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  • THE RETICENT's Fifth Studio Album "please" Explores The Struggles of Mental Illness; Unveil Music Video For Single "The Concealment”

     

     

    Generation Prog Records is proud to announce the release of “please,” the emotionally searing new album from progressive metal act The Reticent. Led by Grammy-nominated music educator and multi-instrumentalist Chris Hathcock, “please” is a concept album that plunges listeners into the harrowing realities of mental illness, suicide, and survival. The album will be available on November 13th, 2025.

    The first single, “The Concealment (Those Who Don’t Want To Wake),” is accompanied by a haunting music video that captures the anguish of hiding one’s suffering in plain sight.

    “The Concealment could be thought of as the thesis statement of the new album. It tries to capture what it is to attempt to carry on with your life while struggling with the crushing weight of mental illness. At work, with family, at school, wherever, we have to don masks and pretend we are ‘just fine’ when inside we may wish to go to sleep and never wake up again. 1 in 4 adults will have a mental health crisis this year, and there are 1.5 million suicide attempts per year in this country. It’s all around us, yet most will not talk about it, most will not get help, and most will suffer in silence. We are not alone, yet we feel intensely lonely because of that disconnection. For me, I have to pretend to be someone else every day as a teacher - confident, smart, strong - whilst inside I often wish fervently for oblivion to end my near constant pain. When the despair and the grief and the hopelessness come, the isolation and hollowness of all things can rob life of any color. For those who know what it is like to live with these disorders, it is indeed lonely here,” says Hathcock.

    Featuring ten emotionally driven tracks, the album was written in just six months. Drums were recorded in a single day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a laryngeal injury so severe he couldn’t speak for six weeks. During the filming of “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, Canada, just six days later, concealing his injuries behind the band’s emotionally intense stagecraft.

    “please” is also The Reticent's first album, engineered almost entirely by Hathcock at his Silent Muse Studio. Only the drums were tracked at The Basement Studios with longtime producer Jamie King (BTBAM, The Contortionist), who also took care of mixing and mastering for the record.

    This fifth studio album includes subtle nods to clinical psychologist Kay Redfield Jamison, with lyrical references to her books “Night Falls Fast” and “An Unquiet Mind,” and samples of her voice appearing in “Discharge.”

    Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as Hathcock’s solo outlet for personal trauma. Over time, it evolved into a full-fledged progressive metal force, known for concept albums like “On The Eve Of A Goodbye” and “The Oubliette.” Joined by guitarist James Nelson (Nospūn) and bassist Paul McBride (Voraath), The Reticent delivers live performances that are more performance art than concert, intensely immersive and emotionally devastating.

    The band has performed at prestigious festivals, including ProgPower USA, where Metal Injection called their set “one of the most heart-wrenching performances in ProgPower history.”

    For those who seek truth in music, The Reticent offers a mirror to the soul and a plea for understanding.

    Recommended for fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend.

    “please” will be available via Generation Prog Records on November 13, 2025. A sixth album is also complete, as it was recorded simultaneously with "please" and will follow for release in 2026.

    CD pre-order (North America) - https://thereticent.net/please-pre-order

    CD pre-order (EU) - http://www.generation-prog.com/shop/

    Digital Album pre-save - https://show.co/MoPdl8W

    For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band

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  • Fantasy Meets Prog - CEPHEIDAE VARIABLE “Carving a Dragon” Opens The Gates To Debut "Primordial Reverie" Out Nov 2025

     

    Cepheidae Variable, the one-man progressive metal project helmed by Kelowna, Canada, guitarist and composer Ryan Koepke, has officially unveiled its debut single, “Carving a Dragon,” accompanied by a playthrough video. The track serves as the first glimpse into Cepheidae Variable’s upcoming debut full-length instrumental album, "Primordial Reverie," set for release on November 7th, 2025.

    Originally conceived as a personal exploration of musical growth, Cepheidae Variable evolved into a deeply emotional and ambitious endeavour following Koepke’s father’s cancer diagnosis and the news of his own impending fatherhood.

    “I stopped waiting around and created something I’d be proud of. This album became a reflection of emotional turbulence, hope, and transformation,” shares Koepke.

    “Carving a Dragon” was the first track written for the album, and one of the most challenging. Inspired by Robin Hobb’s Assassin’s Quest, the song symbolizes pouring one’s soul into creation and marks the beginning of Koepke’s journey as a solo recording artist. With its energetic, uplifting fantasy feel, it stands in contrast to the moodier, sci-fi-themed tracks that follow.

    “There were many times during the writing process I considered scrapping this song. The result is something that has stuck with me and has a lot of meaning to not only myself, but also friends and family who supported me,” says Koepke.

    The album itself is a genre-defying instrumental narrative, weaving through symphonic fantasy, sci-fi textures, and progressive complexity. Koepke describes the sound as “spacey, weird, melodic, melancholic, happy,” and cites influences ranging from Dream Theater and Haken to Wintersun and Caligula’s Horse. Divided into three distinct acts, "Primordial Reverie" challenges listeners to experience the full arc of its story, with recurring motifs and evolving themes that reward repeat listens.

    The album artwork, created by renowned collage artist Alex Eckman-Lawn, evokes feelings of loneliness, wonder, and cosmic mystery, mirroring the tonal shift that occurs midway through the album.

    "I especially enjoyed this artwork because of the amount of interpretation it allows from the viewer. It was a heavy influence on the tonal shift this album undergoes." Koepke notes.

    With "Primordial Reverie," Koepke aims to release a new album every 2–4 years, continuing to push the boundaries of solo composition and progressive storytelling. Though currently instrumental, Cepheidae Variable may evolve into a collaborative or vocal project in the future.

    Recommended for listeners of Dream Theater, Haken, Intervals, Wintersun, and Caligula’s Horse, “Carving a Dragon” can be heard and watched via its playthrough premiere on TheProgSpace HERE.

    Add to your Spotify playlist - https://open.spotify.com/track/50cqqMHKWKJl9ahcdXY5xD

    Digital Album pre-save (out Nov 7th) "Primordial Reverie" https://distrokid.com/hyperfollow/cepheidaevariable/primordial-reverie

    CD Album pre-order - https://cepheidaevariable.bandcamp.com/album/primordial-reverie​​

    Track Listing:
    1. Overture (3:11)
    2. Carving a Dragon (4:04)
    3. The Waiting Storm (3:13)
    4. Zephyr of Ouroboros (9:15)
    5. Encounter (5:53)
    6. The Conduit (6:03)
    7. Chromatic Haven (5:11)
    8. Entropic Harvester (10:27)
    9. Singularity (11:32)
    Album Length: 58:53

    For more info: https://cepheidaevariable.com/

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  • LOUD AS HELL OPEN AIR FESTIVAL Opens Band Submissions For 2026 Line Up - Camping & Extreme Music In Alberta's Badlands

    Set against the rugged backdrop of Alberta’s badlands, where sculpted sandstone, wind-carved hoodoos, and sweeping canyons dominate the landscape, Canada’s most decibel-breaking extreme music gathering, the Loud As Hell Open Air Festival, returns for its 14th edition in 2026. From July 31st to August 2nd, Drumheller’s Dinosaurs Down Stampede will erupt with the ferocity of rising Canadian and international metal acts, roaring through the heart of the nation’s largest dinosaur fossil beds.

    Band submissions for the 2026 edition officially open on October 1st and will be accepted until October 31st. This is your band's chance to join one of the loudest and most brutal festivals in Canada, where underground talent meets prehistoric fury.

    Bands interested in performing can apply at the following link: https://loudashell.ca/

    Early Bird tickets go on sale December 1st, 2026. Don’t miss your chance to lock in the loudest weekend of the summer at a killer price. Get ready for prehistoric heaviness and decibel-shattering performances in one of Canada’s most surreal landscapes. Loud As Hell is coming… and it’s going to be louder than ever.

    The 2025 edition of Loud As Hell delivered three relentless days of headbanging, moshing, and pure metal chaos, featuring over 40 bands from Canada, the U.S., and Mexico. Acts like Revocation, Insurrection, First Fragment, Gorgatron, Filth, Opal in Sky, Judicator, Beguiler, Gore Pig, Spit On Your Grave, Hazzerd, Cyborg Octopus, and Thirteen Goats tore through the badlands with crushing performances. The festival even hosted a heavy metal wedding, adding a unique twist to the weekend’s sonic carnage.

    LAH 2025 Lineup Spotify Playlist – https://open.spotify.com/playlist/3cu3CgEX8n2g2MQbADNJmg

    Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

    In 2026, Loud As Hell returns for its 14th edition, presented by Loud As Hell Productions, Jurassic Ink Custom Tattoo, Prairie Fire Events, and Asher Media Relations. Renowned for delivering one of the most punishing lineups in Western Canada, the festival promises another unforgettable experience packed with crushing performances, freak shows, burlesque acts, clinics, vendors, and yes, dinosaurs. Loud As Hell isn’t just a festival. It’s a full-throttle celebration of metal mayhem.

    More info:
    LoudAsHell.ca
    Facebook.com/LoudAsHellFestival
    X: @LoudAsHellFest
    Instagram: @LoudAsHellFestival
    Social Media Hashtags #LAHXIV, #LAHOA, #LAHOA2026

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  • ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup - The Okanagan’s Ultimate Mountain Mosh Pit Returns

     

    Following a landmark celebration of 15 years of extreme metal in British Columbia’s Okanagan Valley, marked by record-breaking attendance and its most triumphant edition yet, ARMSTRONG METALFEST is officially set to return in 2026 on July 17th and 18th at the Hassen Arena, for two days of moshing, headbanging, and camping.

    Armstrong MetalFest’s 15th year of mountain moshing roared to life with a powerhouse 2025 lineup featuring BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM, and many more heavy hitters from across Canada and beyond. On July 11th and 12th, the town of Armstrong, BC, was transformed into a metal haven, complete with Yeti Games, the Metal Madness Market, and the chaos of Thrash Wrestling.

    Check out the Armstrong MetalFest 2025 Spotify playlist - https://spoti.fi/4i4u2OV

    Armstrong MetalFest has also released a promotional video that traces its journey from humble beginnings to becoming one of Canada’s premier metal festivals in British Columbia. Watch the full recap below.

    Band submissions for the 2026 edition of Armstrong MetalFest will be open from October 1st to 15th, inviting artists to become part of the next chapter in the festival’s legendary legacy.

    Interested bands can apply through the official portal: https://armstrongmetalfest.ca/band-submissions/

    "To close the night and the weekend, Born of Osiris delivered a high-octane headline set that tore the roof off. It was the perfect finale to an unforgettable weekend. When the last note rang out, it hit us — AMF 2025 was coming to a close. There's always that bittersweet feeling as you start packing up. But that's the beauty of this festival: it stays with you long after the amps cool down. Every year, Armstrong Metalfest brings together a community that truly loves heavy music. It's not just about bands and beer — it's about belonging. The friends you make, the moments you live, the memories that stick — they're why we keep coming back. If you've never been to AMF, consider this your sign. It's more than a music festival—it's a metal rite of passage. Once you go, it gets into your blood. We're already counting the days until the next one." - Stan Schinners of Broken Neck Radio / Absolute Underground Magazine (Live Review AMF 2025)

    Tickets for AMF 2026 will be announced at a later date, granting general admission and access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 17, 2026, until 10:00 AM on Sunday, July 18, 2026. Free camping is included.

    Please Note: Camping - RV / Non-Hookup RV / Vehicle Passes: Make sure to reserve your vehicle spot to get the best location on the grounds. A fee is required for a weekend pass per vehicle in addition to your day or weekend pass. RV hookups include water and power. If you choose to park your vehicle outside the camping area in the main parking lot, then a vehicle pass is not required.

    About:

    Since its inception in 2009 (with a brief hiatus in 2020 and 2021 due to the COVID-19 pandemic), West Metal Entertainment and Armstrong MetalFest have championed hundreds of local bands while welcoming renowned international acts to the quiet town of Armstrong, British Columbia.

    Every year, metalheads from across Canada and the U.S. converge on the scenic Okanagan Valley for three days of camping and two days packed with heavy metal mayhem. Under the blazing summer sun, fans revel in live performances, wrestling spectacles, scavenger hunts, and reconnecting with their extended metal family.

    Armstrong MetalFest has hosted legendary headliners like Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, Warbringer, Fallujah, Striker, and Beyond Creation, alongside rising stars from across North America. And when the final riff fades, the festival vanishes without a trace, leaving the landscape as untouched as it was before.

    West Metal Entertainment, a non-profit society, not only produces Armstrong MetalFest annually but also supports the regional music scene by organizing performances at various venues, including all-ages shows, to inspire musical passion in both youth and adults.

    For more info:
    http://www.armstrongmetalfest.ca/

    https://www.facebook.com/armstrongmetalfest/

    https://www.instagram.com/armstrongmetalfest/

    ​https://x.com/amfcanada

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  • A Sonic Journey of Years Past with LITTLE KING's 8th Studio Album "Lente Viviente"

     

    After nearly three decades of pushing musical boundaries, Little King returns with their most ambitious and emotionally resonant release to date, "Lente Viviente," set for release on all major platforms on September 26th.

    Before the album officially drops, the trio has teamed up with V13.net for the full-stream premiere, which can be heard HERE.

    Described by frontman and songwriter Ryan Rosoff as “Musical DMT,” "Lente Viviente" is a seven-track suite of “micro-epics” that blend progressive rock, melodic hooks, and heavy riffs into a tightly woven tapestry of sound and sentiment.

    “A true listening experience should hit all the notes… sometimes contemplative, sometimes raging, but always engaged and honest. We feel like this record is the highlight of our 28 years of making music,” says Rosoff.



    With Dave Hamilton (bass, cello) and Tony Bojorquez (drums), and a fresh studio environment, Little King has elevated their sound to new heights. The result is a dynamic, melodic, progressive, heavy rock experience that’s both cerebral and heartfelt.

    From the first note to the last, "Lente Viviente" invites listeners on a short but mind-blowing journey. The album’s dynamic range and textured performances are designed to push and pull, offering music for both the head and the heart. Each track stands alone yet contributes to a larger narrative arc, one that explores themes of identity, aging, addiction, immigration, and the fragile balance between strength and vulnerability.



    Lyrically, the album draws inspiration from Rosoff’s work with LivingLens Memoirs, his video memoir production company. The title itself, Spanish for “Living Lens,” is a nod to the interplay between memory and presence, perception and truth. Songs like “Catch and Release,” “Who’s Illegal?” and “Kindness for Weakness” reflect Rosoff’s background in creative writing and his deep commitment to storytelling through sound.

    For the first time in Little King’s history, all three band members appear on the album cover. The artwork, centered around themes of reflection and perception, features a crown slightly off-center, a metaphor for the imperfect balance between artist and audience. As Rosoff puts it, “One is left to wonder what the world looks like from behind the band’s side of the lens… what do they see?”

    A lean, powerful record that demands repeat listens, Little King's "Lente Viviente" is recommended for fans of Rush, Porcupine Tree, Pink Floyd, Muse, Led Zeppelin, and is available for pre-order/digital pre-save (out Sept 26th) at https://show.co/nI24kSK

    Track Listing:
    1. Catch and Release - 3:22
    2. Dawn Villa - 3:42
    3. Who’s Illegal? - 3:56
    4. Kindness for Weakness - 3:21
    5. Sweet Jessie James - 2:42
    6. Pass Through Filters - 4:50
    7. The Living Lens - 3:37
    Album Length: 25:34

    For more infoLittleKingtunes.com

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