CORDYCEPS CORPSE Unleashes Video “Forced Out of Existence” From New Album “Perverse Craving For Rotting Corpses” Out Oct 2026
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Ohio’s one‑woman brutal death metal force Cordyceps Corpse, the grotesque creation of multi‑instrumentalist Nani Porter, is set to unleash her most violent and ambitious work yet. "Perverse Craving For Rotting Corpses," the project’s second full‑length album, due out on October 9th, 2026 from Gore House Productions, drags listeners deeper into a world of chaos, contrast, and pure sonic depravity.
With today's album announcement, Cordyceps Corpse unleashes the album’s first single and music video, “Forced Out of Existence,”.
"This song starts with slow, held-out chords, then gets into the slams. Lyrically, I just wanted to write something wild and kinda fried. I think I accomplished that, haha," adds Porter.
Formed in late 2023 when Porter decided “f*ck it, I’ll do it myself,” Cordyceps Corpse began as a solo experiment in fast, filthy brutality. After years of producing beats for others, she turned impatience into inspiration, recording the project’s first single in her bedroom and immediately carving out a place in the underground.
Following the Gore House Productions reissue of her debut "From Flesh To Fluids," Porter dove headfirst into crafting its successor. In a whirlwind month‑and‑a‑half writing spree, she composed 26 songs, ultimately distilling the carnage into 11 tracks that feel like watching a truly fucked‑up movie unfold in audio form.
"Perverse Craving For Rotting Corpses" pushes Cordyceps Corpse’s sound into new extremes, faster, filthier, more technical, and more cinematic. The album’s 11 tracks explore murder, gore, supernatural serial killers, cannibalism, torture, revenge, bodily destruction, and surreal horror, all delivered with Porter’s unique mix of chaos and groove. From the opening track’s "Aileen Wuornos" interview sample to the piss‑drinking anthem “Urophagia,” each song pushes the boundaries of slam and brutal death metal.
Lyrically, the album marks a major shift. Instead of pure guttural rhythm, Porter wrote full narratives inspired by crime interrogation footage, horror films, Darby Valentine videos, and the grim psychology of figures like Aileen Wuornos. The album unfolds like the twisted diary of a Glock‑loving, necrophilic, cannibalistic misandrist woman who grows more powerful with every victim she consumes, flipping the genre’s typical violence dynamic on its head.
"This album dives more into the 90’s/2000’s brutal death metal sound. I really think that era was peak for bdm and slam. I focused on writing a little bit more technical riffs than just straight slam riffs. I feel like it gets to a point where if a song is nothing but slams, it starts to sound like the next song. I think what makes a slam riff hit is context. Like a basic ass slam riff sounds cool as f*ck after crazy fast riffs or whatever. 90’s/2000’s era, I feel, does this well with like switching stuff off and just being fast too," says Porter.
The album artwork, created by Adam Nevler (GruesomeGraphx), captures the record’s gruesome cinematic energy in a single disturbing image.
Fast, brutal, gross, and gruesome, "Perverse Craving For Rotting Corpses" is recommended for fans of Devourment, .357 Homicide, Cephalotripsy, Kraanium, and Corpse Pile, and will be available digitally and on cassette from Gore House Productions on October 9th, 2026.
Digital pre-save / Cassette pre-order - https://orcd.co/perverse-craving-for-rotting-corpses
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More info:
https://gorehouseproductions.com/
https://www.facebook.com/profile.php?id=61580310663974
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