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  • BLACKSTARTS Interview

    The Italian supergroup Blackstars has officially arrived, introducing a Heavy/Hard Rock project built to reignite the golden sound of the 1980s and 1990s. Formed in Milan in June 2022 by guitarist Max Adams, who stepped away from his longtime role in Love Machine after nearly three decades, the band quickly evolved into a powerhouse lineup of seasoned musicians. Joined by Tony Pecere (Crimson Dawn, Betoken), Alberto “Wolfie” Presotto (Opera Noire, Sakem), Walter Soresina (Crossbones, Fuckin’ Jam), and Folkert Beukers (Adam Bomb, Chris Holmes), Blackstars began crafting original material deeply rooted in the classic Heavy and Hard Rock tradition. Their debut self-titled EP, released through Underground Symphony Records, captures the raw energy, melodic strength, and unapologetic attitude of the genre’s golden era, with drummer Sergio Masperi contributing to the recording to help shape the EP’s powerful sound.

     



    1. Blackstars formed in 2022 with members who each bring decades of experience from different corners of the rock and metal scene. What was the spark that convinced you this group of musicians was the right combination for a brand-new project?

     

    BST: Well, this is a real solid band, it’s a team 100% and a family, i am very lucky and proud to have found these guys.

     

    2. Max, after thirty years with Love Machine, what creative or personal motivations led you to start Blackstars, and how does this new project differ from your previous musical journey?


    BST: A very sweet revenge hahahaha, because when i left for the second time my old band, i hold inside my heat the same passion, the same vibes, personal never lost, from 1992 the year when i joined my ex band, also my wife Tizy help me so much, in fact she designed the logo band that you see and also she recorded my demos. Inside BS you find all the music that we love.

     

    3. The EP intentionally channels the golden sound of 80s and 90s Heavy/Hard Rock. What specific elements from those eras did you feel were essential to capture in the songwriting and production?


    BST: Well this is our musical background, you know, we came from Kiss, Dokken, Bon Jovi, Judas Priest, Loudness, Scorpions, Ozzy as well, from the golden era 80s/90. We grew up with these bands inside because this is our DNA. We are an RNR Band not a depressed band.

     

     



    4. Blackstars is made up of musicians from very diverse backgrounds—Crimson Dawn, Crossbones, Adam Bomb, Opera Noire, and more. How did these varied influences shape the creative chemistry when writing the EP?


    BST: Yes diverse backgrounds but the real DNA comes from 80’s and 90’s at 100% hahahahaha.

     

    5. The collaboration with drummer Sergio Masperi was key in defining the EP’s sound. How did his involvement influence the final direction or energy of the recording?

     

    BST: Well Sergio Masperi was a session man that we used just only for the 1st video, because Folkert Beukers (ex WASP Chris Holmes and Adams Bomb) came a few weeks later  and you can hear his drumming on the EP, he is our official drummer.

     

    6. Your debut single “Dead Shots” introduces audiences to the band’s identity. Why was this track selected as the first official video, and what message or feeling were you hoping it would convey?

     

    BST: Dead Shots is the right 1st single for us because inside you can feel and bear the right punch and energy and power, also the lyrics are very very 80’s hahahahahahah.

     

    7. Recreating the spirit of 80s/90s Hard Rock while still sounding fresh can be challenging. What steps did you take to balance nostalgia with a modern edge?

     

    BST: We follow our hearts, our dreams, we used also in studio a lots of equipments from the past, both digital and analogic 

     

    8. Underground Symphony Records is releasing the EP. How did this partnership come about, and what made them the right label for Blackstars’ debut?

     

    BST: Yeah absolutely, I called 2 Times Maurizio Chiarello the boss from Underground Symphony, he knew me and after seeing the video clip Dead shots he decided immediately without any doubts or compromises that our music was very very interesting, he gave us this chance. We thank him but also we wanna thank our fantastic manager Valeria Campagnale.

     

    9. Now that the EP is out, what can fans expect next (live performances), a full-length album, or additional videos? Where is Blackstars heading in 2026?

     

    BST: Yeah absolutely, we are planny live shows, also we have just almost ready new songs, new music as soon as possible, and release the second video clip. 

    We really thank you so much ! Don’t forget us because we don’t forget you and Keep us rocking. All the best 

     



    Blackstars stands as a compelling reminder that the spirit of Heavy and Hard Rock not only endures, but thrives when placed in the hands of musicians who understand its roots and its power. Their debut EP channels the grit, melody, and unmistakable charisma of the genre’s most iconic era while pushing forward with a modern, energetic edge. As they continue shaping the next chapter of their musical journey, Blackstars is poised to make a significant impact on fans of classic and contemporary heavy music alike.

    For more information, visit:
    https://www.facebook.com/BlackStars80s 

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  • THUNDEROR "Pump Up The Volume" w/ First Single Off New Album "Bleed For It" Out March 2026 + Canadian Tour w/ Burning Witches + EU Tour w/ Chris Holmes (W.A.S.P.)

     

    Canadian heavy metal force Thunderor, fronted by JJ Tartaglia (vocals, drums, Skull Fist) and Jonny Nesta (guitar, ex-Skull Fist), alongside Brycen Gunn on bass, are igniting excitement with their high-octane new single “Pump Up The Volume.” The track offers the first glimpse of their forthcoming sophomore album, "Bleed For It," slated for release at the end of March 2026. With their trademark fusion of Arena Rock Opera Heavy Metal, Thunderor deliver soaring vocals, massive choruses, and uplifting energy designed to inspire fans to live boldly and chase their dreams.

    The single also doubles as the opening number from Thunderor The Musical, the band’s ambitious rock opera, which premiered at the Toronto Fringe Festival 2025. Featuring a cameo from Toronto Mayor Olivia Chow in the promotional clip, the track sets the tone for an album that promises both fun and depth.

    “This one is a lot of fun. Turn up the music, pump up your life, Pump Up The Volume! It’s also the opening number for the Musical, and it sets the mood nicely. Although the rest of the album ventures to many different places. Special thanks to Olivia Chow and the City of Toronto for her cameo in the promo clip, super cool.” – JJ Tartaglia.

    Add to your Spotify playlist - https://open.spotify.com/album/4FzxOaCZO4Vk9o7bnFntHK

    Following their acclaimed debut, Thunderor’s second album "Bleed For It" showcases significant growth in both songwriting and performance. The band highlights improved vocals and more expansive anthem-driven choruses, delivering a soundtrack that balances raw heavy metal energy with theatrical flair. The upcoming album is a concept record, serving as the official soundtrack to Thunderor The Musical. Fans can expect a journey through uplifting themes of love, struggle, and perseverance, all wrapped in the band’s trademark high-energy sound.

    Drawing inspiration from legends like Meat Loaf, Van Halen, Bruce Springsteen, The Darkness, H.E.A.T., Night Flight Orchestra, and their own roots in Skull Fist, Thunderor’s sound is a modern twist on classic heavy and hair metal.

    Due out on March 27, 2026, the "Bleed For It" Vinyl Bundle Pre-Order is available at https://thunderor.bigcartel.com/product/bleed-for-it-lp-limited-bundle-pre-order

    In additional news, Thunderor will be hitting the road in 2026, supporting Burning Witches on their first Canadian Tour in April, followed by a Scandinavian Tour supporting Chris Holmes (W.A.S.P.) in May (dates listed below).

    Canada Tour 2026 with Burning Witches
    April 20 - Piranha Bar - Montreal, QC
    April 21 - La Source De La Martiniere - Quebec City, QC
    April 22 - The Brass Monkey - Ottawa, ON
    April 23 - The Garrison - Toronto, ON

    Scandinavia Tour 2026 with HOLMES (The Sound of WASP)
    May 15 - Nordic Noise - Copenhagen, Denmark
    May 16 - Godset - Kolding, Denmark
    May 27 - The Abyss - Gothenburg, Sweden
    May 28 - Muskelrock - Blädinge, Sweden
    May 29 - Lokstallet - Skövde, Sweden
    May 30 - Gjerdrum Rock Club - Gjerdrum, Norway
    May 31 - Sjøboden Live Scene - Mandal, Norway

    For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official 

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  • Agnostic Front Live at Irving Plaza NYC – Concert Photos (Dec 6, 2025)

    New York hardcore legends Agnostic Front returned to their hometown stage at Irving Plaza on December 6, 2025, delivering a raw, no-frills performance rooted in the band’s decades-long legacy. From the opening notes, the energy inside the venue reflected the intensity and community spirit that has defined NYHC since the genre’s earliest days.

     

    The setlist pulled heavily from Agnostic Front’s classic catalog, blending relentless aggression with moments of unity that turned the floor into a sea of movement. The performance was a reminder of the band’s enduring influence and their continued relevance within hardcore and crossover culture.
    Below is a full concert photo gallery capturing Agnostic Front live at Irving Plaza, photographed by Army Of One TV.


    Agnostic Front – Live at Irving Plaza (NYC)

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  • CATEGORY 7 (John Bush) interview

     

    We sit down with the legendary John Bush, frontman of the all-star heavy metal force CATEGORY 7. Following the release of their explosive self-titled debut through Metal Blade Records, the band has quickly established itself as far more than a “supergroup.” With members drawn from some of metal’s most iconic acts, CATEGORY 7 blends the grit of classic heavy metal, the speed of thrash, and the power of modern songwriting into a sound that feels both timeless and fiercely energized.

    In this interview, John gives us a deeper look into the band’s creative chemistry, the stories behind the songs, and what lies ahead for this exceptional new chapter in his career.

     

     

    1. With such an accomplished lineup, many fans immediately label CATEGORY 7 as a “supergroup.” How do you personally define what this band is / and isn’t beyond that title?

    JB: I certainly would never say I or anything I’m associated with is a super group. I would say it’s a band of very talented, seasoned musicians. Titles aren’t very important to me.

     

    2. Phil mentioned feeling that this is a true band rather than a side project. Was there a specific moment in the writing or recording process when CATEGORY 7 began to truly feel like a unified entity?

    JB: I guess when we started making the record. At that point with 10 songs written and having a record contract it felt official. Once again I am personally not caught up in the meaning of ‘what it is’. Everyone who knows any of us knows that we're all involved in other things. It doesn’t make this not legitimate. The record kills. 

     

    3. The album blends NWOBHM, thrash, punk-metal, and traditional metal into something fresh yet familiar. How did you approach merging those influences without losing cohesion or identity?

    JB: The guitar riffs are pretty amazing. I tried to match that intensity vocally. Always looking to be witty lyrically. Jason and Jack tore it up on the rhythm section. Combining everyone’s talents and influences with striving to be inventive came through. The songs are great.

     

     

     

     

    4. Described the songwriting as being driven by “big verses and big songs.” Can you walk us through your creative process when shaping the core sound and direction of this debut?

    JB: I read a story in the paper about a pregnant unhoused woman. Her nickname was Stitches. I thought that is a pretty tough existence. It’s not a bio of her. I created a fictional idea from the story. Real powerful intro. The video was almost an afterthought. Ironically it became the first one and the biggest one. 

     

    5. “In Stitches” is a powerful and dynamic opener both musically and lyrically. John, what drew you to the story of Stitches, and how did that emotional complexity shape the track?

    JB: I approached the melodies and lyrics the way I usually do. Absorb the music for a bit and just start humming stuff. A lot of the time I just start writing lyrics and stories and theme’s develop. I had a few titles so it made it easy to just start running with it. 

     

    6. The record was produced, engineered, mixed, and mastered by Mike Orlando at Sonic Stomp Studios. How did having so much of the production handled in-house influence the final sound of the album?

    JB: Mike is a really talented dude. His home studio is off the charts. It’s a band no doubt but Mike is the driving force. It just made sense for him to produce it. He had home court at his place!

     

     

     

    7. From double-bass assaults to soaring vocal sections, the album covers a wide sonic range. Which song pushed the band the most creatively or technically during the recording process?

    JB: Hell probably the instrumental Etter Stormen. That song really demonstrates these dudes incredible abilities. You fill in the blanks with my vocals and you got an awesome debut album.

     

    8. The album artwork by Carlos Fides visually reinforces the intensity of the music. What was the concept behind the art, and how does it connect to the themes of the record? 

    JB: Just matching the name of the band and the artwork with the power of the music. I wouldn’t ever want to be caught in a Category 7 hurricane! 

     

    9. You have upcoming shows where John will be celebrating the songs of Anthrax. How does CATEGORY 7 plan to balance its identity with the legacy of your individual musical histories during these live performances? 

    JB: Well honestly it’s two different things so it show.  C7 is a current band and the Thrax songs are 20 to 30 years old. I look forward to hearing those guys on the Anthrax material. I know it’s all going to sound super fresh and they’re going to tear it up. It’s going to be a great night of music. 

     

     

    Thank you to John Bush for sharing his insight into the world of CATEGORY 7 and the making of their debut album. With their unmistakable chemistry and veteran firepower, the band is already carving out its own identity and momentum. Be sure to check out the record and catch them on tour as they continue forging this powerful new era of heavy metal.

     

    For more information, visit:
    https://www.category7official.com 
    https://www.instagram.com/category7band  

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  • Australia's GREYSTONE CANYON's New Album "Something Borrowed…Something New"

     

    Australian hard rock outfit Greystone Canyon returns today with their highly anticipated third album, "Something Borrowed… Something New." Out today, as of December 5th, via Rockshots Records, the record is a hybrid collection blending brand-new original songs with powerful renditions of classic rock staples, all captured live in the studio with no click tracks, no tricks, just pure rock ’n’ roll.

    Formed by vocalist/guitarist Darren Cherry, whose lifelong passion for music was inspired by AC/DC, KISS, and his father’s career as a professional musician, Greystone Canyon has built a reputation for tone, feel, fire, honesty, and organic sound. With drummer Sham (also of Nothing Sacred), guitarist Richard Vella, and bassist David Poulter, the band brings decades of experience, including Cherry’s tenure with Paul Di’Anno’s final Australian tour in 2024.



    “This is our third album and is somewhat of a hybrid. It’s a mix of new original material and classic rock cover songs. It was recorded live, together in one room, no click tracks, just real rock ’n’ roll,” says Cherry.

    Greystone Canyon’s new album "Something Borrowed… Something New" pays homage to rock legends like UFO, ZZ Top, Led Zeppelin, Thin Lizzy, and Neil Young, while introducing powerful originals such as Drives UsFriend of the Fox, and Stealing Our Freedom. Inspired by Van Halen’s Diver Down, the record blends covers and originals into a dynamic listening experience. From the faithful tribute of UFO’s Doctor, Doctor and the smoky swing of ZZ Top’s Just Got Paid, to the road-trip energy of Drives Us and the heavier, metalized punch of Led Zeppelin’s Immigrant Song, the album showcases both reverence and reinvention. Originals like the acoustic, eerie Friend of the Fox and the protest anthem Stealing Our Freedom stand proudly alongside covers such as Thin Lizzy’s Suicide and Neil Young’s haunting Hey Hey, My My. With creative flourishes like "AAF," a Hendrix-style guitar homage to the Australian National Anthem, the album captures Greystone Canyon’s ability to honour rock’s greatest while carving out its own identity.

    Unlike their previous album, "Iron & Oak," which took six years to complete, "Something Borrowed… Something New" was tracked, mixed, and mastered in just five months. Recorded at Black Lodge Studio under the guidance of Joel Taylor, the band embraced a raw, live recording method that captures the warmth, punch, and energy of musicians playing together in real time.

    “This album has been the most fun we’ve had recording. Albums can be hard work and tedious, but this was a joy to make, and we think you can hear that in the recording,” adds Cherry.



    Greystone Canyon are an Australian hard rock band blending classic rock, heavy metal, blues, and folk influences. Known for their organic sound and passionate performances, the band continues to evolve while staying true to their roots. Their music is inspired by life, history, and the future, with lyrics that reflect both personal experiences and broader social themes.

    "Something Borrowed… Something New" is available now on December 5th, 2025, from Rockshots Records on all major streaming platforms and physical formats.

    CD - https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd

    Add to your Spotify playlisthttps://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj

    Track Listing:
    1. Doctor, Doctor (UFO cover) - 04:16
    2. Just Got Paid (ZZ Top cover) - 03:35
    3. Drives Us - 05:06
    4. Immigrant Song (Led Zeppelin cover) - 02:21
    5. Friend of the Fox - 03:57
    6. Suicide (Thin Lizzy cover) - 05:14
    7. Hey, Hey, My, My (Into the Black) (Neil Young cover) - 03:22
    8. AAF - 1:47
    9. Stealing Our Freedom - 04:26
    Album Length: 33:54

    More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official

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