All songs performed by: STELLVRIS
  • All songs written by: STELLVRIS
  • Produced by: Christoph Wieczorek of Sawdust Recordings
  • Mixed by: Christoph Wieczorek of Sawdust Recordings
  • Mastered by: Christoph Wieczorek of Sawdust Recordings
  • EP Artwork by: František Jelen
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  ​Band Line Up:
  ​Nicol Hofman (vocalist)
  Libor Hřebík (bassist)
  Andreas Polášek (guitarist)
  Hanz Polášek (drummer)

  More info: https://linktr.ee/stellvris.band

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• Avant-Garde Prog Doom LIMINAL SPIRIT's Haunting Album "Unwell"

  Oct 31, 2025 Fistoffreedom 0 Comments

   

  Milwaukee-based solo project Liminal Spirit, helmed by multi-instrumentalist Jerry Hauppa (also of Deorbit), has released its third EP, "Unwell," today, October 31st, ushering in a chilling new chapter of doom-laced, cinematic storytelling just in time for Halloween.
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  Described as “grandiose, cinematic, epic, heavy, unique,” "Unwell" deepens Liminal Spirit’s signature style of immersive “seance music,” conjuring a soundscape that channels spiritual unrest and psychological collapse. This latest release invites listeners into the unraveling consciousness of Phillip, an elderly man suffering from dementia and haunted by the ghosts of two children who accuse him of a long-forgotten crime. As Phillip’s reality fractures, the music mirrors his descent, growing more distorted, chaotic, and emotionally volatile with each track, culminating in a violent confrontation and a final plunge into damnation.

  The EP opens with “Admittance,” a deceptively serene, jazz-tinged piece that captures Phillip’s arrival at a nursing home, comforted by his son’s performance of “Welcome to My World.” The mood shifts in “Unwell,” where microtonal guitars and fragmented rhythms evoke Phillip’s disorientation and fading identity. “Visiting Day” introduces a sinister presence as ghostly figures confront him with accusations, setting a countdown to judgment. The chaos peaks in “EOLC,” a brutal and frenzied track where Phillip is tormented and killed by the spirits. The closing piece, “A Better Place,” drags the listener into a bleak purgatory, with chromatic descents and oppressive textures that echo Phillip’s fall into hell. Together, these tracks form a tightly woven narrative of psychological horror and spiritual reckoning.
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  Three of the five tracks feature microtonal guitar work, lending an alien, foreboding atmosphere that enhances the EP’s psychological horror. Hauppa’s writing process begins with a thematic concept and unfolds as a unified narrative, with lyrics drawn from the characters’ spoken words. The music and story are inseparable, each amplifying the other’s emotional weight.
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  ​“My goal with this record is to explore ideas that represent some of my greatest fears. Having worked in nursing homes, I know how miserable they can be. The thought of losing my faculties and facing spiritual judgment terrifies me, and that’s what Unwell is about,” says Hauppa.
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  ​Liminal Spirit is a progressive doom/avant-garde metal project known for its ritualistic, story-driven compositions. Influenced by artists like Skepticism, Anata, My Bloody Valentine, Jesu, and Confessor, Hauppa’s sound defies easy categorization, blending old-school death metal with psychedelic electronic textures.
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  ​"Unwell" is available now on all major streaming platforms.

  Add to your Spotify Playlist - https://distrokid.com/hyperfollow/liminalspirit2/unwell

  Digital Download - https://liminalspirit.bandcamp.com/

  More Info:​
  ​https://www.facebook.com/people/Liminal-Spirit/61575618106702/​
  ​https://www.instagram.com/liminal_spirit_mke

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• DEADWOOD Unleashes “Tales of Massacre”, A Brutal Glimpse Into Upcoming EP "Rituals of a Dying Light" (Innerstrength Records)

  Oct 29, 2025 Fistoffreedom 0 Comments

   

   

  Canadian deathcore juggernaut Deadwood has dropped their latest single, “Tales of Massacre”, a blistering and terrifying track inspired by the Salem witch trials. The song is the second single from their upcoming concept EP, "Rituals of a Dying Light," set to release on January 6, 2026, via Innerstrength Records.

  Formed in 2020 with the mission to “Make Deathcore Angry Again,” Deadwood has carved a reputation for delivering music that’s angry, aggressive, dark, heavy, and intense. Their latest offering is no exception; “Tales of Massacre” blends brutal technicality with eerie atmosphere, pushing the boundaries of modern deathcore while staying true to the genre’s roots.
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  ​Deadwood’s forthcoming EP, "Rituals of a Dying Light," plunges listeners into a concept-driven nightmare, where each track draws from real-life horrors and urban legends. From tales of demonic possession to infamous historical crimes, the band channels the macabre through punishing riffs and eerie lyricism. The EP features chilling narratives like “Heretic,” a brooding account of a nun overtaken by darkness, layered with piercing solos that cut through the gloom. “Thirst for Blood” delivers a vampiric frenzy, blending punk-tinged rhythms with a dangerously infectious chorus. “Whisper of Death” slows the tempo for a sinister dive into the psyche of Jack the Ripper, while “Echoes of the Fallen” closes the record with a haunting instrumental drenched in lead guitar and ominous atmosphere. Marking a new chapter in Deadwood’s evolution, the EP introduces solos and melodic leads for the first time—adding depth without sacrificing the band’s trademark aggression.

  “We wanted this release to be scarier, heavier, and more extreme,” says founding member Fred Element

  Deadwood’s lineup includes veterans of the Quebec metal scene, Fred Element (ex-Plasma Riffle, ex-Ion Dissonance), Stephane Filion (ex-Nova Spei), and Charles-Etienne Lafrance (Discovery Through Torment, ex-Dismayed).​
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  Their writing process is collaborative, with each member adding their own flavor to Fred’s initial compositions. Lyrics are crafted to match the music’s atmosphere, drawing inspiration from horror, real-life tragedies, and the darker aspects of existence.
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  ​Deadwood’s live performances are known for their chaotic, horror-infused energy. Their stage presence is designed to evoke terror — not just a band playing music, but a visual and sonic assault.

  “We don’t do small talk or funny vibes. We want to scare you. We want you to feel uneasy,” the band explains.
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  Having toured Japan and the U.S., including a standout performance at Inkarceration Festival, Deadwood is now preparing to conquer Europe in 2026. Their relentless drive and commitment to intensity have earned them spots alongside acts like Humanity’s Last Breath, Born of Osiris, and Traitors.
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  With “Tales of Massacre” setting the tone, Deadwood promises more music is already on the way.

  “We chose five tracks that share the same dark atmosphere. But we’re not done yet, fans can expect a lot from us, sooner than you think,” adds the band.
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  For fans of Meshuggah, Whitechapel, Despised Icon, All Shall Perish, and Behemoth, Deadwood is a must-listen. Their sound is a terrifying blend of death metal and hardcore, crafted for those who crave pure brutality.
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  ​"Rituals of a Dying Light" drops January 6, 2026, via Innerstrength Records.

  Add to your Spotify playlist - https://hypeddit.com/deadwood/talesofmassacre-1

  More info: https://linktr.ee/Deadwood.band | https://innerstrengthrecords.com/

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• IMPERATORE Unveils First Single “Be A Man” From New Album "The Lionspirit" Out Dec 2025

  Oct 29, 2025 Fistoffreedom 0 Comments

   

  Australian rock visionaries IMPERATORE return with the first single “Be A Man”, taken from their upcoming album "The Lionspirit", due out on December 19th, 2025, via Rockshots Records. The song is released together with its official music video, introducing the core concept behind the album - a call to courage, resiliency, and self-mastery.

  Blending heavy rock, progressive metal, and operatic grandeur, “Be A Man” stands as a powerful anthem of inner rebirth. Driven by amazing vocals, cinematic orchestrations, and uplifting melodies, the track embodies Imperatore’s distinctive sound - emotional, epic, and deeply reflective. Its lyrics invite listeners to confront fear, embrace authenticity, and rediscover the strength within, echoing the Stoic philosophy that inspired the entire record.

  Founder Zoran Cunjack explains:

  “Be A Man is about facing your inner fears and reclaiming your strength. True courage isn’t found in the world outside but in mastering your own mind and spirit. It’s a song about standing tall - not just as a man but as a human being who refuses to give up.”

  “Be A Man” marks the beginning of Imperatore’s next chapter - a blend of cinematic power and operatic emotion that defines the band’s evolving sound. Produced by Zoran Cunjack, recorded and mixed by Rodion Farafontov, and mastered by Simon Jovanovic, the track sets the tone for what promises to be Imperatore’s most ambitious work to date.

  For fans of Nightwish, Kamelot, Symphony X, Powerwolf, and Queen.

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  ​DIGITAL: http://lnk.to/Jh87DW89

  New album “The Lionspirit” out December 19th, 2025

  PRE ORDER - https://rockshots.eu/products/imperatore-the-lionspirit-cd

  More info: ​
  ​​https://www.rockshots.eu

  Facebook: https://www.facebook.com/imperatoreband​
  ​Instagram: https://www.instagram.com/imperatoreband

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• JULIET RUIN Unleashes A Fierce Fusion of Vulnerability and Power w/ New EP "Regime" + Alberta Tour Dates

  Oct 24, 2025 Fistoffreedom 0 Comments

   

  Edmonton, AB, Canada's Juliet Ruin returns with their most emotionally raw and sonically ambitious release to date: the "Regime" EP, now available on all major streaming platforms. To celebrate, the band is hitting the road with a series of EP release shows across Alberta (listed below), bringing their signature blend of chunky riffs, soaring melodies, and studio-tight vocals to fans across the province.
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  ​“Regime” marks a new chapter for Juliet Ruin. Formed in 2015 from the ashes of Fiction of Fate, the band has spent the last decade refining its sound, a genre-fluid fusion of groove, metalcore, and pop sensibility that’s as powerful as it is vulnerable. With five tracks that range from introspective to explosive, "Regime" dives deep into mental health, personal growth, and social reflection.

  
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  From the eerie introspection of “Poems By a Poltergeist” to the title track’s blazing demand for empathy and justice, the EP masterfully fuses crushing breakdowns with infectious pop sensibilities. Jess Fleming delivers her most emotionally exposed performance to date, pulling lyrics directly from her personal journals and infusing each scream and melody with unfiltered intensity. Standout tracks include “Reactance Theory,” a sharp dive into resistance and impulse shaped by social psychology; “Chrysalis,” a symbolic passage through depression and personal rebirth; “The Art of Being Wise,” a tender goodbye to fractured relationships; and “Regime,” the EP’s most sonically aggressive piece, a fervent call for compassion in a fractured world.

  “The Regime EP came together from our collective frustrations and personal struggles over the past few years. It challenged us creatively and emotionally, and we’re proud of the balance we struck between heaviness and vulnerability. Some tracks are heavier than we imagined, some more pop-like than expected, but all of it is authentically Juliet Ruin,” adds the band.

  
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  The EP’s cover, designed by longtime collaborator Feen Murray, features abstract skulls and hearts, symbolizing the tension between emotionality and overthinking. It’s a visual reflection of the EP’s lyrical depth and sonic duality.
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  ​Juliet Ruin will be performing a series of EP release shows across Alberta, joined by fill-in bassist Dale Myroniuk (Dahlmers Realm, Breaking the Silent). Known for their high-energy performances and tight vocal execution, the band promises a live experience that’s as intense as the studio recordings.

  EP Release Show Dates:​
  Oct 25 - Edmonton, AB - Dive Bar
  Nov 1 - Medicine Hat, AB - Mainliner Pub
  Nov 7 - Lloydminster, AB - Cheers Live
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  ​"Regime" is available on Spotify, Apple Music, Bandcamp, and all major platforms.

  Bandcamp - https://julietruin.bandcamp.com/

  Spotify - https://open.spotify.com/album/0LzQEj2OzZFCGRQnXBlY7q

  More info:

  https://www.facebook.com/julietruinband

  https://www.instagram.com/julietruin

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