Latest Articles

• A Sonic Journey of Years Past with LITTLE KING's 8th Studio Album "Lente Viviente"

  Sep 25, 2025 Fistoffreedom 0 Comments

   

  After nearly three decades of pushing musical boundaries, Little King returns with their most ambitious and emotionally resonant release to date, "Lente Viviente," set for release on all major platforms on September 26th.

  Before the album officially drops, the trio has teamed up with V13.net for the full-stream premiere, which can be heard HERE.
  ​
  Described by frontman and songwriter Ryan Rosoff as “Musical DMT,” "Lente Viviente" is a seven-track suite of “micro-epics” that blend progressive rock, melodic hooks, and heavy riffs into a tightly woven tapestry of sound and sentiment.

  “A true listening experience should hit all the notes… sometimes contemplative, sometimes raging, but always engaged and honest. We feel like this record is the highlight of our 28 years of making music,” says Rosoff.

  
  ​
  With Dave Hamilton (bass, cello) and Tony Bojorquez (drums), and a fresh studio environment, Little King has elevated their sound to new heights. The result is a dynamic, melodic, progressive, heavy rock experience that’s both cerebral and heartfelt.
  ​
  From the first note to the last, "Lente Viviente" invites listeners on a short but mind-blowing journey. The album’s dynamic range and textured performances are designed to push and pull, offering music for both the head and the heart. Each track stands alone yet contributes to a larger narrative arc, one that explores themes of identity, aging, addiction, immigration, and the fragile balance between strength and vulnerability.

  
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  Lyrically, the album draws inspiration from Rosoff’s work with LivingLens Memoirs, his video memoir production company. The title itself, Spanish for “Living Lens,” is a nod to the interplay between memory and presence, perception and truth. Songs like “Catch and Release,” “Who’s Illegal?” and “Kindness for Weakness” reflect Rosoff’s background in creative writing and his deep commitment to storytelling through sound.
  ​
  For the first time in Little King’s history, all three band members appear on the album cover. The artwork, centered around themes of reflection and perception, features a crown slightly off-center, a metaphor for the imperfect balance between artist and audience. As Rosoff puts it, “One is left to wonder what the world looks like from behind the band’s side of the lens… what do they see?”

  A lean, powerful record that demands repeat listens, Little King's "Lente Viviente" is recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and is available for pre-order/digital pre-save (out Sept 26th) at https://show.co/nI24kSK

  Track Listing:​
  1. Catch and Release - 3:22
  2. Dawn Villa - 3:42
  3. Who’s Illegal? - 3:56
  4. Kindness for Weakness - 3:21
  5. Sweet Jessie James - 2:42
  6. Pass Through Filters - 4:50
  7. The Living Lens - 3:37
  Album Length: 25:34

  For more info: LittleKingtunes.com

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• Out Nov 2025 Trois-Rivieres' OUTLYING’s New Album "Oblivisci" Explores Pain and Redemption; Streaming Single "November"

  Sep 23, 2025 Fistoffreedom 0 Comments

   

  After nearly a decade of silence, Trois-Rivieres, Quebec metal band OUTLYING returns with a vengeance. Their long-awaited third full-length album, "Oblivisci," drops November 21st, delivering a visceral blend of melodic death, thrash, and black metal that’s as emotionally raw as it is sonically aggressive. The first single, “November,” is now available for streaming on all major platforms.
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  Founded in 2007 by vocalist/guitarist Fred A. Dubeau, OUTLYING began as a group of high school friends jamming covers in 2003. Over the years, the band evolved into a force of original expression, rejecting technical excess in favor of music that hits straight to the gut.

  “We wanted to create something anyone can feel and understand. Music that’s captivating, dark, aggressive, and melodic,” says Dubeau.
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  ​"Oblivisci," Latin for “to forget,” is a concept album exploring themes of trauma, alienation, grief, and addiction. The band’s signature sound is heavier and more melodic than ever, with no filler tracks and a commitment to emotional authenticity. Fans can expect a dynamic listening experience, with tracks ranging from thrashy punk anthems to atmospheric ballads. Highlights include “Snow,” a harrowing tale of abuse featuring female vocals, and “Sentinel,” a grief-stricken power ballad that echoes the band’s earlier fan favorites. The album closes with a three-part epic chronicling Dubeau’s personal journey through substance abuse and recovery.

  “After a long and challenging journey, we’re proud to finally share Oblivisci with the world. This album reflects our commitment to staying true to ourselves while evolving our sound. We’ve never followed trends; our music is dark, heavy, and emotionally charged, shaped by diverse influences from metal to classic rock, and even film, books, and games. Oblivisci builds on what OUTLYING has always stood for, but pushes deeper into atmosphere and intensity. Though often called melodic death metal, our sound draws from thrash, black, prog, and beyond. In a sea of forgettable songs, we hope this one leaves a mark,” adds Dubeau.
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  The first single, “November,” showcases OUTLYING’s evolved sound: a haunting, melodic death metal track about obsession and longing. It’s a powerful preview of what’s to come.

  Add to your Spotify playlist - https://open.spotify.com/track/5sf9bFl0ncHIZyOQcMA9QQ​

  ​
  ​OUTLYING’s current lineup is a story of pure coincidence. Drummer Martin “Frenchy” Reithler first heard Fred on a metal podcast while living in France. After hearing Fred mention he was looking for a permanent drummer, Frenchy, who was already planning a move to Quebec, reached out. Fred initially thought the message was spam.
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  Later, Fred was asked by a friend to lend a soldering iron to fix a bass guitar. That visit led to him meeting Charles Alex Bilodeau. Weeks later, when searching for a new bassist, Fred remembered Charles Alex, and the lineup was complete.
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  Despite being based in Trois-Rivières, none of the members grew up there. Fred hails from near Bécancour, Charles Alex from Victoriaville, and Frenchy from a suburb near Paris, France.
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  Live, OUTLYING promises raw energy and passion, eschewing overproduced trends in favor of pure rock and roll intensity.

  “We want every show to feel like a journey, different vibes, different ambiance, all created with just our instruments,” says Dubeau.
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  With influences ranging from At The Gates and Testament to Cradle of Filth and Wintersun, OUTLYING’s sound is rooted in melodic death metal, thrash, black, and groove metal. Their previous releases include Within The Jail Of The Unfortunate (EP) (2008), Scars Of Daylight (2012), and Frameworks For Repression (2016).
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  The album artwork for "Oblivisci" depicts a post-apocalyptic version of the band’s hometown, reflecting the lyrical themes of societal decay and personal collapse.
  ​
  ​"Oblivisci" will be available on November 21st on all streaming platforms.

  Track Listing:
  ​1 - The Raven Is Gone - 5:27
  2 - Stigma - 3:49
  3 - Snow - 6:02
  4 - Streets Of Rats And Vultures - 4:47
  5 - Pitch-Black Serum - 4:36
  6 - November - 5:56
  7 - Sentinel - 5:43
  8 - Impaired - 5:32
  9 - Dreamless Nights Part I: A Lullaby For The Insomniac - 4:19
  10- Dreamless Nights Part II: From Velvet Skies - 5:13
  11- Dreamless Nights Part III: Walking Out Of Eden's Ashes - 4:25
  Album Length: 55:49

  For more info:

  ​http://www.outlying.ca/​

  ​http://www.facebook.com/outlyingband​

  ​http://www.instagram.com/outlyingband/​

  ​https://www.tiktok.com/@outlying.band

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• HUMAN MISSILE CRISIS Slither New Single "Snake In The Grass" Ahead of Opening For PROPAGANDHI In Halifax Sept 23rd

  Sep 19, 2025 Fistoffreedom 0 Comments

   

   

  Human Missile Crisis is back with a vengeance. The Cape Breton-born, Dartmouth-based trio has just dropped their latest single, “Snake in the Grass,” the first track off their upcoming two-song EP "Waste Away." The release comes just days before the band opens for punk legends Propagandhi in Halifax, Nova Scotia, on September 23rd (ticket info), marking a major moment in their journey through Canada’s underground rock scene.
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  ​“Snake in the Grass” is a blistering, danceable anthem that blends fast, fun drums with slidey guitars and a bass solo bridge that’s as unexpected as it is beautiful. Lyrically, it’s a cautionary tale about betrayal and the kind of people who smile to your face while sharpening knives behind your back. Inspired by a surreal walk through a rattlesnake-infested vineyard in Osoyoos, BC, frontman DJ Vaters channels personal experience into a track that’s as cathartic as it is catchy.
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  ​“This one’s for anyone who’s ever been burned by someone they trusted. It’s upbeat, it’s raw, and it’s got a Bloc Party kind of vibe that we’re really excited to share,” says Vaters.
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  The single is part of "Waste Away," a two-track EP recorded live off the floor with Jamie Foulds, who engineered and mixed the record. The second track, “Mona Lisa,” will follow shortly and offers a more introspective look at the loneliness of night-shift life and the longing for connection. Together, the songs showcase the band’s evolution from heavy punk roots to a more nuanced garage rock/post-punk hybrid.
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  Known for their explosive live shows and deep camaraderie, Human Missile Crisis treats every gig like a house party with friends.

  “We don’t want fans, we want family. We want people to laugh, sing, and dance with us. That’s the whole point,” says drummer Matt MacIsaac.
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  With influences ranging from Idles and Fucked Up to The Hives and Television, Human Missile Crisis continues to carve out a sound that’s both familiar and fiercely their own. "Waste Away" is the follow-up to their 2023 debut album "Liquor Store Stories," and if “Snake in the Grass” is any indication, the band is only getting louder, sharper, and more honest.
  ​
  Catch Human Missile Crisis live with Propagandhi on September 23rd in Halifax, and until then, crank “Snake in the Grass” and dance like nobody’s watching.

  Listen to "Snake in the Grass" at the following links:

  Spotify - https://distrokid.com/hyperfollow/humanmissilecrisis/snake-in-the-grass​

  ​

  More info: https://linktr.ee/humanmissilecrisis

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• THE INTERROGATION Returns with “Wicked Happy” - A High-Energy Anthem of Awkwardness, Hope, and Defiance

  Sep 19, 2025 Fistoffreedom 0 Comments

   

   

  After five years of silence, Canadian pop punk outfit The Interrogation roars back with their electrifying new single “Wicked Happy”, marking the band’s first release since their 2020 debut EP "Posters On My Wall." Accompanied by a dynamic music video, the track is a bold declaration of phase two for the band, now a full lineup, playing live across British Columbia and gearing up for a wider Western Canadian tour.
  ​
  ​“Wicked Happy is the first song we’ve released since the band turned from my solo project into a full band. It’s a springboard into everything we’ve become, high-energy, uplifting, and unapologetically real,” says frontman Thom Turner (ex-Freya, ex-Hawthorne Heights touring guitarist).
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  Originally conceived in the wake of personal tragedy, The Interrogation began as Turner’s solo project following the loss of his mother in 2018. What started as a cathartic songwriting outlet evolved into a full band with a mission: to turn awkwardness, grief, and isolation into connection, community, and catharsis.
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  ​“Wicked Happy” delivers exactly that. With punchy guitar riffs, call-and-response vocals between Turner and bassist Joel French (Vultures At Dawn), and a chorus built for gang vocals and mosh pits, the track channels the raw energy of the band’s live shows. Lyrically, it’s a rallying cry for anyone who’s ever felt like they didn’t fit, a message of defiance and self-discovery wrapped in a melodic, riff-driven package.

  Turner explains further:

  “It’s about never quite fitting in. About reaching beyond what others expect and growing into something stronger than anyone said you could be.”​
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  The single also marks French’s debut as a lead vocalist, a role he’s held since 2022. The accompanying music video captures the band’s signature live intensity, no backing tracks, no polish, just pure pop punk sincerity.
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  The artwork, created by drummer Sebastian Valdivia, sets the tone: a sun just out of focus, daring you to squint, stretch, and reach for the sky.
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  Fans of New Found Glory, Four Year Strong, Coheed and Cambria, and A Day To Remember will find plenty to love in The Interrogation’s sound, described as energetic, catchy, heavy riffs, guitar-driven, and even more in their story. With members hailing from New York, Saskatchewan, Vancouver, and Colombia, the band brings a rich tapestry of backgrounds and influences to their music.
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  With more singles planned for early 2026, "Wicked Happy" is just the beginning. For The Interrogation, the message is clear: awkwardness is power, and punk is for everyone.

  Add to your Spotify playlist - https://distrokid.com/hyperfollow/theinterrogation/wicked-happy​

  More info:

  ​https://www.facebook.com/theinterrogationband​

  ​https://www.instagram.com/theinterrogation/

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• Dark Tales of Redemption Await with IN VIRTUE's Music Video “Gunslingers of the New American Desert" From Upcoming Album "Age of Legends" Out Nov 2025

  Sep 19, 2025 Fistoffreedom 0 Comments

   

  L-R Bruno Valverde (drums), Jamie Hush (bass), Trey Xavier (guitar/vocals), Alex Nasla (keys), Rami Khalaf (guitar)

  Phot Credit: Felix Martin

  In Virtue, the Los Angeles genre-defying metal band known for emotionally raw storytelling and cinematic soundscapes, is proud to announce the release of their third studio album, "Age of Legends," arriving November 21st, 2025. Alongside the announcement, the band unveils their first single, “Gunslingers of the New American Desert,” accompanied by a gripping music video that sets the tone for the album’s dark, redemptive journey.

  “Gunslingers is by far the heaviest song in the In Virtue catalog. It really sets the mood for a dark and harrowing tale. It brings you along for the ride as the antihero of the story returns from his self-imposed damnation to the real world and starts breaking bad after seeing a world of opportunity open up. He once again sets aside his humanity to pursue power through violence and corruption in a lawless land. In the end, he comes face to face with the consequences of his lack of empathy, and finally truly comes to grips with how he’s trading his soul for something empty,” adds guitarist and vocalist Trey Xavier.

  Watch and listen to the music video for “Gunslingers of the New American Desert” via its premiere on Metal Injection HERE.

  Add To Your Spotify Playlist - https://orcd.co/invirtuegunslingers​

  Fronted by YouTuber and Gear Gods founder Trey Xavier (also featured on viral hit “Dread Machine”), In Virtue blends power, progressive, and melodic death metal. The third full-length took six years to complete after their producer ghosted the band with just 10% left to finish, forcing Xavier to finish vocals in his home studio. The final product is a full-bodied concept album, "Age of Legends", which follows a flawed protagonist inspired by the myth of Sisyphus. Through a narrative of self-forgiveness and existential reckoning, the 14-track album invites listeners to reflect on their own inner battles.

  "I think fans will be pleasantly surprised, because although it builds on our past releases, it’s really the ultimate form of the same beast. The casual listener will be able to enjoy all of it without clocking the story, but anyone who wants to go deeper will be rewarded with the dark journey of a deeply flawed character on a quest to forgive himself by asking the big questions, making mistakes, and doing the hard work. It’s an emotional deep dive, a rollercoaster of textures and colors, but a cohesive trip that doesn’t just feel like a series of disconnected singles. A true concept album, the kind you should turn your phone off and light a candle to listen to on your bed with headphones from start to finish. A relatable protagonist who seeks what we all seek, to love himself in spite of himself and his flaws, to know himself deeply, and to win his battle against crushing self-doubt," adds Trey Xavier - In Virtue.

  The album's artwork was created by former Dark Tranquillity guitarist Niklas Sundin and depicts Sisyphus breaking free from his eternal punishment, a visual metaphor for the record’s central theme of liberation and self-redemption.

  Recommended for fans of Soilwork, Amaranthe, Shinedown, Symphony X, and Bad Wolves, In Virtue's "Age of Legends" is available for pre-order / pre-save at https://orcd.co/agofle​
  ​

  Track Listing:​
  1. Ascent Glorious (00:36)
  2. Sisyphus Awakening (4:55)
  3. Karma Loop (ft. Charlotte Wessels) (3:35)
  4. Push That Rock (2:46)
  5. Purgatory (4:39)
  6. Exposed (3:27)
  7. Scream (3:40)
  8. Where The Edges Meet (3:16)
  9. Gunslingers of the New American Desert (4:42)
  10. Desolation Throne (3:03)
  11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
  12. The River (2:24)
  13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
  14. Descent Limitless (1:22)
  Album Length: 50:40

  More info: Facebook.com/invirtue | Instagram.com//invirtue

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