Search Results: single

• MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland” - A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

  Oct 3, 2025 Fistoffreedom 0 Comments

   

  The mysterious solo endeavor known as Merfolk resurfaces with "Sundaland," a boundary-pushing album that fuses emotional intensity with mythic storytelling and sonic experimentation. Spearheaded by Patrick Loisel of AUGURY, a multi-instrumentalist, Native-descended artist, and former physics teacher, Merfolk is far more than a band. It’s a singular vision brought to life by one mind and many hands. Every step of the creative process, from composing and crafting instruments to engineering the sound and directing the visuals, is handled entirely by Loisel himself. No session players. No pre-recorded crutches. Just pure, unfiltered artistry.

  Merfolk channels the spirit of Emperor, Mayhem, Hollenthon, Mercyful Fate, and a trove of obscure '70s experimental sounds, forging a unique blend of post-black metal, classical instrumentation, and narrative-rich, sociological lyricism. The songwriting draws from ancient migratory myths and uncanny architectural echoes across the Pacific, all filtered through the artist’s wildly eclectic life, one that began with a childhood literature award and later included the care of over 300 tarantulas.
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  The newest offering, "Sundaland," is named after a submerged continent in Southeast Asia and explores the mythic aftermath of a prehistoric flood. From the haunting warnings of floating entrail-ghosts (Krasue) to the desperate offerings to misunderstood sea monsters, the album weaves a narrative that’s as unsettling as it is cinematic.
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  Musically, "Sundaland" is a leap from Merfolk’s earlier work "Demersal," trading whistling and early synths for miked classical instruments, violin, cello, double bass, and piano, played by the artist himself. The fretless bass was custom-built, and electronic drums were introduced for a cleaner yet still furious sound. The result? A sound described in five words: eclectic, psychedelic, spooky, unusual, furious.
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  The album’s flagship single, "Castaways," is a melancholic, ambient piece born from emotional turmoil. Its music video is a surreal spectacle of psychedelic practical effects, reminiscent of Kubrick’s 2001: A Space Odyssey. Filmed in near-total darkness with handmade puppets and props, some collapsing mid-shoot, the video captures the eerie beauty of survivors scavenging sunken ruins and encountering a newly revealed civilization.
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  Watch the full visual experience in "Castaways", where Merfolk’s DIY ethos and cinematic ambition collide.

  
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  Unveiled on May 26th, 2025, "Sundaland" by Merfolk transcends the boundaries of a traditional album; it's a plunge into a myth-soaked realm where metal meets mysticism. This sonic excavation unearths ancient lore and raw emotional terrain, offering a listening experience that’s as intense as it is unpredictable. For those drawn to the arcane and the avant-garde, Sundaland is a must. And for the fearless few ready to descend deeper, the abyss awaits.
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  ​"Sundaland" is available at https://artists.landr.com/990591564626​

  More info: https://www.melogy.ca/merfolk | https://www.facebook.com/profile.php?id=61553443841461

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• THE RETICENT's Fifth Studio Album "please" Explores The Struggles of Mental Illness; Unveil Music Video For Single "The Concealment”

  Oct 3, 2025 Fistoffreedom 0 Comments

   

   

  Generation Prog Records is proud to announce the release of “please,” the emotionally searing new album from progressive metal act The Reticent. Led by Grammy-nominated music educator and multi-instrumentalist Chris Hathcock, “please” is a concept album that plunges listeners into the harrowing realities of mental illness, suicide, and survival. The album will be available on November 13th, 2025.
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  The first single, “The Concealment (Those Who Don’t Want To Wake),” is accompanied by a haunting music video that captures the anguish of hiding one’s suffering in plain sight.

  “The Concealment could be thought of as the thesis statement of the new album. It tries to capture what it is to attempt to carry on with your life while struggling with the crushing weight of mental illness. At work, with family, at school, wherever, we have to don masks and pretend we are ‘just fine’ when inside we may wish to go to sleep and never wake up again. 1 in 4 adults will have a mental health crisis this year, and there are 1.5 million suicide attempts per year in this country. It’s all around us, yet most will not talk about it, most will not get help, and most will suffer in silence. We are not alone, yet we feel intensely lonely because of that disconnection. For me, I have to pretend to be someone else every day as a teacher - confident, smart, strong - whilst inside I often wish fervently for oblivion to end my near constant pain. When the despair and the grief and the hopelessness come, the isolation and hollowness of all things can rob life of any color. For those who know what it is like to live with these disorders, it is indeed lonely here,” says Hathcock.

  Featuring ten emotionally driven tracks, the album was written in just six months. Drums were recorded in a single day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a laryngeal injury so severe he couldn’t speak for six weeks. During the filming of “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, Canada, just six days later, concealing his injuries behind the band’s emotionally intense stagecraft.
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  ​“please” is also The Reticent's first album, engineered almost entirely by Hathcock at his Silent Muse Studio. Only the drums were tracked at The Basement Studios with longtime producer Jamie King (BTBAM, The Contortionist), who also took care of mixing and mastering for the record.
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  This fifth studio album includes subtle nods to clinical psychologist Kay Redfield Jamison, with lyrical references to her books “Night Falls Fast” and “An Unquiet Mind,” and samples of her voice appearing in “Discharge.”
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  Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as Hathcock’s solo outlet for personal trauma. Over time, it evolved into a full-fledged progressive metal force, known for concept albums like “On The Eve Of A Goodbye” and “The Oubliette.” Joined by guitarist James Nelson (Nospūn) and bassist Paul McBride (Voraath), The Reticent delivers live performances that are more performance art than concert, intensely immersive and emotionally devastating.
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  The band has performed at prestigious festivals, including ProgPower USA, where Metal Injection called their set “one of the most heart-wrenching performances in ProgPower history.”
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  For those who seek truth in music, The Reticent offers a mirror to the soul and a plea for understanding.

  Recommended for fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend.

  “please” will be available via Generation Prog Records on November 13, 2025. A sixth album is also complete, as it was recorded simultaneously with "please" and will follow for release in 2026.

  CD pre-order (North America) - https://thereticent.net/please-pre-order​

  CD pre-order (EU) - http://www.generation-prog.com/shop/​

  Digital Album pre-save - https://show.co/MoPdl8W​

  For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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• BROCARDE Unveils “Feed My Soul” ft. KORN’s Ray Luzier – A Haunting Dive into Theatrical Horror Metal

  Oct 1, 2025 Fistoffreedom 0 Comments

   

  Known for her haunting vocals, theatrical visuals, and ghostly whispers, Brocarde returns with her next sonic séance, blurring the line between the living and the dead. A gothic siren of symphonic metal and supernatural storytelling, her most visceral offering yet, “Feed My Soul,” is a thunderous single featuring the legendary Ray Luzier of KORN on drums.

  “I love Brocarde’s very unique vocal style and vibe. She has mass aggression to sweetness and everything in between in her voice! The very interesting song arrangements and theatrical segments make the whole package a dynamic, fun adventure to listen to. I see great things ahead for her!” says Ray Luzier.

  The track was recorded remotely across three cities: Brocarde in London, Luzier in Nashville, and producer Chris Collier (Korn, Mick Mars, Whitesnake) in Las Vegas. Though the trio never met during the recording process, fate intervened at Wacken Open Air, where Brocarde bumped into Luzier in the canteen.

  “Watching Ray perform with Korn side stage was a powerful reminder of what I’m fighting for. That’s the level I want to reach,” adds Brocarde.

  The “Feed My Soul” music video was shot in a haunted hunting lodge deep within Germany’s Black Forest, ominously known as The Demon Hotel. The setting mirrors Brocarde’s signature theatrical horror aesthetic, equal parts Phantom of the Opera and Edgar Allan Poe nightmare. From hushed whispers to guttural screams, she commands every moment with chilling precision, layering her vocals like a spectral choir and saturating each frame with raw emotion. The walls, adorned with taxidermy heads frozen in terror, serve as eerie spectators to the song’s themes of toxic entanglement and psychological warfare. Ray Luzier’s thunderous drumming injects a primal pulse, anchoring Brocarde’s ethereal delivery in a maelstrom of cinematic intensity.

  "Feed My Soul is more than a song; it’s a spiritual experience. I wrote it alone in the dark, channeling voices from beyond and emotions I couldn’t explain. It’s about craving connection in a world that feels increasingly disconnected. I want listeners to question everything they see as normal,” adds Brocarde.

  The single offers a glimpse into Brocarde’s long-awaited debut album, set for release in 2026, a decade in the making. While details remain under wraps, fans can expect a musical journey that’s as emotionally raw as it is visually spellbinding.

  Brocarde’s rise has been anything but ordinary. From marrying (and exorcising) a Victorian ghost named Edwardo, to conducting paranormal investigations at Download Festival and Wacken Open Air, she’s carved a niche as rock’s most fearless medium. Her column “Terrifying Travels” in The Daily Star chronicles her encounters with the dead, while her website Brocarde.com documents her haunted adventures around the globe.

  With “Feed My Soul,” Brocarde invites fans to step into her world, a place where music, magic, and madness collide.

  Add to your Spotify Playlist - https://open.spotify.com/track/5fhv0p8TA2moaZztoFoFPE

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  More info:

  ​https://brocarde.com/​

  ​http://instagram.com/brocarde/​

  ​https://www.facebook.com/brocarde/​

  ​http://youtube.com/@thebrocardeshow​

  ​https://x.com/thebrocardeshow

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• Fantasy Meets Prog - CEPHEIDAE VARIABLE “Carving a Dragon” Opens The Gates To Debut "Primordial Reverie" Out Nov 2025

  Sep 30, 2025 Fistoffreedom 0 Comments

   

  Cepheidae Variable, the one-man progressive metal project helmed by Kelowna, Canada, guitarist and composer Ryan Koepke, has officially unveiled its debut single, “Carving a Dragon,” accompanied by a playthrough video. The track serves as the first glimpse into Cepheidae Variable’s upcoming debut full-length instrumental album, "Primordial Reverie," set for release on November 7th, 2025.

  Originally conceived as a personal exploration of musical growth, Cepheidae Variable evolved into a deeply emotional and ambitious endeavour following Koepke’s father’s cancer diagnosis and the news of his own impending fatherhood.

  “I stopped waiting around and created something I’d be proud of. This album became a reflection of emotional turbulence, hope, and transformation,” shares Koepke.

  “Carving a Dragon” was the first track written for the album, and one of the most challenging. Inspired by Robin Hobb’s Assassin’s Quest, the song symbolizes pouring one’s soul into creation and marks the beginning of Koepke’s journey as a solo recording artist. With its energetic, uplifting fantasy feel, it stands in contrast to the moodier, sci-fi-themed tracks that follow.

  “There were many times during the writing process I considered scrapping this song. The result is something that has stuck with me and has a lot of meaning to not only myself, but also friends and family who supported me,” says Koepke.

  The album itself is a genre-defying instrumental narrative, weaving through symphonic fantasy, sci-fi textures, and progressive complexity. Koepke describes the sound as “spacey, weird, melodic, melancholic, happy,” and cites influences ranging from Dream Theater and Haken to Wintersun and Caligula’s Horse. Divided into three distinct acts, "Primordial Reverie" challenges listeners to experience the full arc of its story, with recurring motifs and evolving themes that reward repeat listens.

  The album artwork, created by renowned collage artist Alex Eckman-Lawn, evokes feelings of loneliness, wonder, and cosmic mystery, mirroring the tonal shift that occurs midway through the album.

  "I especially enjoyed this artwork because of the amount of interpretation it allows from the viewer. It was a heavy influence on the tonal shift this album undergoes." Koepke notes.

  With "Primordial Reverie," Koepke aims to release a new album every 2–4 years, continuing to push the boundaries of solo composition and progressive storytelling. Though currently instrumental, Cepheidae Variable may evolve into a collaborative or vocal project in the future.

  Recommended for listeners of Dream Theater, Haken, Intervals, Wintersun, and Caligula’s Horse, “Carving a Dragon” can be heard and watched via its playthrough premiere on TheProgSpace HERE.

  Add to your Spotify playlist - https://open.spotify.com/track/50cqqMHKWKJl9ahcdXY5xD​

  Digital Album pre-save (out Nov 7th) "Primordial Reverie" - https://distrokid.com/hyperfollow/cepheidaevariable/primordial-reverie​

  CD Album pre-order - https://cepheidaevariable.bandcamp.com/album/primordial-reverie​​

  Track Listing:​
  1. Overture (3:11)
  2. Carving a Dragon (4:04)
  3. The Waiting Storm (3:13)
  4. Zephyr of Ouroboros (9:15)
  5. Encounter (5:53)
  6. The Conduit (6:03)
  7. Chromatic Haven (5:11)
  8. Entropic Harvester (10:27)
  9. Singularity (11:32)
  Album Length: 58:53

  For more info: https://cepheidaevariable.com/

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• “Poems By a Poltergeist” Materializes as Juliet Ruin’s Most Haunted Creation Yet

  Sep 25, 2025 Fistoffreedom 0 Comments

   

  Canadian modern metal band Juliet Ruin returns with their most vulnerable and sonically ambitious release to date: the five-track EP "Regime," their fourth studio offering, available this October 24th, 2025. Leading the charge is the haunting first single “Poems By a Poltergeist,” accompanied by a gripping lyric video (created by vocalist Jess Felming) that dives deep into themes of depersonalization, mental health, and emotional isolation.
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  ​“This song came straight from the pages of Jess’ journal. It’s about feeling like a ghost in your own life, angry, disconnected, and searching for meaning,” the band shares.
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  Formed in 2015, Edmonton, AB's Juliet Ruin has evolved into a genre-fluid powerhouse known for its chunky, groovy, pretty, powerful, and catchy sound. With influences ranging from Spiritbox and Jinjer to Alexisonfire, the band blends metalcore, pop, and progressive elements into a style that’s both emotionally raw and technically sharp.
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  "Regime" is a sonic double-edged sword, balancing pop-infused vulnerability with bone-crushing breakdowns and the heaviest subject matter the band has ever tackled. From the introspective "Chrysalis" to the socially charged title track "Regime," each song is a collaborative effort shaped by personal experience and collective passion.
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  ​“We wanted this EP to feel empowering but also understanding,” says vocalist Jess, whose scream vocals, honed during the COVID lockdown through YouTube tutorials and lucid dreaming, now anchor the band’s evolving sound.
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  The album artwork, created by longtime collaborator Feen Murray, uses abstract imagery of skulls and hearts to reflect the tension between emotionality and overthinking, a visual metaphor for the EP’s lyrical core.

  "Regime" is more than just a record. It’s a statement. A safe space. A scream in the silence. And with “Poems By a Poltergeist,” Juliet Ruin invites listeners to confront their shadows and find strength in the echo.

  Add Single to your Spotify playlist (Sept 26th) - https://open.spotify.com/artist/54QrxuOJkvabZgah6SA4qv​
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  EP pre-order (out Oct 24th) - https://julietruin.bandcamp.com/​

  Track Listing:​
  1. Reactance Theory (4:03)
  2. Chrysalis (4:01)
  3. Poems By a Poltergeist (3:02)
  4. The Art of Being Wise (4:09)
  5. Regime (5:02)
  EP Length: 20:18​

  More info:

  ​https://www.facebook.com/julietruinband​

  ​https://www.instagram.com/julietruin

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