Latest Articles

• GODFALL's New Single "Default" Confronts Modern Burnout and Your Life On Autopilot!

  Aug 19, 2026 Fistoffreedom 0 Comments

   

  Calgary’s genre‑defying five‑piece Godfall return with their most introspective and hard‑hitting release, the single “Default”. A track that captures the suffocating repetition of living life on autopilot, the endless cycle of tasks, obligations, and burnout that leaves no room for surprise, growth, or self‑reflection. The band describes the song as a wake‑up call: a reminder that life is happening now, not after the to‑do list is finished.
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  As with all Godfall releases, “Default” was shaped through full‑band collaboration. Guitarist Omer Khan sparked the foundation of the track, bringing the initial riff and vibe that guided the vocal direction. Vocalists Karina Khristova and Abel Boban crafted lyrics that complement the music’s tension, choosing words, syllables, and melodies that highlight the emotional peaks of the instrumentation.
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  The band’s writing process remains fluid and democratic as their ideas are refined, reworked, and sometimes cut entirely if they don’t serve the song. This commitment to quality over quantity continues to define Godfall’s evolution.
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  Every member of Godfall comes from a different country and speaks a different first language, creating a melting pot of influences that shape their unique sound. Their music blends heaviness, melody, emotional storytelling, and raw grit, a mix fans often compare to Bad Omens and Evanescence, though the band prefers to let their own identity lead the way.
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  ​“Default” marks another step in Godfall’s ongoing refinement of their sonic identity, shifting between phases of anger, melancholy, and soaring melody while staying true to the heart‑first approach that defines their catalog.

  "I think Default will be a pleasant surprise since we are constantly refining our sound and working on our songwriting skills. I think ultimately we want our fans to have a Godfall song for any kind of day: a day when you're annoyed, sad, happy, motivated – you name it. We want them to be able to sing along and headbang at the same time," says Karina Khristova (Clean Vocals).

  Recommended for fans of Spiritbox, Evanescence, Bring Me the Horizon, Bad Omens, and Linkin Park, listen to “Default” at the following links:

  Add to your Spotify playlist - https://open.spotify.com/track/23PvFFwfFYQWtyugbsDXua

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  More info: https://linktr.ee/godfallband

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• ABSOLUTE DARKNESS Unveils New Banger "Attritional Warfare" From Sophomore Album "Witness To A Dying World" Out Oct 2026

  Aug 18, 2026 Fistoffreedom 0 Comments

   

  San Francisco Bay Area death/thrash metal force Absolute Darkness unleashes their first single, "Attritional Warfare", marking the beginning of the rollout for their highly anticipated sophomore album, "Witness To A Dying World," due out on October 23, 2026. The album also features a faithful, modernized tribute to Bay Area legends Vio‑lence with a cover of their classic track “World In A World.”​
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  Formed in 2015, Absolute Darkness blends the ferocity of Death, Cannibal Corpse, and Amon Amarth with the thrash roots of Testament, Vio‑lence, and Exodus. Their sound is defined by aggressive riffs, layered harmonies, memorable solos, and socially conscious storytelling that confronts corruption, war, propaganda, addiction, homelessness, and the decay of modern society.
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  The first single sets the tone for the album’s thematic weight and musical intensity. Written collaboratively by the full lineup, "Attritional Warfare" showcases Absolute Darkness at their most focused and explosive, fast, sharp, and unrelenting.
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  The track continues the band’s tradition of story‑driven lyricism, exploring the human cost of conflict through the eyes of those caught in the machinery of war. It’s a brutal, high‑energy introduction to the world the album inhabits.

  "The war theme of this song is brought home by high-quality 2D traditional animation interjected with a live performance from the band. Be warned, the war footage can be very graphic and was inspired by anime such as Attack on Titan and Jin-Roh: The Wolf Brigade," adds Ron Dorn (Guitar/Lead Vocals).

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  Bandcamp - https://absolutedarkness1.bandcamp.com/track/attritional-warfare​
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  The new record marks a major milestone for Absolute Darkness; it's the first album written entirely by the current lineup from the ground up, with every member contributing meaningfully to the songwriting process. Musically, the album expands on the death/thrash foundation of their 2021 release "Failure Of State," delivering aggressive riffs, fast, energetic structures, melodic guitar harmonies, layered solos, and story‑driven vocals. A standout moment on the album is Absolute Darkness’ tribute to Bay Area thrash icons Vio‑lence. Guitarist/vocalist Ron Dorn, who grew up attending their shows, approached the cover with deep respect, preserving the original’s raw energy while delivering vocals in his own death/thrash style. The band intentionally avoided a click track to maintain the natural tempo shifts of the original recording, resulting in a version that feels both nostalgic and freshly intense.
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  Lyrically, "Witness To A Dying World" explores unchecked power, propaganda, authoritarianism, war, addiction, homelessness, and societal collapse, told through characters and narratives rather than direct commentary.

  "Witness To A Dying World is the album I've wanted Absolute Darkness to make for a long time. Not because it's heavier or faster than our previous releases, but because it finally feels like a complete band effort. Everyone contributed to the songwriting in one way or another, and I think that made every song better. Some songs are straight-up thrash. Others lean more into melodic death metal. There are a lot of guitar harmonies, plenty of solos, and enough twists along the way to keep things interesting, but we always tried to make every change feel natural instead of complicated for the sake of being complicated.

  At the end of the day, we're doing this because we genuinely enjoy making music together. None of us are trying to become full-time musicians or make a living from the band. We all have careers, families, and lives outside of music, and that gives us the freedom to write the songs we want to write instead of chasing trends. If people come away remembering the songs, wanting to hear them again, and maybe even thinking about the stories they tell, then we've accomplished exactly what we set out to do," adds Dorn.​
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  Recommended for fans of Testament, Vio-lence, Exodus, At The Gates, The Crown, and Amon Amarth, "Witness To A Dying World" will be available on October 23rd, 2026. Album pre-sale will begin on October 1st.

  Track Listing:​
  1. Above The Law - 3:56
  2. Attritional Warfare - 3:50
  3. World Decay - 3:28
  4. Snake Oil - 4:14
  5. Different Illegally - 3:33
  6. Loyalty To Me - 3:32
  7. I Guess I Die - 3:59
  8. Big Lies - 3:51
  9. Extreme Accountability - 3:34
  10. World In A World (Vio-lence Cover) - 4:13
  Album Length: 38:21

  Band Lineup:​
  Ron Dorn - Guitar/Lead Vocals
  Douglas Vetter II - Lead Guitar/Backup Vocals
  Orson Sojo - Bass
  Scott Russell - Drums

  More info:

  ​https://www.facebook.com/BandAbsoluteDarkness​

  ​https://www.instagram.com/absolutedarkness_band/

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• NARCOTIC WASTELAND's New Single Battles The "Fentanyl Zombie Apocalypse" To Kick Off USA Tour w/ Visitant, Monochromatic Black, IATT, and Yotuma

  Aug 14, 2026 Fistoffreedom 0 Comments

   

  Narcotic Wasteland, fronted by guitarist/vocalist Dallas Toler‑Wade of NILE fame, fires the first shot of their August tour with the release of their blistering new single “Fentanyl Zombie Apocalypse.” The track arrives as the band launches the "FENTANYL ZOMBIE APOCALYPSE TOUR," featuring select dates with support from Visitant, Monochromatic Black, IATT, and Yotuma (dates listed below).
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  A ferocious blend of technical precision, social commentary, and unrelenting aggression, the single stands as one of Narcotic Wasteland’s most urgent works to date, an explosive warning siren aimed at the escalating fentanyl epidemic and the societal collapse surrounding it.
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  ​Dallas Toler‑Wade comments on the new single:
  ​
  ​“I am very excited to release our new song, Fentanyl Zombie Apocalypse! The song is, of course, about the fentanyl epidemic and the overall impact it has on an already failing country. Musically, it really captures the mood of this very well. Fast and tricky, yet twisted and catchy! Kenji really brought some great bass and keys to the table. And Austin needs a drum set that won't collapse under pressure! I am super proud of the work we have done together, and I cannot wait to show the world what we have been working on behind the scenes.”
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  ​Narcotic Wasteland continues to evolve into one of extreme metal’s most formidable units, featuring Dallas Toler‑Wade, former Nile guitarist, vocalist, and key songwriter; a defining force in technical death metal since the early ’90s. Austin Vicars, a high‑octane drummer known for blistering blast beats and commanding stage presence, and Kenji Tsunami, an inventive bassist whose depth, texture, and ferocity amplify the band’s overwhelming sonic assault.

  Together, they deliver a live experience that is both punishing and surgically precise, an unrelenting wall of sound that has packed venues and earned critical acclaim throughout recent tours. Narcotic Wasteland has cemented its position as a dominant force in modern death metal, unleashing a volatile blend of razor‑sharp technicality, feral aggression, and raw intensity. Their music confronts addiction, corruption, and societal collapse with unflinching honesty, powered by musicianship that continually pushes the boundaries of extreme metal. Expect a barrage of new material, explosive performances, and the full force of Narcotic Wasteland’s latest evolution.

  Recommended for fans of Nile, Suffocation, Dying Fetus, Incantation, Cannibal Corpse, Dark Funeral, Immolation, and Gorguts, listen to “Fentanyl Zombie Apocalypse” at the following links:

  Spotify - https://orcd.co/fentanylzombieapocalypse

  FENTANYL ZOMBIE APOCALYPSE TOUR
  Narcotic Wasteland – August 2026 Tour Dates
  Select dates with support from Visitant, Monochromatic Black, IATT, and YOTUMA
  ​​
  August 12 – Columbus, OH – Spacebar With Visitant
  August 14 – Akron, OH – Afterlife Nightclub
  August 15 – Battle Creek, MI – Michigan Metal Fest With Monochromatic Black
  August 16 – Chicago, IL – Liars Club With Visitant
  August 18 – Saint Paul, MN – Amsterdam Bar & Hall With Visitant
  August 19 – Cudahy, WI – X-Ray Arcade With Visitant and Yotuma
  August 21 – Scranton, PA – The Ritz Theater With Visitant and IATT
  August 22 – Wallingford, CT – Cherry Street Station With Visitant
  August 23 – Lowell, MA – Taffeta Music Hall With Visitant
  August 25 – Louisville, KY – Portal With Visitant
  August 26 – Atlanta, GA – 529 With Monochromatic Black and Visitant
  August 27 – Nashville, TN – The Cobra With Monochromatic Black and Visitant
  August 28 – Raleigh, NC – Chapel of Bones With Monochromatic Black and Visitant
  August 29 – Salisbury, MD – Lurking Class Skate Shop With Monochromatic Black and Visitant
  August 30 – Charleston, WV – Live at the Shop With Monochromatic Black and Visitant

  More info: https://linktr.ee/narcoticwasteland

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• ALTERSOUL Launches New Era with Reforged Single “Abandoned”

  Aug 13, 2026 Fistoffreedom 0 Comments

   

  Canadian metal band Altersoul emerges with a renewed identity, a sharpened creative vision, and a deeply symbolic debut single, “Abandoned.” Formed by longtime collaborators James Close (Guitar/Vocals) and Graham Murphy (Guitar/Vocals), Altersoul rises from the decade‑long legacy of their previous project, Ominous Eclipse, carrying forward its spirit while forging a new path.
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  The band is completed by Evan Ferguson (Bass) and Theo Konrad (Drums), both of whom join Altersoul as part of the group’s new era of collaboration, expanded musical depth, and fully self‑produced artistry.
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  ​Altersoul was formed after Ominous Eclipse’s momentum was halted during the 2020 lockdown. As live shows disappeared, members departed, and the band’s future became uncertain. The turning point came in 2022, when founding bassist Ryan Clements announced he would be stepping away, leading James and Graham to retire the Ominous Eclipse name with him.
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  Unfortunately, tragedy struck in August 2024, when Ryan passed away. His loss reshaped the band’s direction entirely. Their final Ominous Eclipse performance became a memorial tribute and mental‑health fundraiser, and the new band name "Altersoul," derived from Alter Sol (“A New Sun”), was chosen to honour both Ryan’s memory and the band’s rebirth.
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  Their debut single “Abandoned,” accompanied by a music video, is a complete re‑recording of one of the earliest compositions in the band’s catalogue. Originally written by Graham Murphy on a $75 acoustic guitar from Pete’s Music Exchange, the track first appeared on Ominous Eclipse’s debut album "End of Days" more than a decade ago.

  Now, Altersoul delivers the song as it was always intended, featuring real orchestral performances recorded by the band and real drums performed by guest musician Andrew Poskus, the original drummer of Ominous Eclipse. The single benefits from modern production, mixing, and mastering handled entirely by the band, along with expanded arrangements that showcase their evolution. It’s a far more mature interpretation of a familiar piece. The contrast between the original “Abandoned” and this new version is striking: what once relied on guitars, bass, and programmed drums now unfolds with full string arrangements, broader dynamics, and meticulous production detail.

  "This single is a re-recording of a very early track from the previous iteration of this band, under the name ‘Ominous Eclipse’. It comes from OE's debut album more than a decade ago, when studio quality wasn't as high. As a tribute to Ryan Clements, and as a treat for old fans of Ominous Eclipse, this song finally gets the treatment it deserves. We have multiple albums' worth of unreleased material, but chose to begin with this re‑imagined single from our past to show both where we came from and who we are now," says James Close.

  Altersoul’s music moves fluidly across metal subgenres, death metal, tech‑death, thrash, black metal, folk/viking metal, progressive metal, and stoner/doom, while wearing its influences proudly. Fans of Death, Revocation, Gojira, Children of Bodom, and Opeth will find familiar elements woven into the band’s identity.
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  ​Altersoul is preparing to return to the stage in 2027, delivering a live experience that merges their dual‑vocal, dual‑guitar foundation from the Ominous Eclipse era with two defining new elements: a custom‑built, fully synchronized light show programmed by the band, and orchestral backing tracks performed on real instruments- violins, violas, cellos, and horns recorded by the members themselves.

  Listen to “Abandoned” at the following links:

  ​Spotify - https://open.spotify.com/track/0EaBnR0ukoISeGnnf2ymJT

  ​

  More info:

  ​https://www.altersoulband.com/​

  ​https://www.facebook.com/altersoulband​

  ​https://www.instagram.com/altersoul.band

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• CORDYCEPS CORPSE Unleashes Video “Forced Out of Existence” From New Album “Perverse Craving For Rotting Corpses” Out Oct 2026

  Aug 13, 2026 Fistoffreedom 0 Comments

   

  Ohio’s one‑woman brutal death metal force Cordyceps Corpse, the grotesque creation of multi‑instrumentalist Nani Porter, is set to unleash her most violent and ambitious work yet. "Perverse Craving For Rotting Corpses," the project’s second full‑length album, due out on October 9th, 2026 from Gore House Productions, drags listeners deeper into a world of chaos, contrast, and pure sonic depravity.
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  With today's album announcement, Cordyceps Corpse unleashes the album’s first single and music video, “Forced Out of Existence,”.

  "This song starts with slow, held-out chords, then gets into the slams. Lyrically, I just wanted to write something wild and kinda fried. I think I accomplished that, haha," adds Porter.
  ​

  Formed in late 2023 when Porter decided “f*ck it, I’ll do it myself,” Cordyceps Corpse began as a solo experiment in fast, filthy brutality. After years of producing beats for others, she turned impatience into inspiration, recording the project’s first single in her bedroom and immediately carving out a place in the underground.
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  Following the Gore House Productions reissue of her debut "From Flesh To Fluids," Porter dove headfirst into crafting its successor. In a whirlwind month‑and‑a‑half writing spree, she composed 26 songs, ultimately distilling the carnage into 11 tracks that feel like watching a truly fucked‑up movie unfold in audio form.
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  ​"Perverse Craving For Rotting Corpses" pushes Cordyceps Corpse’s sound into new extremes, faster, filthier, more technical, and more cinematic. The album’s 11 tracks explore murder, gore, supernatural serial killers, cannibalism, torture, revenge, bodily destruction, and surreal horror, all delivered with Porter’s unique mix of chaos and groove. From the opening track’s "Aileen Wuornos" interview sample to the piss‑drinking anthem “Urophagia,” each song pushes the boundaries of slam and brutal death metal.

  Lyrically, the album marks a major shift. Instead of pure guttural rhythm, Porter wrote full narratives inspired by crime interrogation footage, horror films, Darby Valentine videos, and the grim psychology of figures like Aileen Wuornos. The album unfolds like the twisted diary of a Glock‑loving, necrophilic, cannibalistic misandrist woman who grows more powerful with every victim she consumes, flipping the genre’s typical violence dynamic on its head.

  "This album dives more into the 90’s/2000’s brutal death metal sound. I really think that era was peak for bdm and slam. I focused on writing a little bit more technical riffs than just straight slam riffs. I feel like it gets to a point where if a song is nothing but slams, it starts to sound like the next song. I think what makes a slam riff hit is context. Like a basic ass slam riff sounds cool as f*ck after crazy fast riffs or whatever. 90’s/2000’s era, I feel, does this well with like switching stuff off and just being fast too," says Porter.

  The album artwork, created by Adam Nevler (GruesomeGraphx), captures the record’s gruesome cinematic energy in a single disturbing image.

  Fast, brutal, gross, and gruesome, "Perverse Craving For Rotting Corpses" is recommended for fans of Devourment, .357 Homicide, Cephalotripsy, Kraanium, and Corpse Pile, and will be available digitally and on cassette from Gore House Productions on October 9th, 2026.

  Digital pre-save / Cassette pre-order - https://orcd.co/perverse-craving-for-rotting-corpses​

  ​
  ​More info: ​​

  ​https://gorehouseproductions.com/​

  ​https://www.facebook.com/profile.php?id=61580310663974​

  ​https://www.instagram.com/cordycepscorpse​

  ​https://www.tiktok.com/@cordycepscorpse

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