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  • BROCARDE Unveils “Feed My Soul” ft. KORN’s Ray Luzier – A Haunting Dive into Theatrical Horror Metal

     

    Known for her haunting vocals, theatrical visuals, and ghostly whispers, Brocarde returns with her next sonic séance, blurring the line between the living and the dead. A gothic siren of symphonic metal and supernatural storytelling, her most visceral offering yet, “Feed My Soul,” is a thunderous single featuring the legendary Ray Luzier of KORN on drums.

    “I love Brocarde’s very unique vocal style and vibe. She has mass aggression to sweetness and everything in between in her voice! The very interesting song arrangements and theatrical segments make the whole package a dynamic, fun adventure to listen to. I see great things ahead for her!” says Ray Luzier.

    The track was recorded remotely across three cities: Brocarde in London, Luzier in Nashville, and producer Chris Collier (Korn, Mick Mars, Whitesnake) in Las Vegas. Though the trio never met during the recording process, fate intervened at Wacken Open Air, where Brocarde bumped into Luzier in the canteen.

    “Watching Ray perform with Korn side stage was a powerful reminder of what I’m fighting for. That’s the level I want to reach,” adds Brocarde.

    The “Feed My Soul” music video was shot in a haunted hunting lodge deep within Germany’s Black Forest, ominously known as The Demon Hotel. The setting mirrors Brocarde’s signature theatrical horror aesthetic, equal parts Phantom of the Opera and Edgar Allan Poe nightmare. From hushed whispers to guttural screams, she commands every moment with chilling precision, layering her vocals like a spectral choir and saturating each frame with raw emotion. The walls, adorned with taxidermy heads frozen in terror, serve as eerie spectators to the song’s themes of toxic entanglement and psychological warfare. Ray Luzier’s thunderous drumming injects a primal pulse, anchoring Brocarde’s ethereal delivery in a maelstrom of cinematic intensity.

    "Feed My Soul is more than a song; it’s a spiritual experience. I wrote it alone in the dark, channeling voices from beyond and emotions I couldn’t explain. It’s about craving connection in a world that feels increasingly disconnected. I want listeners to question everything they see as normal,” adds Brocarde.

    The single offers a glimpse into Brocarde’s long-awaited debut album, set for release in 2026, a decade in the making. While details remain under wraps, fans can expect a musical journey that’s as emotionally raw as it is visually spellbinding.

    Brocarde’s rise has been anything but ordinary. From marrying (and exorcising) a Victorian ghost named Edwardo, to conducting paranormal investigations at Download Festival and Wacken Open Air, she’s carved a niche as rock’s most fearless medium. Her column “Terrifying Travels” in The Daily Star chronicles her encounters with the dead, while her website Brocarde.com documents her haunted adventures around the globe.

    With “Feed My Soul,” Brocarde invites fans to step into her world, a place where music, magic, and madness collide.

    Add to your Spotify Playlist - https://open.spotify.com/track/5fhv0p8TA2moaZztoFoFPE

    More info:

    https://brocarde.com/

    http://instagram.com/brocarde/

    https://www.facebook.com/brocarde/

    http://youtube.com/@thebrocardeshow

    https://x.com/thebrocardeshow

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  • ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup - The Okanagan’s Ultimate Mountain Mosh Pit Returns

     

    Following a landmark celebration of 15 years of extreme metal in British Columbia’s Okanagan Valley, marked by record-breaking attendance and its most triumphant edition yet, ARMSTRONG METALFEST is officially set to return in 2026 on July 17th and 18th at the Hassen Arena, for two days of moshing, headbanging, and camping.

    Armstrong MetalFest’s 15th year of mountain moshing roared to life with a powerhouse 2025 lineup featuring BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM, and many more heavy hitters from across Canada and beyond. On July 11th and 12th, the town of Armstrong, BC, was transformed into a metal haven, complete with Yeti Games, the Metal Madness Market, and the chaos of Thrash Wrestling.

    Check out the Armstrong MetalFest 2025 Spotify playlist - https://spoti.fi/4i4u2OV

    Armstrong MetalFest has also released a promotional video that traces its journey from humble beginnings to becoming one of Canada’s premier metal festivals in British Columbia. Watch the full recap below.

    Band submissions for the 2026 edition of Armstrong MetalFest will be open from October 1st to 15th, inviting artists to become part of the next chapter in the festival’s legendary legacy.

    Interested bands can apply through the official portal: https://armstrongmetalfest.ca/band-submissions/

    "To close the night and the weekend, Born of Osiris delivered a high-octane headline set that tore the roof off. It was the perfect finale to an unforgettable weekend. When the last note rang out, it hit us — AMF 2025 was coming to a close. There's always that bittersweet feeling as you start packing up. But that's the beauty of this festival: it stays with you long after the amps cool down. Every year, Armstrong Metalfest brings together a community that truly loves heavy music. It's not just about bands and beer — it's about belonging. The friends you make, the moments you live, the memories that stick — they're why we keep coming back. If you've never been to AMF, consider this your sign. It's more than a music festival—it's a metal rite of passage. Once you go, it gets into your blood. We're already counting the days until the next one." - Stan Schinners of Broken Neck Radio / Absolute Underground Magazine (Live Review AMF 2025)

    Tickets for AMF 2026 will be announced at a later date, granting general admission and access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 17, 2026, until 10:00 AM on Sunday, July 18, 2026. Free camping is included.

    Please Note: Camping - RV / Non-Hookup RV / Vehicle Passes: Make sure to reserve your vehicle spot to get the best location on the grounds. A fee is required for a weekend pass per vehicle in addition to your day or weekend pass. RV hookups include water and power. If you choose to park your vehicle outside the camping area in the main parking lot, then a vehicle pass is not required.

    About:

    Since its inception in 2009 (with a brief hiatus in 2020 and 2021 due to the COVID-19 pandemic), West Metal Entertainment and Armstrong MetalFest have championed hundreds of local bands while welcoming renowned international acts to the quiet town of Armstrong, British Columbia.

    Every year, metalheads from across Canada and the U.S. converge on the scenic Okanagan Valley for three days of camping and two days packed with heavy metal mayhem. Under the blazing summer sun, fans revel in live performances, wrestling spectacles, scavenger hunts, and reconnecting with their extended metal family.

    Armstrong MetalFest has hosted legendary headliners like Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, Warbringer, Fallujah, Striker, and Beyond Creation, alongside rising stars from across North America. And when the final riff fades, the festival vanishes without a trace, leaving the landscape as untouched as it was before.

    West Metal Entertainment, a non-profit society, not only produces Armstrong MetalFest annually but also supports the regional music scene by organizing performances at various venues, including all-ages shows, to inspire musical passion in both youth and adults.

    For more info:
    http://www.armstrongmetalfest.ca/

    https://www.facebook.com/armstrongmetalfest/

    https://www.instagram.com/armstrongmetalfest/

    ​https://x.com/amfcanada

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  • HELLFOX Release Official Video for “Water On The Ceiling”

     

    Italian all-female metal band HELLFOX have unveiled the brand new official video for Water On The Ceiling, one of the standout tracks from their latest album "The Spectrum Of Human Gravity", released last June 6th, 2025 via Rockshots Records.

    A song born from the suffocating sensation of insomnia, Water On The Ceiling captures the eerie stillness of endless nights when eyes remain wide open as reality blurs into a waking dream. The track blends haunting melodies, distorted synths and Hellfox’s trademark dual female vocals to convey the claustrophobic feeling of staring at a ceiling that turns into water—suffocating, oppressive and inescapable.

    The video adds a new visual dimension to the song’s atmosphere, portraying the emotional weight of sleeplessness and the surreal imagery that inspired the lyrics. It represents yet another chapter in the band’s journey of exploring the depths of human emotion through music and imagery.

    "The Spectrum Of Human Gravity" has already gained recognition for its unique fusion of Nordic melodic death metal roots, pop-inspired clean vocals, and modern electronic textures. With singles like Seaweed Braids and AtlasHellfox set the stage for an album that confronts loneliness, mental struggles, and the search for identity without resorting to clichés. Water On The Ceiling continues this narrative, offering a vivid metaphor for psychological weight and restless nights.

    Recorded at Eden Studio by Alessio Lucatti and mixed/mastered by Simone Mularoni at Domination Studio, the album showcases the band’s fearless approach to songwriting and their growth since their 2022 debut.

    For fans of Amorphis, In Flames, and Dark TranquillityHellfox’s new video is not just a performance but a visceral dive into the emotions that define "The Spectrum Of Human Gravity".

    "The Spectrum Of Human Gravity" is now available on all digital platforms.
    Stream the album here: "The Spectrum Of Human Gravity"
    CD available via Rockshots Records here

    More info: https://www.rockshots.eu | https://www.instagram.com/hellfoxofficial | https://www.facebook.com/HellfoxOfficial

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  • “Poems By a Poltergeist” Materializes as Juliet Ruin’s Most Haunted Creation Yet

     

    Canadian modern metal band Juliet Ruin returns with their most vulnerable and sonically ambitious release to date: the five-track EP "Regime," their fourth studio offering, available this October 24th, 2025. Leading the charge is the haunting first single “Poems By a Poltergeist,” accompanied by a gripping lyric video (created by vocalist Jess Felming) that dives deep into themes of depersonalization, mental health, and emotional isolation.

    “This song came straight from the pages of Jess’ journal. It’s about feeling like a ghost in your own life, angry, disconnected, and searching for meaning,” the band shares.

    Formed in 2015, Edmonton, AB's Juliet Ruin has evolved into a genre-fluid powerhouse known for its chunky, groovy, pretty, powerful, and catchy sound. With influences ranging from Spiritbox and Jinjer to Alexisonfire, the band blends metalcore, pop, and progressive elements into a style that’s both emotionally raw and technically sharp.

    "Regime" is a sonic double-edged sword, balancing pop-infused vulnerability with bone-crushing breakdowns and the heaviest subject matter the band has ever tackled. From the introspective "Chrysalis" to the socially charged title track "Regime," each song is a collaborative effort shaped by personal experience and collective passion.

    “We wanted this EP to feel empowering but also understanding,” says vocalist Jess, whose scream vocals, honed during the COVID lockdown through YouTube tutorials and lucid dreaming, now anchor the band’s evolving sound.

    The album artwork, created by longtime collaborator Feen Murray, uses abstract imagery of skulls and hearts to reflect the tension between emotionality and overthinking, a visual metaphor for the EP’s lyrical core.

    "Regime" is more than just a record. It’s a statement. A safe space. A scream in the silence. And with “Poems By a Poltergeist,” Juliet Ruin invites listeners to confront their shadows and find strength in the echo.

    Add Single to your Spotify playlist (Sept 26th) - https://open.spotify.com/artist/54QrxuOJkvabZgah6SA4qv

    EP pre-order (out Oct 24th) - https://julietruin.bandcamp.com/

    Track Listing:
    1. Reactance Theory (4:03)
    2. Chrysalis (4:01)
    3. Poems By a Poltergeist (3:02)
    4. The Art of Being Wise (4:09)
    5. Regime (5:02)
    EP Length: 20:18​

    More info:

    https://www.facebook.com/julietruinband

    https://www.instagram.com/julietruin

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  • A Sonic Journey of Years Past with LITTLE KING's 8th Studio Album "Lente Viviente"

     

    After nearly three decades of pushing musical boundaries, Little King returns with their most ambitious and emotionally resonant release to date, "Lente Viviente," set for release on all major platforms on September 26th.

    Before the album officially drops, the trio has teamed up with V13.net for the full-stream premiere, which can be heard HERE.

    Described by frontman and songwriter Ryan Rosoff as “Musical DMT,” "Lente Viviente" is a seven-track suite of “micro-epics” that blend progressive rock, melodic hooks, and heavy riffs into a tightly woven tapestry of sound and sentiment.

    “A true listening experience should hit all the notes… sometimes contemplative, sometimes raging, but always engaged and honest. We feel like this record is the highlight of our 28 years of making music,” says Rosoff.



    With Dave Hamilton (bass, cello) and Tony Bojorquez (drums), and a fresh studio environment, Little King has elevated their sound to new heights. The result is a dynamic, melodic, progressive, heavy rock experience that’s both cerebral and heartfelt.

    From the first note to the last, "Lente Viviente" invites listeners on a short but mind-blowing journey. The album’s dynamic range and textured performances are designed to push and pull, offering music for both the head and the heart. Each track stands alone yet contributes to a larger narrative arc, one that explores themes of identity, aging, addiction, immigration, and the fragile balance between strength and vulnerability.



    Lyrically, the album draws inspiration from Rosoff’s work with LivingLens Memoirs, his video memoir production company. The title itself, Spanish for “Living Lens,” is a nod to the interplay between memory and presence, perception and truth. Songs like “Catch and Release,” “Who’s Illegal?” and “Kindness for Weakness” reflect Rosoff’s background in creative writing and his deep commitment to storytelling through sound.

    For the first time in Little King’s history, all three band members appear on the album cover. The artwork, centered around themes of reflection and perception, features a crown slightly off-center, a metaphor for the imperfect balance between artist and audience. As Rosoff puts it, “One is left to wonder what the world looks like from behind the band’s side of the lens… what do they see?”

    A lean, powerful record that demands repeat listens, Little King's "Lente Viviente" is recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and is available for pre-order/digital pre-save (out Sept 26th) at https://show.co/nI24kSK

    Track Listing:
    1. Catch and Release - 3:22
    2. Dawn Villa - 3:42
    3. Who’s Illegal? - 3:56
    4. Kindness for Weakness - 3:21
    5. Sweet Jessie James - 2:42
    6. Pass Through Filters - 4:50
    7. The Living Lens - 3:37
    Album Length: 25:34

    For more infoLittleKingtunes.com

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