ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Single "Hurt Beyond Healing"
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Apocalyptic death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE) has announced the release of “Hurt Beyond Healing,” the first single from their upcoming full‑length album "Fugue Gnawed from the Scabbed God Cerebrum," out April 3, 2026, through Gore House Productions.
The track marks the beginning of a new era for the multinational trio, Canadian guitarist Alice Simard, Australian vocalist Jesse Agiomamitis, and German multi‑instrumentalist Popu, whose sound has evolved from raw goregrind origins into something far more calculated, dissonant, and otherworldly.
“We chose Hurt Beyond Healing because it’s one of the more straightforward tracks on the record. It still carries our weirder elements, but it gives listeners a taste of the brutality before the rest of the LP throws them into far stranger territory,” says vocalist Jesse Agiomamitis.
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"Fugue Gnawed from the Scabbed God Cerebrum" is OxE’s most ambitious and punishing work to date, a labyrinth of warped synths, alien textures, and meticulously crafted brutality. Musically, the album pushes the band deeper into experimental territory, drawing inspiration from releases such as Nithing’s "Agonal Hymns" and Dripping’s "Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss."
“The LP is definitely the most experimental OxE release so far. Between the carnage of the main instrumentals are layers of synths and organic instrumentation that have been sonically destroyed to give everything an alien feel,” says Popu.
Lyrically, the album follows a cryptic conceptual arc centered around a mythic “godslayer” figure, an entity on a cosmic, God‑of‑War‑esque rampage through the universe. The narrative mirrors the album’s emotional core: cold, calculated violence intertwined with themes of mental illness, mythological annihilation, and existential dread.
For the album's artwork, the band once again collaborated with acclaimed artist Mei Maro, whose surreal, folklore‑infused style visually captures the album’s fusion of myth, brutality, and psychological distortion.
“We wanted something that represented all of our combined influences. Mei always delivers something incredible, and this piece ties together everything we explored on the record,” adds the band.
The album’s eleven songs carve out a relentless and disorienting sonic journey. It opens with “Conquering Divinity,” a chaotic, myth‑laden assault designed to immediately destabilize the listener. “Gutted & Corpsed” delivers ferocious blasting, inhuman vocal textures, and a plunge into an underworld‑like atmosphere. “Heaven’s Empty Halls” shifts into eerie, dungeon‑synth‑infused territory, setting the stage for the album’s final descent. The closer, “Forged in the Blackest Reaches of Blasphemy,” ties the record together with a melodic yet brutal homage to the band’s key influences. Across the journey, from the twisted melodicism of “Apotheotic Apotemnophilia” to the crushing weight of “Entombed Within the Infinite Panopticon,” the album balances experimentation with the visceral heaviness fans expect.
"With this album, we’ve done what we’ve always done, simply better. We don’t want to stray too far from our original DNA, from what makes the band who we are, but there’s always going to be progression in some direction. This record marks our longest gap between releases, which isn’t something we had in mind, but great art can’t be rushed out the door, and while it may have taken some time to materialize, I’m certain that this record will be everything fans have wanted and then some, because it certainly was for us. Each album is a learning process, and I feel as though these new tracks we’ve got, more than anything else we’ve made, have taught us invaluable lessons about who we are as people, and just how much we love music and the creative process," says vocalist Jesse.
Formed in Quebec City, OxE began as a solo project by guitarist Alice Simard, who sought to explore heavier, more grotesque sonic territory. After recruiting vocalist Jesse Agiomamitis in 2019 and later joining forces with German musician Popu, the project evolved into a fully collaborative, internationally connected force.
Their sound, described by the band as Inhuman, Unnerving, Calculated, Chaotic, Apocalyptic, draws from brutal death metal, black metal, avant‑garde experimentation, and a wide range of non‑musical influences, including Dark Souls, NieR, Berserk, Evangelion, and global mythology.
For Fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE's "Fugue Gnawed from the Scabbed God Cerebrum" is available on CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum
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Track Listing:
1. Conquering Divinity - 3:17
2. The Fallen Lament, Paralytikus Ascends - 1:21
3. Severing What Makes Me Human - 2:41
4. Apotheotic Apotemnophilia - 3:03
5. Entombed Within the Infinite Panopticon - 2:23
6. Gutted & Corpsed - 3:05
7. Heaven's Empty Halls - 5:13
8. Hurt Beyond Healing - 2:33
9. Abyssikataplexika - 2:35
10. Vile Verses Flogged into the Wings of Angels - 1:23
11. Forged in the Blackest Reaches of Blasphemy - 4:58
Album Length: 32:32
ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals
More info:
https://gorehouseproductions.com/
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