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  • LAVISHER interview

    Chicago-based rock outfit LAVISHER returns with Aligned & Vital, a record that moves confidently between heaviness and introspection, distortion and restraint. Drawing from a broad emotional palette-grief, recovery, frustration, and release-the album places songwriting first, allowing each track to develop its own identity rather than serve a single rigid narrative. With roots touching grunge, space rock, and atmospheric heavy music, Aligned & Vital feels less like a statement of intent and more like a natural evolution shaped by shifting lineups, lived experience, and a desire to keep the process honest and therapeutic.
    We spoke with LAVISHER about the writing process behind the album, the role of mood and visuals, Chicago’s music community, and what lies ahead as the band continues to follow the most organic path forward.


     

     1.    “Aligned & Vital” is described as blending beauty and decay within lush, distorted dreamscapes. What themes or emotions drove the songwriting for this album, and how did you translate those ideas into the music?

     

    L: During writing, the music came always first and always dictated the direction of the lyrics. Every song has its own meaning or story.  There are a couple recurring themes throughout the album for sure, but there is a wide range of subject matter.  Themes touched on include grief, addiction, recovery, discovery, politics, frustration, letting go, it's all over the place.  I dont like to delve too deep into back stories because I like people to connect with songs however they like and find their own meaning or value.

      

      2.    LAVISHER’s sound has been compared to bands like QOTSA, A Perfect Circle, Deftones, and Failure. How do you balance these recognizable influences while still carving out your own identity in the modern rock landscape?

    L: In the process of writing a song, sure, sometimes we can hear influences.  But I think by the time we finish writing a song, it sounds like us, because we wrote it haha.

        

       3.    This album is your second full-length release. What lessons or evolutions from your debut carried into Aligned & Vital, and what feels completely new this time around?

     

    L: Not too much has carried over from the EP, except maybe the same drive to just keep doing this, because it's fun and therapeutic for me.  The first EP had 3 drummers on it including myself.  The 2nd LP and 3 singles had a different drummer/co songwriter than the current album, so it feels completely different now.

     

     

     

      4.    The press release mentions that LAVISHER fuses grunge, space rock, and heavy atmospheric textures. How would you describe the band’s sonic chemistry when writing and arranging these layers?

     

    L: I’m not really sure how to answer that!

     

    5.    There’s a strong visual and emotional tone implied—“the future of heavy, heartfelt rock dressed in velvet.” How important is mood and imagery in shaping the sound of LAVISHER, both in the studio and on stage?

     

    L: As far as that tagline, it just sounded fun.  As far as the artwork, I am happy that I was able to find an artist to accomplish the vibe I had in mind.  I do take pride in all visuals translating somewhat defined and strong.  On stage is a little less important but I do try to create a vibe with lights when I can.  In the studio nothing matters except trying our best to make things sound good.


        6.    What role did Chicago’s music scene play-if any-in shaping the direction or energy of this new record?

     

    L: I love Chicago's music scene and have made so many good friends here.  Some bands you should check out: Bosses and Highdiver (we share a rehearsal space with them), Snooze, Nequient, Blood People just to name a few.

     

     

     

     7.    Your music creates a balance between riff-driven heaviness and melodic introspection. Is that contrast something you deliberately pursue, or does it happen naturally when you write together?

     

    L: A bit of both.

        8.    With the album now set for release through Nefarious Industries, what do you hope listeners take away from Aligned & Vital once they experience it from start to finish?

     

    L:  The whole album flows wonderfully from start to finish, and the best way to enjoy it is on vinyl for sure.

        9.    Looking ahead, what does the next chapter of LAVISHER look like? Any plans for touring, videos, or continued exploration of this “grunge/space rock” identity?

     

    L: We released a video for Sultry (on youtube), we have another 1-2 music videos in the works that will be released next year.  We’re currently booking more live dates for next year as well as continuing to write, wherever the most enjoyable natural path leads. 

     

     

     

    Aligned & Vital stands as a record that rewards full immersion-best experienced front to back, without interruption, letting its contrasts breathe and unfold naturally. Rather than forcing meaning, LAVISHER leaves space for listeners to connect on their own terms, whether through weight, melody, or atmosphere. With new videos on the horizon, live dates in the works, and fresh material already taking shape, the band remains firmly in motion - guided less by expectation and more by instinct, enjoyment, and the simple need to keep creating.

     

    More information:

    https://www.instagram.com/lavisher_band 

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  • Symphonic Black Metal Visionary DAIDALOS Descends Into Darkness With New Single “Dis” From Upcoming Album "Dante" Out Feb 2026

     

    Following the powerful response to the first single “Inferno”, DAIDALOS unveils “Dis”, one of the most dramatic and oppressive chapters of the upcoming album "Dante". The track is accompanied by an evocative new lyric video marking an important step in the album’s unveiling and placing DAIDALOS on one of the most respected platforms in extreme music.

    Where “Inferno” introduced the descent with a sense of momentum and discovery, “Dis” captures the moment where wonder transforms into dread. Fast, dark and ritualistic, the new single reflects "Dante"’s entry into the infernal City of Dis, an oppressive realm where fear becomes a deliberate tool of domination. In the track’s refrain, the faceless voice calling “Enter my fear” embodies the kind of power that preys on the frightened not to protect but to control.

    Musically, “Dis” heightens the defining traits of "Dante": monumental orchestration, dramatic tension and a fusion of symphonic black metal with melancholic undertones. The guitars, recorded and shaped by Nahuel Lozano of Mental Cruelty, cut through the orchestral mass with precision, providing the modern edge that characterizes the album’s sound. As with every composition in DAIDALOS, all orchestrations, drums, vocals and themes were written by Tobias Püschner, maintaining the project’s deeply personal identity as a one-man artistic vision.

    Within the conceptual arc of the album, “Dis” stands as a crucial turning point, a descent into a darker, more suffocating level of Hell, mirroring both Dante Alighieri’s text and the political, emotional and spiritual undercurrents that shaped Tobias’ reinterpretation. The track continues to deepen the album’s central themes of doubt, despair and hidden truths between faith and fear; a soundscape described as “more melancholic than evil”, blending orchestration and harshness into one continuous dramatic vision.

    For devotees of symphonic and atmospheric black metal, “Dis” resonates with the monumental orchestrations of Fleshgod Apocalypse, the dark theatricality of Dimmu Borgir and the apocalyptic scope of Septicflesh.

    The new lyric video offers a visually striking gateway into this chapter of the narrative, further immersing listeners into DAIDALOS’ descent, now deeper, darker and more commanding than ever.

    Watch and listen to the lyric video for "Dis" via its premiere on NoCleanSinging HERE.

    Digital pre-save - https://lnk.to/Zdalvd​

    New album “Dante” out February 20th, 2026, from Rockshots Records.

    PRE ORDER CD Version of "Dante" - https://rockshots.eu/products/daidalos-inferno-cd
    PRE ORDER LP Version of "Dante" - 
    https://rockshots.eu/products/daidalos-inferno-lp

    DIGITAL - http://lnk.to/E9IymE

    Track Listing:
    1. Dante – 2:18
    2. Inferno – 3:42
    3. Ashes – 4:22
    4. Storm – 4:05
    5. Minos – 0:30
    6. King – 4:00
    7. Styx – 2:08
    8. Gate – 0:20
    9. Dis – 4:15
    10. Phlegethon – 1:18
    11. Malebolge – 0:40
    12. Euphobia – 4:54
    13. Ultimatum – 4:19
    Album Length: 36:51

    Daidalos Line-Up:
    Tobias Püschner; Vocals, Drums, Keyboards, Orchestrations, Songwriting, Production

    More info: Rockshots.eu | Instagram.com/daidalosmusic | Facebook.com/daidalosband

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  • THE RETICENT Unveils Harrowing New Video “The Bed of Wasps (Those Consumed With Panic)” From Acclaimed Album "Please" Out Now!

     

    The Reticent, the emotionally charged progressive metal project led by Grammy‑nominated music educator and multi‑instrumentalist Chris Hathcock, has released the official video for “The Bed of Wasps (Those Consumed with Panic)”, one of the most visceral and punishing tracks from the band’s latest album, "please," out now on Generation Prog Records.

    “The Bed of Wasps” is the album’s most aggressive and technically demanding moment, a sonic embodiment of panic disorder. Written immediately after Hathcock suffered a real panic attack, the track’s jagged rhythms, dissonant harmonies, and relentless shifts in meter are designed to keep the listener off balance, mirroring the terror and disorientation of the condition itself.

    Lyrically, the song is constructed from real statements made by panic‑disorder patients, culminating in the desperate refrain “please stop”, a plea familiar to anyone who has lived through such episodes.

    The video amplifies this intensity, plunging viewers into a claustrophobic, escalating psychological spiral. True to The Reticent’s reputation for emotionally devastating performance art, the visuals aim not merely to depict panic, but to induce its sensation.



    The Reticent’s new album "please" is a concept record chronicling the many battlefields of mental illness, insomnia, concealment, panic, depression, dismissal, and the brink of suicide. Hathcock’s writing is deeply autobiographical, each track drawn from lived experience and crafted to immerse listeners in the emotional reality of these struggles.

    The album was written in just six months. Drums were recorded in one day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a vocal injury that required six weeks of silence. This is the first Reticent album, almost entirely engineered by Hathcock himself at Silent Muse Studio. Drums were tracked by Jamie King (Between the Buried and Me, The Contortionist) at The Basement Studios, who also mixed and mastered the album. All songs (except “The Bed of Wasps”) were recorded using 6-string guitars, the first time since 2016’s "On The Eve Of A Goodbye."



    Known for its devastatingly emotional live performances, described by Metal Injection as “one of the most heart‑wrenching performances in ProgPower USA history”, The Reticent blends progressive metal, post‑metal, and cinematic storytelling into something wholly its own. The band is slated to appear at the 2026 editions of ProgPower USA in September and ProgPower Europe in October, marking another major milestone for the band’s growing international presence.

    Formed as an outlet for Chris Hathcock’s most painful experiences, The Reticent has evolved into a critically acclaimed progressive metal project known for its tragic concept albums and emotionally immersive performances. Previous releases such as "On the Eve of a Goodbye" and "The Oubliette" earned widespread praise, with "The Oubliette" named the #1 essential prog metal album of 2020.

    Fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend will find much to resonate with in "please," released on November 13, 2025, via Generation Prog Records. A follow-up album is already underway, shaped by the profound loss of Chris Hathcock’s father during the creation of "please."

    CD Order:

    North America - https://thereticent.net/please-pre-order

    EU - http://www.generation-prog.com/shop/

    Digital Album - https://show.co/MoPdl8W​​

    Track Listing:
    1. Intake – 1:45
    2. The Concealment (Those Who Don’t Want To Wake) – 6:06
    3. The Night River (Those Who Can’t Rest) – 6:55
    4. Diagnosis 1 – 2:18
    5. The Bed of Wasps (Those Consumed With Panic) – 5:47
    6. The Scorn (Those Who Don’t Understand) – 8:12
    7. Diagnosis 2 – 2:39
    8. The Riptide (Those Without Hope) – 6:09
    9. The Chance (Those Who Let Go) – 6:52
    10. Discharge – 2:56
    Album Length: 49:45

    Band Line Up:
    Chris Hathcock - Vocals, Guitar
    James Nelson - Lead Guitar, Backing Vocals
    Paul McBride - Bass, Backing Vocals

    For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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  • Metal From Reunion Island - LOMOR Unveils Single “Tantine Lo Clou” From New Album "Sabouk Rouge" Out Feb 2026

     

    After the intensity of their latest single “Panzram”, Reunion Island’s thrash metal power trio Lomor return with the official music video for “Tantine Lo Clou”, a new track taken from their upcoming album "Sabouk Rouge", out February 2026 via Rockshots Records.

    Based on a bizarre real-life episode during the band’s French tour in 2023, “Tantine Lo Clou” turns an awkward and hilarious backstage encounter into a wild burst of energy, carried by razor-sharp riffs, frantic rhythms and Lomor’s trademark blend of old-school thrash, punk aggression and Creole attitude. The track showcases the band’s ability to shift seamlessly from dark, violent themes to irreverent storytelling without ever losing momentum.

    Musically, the song embodies the raw, unfiltered nature of Lomor’s sound: fast, abrasive guitar work from Eric Castelnau, the pounding precision of Gurvan Cambrai on drums and the tight, overdriven low end of Mathieu “Micha” Michalina on bass guitar. Lyrically, it stands as one of the most humorous and off-beat moments on "Sabouk Rouge" offering listeners a brief escape before the album dives back into heavier topics such as hatred, madness, slavery and human cruelty.

    Like the rest of the album, “Tantine Lo Clou” was produced by Lomor, recorded and mixed by Sébastien Camhi at Art Music Studio in France and mastered by Kai Stahlenberg at Kohlekeller Studio in Germany. "Sabouk Rouge" marks the band’s most cohesive and dynamic work to date, pushing their Reunion-born thrash identity into new and sharper territories.

    With their authentic old-school spirit, no-click live philosophy and explosive stage presence, Lomor continue to stand out as one of the most unique voices rising from the Indian Ocean’s metal scene.

    DIGITAL - http://lnk.to/E9IymE

    To celebrate the release, Lomor have unveiled an official music video for “Tantine Lo Clou”, available now on the Rockshots Records YouTube Channel.



    New album “Sabouk Rouge” out February 6th, 2026.

    PRE ORDER - https://rockshots.eu/SaboukRougeCD

    Track Listing:
    1. Sabouk Rouge – 5:13
    2. Tantine Lo Clou – 3:40
    3. Meet Your Meat – 3:16
    4. Sanctuary – 5:17
    5. A Shiny Day For A Vampire – 5:14
    6. La Haine – 5:06
    7. La Pouss’ – 3:07
    8. Panzram – 4:29
    9. The Ugly, The Bad & The Bastard – 3:02
    10. Kit’ Ta Mère – 4:24
    11. Nevroz (feat. S. Camhi) – 2:34
    Album Length: 45:22

    More info: Rockshots.eu | Instagram.com/lomor.music | Facebook.com/lomormusic

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