Search Results: single

• Out Nov 2025 Trois-Rivieres' OUTLYING’s New Album "Oblivisci" Explores Pain and Redemption; Streaming Single "November"

  Sep 23, 2025 Fistoffreedom 0 Comments

   

  After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, "Oblivisci," drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.
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  Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

  “We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.
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  ​"Oblivisci," Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

  “After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.
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  The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

  Add to your Spotify playlist - https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ​

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  ​OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.
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  Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.
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  Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.
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  Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

  “We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.
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  With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).
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  The album artwork for "Oblivisci" depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.
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  ​"Oblivisci" will be available on November 21st on all streaming platforms.

  Track Listing:
  ​1 - The Raven Is Gone - 5:27
  2 - Stigma - 3:49
  3 - Snow - 6:02
  4 - Streets Of Rats And Vultures - 4:47
  5 - Pitch-Black Serum - 4:36
  6 - November - 5:56
  7 - Sentinel - 5:43
  8 - Impaired - 5:32
  9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
  10- Dreamless Nights Part II: From Velvet Skies - 5:13
  11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
  Album Length: 55:49

  For more info:

  ​http://www.outlying.ca/​

  ​http://www.facebook.com/outlyingband​

  ​http://www.instagram.com/outlyingband/​

  ​https://www.tiktok.com/@outlying.band

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• HUMAN MISSILE CRISIS Slither New Single "Snake In The Grass" Ahead of Opening For PROPAGANDHI In Halifax Sept 23rd

  Sep 19, 2025 Fistoffreedom 0 Comments

   

   

  Human Missile Crisis is back with a vengeance. The Cape Breton-born, Dartmouth-based trio has just dropped their latest single, “Snake in the Grass,” the first track off their upcoming two-song EP "Waste Away." The release comes just days before the band opens for punk legends Propagandhi in Halifax, Nova Scotia, on September 23rd (ticket info), marking a major moment in their journey through Canada’s underground rock scene.
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  ​“Snake in the Grass” is a blistering, danceable anthem that blends fast, fun drums with slidey guitars and a bass solo bridge that’s as unexpected as it is beautiful. Lyrically, it’s a cautionary tale about betrayal and the kind of people who smile to your face while sharpening knives behind your back. Inspired by a surreal walk through a rattlesnake-infested vineyard in Osoyoos, BC, frontman DJ Vaters channels personal experience into a track that’s as cathartic as it is catchy.
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  ​“This one’s for anyone who’s ever been burned by someone they trusted. It’s upbeat, it’s raw, and it’s got a Bloc Party kind of vibe that we’re really excited to share,” says Vaters.
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  The single is part of "Waste Away," a two-track EP recorded live off the floor with Jamie Foulds, who engineered and mixed the record. The second track, “Mona Lisa,” will follow shortly and offers a more introspective look at the loneliness of night-shift life and the longing for connection. Together, the songs showcase the band’s evolution from heavy punk roots to a more nuanced garage rock/post-punk hybrid.
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  Known for their explosive live shows and deep camaraderie, Human Missile Crisis treats every gig like a house party with friends.

  “We don’t want fans, we want family. We want people to laugh, sing, and dance with us. That’s the whole point,” says drummer Matt MacIsaac.
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  With influences ranging from Idles and Fucked Up to The Hives and Television, Human Missile Crisis continues to carve out a sound that’s both familiar and fiercely their own. "Waste Away" is the follow-up to their 2023 debut album "Liquor Store Stories," and if “Snake in the Grass” is any indication, the band is only getting louder, sharper, and more honest.
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  Catch Human Missile Crisis live with Propagandhi on September 23rd in Halifax, and until then, crank “Snake in the Grass” and dance like nobody’s watching.

  Listen to "Snake in the Grass" at the following links:

  Spotify - https://distrokid.com/hyperfollow/humanmissilecrisis/snake-in-the-grass​

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  More info: https://linktr.ee/humanmissilecrisis

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• THE INTERROGATION Returns with “Wicked Happy” - A High-Energy Anthem of Awkwardness, Hope, and Defiance

  Sep 19, 2025 Fistoffreedom 0 Comments

   

   

  After five years of silence, Canadian pop punk outfit The Interrogation roars back with their electrifying new single “Wicked Happy”, marking the band’s first release since their 2020 debut EP "Posters On My Wall." Accompanied by a dynamic music video, the track is a bold declaration of phase two for the band, now a full lineup, playing live across British Columbia and gearing up for a wider Western Canadian tour.
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  ​“Wicked Happy is the first song we’ve released since the band turned from my solo project into a full band. It’s a springboard into everything we’ve become, high-energy, uplifting, and unapologetically real,” says frontman Thom Turner (ex-Freya, ex-Hawthorne Heights touring guitarist).
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  Originally conceived in the wake of personal tragedy, The Interrogation began as Turner’s solo project following the loss of his mother in 2018. What started as a cathartic songwriting outlet evolved into a full band with a mission: to turn awkwardness, grief, and isolation into connection, community, and catharsis.
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  ​“Wicked Happy” delivers exactly that. With punchy guitar riffs, call-and-response vocals between Turner and bassist Joel French (Vultures At Dawn), and a chorus built for gang vocals and mosh pits, the track channels the raw energy of the band’s live shows. Lyrically, it’s a rallying cry for anyone who’s ever felt like they didn’t fit, a message of defiance and self-discovery wrapped in a melodic, riff-driven package.

  Turner explains further:

  “It’s about never quite fitting in. About reaching beyond what others expect and growing into something stronger than anyone said you could be.”​
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  The single also marks French’s debut as a lead vocalist, a role he’s held since 2022. The accompanying music video captures the band’s signature live intensity, no backing tracks, no polish, just pure pop punk sincerity.
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  The artwork, created by drummer Sebastian Valdivia, sets the tone: a sun just out of focus, daring you to squint, stretch, and reach for the sky.
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  Fans of New Found Glory, Four Year Strong, Coheed and Cambria, and A Day To Remember will find plenty to love in The Interrogation’s sound, described as energetic, catchy, heavy riffs, guitar-driven, and even more in their story. With members hailing from New York, Saskatchewan, Vancouver, and Colombia, the band brings a rich tapestry of backgrounds and influences to their music.
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  With more singles planned for early 2026, "Wicked Happy" is just the beginning. For The Interrogation, the message is clear: awkwardness is power, and punk is for everyone.

  Add to your Spotify playlist - https://distrokid.com/hyperfollow/theinterrogation/wicked-happy​

  More info:

  ​https://www.facebook.com/theinterrogationband​

  ​https://www.instagram.com/theinterrogation/

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• Dark Tales of Redemption Await with IN VIRTUE's Music Video “Gunslingers of the New American Desert" From Upcoming Album "Age of Legends" Out Nov 2025

  Sep 19, 2025 Fistoffreedom 0 Comments

   

  L-R Bruno Valverde (drums), Jamie Hush (bass), Trey Xavier (guitar/vocals), Alex Nasla (keys), Rami Khalaf (guitar)

  Phot Credit: Felix Martin

  In Virtue, the Los Angeles genre-defying metal band known for emotionally raw storytelling and cinematic soundscapes, is proud to announce the release of their third studio album, "Age of Legends," arriving November 21st, 2025. Alongside the announcement, the band unveils their first single, “Gunslingers of the New American Desert,” accompanied by a gripping music video that sets the tone for the album’s dark, redemptive journey.

  “Gunslingers is by far the heaviest song in the In Virtue catalog. It really sets the mood for a dark and harrowing tale. It brings you along for the ride as the antihero of the story returns from his self-imposed damnation to the real world and starts breaking bad after seeing a world of opportunity open up. He once again sets aside his humanity to pursue power through violence and corruption in a lawless land. In the end, he comes face to face with the consequences of his lack of empathy, and finally truly comes to grips with how he’s trading his soul for something empty,” adds guitarist and vocalist Trey Xavier.

  Watch and listen to the music video for “Gunslingers of the New American Desert” via its premiere on Metal Injection HERE.

  Add To Your Spotify Playlist - https://orcd.co/invirtuegunslingers​

  Fronted by YouTuber and Gear Gods founder Trey Xavier (also featured on viral hit “Dread Machine”), In Virtue blends power, progressive, and melodic death metal. The third full-length took six years to complete after their producer ghosted the band with just 10% left to finish, forcing Xavier to finish vocals in his home studio. The final product is a full-bodied concept album, "Age of Legends", which follows a flawed protagonist inspired by the myth of Sisyphus. Through a narrative of self-forgiveness and existential reckoning, the 14-track album invites listeners to reflect on their own inner battles.

  "I think fans will be pleasantly surprised, because although it builds on our past releases, it’s really the ultimate form of the same beast. The casual listener will be able to enjoy all of it without clocking the story, but anyone who wants to go deeper will be rewarded with the dark journey of a deeply flawed character on a quest to forgive himself by asking the big questions, making mistakes, and doing the hard work. It’s an emotional deep dive, a rollercoaster of textures and colors, but a cohesive trip that doesn’t just feel like a series of disconnected singles. A true concept album, the kind you should turn your phone off and light a candle to listen to on your bed with headphones from start to finish. A relatable protagonist who seeks what we all seek, to love himself in spite of himself and his flaws, to know himself deeply, and to win his battle against crushing self-doubt," adds Trey Xavier - In Virtue.

  The album's artwork was created by former Dark Tranquillity guitarist Niklas Sundin and depicts Sisyphus breaking free from his eternal punishment, a visual metaphor for the record’s central theme of liberation and self-redemption.

  Recommended for fans of Soilwork, Amaranthe, Shinedown, Symphony X, and Bad Wolves, In Virtue's "Age of Legends" is available for pre-order / pre-save at https://orcd.co/agofle​
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  Track Listing:​
  1. Ascent Glorious (00:36)
  2. Sisyphus Awakening (4:55)
  3. Karma Loop (ft. Charlotte Wessels) (3:35)
  4. Push That Rock (2:46)
  5. Purgatory (4:39)
  6. Exposed (3:27)
  7. Scream (3:40)
  8. Where The Edges Meet (3:16)
  9. Gunslingers of the New American Desert (4:42)
  10. Desolation Throne (3:03)
  11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
  12. The River (2:24)
  13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
  14. Descent Limitless (1:22)
  Album Length: 50:40

  More info: Facebook.com/invirtue | Instagram.com//invirtue

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• STELLVRIS Unleashes Ferocious Single “Silence After Violence” from Upcoming EP "Shatter and Bloom" Out Nov 2025

  Sep 19, 2025 Fistoffreedom 0 Comments

   

  European (Prague, CZ) modern metal band Stellvris has dropped their latest single, “Silence After Violence,” a searing anthem from their upcoming EP "Shatter and Bloom," set to release on November 7. Produced by Christoph Wieczorek (Annisokay, Caskets) at Sawdust Recordings, the track delivers a visceral punch, confronting the rising aggression in society and channeling it into a cathartic, high-voltage experience.
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  “We see violence and frustration creeping into younger generations, and it’s terrifying. This song is a wake-up call — a cry for awareness and action,” says vocalist Nicol Hofman.
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  Founded in 2019, Stellvris has built a reputation for turning pain into power. Their music speaks directly to those battling anxiety, toxic relationships, bullying, and the weight of everyday struggles. With past releases "Upside Down" (2022) and "Persistence" (2023), the band carved out a sound that’s crushingly heavy yet hauntingly melodic, winning fans across Europe and the UK.
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  But Stellvris is more than just a band; they’re an experience. Known for electrifying live shows that include circle pits, walls of death, and stage dives, they’ve shared stages with Megadeth, Jinjer, The Ghost Inside, and more, and have lit up festivals like Summer Breeze, Brutal Assault, and Basinfirefest.
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  ​“Silence After Violence” is the fourth single from "Shatter and Bloom," a five-track EP that explores destruction, rebirth, and the emotional chaos of modern life. Each song is rooted in real stories, from the scars of toxic relationships to the emptiness of digital escapism, and crafted to empower listeners who need it most.
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  ​“Our lyrics come from personal experiences and stories our fans share with us. We want people to feel seen, heard, and stronger after listening,” Hofman explains.
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  Musically, Stellvris blends metalcore, nu-metal, pop, and electronic elements into a sound that’s as catchy as it is brutal, drawing in even non-metal listeners with melodic choruses and bone-crushing breakdowns. During the recording of the EP, the band even captured a viral studio moment when their guitarist used phone vibrations to create a unique sound, leading to the now-infamous “WAKE UP MOTHERF***ER” breakdown.
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  With "Shatter and Bloom," Stellvris continues to push boundaries, both musically and emotionally. The EP closes with a metal reimagining of Nicki Minaj’s “Starships,” proving that even amidst heavy themes, there’s room for joy, release, and celebration.
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  ​“It’s never just about the sound. It’s about creating a safe space where pain turns into resilience, and where the silence after violence is shattered by music,” says Hofman.

  Recommended for fans of Jinjer, Spiritbox, Holy Wars, Arch Enemy, and I Prevail, listen to "Silence After Violence" at the following links:

  Add to your Spotify playlist - https://open.spotify.com/track/2cnmO3deE3ZCcgfH3gCHZx

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  Previous Videos:

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  Track Listing:​
  1. Shatter and Bloom - 3:18
  2. Silence After Violence - 3:14
  3. Monster - 4:16
  4. Time’s Up - 3:32
  5. Starships (Nicki Minaj Cover)
  EP Length: 18:27

  More info: https://linktr.ee/stellvris.band

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