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Search Results: thrash

  • ANCIENT THRONES' New Concept Album "Melancholia" Plunges Listeners Into A Surreal Narrative

     

    Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, "Melancholia," on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.

    Described by the band as “the sound of existential exhaustion,” "Melancholia" is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.

    “This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.



    Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.

    “We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.



    "Melancholia" is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.

    Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.


    With "Melancholia" out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.​

    ​Album pre-order (Vinyl, Digital) - https://ancientthrones.bandcamp.com

    Track Listing:
    1. A Moon Fused Key (5:12)
    2. Achromatopsia (1:19)
    3. Melancholia (6:17)
    4. A Turning Point (5:46)
    5. A Pellucid Prism (4:26)
    6. Sacred Swollen Glass (6:16)
    7. Blight (2:18)
    8. A Pale Palace (4:55)
    9. Vacant (5:31)
    Album Length: 42:00

    Band Lineup:
    Dylan Wallace - Guitar
    Nick Leslie - Guitar
    Matt LeBlanc - Bass
    Sean Hickey - Drums & Vocals

    More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

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  • Breaking Out of "The Underground" KARNAGE THROUGH CROSSING Have A New Headbanger For You!

     

    Calgary, Alberta, gritty, melodic crossover metal Karnage Through Crossing (KTX) have announced the release of their searing new single “The Underground”, a powerhouse track from their forthcoming sophomore album, due to detonate in 2026. This follow‑up to their 2024 debut, "Shattered Chains", and 2025 single "Chosen Paths" marks the dawn of a heavier, more ambitious chapter in the KTX saga.

    Born from the ashes of Nova 1 and forged in the chaos of the pandemic years, KTX, led by founding songwriter Rhyse Tremel and drummer Ashton Lal, has evolved from determined survivors into a finely tuned machine of sonic mayhem. Their mission: to fuse the thunder and majesty of traditional heavy metal with the blistering edge of thrash, the weight of death metal, and the anthemic firepower of hard rock.

    “The Underground” embodies this ethos in full force. Lyrically rooted in a steampunk dystopia, it tells the tale of a slum‑born pit fighter rising to power and vengeance. Musically, it’s a battlefield of melodic euphoria, breakneck speed, and tension‑filled pauses that explode into unrelenting energy, a sound sharpened through months of rehearsal after their debut album hit the streets.

    “It was the second song written for the new record and the first we rehearsed after the debut. Those dramatic pauses, the tight finish, it just kept evolving until it became one of the most energizing songs we’ve ever played,” adds Tremel.



    On stage, KTX live their creed of going BIG. Think full-stack amps, custom‑built steel props wrapped in barbed wire and chrome, leather and ripped denim, massive drum kits, and the blazing strobes and fog of heavy metal’s golden age. Their storytelling blends dark fantasy, historical echoes, and unflinching empowerment, all delivered with the defiance and showmanship of their heroes: Death Angel, Megadeth, Iced Earth, Judas Priest, and Skull Fist.

    With "The Underground" now unleashed, KTX is setting the stage for their most cohesive, high‑voltage release yet. The 2026 album promises monumental leaps in skill, production, and scope, a true testament to the band’s evolution from raw underground contenders to commanding torchbearers of modern metal’s old‑school soul.

    ​Add to your Spotify Playlist - https://open.spotify.com/track/2bRwsJbi4sRRTwzNvpqy6X

    More info: Facebook.com/ktxmetal | Instagram.com/ktx_metal | Tiktok.com/@karnage.through.c | X.com/ktx_metal

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  • IN LIMINE Unleashes “Unfollow” ft. George Kollias (Nile): A Ferocious First Glimpse into Debut Album "Inveteratus"

     

    Italian extreme metal project IN LIMINE presents “Unfollow”, the long-awaited first single from the upcoming debut album "Inveteratus", set for release in October 2025. With its blend of circular, infectious riffs, ferocious grooves, and unexpectedly melodic vocals, “Unfollow” encapsulates the dynamic contrasts that define IN LIMINE’s sound, a dense, abrasive, and yet surprisingly accessible approach that draws from thrash, death metal, metalcore, and melancholic melodic passages.

    Led by multi-instrumentalist and composer Matteo Galimberti (ex-Cripple Bastards), IN LIMINE was conceived as a studio project driven by deep personal expression and conceptual depth. “Unfollow” introduces listeners to a dystopian world in decline, echoing the broader themes of "Inveteratus" - a term that once meant endurance but now suggests a hardened, irredeemable state. Through its lyrics and sound, the song reflects on moral decay and the loss of critical awareness in a hyper-connected society addicted to conformity and consumerism.

    Featuring throughout the entire albumGeorge Kollias (Nile) delivers blistering yet nuanced drumming that pushes each track far beyond genre conventions, while Laur Lindmäe (Pridian) brings a gripping vocal performance whose wide range adds contrast and emotional impact.

    Recorded across multiple sessions between 2022 and 2024, "Inveteratus" was produced with meticulous attention to detail. All guitars and bass were recorded by Matteo Galimberti and later reamped at Domination Studio by Simone Mularoni, who also handled the mixing and mastering in July 2024. The result is a finely balanced sonic landscape: raw yet articulate, violent yet conceptually refined.

    Thematically, the album explores the cyclical nature of time, transformation, and cultural decline through a symbolic and visual lens. From Greek deities like Kairòs and Kronos to fractured sundials and crumbling clocks, every element - both sonic and visual - contributes to a broader meditation on time, change, and the failure to evolve.

    IN LIMINE’s debut is as thoughtful as it is visceral — a work for fans who seek more than just sonic aggression. For admirers of Death, Slayer, Morbid Angel, and Lamb of God, “Unfollow” is a compelling introduction to a band that refuses to follow trends and instead crafts its threshold.

    Digital Single (Add to your Spotify Playlist) - https://lnk.to/sC5zov​

    Visualizer - https://www.instagram.com/reel/DNVL-dji8Yj/​

    "Inveteratus" will be released worldwide on October 24th, 2025
    ALBUM PRE-ORDERhttps://rockshots.eu/products/in-limine-inveteratus-cd

    Track Listing:
    1. Soldier Child
    2. Same Language Babilonia
    3. Misleading
    4. Instinction
    5. Echoing To Nothing (Instrumental)
    6. Ruins Of Flesh
    7. Psychic Frame Subsidence
    8. Silence Completion
    9. A Veil, A Shield (Instrumental)
    10. Unfollow
    11. Misoneism

    In Limine Line Up:
    Matteo Galimberti: Rhythm, Lead, and Acoustic Guitars
    George Kollias: Drums and Percussion (session member)
    Laur Lindmäe: Vocals (session member)

    More info: 
    https://www.rockshots.eu

    FOLLOW:
    Instagram: https://www.instagram.com/inlimine_band

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  • THIRTEEN GOATS' New Music Video Invites Fans To Their "Animal Kingdom" Ahead of Festival Blitz at Loud As Hell, Mosh Rock, Party in the Park

     

     

    Set to kick off their festival blitz with their first performance on August 3rd at Loud As Hell Open Air in Drumheller, AB alongside Revocation, Insurrection, Gorepig, Cyborg Octopus, Squidhammer, Beguiler, and lots more, Vancouver’s genre-bending metal juggernaut Thirteen Goats is welcoming fans to enter their "Animal Kingdom" with their latest music video featuring guest vocals from Carly Ellen Jones.

    The closing track from the band's latest album, "Capricorn Rising" (released in July 2024 via Exitus Stratagem Records), "Animal Kingdom" is the biggest musical risk that the band has taken yet. It starts out with an unsettling pattern of clean, arpeggiated chords, before a wall of cascading guitar melodies and haunting clean vocals crash in for the verses.

    From there, ominous grooves and wailing leads build up to a cathartic duet between Jones and lead singer Graham K. Miles, which shifts into a ferociously heavy climax and an angular final riff that terminates in a single bass note reminiscent of an atomic bomb going off. Not only is it a fitting conclusion to the record, but it’s a sign of how the band’s sound will likely continue to evolve on future releases.

    The music video shows the band members performing a summoning ritual that ends with them falling under the spell of the demon they conjured (played by Jones). 

    “It's classic be-careful-what-you-wish-for stuff,” says Miles. “In that sense, it’s thematically true to the subject matter of the song, which is a warning about the seductive appeal of extremist movements and the consequences of becoming radicalized.”

    Miles, who also directed the video, said he was heavily inspired by the works of filmmaker David Lynch, who passed away in early 2025. “His art was fantastical and surreal,” Miles says, “but it was always about real and contemporary issues under the surface. We’re aiming in the same direction with this video and this record.”

    Watch and listen to "Animal Kingdom" (feat. Carly Ellen Jones) via its premiere on Bravewords HERE. ​

    In addition to performing this week at Loud As Hell Open Air, Thirteen Goats will also be in Sooke, BC on August 10th at MOSH THE ROCK ​and Fort McMurray, AB on Sept 13th for the 3rd edition of Party in the Park.

    Show Dates:
    Aug 3 - Loud As Hell Open Air – Drumheller, AB - https://loudashell.ca/
    Aug 10 - MOSH THE ROCK – Sooke, BC - https://www.facebook.com/events/1932051257598357
    Sept 13 - Party in the Park 3 – Fort McMurray, AB - https://lnk.bio/partyintheparkfestYMM

    In additional news, Thirteen Goats have also been nominated by the Western Canadian Music Awards (
    https://breakoutwest.ca/awards) for Metal & Hard Music Artist of the Year alongside Anciients, Torrefy, Art of Attrition, and Holy Void.

    Known for their punishing live shows, razor-sharp riffs, and tongue-in-cheek lyrical savagery, Thirteen Goats have carved out a unique niche by fusing numerous metal subgenres and delivering the results with a theatrical twist. The quartet unleashed their sophomore LP "Capricorn Rising" in July 2024 via Exitus Stratagem Records. The concept album tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed.

    Each song on the record is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. This storytelling approach takes listeners on a journey through the darkest aspects of both human and animal nature across nine tracks that combine elements of death metal, thrash, and groove.

    Listeners should expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

    Released on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising

    Spotifyhttps://open.spotify.com/album/1CtYBA9YJZoykWkMwdP1wO

    More info: Exsrmusic.com | ThirteenGoats.com

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  • New York Thrash QUEMASANTOS Channels Loss From Cancer Into Lyrical Fury with “Burning the Black”

     

     

    New York thrash QUEMASANTOS is turning up the heat with their scorching new lyric video 'Burning the Black', a vision accumulated through time turned into a metal track that was born from grief, rage, and love. It emerged from the pain of witnessing cancer’s devastating impact.

    "In the past, vocalist Nelson Diaz has always come up with the concepts for the music they’ve been writing. This time, I asked him to work under my concept, which was based on what I was experiencing at the time (which was during the time before my wife’s passing). He kindly agreed to do it, and I’m just happy with the way he performed and used all the material I gave him. He’s a true friend and a master of metal interpretation. I love him," adds Ignacio Orellana (Bass/Guitars/Drums).

    'Burning the Black' is an analogy to the process of receiving chemotherapy, which burns the cancer cells in the body. The concept for the track came to Ignacio Orellana while watching his wife fight cancer for six years, which tragically ended with her dramatic death. The lyrics are narrated from the perspective of death, constantly reminding you that it will take you and that no matter what you do, it’s inevitable. The music encapsulates the life cycle of a person, beginning with the gradual and transformative changes life brings and concluding in a manner reminiscent of its inception.

    "On a personal note, this has been a brutal and devastating time, as well as strange to lose my life partner of 31 years. It still feels unreal. This song is essentially what I can translate from the experience of being there next to her and witnessing her decline from good to bad. I genuinely hope that people can understand it the way I’m trying to convey it. I loved my wife, and she will always be with me," says Orellana.

    Quemasantos is Nelson Diaz (singer and concepts) & Ignacio Orellana (bass/guitar/drums).

    The guest musician for this track was Felipe Roa, the lead guitarist for metal bands Acaro and Shadows Fall (touring member). With extensive studio recording and touring experience, Roa has also owned and operated Boston Guitar Tech, providing professional services such as guitar setups, fretwork, electronics, and online and in-person lessons.

    Vocal tracks recorded at Studios Ultrasonico, Santiago, Chile.
    Felipe Roa's tracks were recorded at his studio.
    Mixed and mastered at Oily Sound Studios in New York City by Ignacio Orellana.

    More info:

    https://quemasantos.com

    http://quemasantos.bandcamp.com

    http://instagram.com/quemasantos1

    http://www.facebook.com/quemasantos

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